The Great Immortal of Creation

The third chapter successfully persuaded me to quit. The protagonist, a beggar about 6 years old, asked the priest like he was interrogating a prisoner. What was even weirder was that the Taoist priest actually answered them one by one. I really can't figure out why there are so many good reviews.

Novice authors, please support me if you have tickets, and support me if you don't have tickets.

It's ridiculous to feel that there are no other laws in space. This world is too weak. Laws should be the foundation of the world. For example, if the Earth is a mass, the space is a mass, and the Mars is a mass, the differences between the three are very big. Then it is difficult to imagine how to send a probe to Mars.

Disadvantages or poisonous points 1. The Dragon Lord values ​​the protagonist and hopes that the protagonist can serve under him, and promises to provide resources to help the protagonist cultivate the soul, and then become the prime minister The protagonist said that he wanted to travel around the world, but refused. Why does the protagonist come out? Not practicing for resources? Not looking for opportunities? I wonder if the protagonist doesn't have a treasure on him, are he worried about being discovered? Rejection in order to travel around the world is really far-fetched and incomprehensible (I know it would be difficult for the author to write this, but this reason is really nonsense) 2. Why does the protagonist work so hard to support his subordinates? Skill resources, etc. I'm thinking that the protagonist travels around the world, encounters opportunities everywhere, and doesn't need subordinates. He turns his opportunities to get better treasures and more resources into treasure resources to help his subordinates. Is this a good person? 3. Chapter 49, Is Tao Weng successful in building the foundation? This can't be a typo, the mistake is outrageous 4. When writing about the realm of cultivation, I always like to write about the inedia of the foundation-building realm and the conviction of the foundation-building realm. Directly write that if you convince Qi Bigu, will you die? Are you afraid readers won't remember it? This is not just nonsense. Sometimes the author's writing style always makes people feel that foundation building is about admiring the lower realm, instead of foundation building being admiring the big realm of the three realms combined. Forcibly increase the difficulty of understanding.

There are a lot of minor points, but it is still readable if you ignore these. The problem is that the setting of the worldview almost copies the history and geography of ancient China. However, the Yuanshen monks are equivalent to nuclear weapons. How can such a small place be enough for them? Moreover, dynasties change every two to three hundred years, and the Northern and Southern Dynasties change every few decades. The whole world will be destroyed by Yuanshen monks...

Reading this novel, I feel that the main character has practiced the way of creation, and that he has lost all the psychology of being a human being, and he has cultivated more like a saint. At the beginning, he can still reach the present and middle and late chapters. His thoughts are comparable to those of Yi Xiaochuan in the myth, and are more extreme than him.

I just saw the appearance of the Liao people, especially when I saw the ghost generals of the Tang Dynasty summoned to help the Liao people kill the enemy, I felt poisonous. You and the Liao people have not yet decided on the master and subordinate. You have been accepted as a national advisor and will be rewarded based on your merits. Who is the master? Help them become bigger and support the enemy. Do you have any control methods?

I don't like the recent plot of Sanxian Mountain. The protagonist and Sanxian Mountain should have a cooperative relationship, right? The protagonist works for Sanxian Mountain several times, risking his life to deliberately take on tasks and confront a bunch of true kings. A gentleman does not stand under a dangerous wall! Several missions were like this, and the plot advancement was a bit deliberate.

Regardless of the plot or the characterization, this book is still good.

I read more than 200 chapters in one go, and I would like to express my own opinions: First, the description and personality of the characters, for example, the part where the protagonist holds the bow after winning, (Thanks a thousand thanks), I think this idiom should really not be used. What kind of things do we use this idiom? At least it's a life-saving grace, right? The protagonist joins Sanxian Mountain because of his achievements. It's just like when we go to work. I work for you and you pay me. It's not just food and no work. This is the first one. The second is a life-and-death bet. It's completely okay to let the protagonist join directly without discussing it with the protagonist. It was said that it was coercion, nor was it said that it was giving benefits to the protagonist in advance. No, mortals all know that a gentleman does not stand under a dangerous wall. Even if the True Lords of Yuanshen are optimistic about the protagonist, but in such a matter that involves his own life and death, the protagonist does not say anything and goes straight to the stage. Moreover, the object of the bet is still a party that the protagonist cannot mess with at the moment. The super power that rises up and wants to kill the protagonist quickly (the main plot is the confrontation between humans and monsters, and the object of the gambling battle is the demon court. The protagonist can be said to be invincible at the golden elixir stage at that time and is famous on both sides). There is a saying that the wind will destroy the wood that is beautiful in the forest. Oh, the protagonist is still a casual cultivator. To take a step back, If the Demon Ting is determined to kill the protagonist during the gambling fight, I think it is okay to pay a certain price based on the Demon Ting's background. At that time, even if the Yuanshen True Lords from Sanxian Mountain avenge the protagonist and kill one or two Yuanting True Lords from the Demon Ting, can I say that the protagonist is dead and the whole book is over? This is the second and third one. The protagonist is already a Jindan, a monk who is older than you, but is only a foundation-builder. If he calls you senior, it is not easy to bear, and he calls you a fellow Taoist. If the protagonist becomes a soul at 100 years old, and a 120-year-old foundation-builder monk calls you senior, does the protagonist also have to say that if the senior doesn't dare to be called a senior, we will call him a fellow Taoist??? I guess this is no longer modest.                                                                                                                                                                                                                                                                     <br        Finally, what I want to say is that writing about fairy tales is actually a test of the author's writing skills. Not only does it require a huge structure, but also countless content to fill it in. It can be seen that the author has worked hard, and I hope the author can write better and better.