Sun, Moon, Sword, and Saber

Sofa sofa😄😄😄 Come on, come on

Read the updated section. The train in the desert is not a rare artistic conception. I have seen the train in Spirited Away and the empty pipes in NieR Automata. In fact, this is a reflection on human history. Time is the same as sand to a certain extent. After a small and short history, what is left of human beings compared to the world may only be the precipitation of metal. So, what matters now is love and kindness. This article perfectly expresses this artistic conception. The heroine has a relatively strong symbolic character, interpreting religion and human care with a very pure heart, and redeeming the remaining souls in the world. At its core, there is an artistic refinement of realism that is rare among younger people like the author. Pay attention to the follow-up. Desert cities can be more concrete, and stories can take place in different cities, corresponding to different social and historical states of mankind. The characters should gradually become more fleshed out, and various low-level people can be realistically represented. The heroine's magical power should be more clearly derived from art and law, and the existence of dialogue must be complex and dual-sided, so that the train can connect the grand structure as it continuously travels, and must not fall into a tough transition after an excellent start. You can refer to the American TV series Lost, which shows an excellent approach to this kind of architecture. I am a fan of each other, and the book list has been added.

Read the updated section. The train in the desert is not a rare artistic conception. I have seen the train in Spirited Away and the empty pipes in NieR Automata. In fact, this is a reflection on human history. Time is the same as sand to a certain extent. After a small and short history, what is left of human beings compared to the world may only be the precipitation of metal. So, what matters now is love and kindness. This article perfectly expresses this artistic conception. The heroine has a relatively strong symbolic character, interpreting religion and human care with a very pure heart, and redeeming the remaining souls in the world. At its core, there is an artistic refinement of realism that is rare among younger people like the author. Pay attention to the follow-up. Desert cities can be more concrete, and stories can take place in different cities, corresponding to different social and historical states of mankind. The characters should gradually become more fleshed out, and various low-level people can be realistically represented. The heroine's magical power should be more clearly derived from art and law, and the existence of dialogue must be complex and dual-sided, so that the train can connect the grand structure as it continuously travels, and must not fall into a tough transition after an excellent start. You can refer to the American TV series Lost, which shows this kind of structure.

I didn't expect you were still persisting. Let's encourage each other.

I read a few chapters intermittently, and the first two chapters were good. However, Ying Geer seemed to be confused and awkward from the moment he appeared, and his dialogue with the heroine was awkward from beginning to end. There were too many meaningless conversations, which not only failed to highlight the character's style, but also made the chapter feel very watery. What can I say, it was really attractive to me at first, but then it became a bit boring.

It's a masterpiece. I just can't read it. Please update it soon. It's a great book.