Creating Gods Through Faith

The role of the protagonist must be moderate. Where is the land reclamation always done by the boss himself? If the protagonist only relies on himself to find his way, are all his subordinates just papery? In addition, the incense of this book is so strong that the incense of a few thousand people can do so many things. If there were 10 million people, the protagonist would be able to create the world.

The protagonist is so down-to-earth, like a nanny!

Moreover, I feel that the gods in the article are not gods at all, and have no sense of mystery at all. Gods still have to be separated from humans... Come on, the most important thing about gods, apart from their strength and special abilities, is their sense of mystery. The gods in the article have strength but not strength, and sense of mystery but not mystery. They are just like ordinary martial arts practitioners, there is no difference...

I feel like there is something wrong with the concept, it feels childish.

The author's dialogue feels quite childish! The background is ancient times in another world. What? The conversational title should be half-literate and half-hundred, which is better than what you are doing now. The dialogue you wrote feels like an urban novel talking to modern people. The sense of immersion is relatively poor!

There is no feeling of Shinto. The gods in the book feel no different except that they are more sane and have a few more spells than the ancestral spirits... To expand your faith is very simple, just kill the ancestral spirits who are weaker than you. Is it possible to occupy the magpie's nest? Anyway, without the ancestral spirit, you can only believe in gods. Otherwise, after playing for a long time, people's hearts will naturally fall in love with you. Don't tell me that a human being whose gods can only change a few times in a hundred years can make such a simple thing so troublesome...!

Dear author, please don't call those living people who can use divine magic, the divine guards. Change their name. Otherwise, every time you say divine guards, you won't be able to tell whether it's the dead or the living.

It feels like the protagonist has a taunting halo. All kinds of people and things come to trouble the thief. Isn't it good to farm well?

In the food crisis in Chapter 12, the food in the village will be exhausted before the autumn harvest. Why does the protagonist not use divine power to ripen the crops? As mentioned in Chapter 4, the protagonist develops followers and ripens Aunt Zhang's vegetable garden and rice fields, and the growth and harvest are higher than usual. With the protagonist's current divine power, even if he cannot ripen all the food at once, and only ripens half of it, the food can last until the autumn harvest, and new food can be planted, and the divine power can be restored to continue ripening. There are still some copper cauldrons in the ancestral temple that cannot be used for cultivation, but can be used as incense for consumption, and can also be used to ripen food. Why do you have to take risks?

The author is great, the first time is experience, the second time is tempering, and the third time is becoming a god. Although I am a civilian reader, I will chase you to the end, come on!