The Secret History of the Investiture of the Gods: I'm Not Daji

Preface "The Romance of the Gods" is a novel that I like very much. It was written in the Ming Dynasty. Legend has it that Xu Zhonglin wrote it after reading "Journey to the West". But because the original work was created a long time ago, the description and shaping of the characters are too flat and the characters have a single personality, which is not in line with the taste of modern people. As for the film and television works produced, they are either very faithful to the original work and the characters are not fleshed out enough; or they completely abandon the essence of the original work and change the story beyond recognition, so I have never been satisfied. After thinking about it for the past few years, I decided to write this book to tell the story of the gods in our modern way. In this book, I have recreated the main characters and classic story materials on the basis of being faithful to the original work. The method of reference is similar to the adaptation of comics by Marvel movies. I use the transformed classic characters to tell some familiar new stories. Whether this method can be liked by people, it will take time to prove. There are many unreasonable things in the original work, such as: Why did King Zhou, who was originally wise and powerful, appear to be mentally retarded after Daji entered the palace? Why did Fei Zhong and You Hun, who were originally from low status, suddenly rise to power? Why did all the ministers who were originally loyal suddenly unanimously condemn it? Why did the originally loyal Xibohou suddenly rebel after King Wen died? There are still many unsolved mysteries in the original work, such as: Who decided on the list of gods? What is the stance of Ran Deng Taoist in the chapter of Ten Jue Formations, and why did he deliberately sacrifice his life? Why did Manjusri and Samantabhadra in the book later become Buddhists? The well-known Taishang Laojun is Li Er in the Spring and Autumn Period, so who is Lao Tzu in the original work? I will try to interpret these ideas in my own way, and try my best to use my stories to bring fresh blood to the Fengshen IP. I believe that all good stories are constantly modified and improved by future generations. Maybe I don't do well, but I will try my best. Please give us your valuable opinions. Finally, I would like to add that some readers doubt that I am a man, but I am indeed a woman. Although I am a woman, I believe that my knowledge reserve, logic and imagination of story telling are no worse than those of boys. If you find that the story has flaws, you are welcome to make well-founded complaints. If you make good comments, I will be grateful. Finally, I would like to thank all the book friends for taking the time to listen to my story, and thank you for your support ❤️

First of all, I welcome you all to study this book. It is my honor. I am also a party-oriented person and treat everyone like family. There is nothing wrong with being sophisticated. If you are not sophisticated, you will not be able to bring yourself into the role and you will be out of place. Everyone is still arguing, but I think it is really unnecessary. Secondly, I would like to suggest that the direction of your research can be changed. My book is a companion of "Fengshen Yanyi", not "Zizhi Tongjian", so it is meaningless to use official history to study it. The original work of "The Romance of the Gods" is also not sophisticated. I mentioned this in the editor's note in Chapter 4. Those who are interested can read it. The charm of novels is that they can build us an illusory world that can justify itself. The story of my book is established in the illusory world of "Feng Shen Yan Yi". If we look at official history, it is actually meaningless. You can say that your setting here conflicts with Fengshen Yan and cannot be justified there. I will be very grateful for this. For example, "Journey to the West" is a recognized masterpiece, but there are many problems when studying official history. For example, in Journey to the West, it is said that Sun Wukong was suppressed under the Five Elements Mountain for 500 years. He was suppressed when Wang Mang usurped the Han Dynasty. Wang Mang usurped the Han Dynasty in 6 AD, and Tang Monk set out to study for scriptures in the 13th year of Zhenguan (official history is the first year of Zhenguan). The 13th year of Zhenguan is 639 AD. You can calculate the difference by yourself. It is obviously not 500 years. Also, when Tang Monk came back from Buddhist scriptures in the 27th year of Zhenguan, Li Shimin personally went to greet him. But in fact, Li Shimin died in the 23rd year of Zhenguan, so there was no 27th year in Zhenguan at all. There are many such examples, I won't list them all. But Journey to the West is still a great book because it can justify itself and build a logically perfect world. "The Romance of the Gods" is far inferior to "Journey to the West", and there are more things that cannot be justified. What I am doing now is to bring happiness to readers while doing my best to improve the world and try to make it better. Trying to use official history to interpret novels is like watching the movie "Superman", in which Superman saves mankind, but having to think about why he didn't come to save the Chinese when the Japanese invaded China. This is meaningless. I hope everyone likes this book and helps me improve it. Captain Teemo is on standby 🙏.

Let me reply to the questions of several book friends about why the protagonist didn't directly tell his parents to find Nuwa. 1. First of all, the protagonist's current core idea is to get rid of Su Daji's identity, and the second is to find Nuwa. She actually doesn't have much hope of finding Nuwa and returning to the modern world. She wants to escape, and even doesn't want to return to the Su family for the rest of her life. She wants to live as Huang Xue, with her family accompanying her. She can't get rid of her identity at all. 2. Secondly, the story is set in the Shang Dynasty. 3,000 Years ago, roads were underdeveloped. Jizhou was in Hebei and Nuwa Temple was in southern Shaanxi. The straight-line distance was more than 1,000 kilometers. The actual distance should be more than 3,000 kilometers. There were no carriages and we mainly relied on walking. It is harder than going to the United States now. 3. The protagonist and Ben do not know the specific names of places. Many cities were not formed at that time and had different names. The protagonist cannot tell the place at all and can only search blindly. 4. The society was backward at that time, and the depths of Daba Mountain where Pingli was located was a forbidden land for humans. Suppose that a 14-year-old girl who has never left home tells her family that she wants to go to a place that may take a year and has a five-star risk index to find a Nuwa temple in an unknown place. Which parent would agree? Do you think my analysis is logical?

I'm not Daji, I don't know supernatural powers, I just want brother Shang, perfect love

First of all, I would like to thank the readers who have collected and rewarded this book on Qidian these days. Thank you for your support. This is the greatest affirmation of my work. For me, the joy of writing lies in creating a new world. Maybe no book can be liked by everyone, but I have been working hard in this direction. I hope you can comment more and put forward your expectations. At the same time, you can also criticize and point out the bad points so that I can improve and improve this work. Please continue to persevere and I will write good works in return for you.

The poor writing style means a lack of common sense. I really can't accept the evil smile of that rough guy Zhao Gongming. The image of Zhao Gongming in the Five-Road God of Wealth New Year paintings has an angry look, a five-willow long beard, and a black face 🤫🤫🤫

After reading the latest chapters, I only have one thought: What Zhang Wuji said is indeed right, beautiful women really love to lie 🤭

Every day the male channel chooses the Faun, and the female channel chooses this one, two copies a day.

I saw some book friends raised some questions, so I will tell you some of my settings for this book. The first is the setting of combat power. I combined the original work and the games I have played, which is magic weapons>magic weapons>spells>martial arts. Magic weapons are all handed down from ancient times, so they are the most important. It seems that this is also the case in the original work. There is a completely different concept between the gods having magic weapons and those without magic weapons.                                                                                                                                                                 Gong Ming's character is actually very cautious, so he ran away. At that time, his feelings for the protagonist were not that strong. He was an earthly immortal and the protagonist was a mortal. Their identities were so different that feelings had to be accumulated slowly. Then there is the prototype of the protagonist before time travel. She is a friend of mine, an ordinary person, an urban white-collar worker, kind, strong, stubborn, and cowardly. I have an average academic qualification and am a junior college graduate from three colleges. I am basically scratching my head at university, and my knowledge base is not broad. I asked her a lot of questions specifically. Although she had watched the TV series "Fengshenbang", her impression was not deep. She only stayed on the basis of Nuwa, Daji, King Zhou, Yang Jian, Nezha Naohai, Jiang Ziya, God of Wealth Zhao Gongming, Paolao, Jiuchiroulin. She didn't remember the specific plot clearly. Huang Feihu had heard of it, but Huang Tianhua and Tu Xingsun didn't know. The reason why I chose her as the prototype is because I think she represents a large part of ordinary women today. I let her slowly transform and grow in the story, which will make readers feel more involved. Therefore, Huang Xue in the novel is not as powerful as the protagonists in most time-travel novels. She only slowly understands history and changes history. Her golden fingers are just some modern common sense. I think this will be more interesting. The above are some of Teemo's settings for this book. If you have any suggestions, you can leave a message on this post and we can discuss adjustments together. Everyone is welcome to leave a message in the circle. Because there are some problems with the APP, many chapter comments cannot be seen, and I cannot reply in time. Captain Teemo, on standby ✌️

It looks good, but Chaoge needs to do something. It's impossible that King Shang hasn't seen any clues in the past two years, otherwise it would be too bad.