Everyone Asks Me to Be the Emperor

This book is a slow-burning one, and I think it's okay. It's probably the best one I've read among the many late Ming Dynasty books. Complaining about other books, the protagonists and supporting characters are all tool people. Some may have some personality at first, but later they all become tool people. This book handles it very well. The protagonists, Taoist Ma and Wukong, all have distinct personalities. The protagonist and other characters have little thoughts all the time. This is the biggest highlight of this book. Other late Ming Dynasty novels, you can basically read the first few hundred chapters, but the rest is boring as hell. You just kill a few people and you get the money. All your subordinates are capable, loyal, and able to figure out what their superiors want. Building a technology tree is like cheating. In some books, the firearms assembly line has been completed in a few months. The protagonist can just mention a few ideas, and a few "scientific bosses" can complete them in minutes. Fighting a battle is mostly a push. After all, if the technology tree is cheated, it will definitely be crushed. Forget about the generals, all the soldiers under his command are fearless and will not surrender. Although I won't write that much in detail, and I won't write that many trivial things, but once the main and supporting characters are all tool men, it looks really boring. This book is handled very well. Although the protagonist is currently a rebel and has no access to these things, I think the part about building cannons is a bit cheating. However, later on, it is stated that the Ming Army's Red Yi cannon is much stronger than the protagonist's, which I think is acceptable. It is better than some red Yi cannons that explode every minute. I think the sworn relationship part is okay. The protagonist's wild father recognizes him, and it's okay to recognize his two brothers. Being thick-skinned is also part of the protagonist's character. Many people may not be able to accept it, but I think it's okay. Anyway, I hope the author will continue to do so. I'm currently in a book shortage and it's not interesting to read anything. I look forward to updating it every day 😁

Like this article! ! ! I stayed up late to read it in one sitting! Waiting for the author's update, I saw this article on the book list recommendation. I came here to take a look out of curiosity about Liu Xiu-like characters.          ，，，，，，，，，，()              ，，，，    Finally! ! Highlight this style of painting! ! I love the Ming and Qing vernacular novels, I love them. The first half, which is more literary, is great, but the second half may be more in line with the public's taste, and it feels good! Hmm, I can't think of anything else to say, so I'll just encourage the author, come on, you are the fattest!

The creativity is good, but the writing is too elegant. They are a group of peasants who are rebelling, and their language should be more vulgar to fit the character's image.

At first glance at the title of this book, I thought it was a nonsensical and funny book. But after reading it carefully, I found that hidden behind the seemingly absurd plot are the author's meticulous and reasonable arrangements. Combined with the historical environment of the late Ming Dynasty, it is even more surprising that in an environment of institutional collapse, reality often transcends ordinary people's imagination. No matter how absurd things are, they seem reasonable and reasonable under those historical conditions. For example, in modern times, a few years ago, could you imagine that the president of the United States would say that he drank disinfectant to fight the virus? Can you imagine Sweden giving up isolation and implementing herd immunity for the sake of the economy and sacrificing countless lives? All the chaos during the epidemic can be called absurd, but these are realities that do happen. This is the charm of this book. It can write all kinds of incredible plots in a reasonable and reasonable way. There are many authors in Qidian who can do this, but there are really few authors in the historical area who can do it. Historical time travel novels are more reasonable than other types. Many books in the historical area are either opened randomly for the sake of fun, which greatly reduces the rationality of the plot; or in order to fit in with history, the plot is dry and has no reading experience. It's so hard to find a good book in the historical district.

The author's monthly subscription is still too small, and he lacks popularity. The work itself is very good. To put it bluntly, it exceeds 4/5 of the current time travel literature.

I read it all night, and it was really well written. When I went to the book review section, I saw the author saying that it was his first time writing a book, and I felt very happy. Then I have a few words to say to the author. First, I hope that the author will stick to himself. Whether it is classical Chinese or vernacular, the most important thing is which one can make you more comfortable. Which one can best express the story in your heart? After all, there are so many readers, and most of them are Picky. You write in vernacular. Some people think you are too white and tasteless. When you write in classical Chinese, they also think you are obscure and difficult to understand. The reading experience is poor. But in the end, it is you who writes the novel. The most important thing is the story itself. The second is the problem of subordinates. The novel has 400,000 words so far. The protagonist has more and more subordinates. There are too many bed warmers to fit in the bed. The protagonist has not encountered many setbacks along the way. This person There are too many relationships to write about. If you don't write about relationships and suddenly pick up a general to lead the army, readers will probably have to ask who it is in the post. Without frustration, it can't reflect the comradeship between the subordinates and the protagonist. Find an appropriate opportunity to kill some unimportant characters to sacrifice to the heavens to condense the comradeship of the protagonist team. Otherwise, it will always feel like a tree fell down and the hozen was scattered Thirdly, the author really hopes that he himself There are drafted outlines. Many new authors have good creativity and writing skills. Their new books are popular. There are also many who directly embark on the path of writing books. But most of them are indeed dead in the middle. There are many reasons, but the outline is not done well or even not done at all. Writing a historical novel outline is even more important.

I have read a lot of novels from the late Ming Dynasty, and they are considered to be rare good books. IQ is online, the three views are correct, and it is also interesting. Just don't be a concubine.

The protagonist recognizes his eldest brother and really persuades him to quit. Even if you want to imitate Liu Bei, you have to look at the situation between the protagonist and Liu Bei at that time. Liu Bei is a white man, and he can't win over others to start a career with him except for sworn sworn friendship. The protagonist has thousands of subordinates. Chen is still the protagonist's subordinate at this time. His subordinate just made a mistake, and then the protagonist thinks that he has the ability and recognizes him as his eldest brother. How can this logic be problematic? Chen and Xiao Gang improperly hunted the tiger, causing the protagonist to be injured. As a symbolic punishment, they had to sworn sworn brothers and recognize them as their eldest brothers. What did the other subordinates think of this? The most important thing is that Liu Bei is the eldest brother himself. How can he be the boss and rush to be the younger brother for his subordinates? Moreover, these two people are not historical celebrities, and their abilities have not been proven. It might be acceptable to replace them with someone like Yue Fei. According to the author's logic, as the team grows in the future, as long as there is someone with a little ability, will the protagonist really recognize the big brother? Of course, later on, the author may want to create an image of the two of them living together, so the protagonist wants to win them over like this, but it is really inappropriate at this time, especially when the two are hunters and a wanted criminal who has just given other subordinates a bad image in doing things. After being punished, he immediately became the boss's big brother again. Any subordinate who has a little bit of care in the front will feel resentful, which is not conducive to the image of the protagonist at all. Forget it, that's all. Anyway, when I saw these two people calling the protagonist the third brother, I got confused and confused, and it became unreasonable to read it in one sitting. . .

It is written like a biography of an emperor, with vivid characters, interesting plots and appropriate details. This is a divine book.

As a time traveler, the butterfly effect caused by the protagonist is already very large. Is it possible that the following part does not completely follow the historical trend? For example, most time travel novels about Chongzhen have to hang a tree with a crooked neck. Like the protagonist, it can also be written that Chongzhen was unwilling and ran away to the south to establish Nanming, or that he was seeking death and was knocked unconscious by the eunuch and was taken away, or that the prince ran away. Historical development will definitely change this situation greatly. For example, Li Zicheng and others caused harm to the south, leading to armed resistance supported by local powerful people. This would lead to chaos in the south, or Nanming's army would not be vulnerable.

It doesn't feel right. Isn't it because the poor people in the late Ming Dynasty were so miserable because of the exploitation by landlords, wealthy officials, and clans? As a result, the protagonist conquers the world, but it is the same group of people who govern the world? Is it equivalent to changing only one emperor? Didn't change anything else?

I guess the quarrel with my wife was probably due to financial reasons, and the results of this book were indeed not very good. But this book is really well written, very groundbreaking in historical writing, and it doesn't have those disgusting routines. It can be called a breath of fresh air in historical writing. It can be seen that the author put a lot of thought into the concept and writing. It would be a pity to give up like this. In fact, instead of doing full-time work, it's not bad to do part-time updates as a hobby. On the one hand, this income is not much for a full-time job, but it is still good to make some extra money. On the other hand, being able to finish a book with your own hands, especially a book that is highly rated and can be called a work, is something that most people cannot do in their lifetime. It is very meaningful to life and cannot be compared with other higher-paying but muddled jobs. In the future, you can update weekly or monthly, it doesn't matter. If you still feel pressure to write two chapters a week, then write two chapters a month. But I hope the author can agree on the frequency of updates with everyone. As long as you stick to it, you can always finish the book. But if you just rely on interest, you will most likely become a eunuch in the end, which is a pity for such a thoughtful work. I personally don't have much ability, but as long as the author can agree with us how often to update, I can guarantee that I will reward 100 points for each updated chapter until the book is completed. It doesn't matter if you write slower, as long as you don't have to be supervised. I also hope that other readers will join me and give more rewards so that the author's hobby can be maintained.

No wonder the score of this book is not good, the pacing is very poorly controlled. Whether Li Zicheng entered Luoyang or Zhang Xianzhong entered Wuchang, they both conquered big cities and then grew rapidly, and ended up with the protagonist. After the capture of Luoyang, the situation became more and more dangerous, and everyone had their throats cut. What's the point of fighting Luoyang? It's really better not to fight at all

The author needs to know why people come to read your novel. Everyone is not here to see you write a story where the protagonist has a harem! Henan was just taken down. How many women are there in the protagonist? Seeing the previous one, the pattern is too small! Didn't the author find that it's easy to destroy the protagonist's character when you write about women? The plot where the main character is in heat is too much to persuade him to quit!

The author writes well about war. The most annoying thing about novels in the late Ming Dynasty is standing in a military position and using a spear to fight all the invincible enemies in the world. That kind of thing has no military knowledge at all. Only those who have played a horse-killing game know how terrifying the cavalry is. No matter how elite the infantry is, they can only defend in front of the cavalry. , The worst thing is to be dragged away by cavalry, and many authors have no concept of military strength. One word is tens of thousands or tens of thousands. When playing a game, more than 200 cavalry are overwhelming. If they are all horse archers, it will be like rain of arrows, and the shield soldiers can shoot up their big shields.

The more I read, the more I feel that the author has read the history of the Ming Dynasty and studied the information in detail. The names of the people are similar to those recorded in the history of the Ming Dynasty. They are also consistent with the background of the author's writing. I am especially interested in geography and searched it out. The location of Liaozhou is indeed a link between the previous and the following. From each chapter of the author, you can see that he is writing seriously. Although the title of the book is not rigorous, the content is still relatively consistent with history. I hope the author doesn't want eunuchs

I couldn't bear to see the sworn people. It doesn't mean that the protagonist can't become a sworn sworn brother, or be a younger brother. But you cannot divide the team and destroy unity. What does it mean to make friends with people in order to recruit talents? Anyone who co-authors and is not sworn to the protagonist is trash, not a talent. If the protagonist wants to befriend each other, he or she must befriend all the bosses in the team, instead of being befriended by certain people individually. The ones who joined the gang later became sworn brothers with the lord. What about the elders who came first? How to behave when we meet each other? I still look down on Wagang Yiluoxiang, Wagang's sworn brotherhood is much better than the protagonist's sworn brotherhood. Jia Liulou's sworn alliances include officials and bandits, hot chicks and masters, some have good relationships, and some have conflicts with each other, but they still swore together, they are all brothers, and there is no telling who is sworn with whom individually. Why? Maintain team unity. Cheng Yaojin, who later became the protagonist, was not the eldest brother, so there was no problem at all. The poisonous point of the protagonist's sworn sworn relationship is not that he is the younger brother, but that it destroys the unity of the team.

After reading about a hundred chapters, this book is quite good. Why is the score so poor? It's unscientific. Is there a grudge between the author and the editor? As long as there is some recommendation, it is not enough. The quality is here.

This book has been read by too few people. It is a very good book. I always feel that there is no historical text from Qidian that can compare with it (from my personal point of view, some history books are either weak vernacular or have problems with logic. Although this book has slight shortcomings at the beginning, it does not affect the logic of the whole book. The author has a profound historical background, and the plot is both consistent with historical facts and not lacking in innovation). The writing is impeccable, and the plot has twists and turns without lacking in excitement. The character creation is even better, and the relationship between the king and his subjects is vividly demonstrated. I suggest book lovers not to miss such a good book. In particular, there are not many emperor-style novels of good quality 🤓🤓🤓

Recently, a reader asked if I could draw some maps to help everyone understand the plot, so I set up this building. My level is limited and the map is a bit simple, I hope you can understand. If any readers with good drawing skills can help, the author will be grateful!

After catching up to this point, I only have one thing to say: This is a good book that is delayed by the title. The other thing is that the author should speed up the progress and update more than once a day. One update or two updates are not enough. I plan to raise it for a month and then kill it next month. I hope I can raise a fat pig with a hundred chapters by this time next month. 😄

Alas, if you don't have that diamond, don't take the porcelain job. You might as well forget about it. It's so embarrassing. There are so many historical masters from Qidian who write their books in vernacular, and they can write well just the same, so why bother?

(Every ten chapters) Gaozu was born with a strange appearance, just like Shun, with his hands lowered above his knees. His mother was ordered to give birth to the emperor and returned. The emperor was in the countryside and did nothing in the secular world. The villagers thought it was strange. When Ma Xiangshi traveled around the world as a Taoist, he saw Gaozu being eight feet long and had a strange face. He was shocked: Shun Xiang, the emperor's order! So he assisted. Now that he is in prison, he looks calm and majestic. He talks about the deeds of ancient kings and expresses his grand plans in a generous and powerful manner! The prison head was surprised at the first sight, and realized that the emperor's appearance was extraordinary. It was only when he went out to the east city in the evening that he met Ma Xiang, and then he knew that destiny was in his hands, so he tried his best to save him. After he came out, he made friends with the powerful and was entrusted with the task of transporting grain. However, at that time, people were corrupt and disrupted power. The rich had thousands of hectares of fertile land and the poor had no place to stand Chen Sheng and others were everywhere. I met Sun Hou on the way. Sun Hou was blocking the road to make a living. He was nine feet tall and burly in stature. The emperor came out and made him a general. To the Guangwu Mausoleum of Han Dynasty Let's make up the beginning first, occupy the pit, and write it tomorrow

4 Monthly votes have been cast, please add more. The progress of the plot has been a bit slow recently. It is best to delete some branch lines that will not affect it. Historical articles mainly focus on wars and political intrigues. If it is not easy to write, you can write about farming. It is best not to have too much space for emotional lines. After conquering the world in the later stage, I still want to see the colonial world. Grasp the rhythm well and speed up the timeline appropriately, but not too fast. If it is too fast, you will easily lose touch with the previous step.

Without financial support from the South, relying on the broken North to fight deep into the Northeast, and even going north to fight Mao Zi, is this army super evolved and able to eat grass? It is becoming more and more nonsense.

The author's writing is very good. Although he is a novice writer, he does not have the same routines and irrigation as most veteran writers. I read every sentence seriously. It was refreshing and it didn't feel like I was reading an online article.

Please change the title and introduction of the book. The book and introduction are written in a simple way, but the content is not. Is there anyone out there? Crowdfund the author and give him some suggestions.

I will only talk about the shortcomings: 1. The ink is scratched, and many chapters are just watering down: 2. There are too many women, which is disgusting, and they all have to occupy the scene.

I really like this book and have ordered it all. I hope the author will work hard and ensure the quality until the end.

A popular science question about carriages First of all, the load of a carriage depends on whether the horse can pull it. The maximum load capacity of a single-horse two-wheeled carriage in China in the 1980s was only about 500 kilograms. The advantage was that it had strong road adaptability. The maximum load capacity of a two-horse four-wheeled carriage during the Napoleonic period was 1.5 Tons, but the road requirements were high, and the rammed earth roads in ancient China could not withstand the high wheel pressure. In addition, freight carriages do not need to consider speed and shock absorption. European and American four-wheel freight carriages also have very long rear compartments. The purpose is to roughly balance the weight of the front and rear compartments after loading the cargo, and reduce the pressure of the cargo box on the front steering axle.