Lingbo Ci of Yan Ge Xing

The writing is really good. I don't like watching women's videos, but because of the writing, I have to save it! You can check out "I Don't Want to Be a Big Devil". I'm not good at writing, so I can only make up the plot. .

Similar recommendations, bookmark it and read it when you have time 😁. The author is also seriously revising the text, which is good. I have seen that many authors will revise the text seriously.

After briefly reading it, I found that yes, although the poetry is good, it is elegant after all, and the novel is still better in a vulgar way. My personal opinion does not count. However, talents and beauties, once in a spring night, are the dreams of scholars for thousands of years. Come on, I wish you will become a god soon.

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It's not easy. I have to revise it again.

It's enough that I can't comment on the work. Regarding poetry, I would like to say a few more words here. First of all, regardless of numbers 1, 3, and 5, numbers 2, 4, and 6 clearly refer to couplets, or broad pairs, and work pairs cannot be messed up like this. This sentence was originally said casually by the Ming Dynasty monk, but it was regarded as a standard by later generations. The rhythm of poetry can be deduced according to the law of horse hoof rhyme. Relatively speaking, the rhythm is not too strict. Changes of pattern and twists are allowed. Even if it can get a famous sentence, it is acceptable to completely break out of the rhythm (such as "Yellow Crane Tower") But in comparison, the rhythm of poetry is almost harsh. Usually there can be no error in every word or sound, especially in Zhou Bangyan's poems. This has a lot to do with the customs of the Song people, so I won't go into details here. Generally speaking, it is not a problem whether to put meaning first or rhythm first. The problem is that the existence of rhythm is not a shackle. An important part of Chinese language is the beauty of phonology. Rhythm is a formula that perfectly brings out the beauty of phonology after sufficient research on phonology (first there is "Qie Yun", then there is the new style poetry of the Sui Dynasty, and finally It developed into modern poetry in the Tang Dynasty) Is it possible to escape from the rhythm itself? The answer is of course yes, but the premise is that the author must have extremely profound culture and accumulation, and can escape without damaging the beauty of phonology (such as the level of Li Bai, Du Fu, Bai Juyi, Su Shi, etc.), Otherwise it will not be beyond the rhythm, but nonsense.

Long time no see, how are you?