The Strongest Role Playing

The previous world has no influence on the next world. Changes in mentality caused by interpersonal communication are useless. The accumulated knowledge is useless . What is the difference between it and a person dreaming? I forget everything when I wake up Only dreams can be so illusory, otherwise even just looking at the spring flowers and autumn moon for ten years will make people change.

I've read Chapter 12 so far. I have a six-character mantra for you: What did you write?

Since it is an infinite stream, I hope that the protagonist will not give up on the world at the beginning. Shen Da... It has the flavor of being under one person. It is quite good-looking. If the word count increases and the level does not decrease, it will be immortal grass! Come on, author＾0＾~

It feels like watching all Chow Yun-fat's movies in succession. A person has a role in each movie, but it is the director who reads the script, not the audience.

After watching most of it, tell me your feelings. First of all, I discovered this book very early because I read a book review that said, "The protagonist just changes the map and starts from the beginning when he wants to be awesome." I didn't read it. I really missed it. In fact, this book can be called a fairy tale🌿, with a novel setting and a fascinating plot. Secondly, I really want to see a world of immortals and warriors. Any one like Journey to the West, Conferring Gods and Killing Immortals is fine. I beg the author 🙏

Apart from anything else, the author of your novel may not be ready to 404 and eunuch at any time.

Maybe this title shouldn't be given. Those who are attracted by the title cannot understand the excellence of the content. Those who can see the advantages of this book leave after seeing the title. The book is quite good, but it's a pity

Putting aside the political issues, every time the protagonist changes to another world, he starts over from scratch, and the knowledge he has learned is useless. I just want to write like this. What's the meaning of the protagonist traveling through time?

The background at the beginning must be edited. If there are too many people, you will be banned immediately.

You are right. I changed the background to the 37th year of the Republic of China and submitted an application to lift the ban. If you don't pass, then try parallel time and space, try it out

I can't stand it anymore. Every time I go to a world, the protagonist starts over again. Author, you just change the world when you can't continue writing. When the protagonist wants to be better than you, you change the map. Then all the training of the protagonist in the previous world is gone. Even if he doesn't have the talent, the skills are all practiced by the protagonist himself. Damn it, you don't remember it at all? It's really unpleasant. Anyway, I saw that the protagonist couldn't stand it anymore as soon as he arrived in the third world. Is it so difficult for the spiritual soul of cultivation to just disappear?

Woc, I finally understand, this dice is the protagonist! ! ! It turns out that the protagonist is actually a tool man! You can't help it, whether you start from scratch every time you travel through a world, or the characters in the subsequent world collapse, or the three views are strange and make you speechless, it turns out that the dice is controlling the protagonist! Every time he travels through a world, he starts from scratch, so that the protagonist can only borrow the power of the dice and cannot continue to have strength. Later, when the character collapses, part of the power of the dice must have been taken away and completely manipulated. From this look, the author is simply a genius! The poison spots in front are all normal, interesting and interesting 😏😏😏

Each world was rebuilt and weakened, and the second world was the same. I endured it, but the third world is still like this. I feel that the knowledge I learned before is useless in the future, it is just a superpower. I can't stand it anymore, bye.

I can understand that every time I change the world, my skills, foundation, energy, blood, and other things related to my body, spirit, and soul are gone. But what about the memory of fists and kicks, the fighting skills, and the experience of being a human being that you have gained step by step in the world before you? ? It's all gone. During the White Lotus Sect plot, you can escape from your body and fight with a bunch of enemies. When you fight the Centurion in the Ming Dynasty, you can't tell that there will be spiritual attacks when you see the Dharma Appearance. I am also a big fan. Do I really rely on the dice to give me tasks all the way through the world like a puppet? ?

This fourth generation, the late Song Dynasty, is even more illogical. Let's not talk about leading a group of refugees, but what the hell is it like to lead refugees around. Knowing that the Mongolian soldiers are doing evil, the protagonist's choice is to run around with a group of refugees? Even though he knew that the golden body could be upgraded, he ran with the refugees for a month without getting the first-level golden body, and he kept running against the Mongolian army. I know there are monks who are trying their best to make a big move but they just stand by and watch. As a result, when the monks were almost dead, the Mongolian marshal broke through and went up to fight hard. Then I found that the level of the golden body was not enough and I temporarily upgraded it. It has been emphasized that Mongolia has brought hundreds of years of suffering to the Han people, but the protagonist can run away. In a month, the protagonist can upgrade his golden body to the current flawless golden body by just killing the soldiers. The protagonist seems to be getting more and more rubbish the longer he lives. What about the bloody nature of the previous two lives? It's true that the beginning of this novel was fine, but it got worse as it went on.

The most disgusting way of writing is that the level will be cleared directly when changing the map. The protagonist is completely a puppet controlled by Goldfinger. Why are the martial arts in the first world and the Taoism in the second world completely unusable in the third world? Each time travel is just a few hundred years back, and it is not a **** travel to another world. The accumulation of the protagonist is completely invisible. To put it bluntly, if you give Goldfinger to a dog, it is probably better than the protagonist.

The knowledge learned through several lifetimes of time travel is of no use at all. It all depends on the golden finger. This golden finger is all external force. It feels like a useless fool can be invincible just by relying on that dice. He just goes through it without any brains.

The eight-sided die represents eight powers. In different worlds, you can randomly obtain an ability, which can lead to different gameplay and keep readers fresh. We can just imagine what the consequences would be if these powers could be superimposed. That is, the further back the world goes, the more talents the protagonist has. In this way, you will face two choices. One is to be invincible at the beginning and sweep directly. One is to increase the energy level of the world and make the protagonist's opponents more powerful. Now let's analyze these two styles. It is possible to write invincible stories, but this can only be written in the last few worlds. If the third and fourth worlds are already invincible, then adding other talents to the protagonist will be superfluous and will not be used at all, because the current talents are enough to make the protagonist invincible. Adding more talents is simply unnecessary and it will easily collapse. The second option is to increase the world energy level, which is a common method used by many authors to change maps. From the world of cultivation to the world of immortality, from the world of immortality to the world of gods, etc., But in essence, there is no change. This will make the later period boring. In fact, I want to write about eight different but connected worlds. The first late Qing Dynasty volume is almost like the real world. Only the protagonist is an alien, and he can kill everyone in it, just like I used the import and export method to play "Mount and Blade". Then came the Ming Dynasty volume. My original idea was to make the protagonist a woman, but I was afraid that people wouldn't accept it, so I made it a boy and a girl. In this world, you can practice Yin God. The basic settings refer to "Yang God". Therefore, in this world, the protagonist is given the "spirit" talent, the top genius in cultivation, and other passive skills, which is enough for the protagonist to be far ahead of others. Although in essence, the protagonist has to crush other people in the end, but the crushing method is different, which will create a sense of freshness. There are also other abilities, such as fighting, luck, golden body, etc., So that you can have different freshness and excitement. My consistent opinion is that you can have golden fingers, but they should not be too cumbersome and cumbersome. I remember reading novels for more than ten years, and I wanted to give all the good things to the protagonist, such as the Qiankun Ring, the best cultivation technique in the universe, and the most awesome background. In fact, these are not necessary. You just need to be stronger than your enemy. If you are too strong, it will easily become boring and collapse.

Transformation is so great. Since this is about a baby girl, it would be great to be a woman for once. It's really awkward to forcefully change into a boy. It would be boring if the world is all men in the future. Since it is a role play, both men and women must have talents, animals, ghosts, gods and the like

In the first volume, I thought I had found a good book. In the second volume, I felt twisted, and in the third volume, I felt a strong sense of separation.

The author may not be Han Chinese, but judging from the plot, he should be Manchu

He resists bullets at every turn. Has any setting been added to the protagonist? All the bullets hit the protagonist. If you have such a talent for healing, why don't you practice Ben Heng's exercises? How can you practice a shocking sword? The protagonist has no foundation at all. He eats bullets in the front and resists cannons in the back. He relies on superpowers to support him. He is beaten to a bloody pulp at every turn. He also despises martial arts training. In the end, any martial arts practitioner can beat the protagonist, no matter how cool he is.

Although I am a Mongolian, the protagonist helps the grassland people to deal with the Ming Dynasty. I am not in harmony with my three views and do not like it.

This time travel is totally meaningless. I don't want to slander you, but I can't help it.

I was also obsessed with rebuilding one world after another, and even the things I remembered in my mind were gone. Alas, this kind of routine is still available now. I hope the author can become a god as soon as possible.

The protagonist has no autonomy at all and relies entirely on Goldfinger. It's like fighting monsters in the game and upgrading. He has lived for 4 lives and is like a rookie. He has not learned any skills. He is completely Goldfinger's puppet. The protagonist must be self-reliant, otherwise he will die sooner or later.

It's a bit strange, why does the protagonist have the concept that "people who eat opium are bad people"? Now my mother keeps telling me that smokers are not good people. If I listen to her, should I question smokers all over the world? The quality of a person should be judged by whether he is good or bad to you. How about directly judging an old man who wants to teach the protagonist martial arts as a bad person? Are all addicts bad people? Only children would think so about these things, right? How could an adult's judgment not see that the protagonist has...

Alas, why are there no connections between the worlds? What about the knowledge we have learned? The most important thing is that pig's feet are not modern people.

I had read less than thirty chapters of this book, and I knew it was written by Wan Duzi and his gang, and I guessed it right.

Alas, I quite like these world views. Although the latter ones are a bit lame, the first ones are very refreshing, especially the first one. The male protagonist's character is also very three-dimensional before reincarnation at the beginning. What a pity