Chu Tomb Town

In the past few months before and after, I didn't pay too much attention to my works except for coding. Maybe I subconsciously think that paying attention and not paying attention are the same. To be frank, I have given up! 456,600 Words as of today. Seeing this number makes me feel so unreal. Now I am stumbling on the road to the finish line, and I am always worried that I will end up on the wrong side of the road! With only myself supporting myself, I still felt a little cold and disappointed. As careless as I am, today I found out that my humble work was being promoted on the channel of the new version of the website. No matter how casual I am, I took the opportunity to write a post to ask for support. Ask for support from those who pass by, like or are watching. All kinds of support: corrections, messages, votes, rewards! Thanks! !

Read Chapter 20. This book is not friendly at all, and there is no compromise with the market, no concessions to readers, and no preparation for business. Have you ever seen the cramped and withered countryside among loess, rivers, sand, dead trees, winding mountain roads, dried noodles, withered ears of rice? Such is the picture of this book. The layered story relationships and vivid group portraits, like the layers of soil and gravel recording geological changes, extract individual family skeletons into this painting. After reading in depth, readers can feel such pain and have great concern for women. In fact, from the Han Dynasty to the present, such ethics and ideology have never stopped suppressing rural women in the central and western regions. The bullwhip on Fang Tong, the waving people and the cold spectators are actually around everyone. Each picture scroll in the book is similar to the clay of history, which the author lonelyly refined into pieces of black porcelain, scattered in an imaginary town, a lonely self-taste. The book is excellent. The author has an essential resonance with literature. In his intuitive creation, he avoids many mistakes and has extremely high artistic charm. I hope readers can understand what Lei Qiyun means, uncover ignorance and prejudice, and truly love the women around them. To improve, the writing style needs to be polished, and some children and kind people should be used to contrast and balance the overall tone. If possible, civilization, religion, and art should also have a place. Lei Qiyun wants to bring salvation that symbolizes reality, which is wealth and law. Finally, the reading difficulty is reduced, such as adding occupation and appearance, establishing a relationship with the protagonist, and a better sense of reading helps readers travel through this historical town. Clumsy works of each other.

To be honest, the writing is very good, but today's Internet standards are all based on whether it has commercial value. It's a pity that the author of such a good article does not care about gains and losses. His perseverance is worth learning and worshiping.

Read Chapter 20. This book is not friendly at all, and there is no compromise with the market, no concessions to readers, and no preparation for business. Have you ever seen the cramped and withered countryside among loess, rivers, sand, dead trees, winding mountain roads, dried noodles, withered ears of rice? Such is the picture of this book. The layered story relationships and vivid group portraits, like the layers of soil and gravel recording geological changes, extract individual family skeletons into this painting. After reading in depth, readers can feel such pain and have great concern for women. In fact, from the Han Dynasty to the present, such ethics and ideology have never stopped suppressing rural women in the central and western regions. The bullwhip on Fang Tong, the waving people and the cold spectators are actually around everyone. Each picture scroll in the book is similar to the clay of history, which the author lonelyly refined into pieces of black porcelain, scattered in an imaginary town, a lonely self-taste. The book is excellent. The author has an essential resonance with literature. In his intuitive creation, he avoids many mistakes and has extremely high artistic charm. I hope readers can understand what Lei Qiyun means, uncover ignorance and prejudice, and truly love the women around them. To improve, the writing style needs to be polished, and some children and kind people should be used to contrast and balance the overall tone. If possible, civilization, religion, and art should also have a place. Lei Qiyun wants to bring salvation that symbolizes reality, which is wealth and law. Finally, the reading difficulty is reduced, such as adding occupation and appearance, establishing a relationship with the protagonist, and a better sense of reading helps readers travel through this historical town. Clumsy works of each other.

Come on Come on come on

Collect First, wait until there are extra recommendations before submitting them.

The book is very good, why is no one reading it? Is it not enough exposure?

The content is very exciting, thank you to the author

It's on the shelves. Hehe, come on, please update.

Let me ask you, is it scary? I didn't dare to click on it at night after seeing the cover 😥

Looking at the title and cover, I thought it was a somewhat weird and fantasy genre, so I jumped in. There were many characters appearing in the first few chapters, and the progress was slow. I thought it was going to be a larger story line? I read it again patiently, and it actually feels like I am getting better. I was stuck at the beginning, but it got smoother and smoother at the end. I started to have a sense of anticipation. I rarely read this type of book, but it is very fresh.