The Queen Is My Black Moonlight

The more I read, the more I got hooked, but I didn't expect that it's over 2,000 chapters and it's not finished yet. The novel is very smooth, and the events are all related, so even though there are more than 2,000 chapters, it doesn't make me wonder why it's so long and I haven't finished it yet. I also like the author's language style very much. It is not the kind of text that shows off the writing, but serves the story. I like the heroine, and I become her fan every time I watch it. Every time I see the hero jealous, I want to yell, Zhao Yuanjing, be nicer to my Dai'er! I also like Ji Tangtang, it's so cool to see her quarrel with Zhao Yuanhe! Keep up the good work, author😆

Uh... I really can't stand it when I see 360. There are spoilers. If you don't like it, don't read it. Anyone who criticizes me will get backlash. The Duke's Mansion started off very well, but in the end, the prince and the prince went out to fight and finished the story aimlessly, so I just ignored it as if it was not important and wrote the outline. Chen Xueyan, who wanted to harm the prince's only son, was punished, but the eunuch who brought the matter to fruition was rescued and left the palace with two thousand taels of silver. Just think that he was protected by the aura of the powerful heroine. The emperor was too mentally retarded and only listened to what his concubine said, so he just thought he was really fatuous. The heroine's father was stunned by his few words, as if he were writing an outline, and just pretended that he was not important. ...... Wait a minute, I thought I was reading it without thinking, just reading it as a sweet article. The author's writing style is not particularly impressive. But I really can't stand the logical confusion of the male and female protagonists. Okay, for the sake of my son's parentage, I need to review the family tree. He just went back to the Gu Mansion to show off his power, but the prince followed and mistakenly mistook the person who harmed him, and left without explaining anything clearly. In the end, because the heroine was angry that her father and brother were getting better, she wanted to find someone to expose their scandal, and then the Gu family plummeted again. If the heroine only wants her son to be a free king, what is the difference between being a commoner or an official? The eldest prince is because his mother was born as a maidservant. If you want your son to compete for the crown prince's position, you don't know what the reason is for causing the Gu family to be scandalized. Putting aside the heroine for now, the prince can really be the prince if he agrees to do this. The heroine's father is even more curious. A man who regards his reputation as his life can do such a thing as stopping his wife and remarrying, just to please the woman... As well as the heroine getting along with the prince, and the heroine getting along with her brother. , All have a vague attitude of "I have given you crazy hints, but there are actually no hints, but you did not understand or receive it, misunderstood me or did something that was not what I wanted, it is your fault." After reading it, I really... Want the heroine to accept the beating of fate. Don't argue, it's really not a complaint. If you have objections to me, I will think that everything you say is right.

Can the author see what I said? To be honest, the prince is quite a scumbag

The worst part is that the prince likes to sleep with women in the kitchen? What's the point of going to the kitchen all the time? No one is looking for you if you don't come home all night? 😅

I beg the author to finish it. I just want to see the ending now. If the author can't make it up, why not make it up? The characters are all unreasonable.

I feel like the heroine becomes more and more annoying after becoming a queen.

After reading almost 700 chapters, it may be that the tragic character has been popular since ancient times, and I really want to side with the King of Qin and the heroine. Although Jo Won-kyung is also very good to the heroine, in this case, he is still a fan of the male lead. This kind of ambiguity is too miserable. The brother is afraid of becoming the emperor, but the master who helps the brother's son to the throne is still a feared master, like a caged animal.

I'm really impressed by the author. I haven't finished writing more than 2,000 chapters. Updates are like squeezing out toothpaste, so I decided to abandon the book.

Don't use the author's bloody routine over and over again. Is it interesting to count how many times the heroine has been kidnapped? The heroine has been assassinated many times, jumped off cliffs many times, and been poisoned many times. This kidnapping has revealed that the kidnapper has different thoughts about the heroine. I can't stand it and feel sick. The kidnapper is the son of the heroine, who is more than 20 years old. Although the heroine is described by your author as having an ageless appearance, the heroine is a forty-year-old aunt with several grandchildren. You're going to create a love triangle again, is that interesting? Are the male and female protagonists living a hard life? It must be written like this.

I can't stand it more and more, it's boring and boring 😥

It's very well written. I want the prince to know as soon as possible that his son is his.

I only read a dozen chapters and couldn't stand it anymore. I felt it was uninteresting, nonsensical, and draggy. Are you trying to make up for the word count?

I was waiting for Song Yan to stalk the heroine, but the heroine actually lied to her husband for me, which shows that I still have a chance. We readers think the same way, and we don't think that he and the heroine will never see each other again or have any contact. Author, please don't use excuses such as being kidnapped for money or having an affair with the male co-star for thirty chapters to cover up at first glance. Your purpose is very clear. To add another licking dog for the heroine, just tell the truth. Covering up in every possible way shows that you, the author, are just as liars as the heroine, and you are a duplicitous person. I'm really tired of it. The love triangle is endless. The male protagonist is really a background wall. Every time a male supporting role is far better than the male protagonist, they are still dependent on each other for life and death. I ask you how many scenes the male protagonist has. Tell the truth, there are not many. The heroine, the King of Qin, and Song Yan all have this kind of scene. If the author reads the comments, he hopes that the author will quickly separate the male protagonist and the female protagonist. The BE ending is the best for both parties. From then on, the male protagonist does not have to worry about dealing with the female protagonist's endless admirers and mistresses, and can truly be free. The author is unfair to the male protagonist and extremely mean. The heroine is the King of Qin, Sihua Nian, and Song Yan, who are loved by these licking dogs to the death. The male protagonist only has one childhood sweetheart, Jin Yao, and he was persecuted to death by the female protagonist. Even King Qin has a heroine, Ji Tangtang, Xue Yiru, his female bodyguard, and at least four devoted admirers. Is this appropriate? Why is it that the male protagonist is not worthy of being loved by others, and the female protagonist is only allowed to wave red flags and flutter colorful flags.

What did the heroine do? You put medicine on me and put clothes on me. I'll give you medicine and rub it all over your body. Zhao Yuanjing didn't even get this kind of treatment, but Song Yan got it just after spending a few days with the heroine. As expected, the male protagonist was worse than a dog. Love her, get her, come on Song Yan. Support you. Wherever sincerity comes, gold and stone will open.

The author is a big one, but this book is a small one. I think this book is similar to yours. I wonder if it is considered plagiarism?

Not to mention the bloody entanglement between the heroine and the King of Qin, Song Yan repeatedly said, "Save me, I will save you." If the heroine is the emperor, it would be unreasonable to allow Northern Qi to become independent. The heroine's independence as a queen and the second's independence as an emperor are of the same nature, both of which are splitting. It's also a matter of division. Why can the heroine do it but the second-hand actor can't? The unification and division of a region are like children playing house. If the author reads more history books, he will know how unreasonable this is. To give the author a few examples, during the Eastern Han Dynasty, the Qiang people in the northwest were very powerful. Except for a few cities in Liangzhou, which were controlled by the imperial court, most of them fell into the hands of the Qiang people. The central government held a meeting to discuss whether to abandon the entire Liangzhou. The land output was not high, there were few Han people, and it was surrounded by the Qiang people. The result of the discussion was that Liangzhou was determined not to give up. How could we give up the land that our ancestors had worked so hard to win? As a result, the Eastern Han Dynasty court and the Qiang people fought for more than a hundred years, killing and injuring hundreds of thousands of troops, and spending 20 billion 5 baht, which was equivalent to the total income of the court for more than ten years. Not only the Han people are particular about not losing any ground, but so are the ethnic minorities. In the early years of the Western Han Dynasty, Maodun Chanyu of the Xiongnu ruled the Xiongnu. At that time, the Eastern Hu were powerful and oppressed the Xiongnu. The Shanyu of Donghu first sent people to force Maodun Chanyu's good horses, and then his women. Although the minister objected, Maodun Shanyu had no objection and gave him whatever he asked. Finally, the Shanyu of Donghu asked for the Xiongnu grassland. Seeing that Modu Shanyu had given it to him twice before, the minister persuaded him to give it this time. Modu Shanyu said: How can a woman with a good horse compare to the land? If a woman with a good horse is lost, she can find it again. If the land of the ancestors is lost, where can she find it? He killed all the ministers who persuaded him to compromise, sent troops to attack Donghu, unified the southern and northern deserts, and became a powerful force on par with the Han Dynasty. All monarchs hope to unify. The reason for lack of unification is lack of strength, not that they don't want to unify. The conflict between the Northern Song Dynasty and the Liao Dynasty lasted for hundreds of years. The reason was that Yongxi's Northern Expedition in the Song Dynasty failed. Song Taizong Zhao Guangyi's entire army was wiped out and he stole a donkey cart and ran back. Empress Dowager Xiao of the Liao Kingdom led an army of 200,000, unable to capture Chanyuan City. The divisions and veterans were exhausted, and the two sides made peace only when they could not defeat the other. Although they made peace, the Song Dynasty forgot about the Sixteen States of Yanyun. Once the opponent's civil strife weakened, they would immediately regain their lost territory. Therefore, there was a maritime alliance between Song Huizong and the Jin people to attack the Liao Kingdom from two directions. Just as Song Taizu Zhao Kuangyin said, Li Yu, the later lord of the Southern Tang Dynasty, sent minister Xu Xuan north to see Zhao Kuangyin and told him that Li Yu had deposed himself as the emperor, demoted himself as the lord of Jiangnan, and respected the Song Dynasty as the superior country. Why did the Song soldiers still go to Jiangnan? Zhao Kuangyin said, "How can others sleep soundly on the side of the couch?" Similarly, Zhao Gou, Emperor Gaozong of the Song Dynasty, signed the Shaoxing Contract with the Jin people, demoting himself as a minister, making the Jin Kingdom the superior kingdom, and receiving an annual gift of 300,000 silver coins. Less than twenty years after the peace, King Wanyan of the Jin Kingdom sent 600,000 troops to the south of the Yangtze River. What did he say: "Thousands of miles of carriages and letters are all confused, so how can there be separate borders in the south of the Yangtze River?" With millions of soldiers on the West Lake, they immediately mounted the first peak of Mount Wu. I give these examples to illustrate that the plot of Zhou's abandonment of Northern Qi is unreasonable. The author describes Yan'er as a child who has not grown up, a mama's boy, and listens to everything the heroine says. The important matter of abandoning Northern Qi was not even mentioned in a court meeting, and he gave up when he said he was giving up. This kind of major matter should be debated in the court, and it may take several months. If you have read "On Salt and Iron", you will know that after the death of Emperor Wu of the Han Dynasty, Emperor Zhao of the Han Dynasty succeeded to the throne. Confucian celebrities and ministers debated for several months with Sang Hongyang and other merchant-born ministers over the issue of whether salt and iron should continue to be government-run. The content of the debate between the pros and cons was compiled into a book called "On Salt and Iron", which is similar to holding a meeting to discuss national policies, as our ancestors did two thousand years ago. Giving up such a big thing was written by the author as if it were a child playing house. So I say that none of the heroines written by the author, including Yun Dai, King Qin, Zhao Yuanjing, and Yan Er, resemble political figures and lack political literacy. This is the author's shortcoming. It stands to reason that he should use his strengths and avoid weaknesses and write more about emotions. However, the author's emotional dramas are all about love triangles, which become less and less sweet as they go on. Emotional scenes stretch the crotch, and court scenes stretch the crotch even more.

Haha, 😁😁😁😁 The author must have read the comments. I burst out laughing when I thought of this. It is recommended to take a two-step approach, first set up an office and then build a palace. Although in the eyes of Song Yan and King Qin, Yun Dai was always a cute and wild girl aged seventeen or eighteen, she was a forty-year-old queen after all. Just setting up an office in the deep mountains and old forests is too low-level and not worthy of the status of Queen Yun Dai. It must be a palace. Empress Zhao Yuanjing supervises the country, and Empress Yundai takes her favorite concubine Song Yan and others to the palace to escape the summer heat. Why do I say wait? The author hasn't written it yet, so hurry up and don't let Song Yan be the only favorite. The Queen does not belong to just the three of you. She is the object of all those who love beauty in the world. When I think of Yun Dai reminiscing about the hardships and sweetness in the palace in the deep mountains and old forests, it was here that I was kidnapped by thieves. It was Song Aifei that you fought to save me, and I am where I am today. I said that as long as I am here, I will have your Song Yan's status. The queen is a generous person and will not hate you

This ending 💔 feels like the unfinished building in front of my house

Author, I know you can read my comments. This is my advice to you about your writing. The novel should have multiple main lines running in parallel. In your novel, the plot and character development all revolve around the heroine. Without the heroine, others seem to be motionless and without life. Do you know what this looks like? It's like playing a game, just like when we play Honor of Kings and PlayerUnknown's Battlegrounds, the plot and perspective of the game always revolve around us. The male protagonist, the female protagonist's children, friends, including your colorful male supporting characters are all like NPCs in the game. You only feel that they exist by constantly interacting with the female protagonist. The biggest drawback of your novel is that the heroine seems to be playing a game, a player, and the others are paper NPCs. We only know their sorrows and joys through their dialogue with the heroine Yun Dai. For example, how Qian'er fell in love with the prince-in-law. We could have written dozens of chapters and summarized it in a few sentences between the heroine and Qian'er. Yan'er's love life can be written in hundreds of chapters, and it can be summarized in just a few words, how they fell in love. As for Yun Dai and Song Yan, how the King of Qin fell in love with them, how they flirted with each other, and how they secretly developed feelings for each other. This kind of plot is endless and annoying. Why not let the male protagonist and the female protagonist's children develop plots independently of the female protagonist? So, the entire novel is the love history of the heroine and the history of her fortune becoming a queen through various men. To put it bluntly, it is a palace fighting game for girls.

You can't escape Yun Dai, just like you can't escape the love of King Qin, and you can't escape the bloody plot arranged by the author for you. Song Yanyan chases slowly, and one day the heroine will soften her heart and support you. The author should let the hero go and let him be beautiful alone, and don't get involved in their cat and mouse.

Lying is lying, dishonesty is dishonest. Today you can lie to your husband, children, and everyone who cares about you for a man you have been with for a few days, but who will dare to believe you in the future? The wolf is coming, the wolf is coming, the wolf is coming. If you lie three times, no one will believe you if you tell the truth. I feel that the heroine's children and husband are very sad. The heroine trusts an outsider but does not trust her own relatives. The heroine's approach can be described using the eight-character idiom: the white hair is as new and the hair is as old as ever. Of course, if it is used in a derogatory way, you will treat the person you grow old with as a stranger and do not trust him. Strangers who met by chance became close friends.

I feel more and more pitiful about the male protagonist, who takes no initiative but is made to disappear by the author. He disappears in dozens or hundreds of chapters. The male supporting actor can live with the female protagonist openly and openly in the mountains and forests for more than 30 consecutive chapters. Can the male protagonist and female protagonist be alone for so many chapters? There is too much favoritism between one and the other. The male protagonist is always with a third party, and the male supporting actor is always with the male protagonist. The male supporting role is so heavy that it is scary, and they are all scenes like rescuing each other in the deep mountains and old forests. In other novels, this kind of scenes should be when the male protagonist shows off his talents, but in the end they become the stage for the male supporting character to perform. To be honest, if the male protagonist has such no sense of existence, it would be better not to write it. If I write it, I won't give him a role and treat him as a tool. It is purely disgusting to readers.

Celebrating in advance, Song Yanyan has become a toddler, Qian'er, Yan'er, and Xiaoer's stepfather. The countdown is one thousand chapters, the author, don't let me down. Congratulations to the author for recreating the classic scene from "Charlotte's Sorrow", "Zhang Yang, why are you here?" "Charlotte, don't treat your Uncle Zhang like this." 😄😄😄😄😄😄😄😄😄😄😄😄. Child, how dare you point a sword at your Uncle Song? When I think of this scene, I want to laugh, hahahahahaha. Come on, heroine, come on Song Yanyan, try to let me see it within a thousand chapters.

Hahahahahahaha, let me do the math, when will the heroine and the male supporting character go on a date in the mountains and old forests next? Far? Not far? Far away, yet so close.

Haha 😄 Haha 😄 Haha 😄. The forty-year-old girl Yun Dai, who is cute and wild, no less beautiful than an underage girl, disappears at every turn. She spends forty or fifty chapters hanging out in the mountains and old forests with the King of Qin, Song Yan and other male partners. I counted and found that after the male protagonist was resurrected, there were not even twenty chapters where he and the female protagonist were alone together. There was no such time as they were alone together, it was all family gatherings. Only the male supporting character Song Yan has this kind of honor, being able to flirt with the heroine in the mountains and forests for forty or fifty chapters. Obviously he is the male protagonist, but he lives his life as a shady mistress, but after all, he disappears from the text at every turn. The mistress lives her life as an upright male protagonist. After all, he often has trysts with the female protagonist in the forest. Since Yun Dai and Song Yan, King Qin likes to flirt and develop feelings in the mountains and old forests. It was suggested that Zhao Yuanjing station a battalion of soldiers in every deep mountain and old forest design office in the Zhou Dynasty and Northern Qi Dynasty, and prepare barbecue grills, tents, and various bedding. I think golden nanmu beds and mandarin duck quilts are necessary. Only in this way can the girl Yun Dai fall in love with Song Yan, King Qin and the endless number of admirers in the future with peace of mind. How can we only eat grilled fish and fruits? Roast whole lamb, all kinds of seafood, and all kinds of fine wines are put on the table. After drinking, they sleep together as mandarin ducks. Since the male protagonist disappears at every turn and has no sense of existence, just like the female protagonist's concubine, the male protagonist is asked to wait for the male partners such as Yun Dai and Song Yan to have fun and have fun before picking up the female protagonist. Zhao Yuanjing, you are the eldest wife and you must be generous. Even if Yun Dai has a hundred faces, you are still the eldest wife. Learn from others. It's funny to think of Cai Cai. Yun Dai herself is a new era woman, but she taught Cai Cai to be a model of female virtue, and she respected the three obediences and the four virtues. The three obediences and four virtues are co-authored, so ignore the heroine. There is no way, forty-year-old beautiful girls have privileges, I am the heroine, I am the oldest. 😄😄😄😄😄😄😄😄😄😄😄😄😄

The author shouldn't always provide pornography to the forty-year-old heroine. Young children and Qian'er also need it. They are beautiful embryos like the heroine and need more love. It is suggested to arrange for a kidnapper to kidnap the pregnant Qian'er and spend a year in the mountains and forests. In the process of taking care of Qian'er, he falls in love with Qian'er and regards Qian'er's children as his own. Just write four to five hundred chapters. As for the Prince Consort, if you don't mention his name, you won't even know that he exists. He has no sense of existence. To be honest, the author failed in writing. The whole plot revolves around the heroine. The heroine's husband and children are all included with the system, without any features, like a copy-pasted template. Why, I haven't seen them have their own independent lives. Their lives all revolve around the heroine. They are not independent individuals at all. There is a female protagonist in almost every chapter, and the male protagonist and his children exist by interacting with the female protagonist. Why didn't you write forty or fifty separate chapters about Yan'er's love and Qian'er's love? If you hadn't suddenly pulled it out, I wouldn't have known that Qian'er was actually in love and about to get married. When Qian'er fell in love with the consort, you summarized it in a few sentences, the heroine and Song Yan, and the love history of King Qin. It's so unfair that you wrote so many chapters. Only the heroine is a human being, and everyone must revolve around the heroine. No one has the right to develop the plot independently of the heroine. In the entire novel, except for the heroine who is a player, the others are NPCs and paper people. Their birth and life are all to satisfy the heroine's existence. How sad.

There are more and more places where Yun Dai and the second male lead have trouble. New sites were developed, and the mines depended on each other for life and death. Hahahahahaha, author, you are getting better and better at playing, unlocking various locations and postures. In the past, King Qin liked to have trysts with Yun Dai in caves, under cliffs, in beautiful small mountain villages, and at King Qin's palace. Now Yun Dai and Song Yanyan have just unlocked the story of four days and five nights of life and death in the deep mountains and old forests, and the author has developed a new scene, the mine. In the dark mine, fear and danger coexist, making the game more exciting. Author, you really know how to play. Shut up, young people don't have martial ethics. They are not a tryst, they are a pure partnership, as innocent as Lu Zilin and Tian Xiao'e in Bailuyuan. They are in Platonic love. Do you understand Plato? Don't read novels with erroneous views all day long. Read more serious books and read to me, Plato is in love, Plato is in love, Plato is in love. Shut up, you old thief with a bright head and a gray beard. You only know a few words of foreign language. You are nothing more than Plato. Isn't it just spiritual cheating? You are in the Cao camp and your heart is in the Han Dynasty. Isn't it just that you have a thief's heart but no courage? What else is Plato? It's disgusting and embarrassing.

The author gives you a piece of advice: highlight the protagonist, there is no need to make the supporting characters look like trash. The supporting characters are all useless, and the protagonist is not much better. You are just disgusting readers. The plot of more than thirty chapters of kidnapping fully reflects this point. Lu Er's martial arts skills are stronger than those of Ji Tangtang and Jun Qingbai. The heroine can easily kill him with a hunter's trap. Author, do you think this plot is reasonable? Totally unreasonable. "The Romance of the Three Kingdoms" Zhang Xiu wanted to kill Dian Wei, but he also knew how to get Dian Wei drunk, and then ordered Hu Che'er to steal Dian Wei's weapons. With this two-pronged approach, Dian Wei lost his combat effectiveness. It took a lot of people to die before Dian Wei could be killed. Lu Er still has internal strength, much stronger than Dian Wei. He was not poisoned or injured, but he was killed by the heroine who had no strength to restrain the chicken. This only shows that the heroine's golden finger is boundless. After all, he is a RMB player. Author, when you wrote the plot of kidnapping, you not only made Song Yanyan fall in love with the heroine, become another devoted dog licker of the heroine, continue the bloody love triangle, but also successfully demoted the heroine's relatives and friends. You are all trash, you can't find anyone, you can't stop anyone, don't you brag about how awesome you are every day? This disgusting way of mocking everyone and highlighting the heroine is not clever, clumsy and makes people uncomfortable. Hostess, you are as awesome as Goldfinger, we will never follow you again, you can do whatever you want by yourself. If you write this kind of plot once, I believe you didn't mean it, but if you write it multiple times, it's intentional.

I started following more than a thousand chapters last summer and haven't finished this summer yet.

Would it kill me to update more? I have been chasing for more than a year. Is it the author's consistent style to burp every time at a critical moment?