Civet Teeth Stealing Story

The reason why I chose "supernatural" as the category of this book is really helpless, because there is no word in it that fits what this book wants to express. I would like to call it pure literature, but that seems a little inappropriate. It seems difficult for me to pinpoint the exact location. I just want to talk about my need to write this book, maybe readers can have some vague idea. This is about two worlds, one reality and one fiction; about two clues, one clear and one dreamy. What do I want to express? I probably can't explain it clearly. I think it's probably a sense of fate, powerlessness and nothingness. It's the distorted dreams, love, joy and pain of young people in reality, as well as the exploration and thinking of life to the best of my ability. I try my best to express free thinking in it. The atmosphere of this book should be gloomy, depressing and painful, which is roughly called transformation. The author and the people in it are innocent, and many things are similar to "doomed in vain", but overall they are optimistic about life, or life. Provide a model for thinking and a kind soul. The language of this book is a combination of Chinese and Western, it is a Chinese narrative method, and at the same time the style is very Western. The thinking jumps a lot, probably due to the influence of "stream of consciousness". Influenced by both realism and non-realism. I call it "Living Extraordinary". People who like Murakami Haruki, Kafka, Kawabata Yasunari, Annie Baby and other writers may be willing to read this novel. You will find that I am deeply influenced by them, but I have never lost it. A girl woke up early in the morning and found that her two front teeth had fallen out for no reason. Later, I went to find out the reason and found out that it was probably stolen by a black cat. This is similar to "supernatural", but believe me, the whole book is completely different from supernatural novels. Westernized narrative methods, ways of thinking, and Yunnan folklore content. It may seem sluggish and old-fashioned, but believe me, I am expressing it as easily as possible and close to my soul. I don't want to introduce too much about my story. Of course, many readers follow the story, and it is a story that I am satisfied with. Of course I hope it's more than that. The author is never ambiguous about his language, and he never puts words in front of readers that he is not satisfied with. This is roughly called "writing conscience." I'm still young, although the above narrative is a bit dull.