I Have Fifty-Four Hero Cards

Why do you all practice blazing eyes and golden eyes? The blazing eyes and golden eyes are not supernatural powers, they are diseases. When I was in Laojun's furnace, my eyes were damaged by the smoke. A nice name is Fiery Eyes and Golden Eyes.

The writing is very good, the setting is very interesting, keep writing, Jiang Ye is very funny, I can see that the plot is slowly unfolding, take your time, don't rush, just don't collapse, also, I really like the female lead Gu Shishi, I hope there will be a single female lead.

Personally, I think it's enough to have Saitama. The main reason is that Saitama can easily become stronger and there is no upper limit. Other heroes can be written casually.

Looking at the introduction, there are a lot of abilities. In fact, one or two will be enough. Too many will make people feel confused. Like Saitama, it is easy to improve the strength and has a high growth limit. It is completely enough to defeat monsters.

It takes 10 near-deaths to reach 600%. The author is not good at math. Isn't it supposed to be ×1.6 Times after each near-death situation? 10 Times should be 1.6 To the 10th power, right? It should be rounded to 1100%, and the miscellaneous calculation is 600%.

All of them have been subscribed. I hope the author can write soon ╰(‵□′)╯ and all the recommendation votes will be given to you, the author. Come on!

Let me ask a question, the protagonist's physical strength is getting stronger and stronger, and the heroine doesn't practice, how can they have a child?

Saber is just a rank, not a single person😓

The author has a big failure, that is, he revealed all the hero cards at once without adding any restrictions. How to allocate the playing time and positioning of each hero will become very troublesome, especially when describing the strength of the hero. For example: if Saitama is too strong, the work will collapse, if Saitama is too weak, fans will be offended. Each hero is a distinctive character in each anime. How to depict the positioning and uniqueness of different heroes is also the primary issue that the author considers. For example: Saitama's uniqueness is that he can defeat the enemy with one punch every time. Is Saitama without "defeating the enemy with one punch" still the Saitama we imagined? Is it still the One Punch Man? Can we still use Saitama when the enemy is obviously stronger? Or in a certain situation, either the Flash or Saitama can be sent. Readers will ask, why send the Flash? Or why was Saitama sent? At this time, you can see the depth of an author's skills. A good author will think thoroughly in the early stage and will not take the initiative to dig holes for himself. However, the average author has not thought about this problem and sends whichever one they want. This step-by-step writing method can easily blur the focus, resulting in a loose structure of the work and a decrease in the overall readability. In fact, when planning the early writing structure, the author should add some restrictions to the protagonist. For example, although there are 54 hero cards, they cannot be used yet and need to meet specific conditions to unlock them. In this way, readers will not have so many opinions when it comes to "which hero needs to be used." If the author has imposed restrictions, he can also interact with readers in the comment area, for example: "Which hero do you want to unlock next?" In short, I found that I was still too young, and I accidentally ordered them all, forgetting to consider the overall structure and development of the work first. I can only hope that the author will consider it more completely when writing new works, so as to avoid many unnecessary problems. Of course, the author also has some good parts. For example, the author seems to be very good at conveying the emotions of the characters through delicate small movements. This part is quite a bonus. I would like to encourage the author. READER

Full booking plus three recommendation votes, I just ask you to say goodbye to eunuchs, it doesn't matter if you write slowly, hold on! Come on! !