Captain Levi’s Journey Across Anime Worlds

Although it is not finished yet, it does not prevent me from summarizing (￣y▽￣)! ! !

Writing taboos First, you must persevere. Don't give up midway, eunuch or be a bad star. It's normal to not be able to update according to the deadline, but never give up. Second, don't be afraid of poor writing. For writing fan fiction, it is enough to clearly describe the cause and effect of the matter. The person who writes it is not a professional writer after all. Real professional writers probably can't write fan fiction. Third, the plot of the original story can be abbreviated, but it cannot be omitted . For the original plot that is considered unimportant, it must be briefly described and the past cannot be omitted. What you want to write is a complete story, not a diary. At the very least, people who have not seen the original work should be able to roughly understand what happened in the middle. Fourth, try to enrich the description of daily life, psychology, body movements, psychological expressions, enemy and friend, and other multi-angle plots. The original story estimates can be appropriately modified or extended, but he must pay attention to propriety, because most readers of fan fiction sometimes will not go too far to see the plot that the author has worked hard to create. When seeing such a strange children's day, most people will choose to skip it. It is okay to change the original plot, but it cannot be done in one stroke Fifth, except for the protagonist and supporting characters, the author's fictional characters should not exceed his or her control over the plot. If there are too many characters in a certain work that are not in the original story, it will be difficult for readers to accept and they will not be able to figure out the relationship between the characters. It is recommended to think twice before acting. Necessary characters can be fictionalized, but the scale should be controlled within your own overall story concept. New fictional characters should have prototypes as much as possible so that readers can adapt as quickly as possible. Sixth, be able to withstand the abuse and stick to the principles. The psychological quality must be good. No matter how you write, you will be criticized, scolded, intimidated, ridiculed... The work is your own, and you must insist on your own creation. Let those who curse die. Seventh, try not to wear random clothes. In a work, try not to include characters from other works, except for comic novels. You can also learn from the plots, skills, character prototypes, etc. Of other works. Eighth, the setting should be clear. For some unique settings, explain them in the story rather than writing them in related documents. Many readers don't look at the relevant settings. Ninth, YY is the kingly way, don't be afraid of criticism. Without YY, fan fiction would have no meaning in writing. It is precisely because of YY that it can attract people's attention. Tenth, don't go back. Unless there is a flaw, don't go back and make changes. It is advisable to continue writing, and do not follow the advice of some readers and go back to drastically change the plot. Eleventh, what you like is the most important thing. If you create or adapt a story with characters you don't like, the fan fiction will lose its vitality. Twelfth, don't be afraid to overturn the original settings and deliver packages. Many novels and animations constantly overturn their own settings. A story without flaws is incomplete. Thirteenth, the section should be clear, and avoid not writing the title or having no section. The number of words in the title should be between 4 and 15 words. If the chapter is not clear, many readers will forget where they saw it last time after the author updates it. 14. The number of words in each chapter should be controlled at about 2000- 5000 words. Too short or too long will affect the reading effect 15. Try to explain the unfamiliar nouns, geography, etc. That appear in the novel. (This is copied)

Suggestion: The protagonist can recruit some powerful and popular characters in the current world who have no sense of belonging to the current time. For example, young girls, etc. . . Leave with the protagonist, as long as you don't expose the system to them (at the very least, don't connect their consciousness to the system and communicate directly with it). Captain Levi himself leads a small team. A commander without soldiers. . . 😎😎😎

Will the soldier commander finally return to the world of giants? I hope he can change this shit ending. Let the Survey Corps' sacrifice of heart be rewarded.

"That day the giants remembered the fear of being imprisoned in a wall of 1.7 Meters high"

Levi had a dream. He met his comrade-in-arms, his deceased comrade-in-arms. As soon as they met, he ran to Levi and asked: "Commander, is that damn female giant dead?" Levi...: "She... Became a hero..."

The protagonist is 1.6 Meters tall? Then I hope the protagonist will find a female lead who is 1.8 Meters tall. The height difference makes me feel uncomfortable just thinking about it.

I'm convinced by this system. Nowadays, I'm most annoyed by the system of playing around with the protagonist and the evil protagonist. It feels like it accounts for at least half of the system text. I don't know why a conscious system is written. Without this, it can't promote the development of the plot? Or is it simply that the author likes to amuse the protagonist?

Selega Yubitilia (セレジアユピティリア) Voice: Mikako Komatsu "If you want justice to become power, please stop having sweet dreams." The heroine of the fantasy robot animation "Rhapsody of Frogger". Karuya Rui (Kanoya Rui) Voice: Amamiya Ten "It has nothing to do with me whether this world will be destroyed or not" The protagonist of the robot animation "Monomagia". The pilot of the giant robot Gigasmachina. Meteora Estreshi (メテオラエスターライヒ) Voice: Inori Minase "If you don't know anything, then it would be more reassuring to welcome destruction without knowing anything." A sage who guides the protagonist in the open world RPG "Avacan of Remembrance" and serves as a librarian. Mirokuji Yuya (Mirokuji Yuya) Voice: Suzumura Kenichi "Whether you want to take action or not depends on your speed!" The final boss character of the comic "Enclosed Zone Underground -dark night-". Kouji Ma Mika Kou Shu Ma Mika (Kou Shu Mika) Voice: Murakawa Rii "Your world is a very excessive world where everyone is at war with each other. Don't you think that is wrong?" The protagonist of the magical girl animation "Magic Killer: Ma Mika" for little girls. Alicetria Fibrari (アリステリアフェブラリィ) Voice: Hikasa Yoko "I must save my world from the war" The princess who is the protagonist of the fantasy biography manga and animation "Scarlet Alicetrea". Blitz Tokar (ブリッツトーカー) Voiced by: Atsushi Ax "How about you try to look forward to the world a little more?" A character who appears in the manga and animation "codeBabylon" with a cyberpunk worldview. A bounty hunter who was once a criminal police officer. Tsukjoin Shinken (Tsukjoin Shinken) Voice: Sakamoto Maaya "You're lying, right? What's going on?" A character who appears in the legendary light novel and animation "Yorukōgōki". A person with unknown purpose. Hikayu Starga Voiced by: Shiina Natsukawa "Why, why, why does everyone know about me!!" The heroine of the beautiful girl game "Starry Sky☆Galaxy". Although he is timid, he is devoted to the person he likes.

When will the soldier commander return to the giant world? Kick Alan to death!