I Am a Taoist Priest in America

Let me talk about my personal opinion. According to my taste, it is boring to see the Chinese section, Japanese section, and live broadcasts, and the settings of competing for beliefs and so on. It feels like it lowers the level of Taoism. And you can guess the following, there must be a Korean area and a Thai area. Maybe the plot of the Japanese ghost movie takes place in the Japanese area, the Korean movie takes place in the Korean area, and the European and American ghost movies take place in the European and American area. Well, how big is the United States? The Pacific Ocean is its inland sea.

The author wrote this book using the method of cultivating demons, which is to exchange spiritual energy for merit, change his identity to a Taoist priest, and just change his skin The author's intention in the first few chapters is to cultivate merit, and also talks about eliminating obsessions for female ghosts (Sakura Ghost) ) The next few chapters just treat merit as another currency, grabbing monsters without a bottom line, regardless of the life and death of civilians (the chapter of the Bone Killer woman crazyly implies that several civilians who died have a p relationship) This There is a big problem with this writing. Covering it with merit is actually taking the great medicine of the world to nourish oneself. Those who read the dark text cannot read it, and those who read the main text feel awkward when reading it It would be fine if this book was purely invincible, but this article is a Taoist text. It is not about putting on a Taoist robe and practicing Tai Chi and saying that you are a Taoist priest. Sanqing will not simply set up the golden finger to be so simple and crude. This is not training Taoist priests but cultivating demons

The title of the book attracted me, but the content dissuaded me. Let me tell you how I felt when I was attracted by the title of the book. I thought I could write about the daily life of an American Taoist priest, but it turned out not to be true. The author borrowed a false background just to avoid 404, and then created an original San Francisco, and then met a Japanese miko. The miko was still live broadcasting... It is completely unimaginable. The protagonist's daily life as a Taoist priest was skipped in one chapter. It was impossible to write the feeling of immortality at all, and the protagonist's way of pretending was also very stiff. Eh*▽*

Come on, hold on, don't jump like the last book

The little Taoist priest is a bit ruthless, but this is not the way of the righteous way. Unity can unite and unite the power of unity! Only then can we break the situation! Good reputation is important in Fried Rice Street! Of course, the more important thing is to have a brain! The Taoist priest in your novel has approached the path of magic.

Author, don't you think the name Huoyin-Yan has a bit of a bad vibe? Since it is a Taoist magic, why should it be named like a ninjutsu? You can copy it from Baidu, no trouble

Thoughts on Chapter 50. Everyone can read Chapter 50. This chapter persuaded me to quit. Maybe I don't agree with this kind of protagonist. In Chapter 50, it's not that the protagonist's attitude towards the enemy is problematic... But that what the protagonist does is not authentic, and there is no trace of a righteous person or Taoist righteousness at all. I still remember Daoxuan saying, "I would rather let go of the wrong killing, otherwise there is no difference between him and the devil." The protagonist is plotting to kill a monk, or when facing the common enemy of mankind, ghosts (zombies), how can such a protagonist not be poisonous?

☆*:.｡. O(≧▽≦)o .｡.:*☆

The protagonist is setting up a character. If you, the author, write it later, you will definitely get stuck, and it will be so painful that you end up being a eunuch.

Although the work is eunuch, I still give a recommendation. The subject matter is rare, and the author's writing logic is not bad. I guess he thought about the beginning but did not think about the follow-up, and his own ideas cannot support the subsequent development of the story.