Return the Sword

I finally found a good book! It's not easy to find such a chivalrous book in the current Qidian atmosphere! Congratulations on the successful signing! Watch until the clouds open and the moon shines!

Although I don't have more than 100 chapters. I don't know what the protagonist's character in this book has to do with the introduction. The early stages of the book are good, but after experiencing so many lives and deaths, why is the protagonist still so childish, virginal, and idiotic?

After becoming a spiritual master, I finally started to get a little bit into the meaning of sword cultivation. Although the writing is a bit immature and the climax can never be repeated (every time I reach the climax, I can't always reach the highest point), but the overall readability is very good, the writing is excellent, and the characterization is remarkable. It is really a good book hidden deep in the sea of ​​​​Qidian books!

It's a pity that the first few dozen pictures are okay. What is written in the back is incomprehensible. It's not that the writing is not good. I feel that starting from the place where I killed someone or something, there are a lot of logical illogicalities. The logical illogicalities can be covered up if you write more comfortably. But no, let's not talk about the small places in the back, especially the mines. It's too imprudent for two people in the foundation-building stage to plan a major event for so many years. You have even killed a colleague in the foundation-building stage. Are you still afraid of killing another Qi practitioner who will kill you casually? And you don't dare to go back and look. It's about being afraid of powerful people. Even if there are powerful people, they will kill you for no reason? Moreover, the protagonist and his party could not guess that it was these two who were causing such outrageous things. You are the ones in charge of killing ghosts here. Let's not talk about the sudden formation failure. When it failed, I didn't even see the two of you. Isn't it just saying, "We did it, we did it." ? In order to make the protagonist leave, Taiyima forced it. Let's not talk about the spider. A person who wanted to kill you just a second ago, just because she is too pitiful or insane, forget it. You are justified in saying that keeping this spider is useful, but it is useless. Just because she was pitiful, you let go of the person who almost killed you a second ago. Let her go. Stop writing, you should be a screenwriter for Naughty Dog. There is also the plot of threatening the owner of the territory. I am the same, bah, not to mention the lawless environment of this interface. You, a person who has lived for so long and established a power in such a dark place, still treat the protagonist with a friendly attitude towards a person who threatens you to live in peace. Moreover, when the protagonist refused the marriage, they have only known each other for a few days. If you trust the protagonist so much, you are so silly and sweet, so you are the heroine. Moreover, you have been unable to kill the protagonist for so many years, and you have found so many people to kill spiders. Isn't it simple for you to find a few people to kill the protagonist? Is the protagonist your mistress? It doesn't bring you any benefit. Just because he has something in his hand that threatens you, you can develop peacefully with him. As a normal person, if someone threatens you with something, you would probably find a few people to kill them. To be able to establish such a big force, with your IQ, there must be many men out there. I haven't read it later, so I won't comment on it, above. The author should put more thought into the plot.

Call Shennong! What's going on? From the perspective of passers-by, is it fairy food or slightly poisonous?

Shen Nong is dead, a poisonous man is on his way! It's too poisonous. Let's change the name to "Wimpy Cultivation of Immortality"

I suggest you learn from the pre-processing and writing style of Shi Fang Wu Sheng. The writing is messy, and some places can be brushed off in one stroke. For example, you have to deliberately emphasize the qualifications of the protagonist, and then silently write something extraordinary. Ordinary people are poor and have not learned the essence. They do not rely on adventures and treasures to support their writing, but on their cautious nature, think twice about everything, and act with encouragement. Instead, you use a lot of writing to highlight the excellence of others, and then you raise your hand to the protagonist and look high on it. It's fine if you put it in Sha Giao Wen. But if you put it in your style of writing, you only need to adjust it once. If you adjust it too much, it will become a mess.

Shennongliu: The immortal cultivator was oppressed by the gangsters in the village and had no choice but to perform the spiritual victory method, and died of poisoning.

The introduction and the content are two different things. I didn't see a sword for a sword, I only saw the villain killing the protagonist without dying. Not only did the protagonist not take revenge, but he also took the initiative to be the villain's dog. He was still a dog for free, so cheap!!!

A person who is being chased by the top forces actually wants to cultivate steadily and doesn't run away when he is discovered. It seems that the top forces are no longer top.