Endless World Live Broadcast System

I think this book is very beautiful! This is the first live-streaming novel I have read. I hope the author can work hard and write more novels of this type! ! !

You will definitely know the name of the protagonist. It will be easy to find the protagonist with the name. Even if there is no photo, you can know who the protagonist is by exchanging the appearance and characteristics of the two people.

The writing style is very attractive, but the protagonist has a harem, which is unbearable.

Testing the poison, how should I say it? Even though there were a lot of celebrities involved, I insisted on watching it until I saw Yang Mi and Liu Kaiwei's divorce... This poisonous point was too big and I couldn't accept it! I'm not star-chasing, but I don't agree with the author's way of writing about star life

Harem novel? Thank you Shennong, I can't stand the harem stories in the world. They accept girls in every world, and then refuse to take them away for various reasons, and continue to accept them in the next world. This type is the most disgusting.

Haha, the author predicted that Hawick Lau and Yang Mi would divorce in 2006.

If you can break out, rewards are ready. 🤓

[Fn=2_5] In the current real world, there are only a few people who often interact with the protagonist. These are the tycoons who funded the protagonist when he first started to develop. However, it is now the fourth world. How can it be possible that these few are still in the entertainment industry (the red one does not count, I am talking about those who often interact). Even if they are all in the entertainment industry, let alone those in Europe and America, none of the domestic, Asian, and real entertainment tycoons have appeared 😭 Another thing is that the live broadcast room is currently open to the real world. In other words, the protagonist is not only bound to a live broadcast system, but also hides a world's resources behind him: the wisdom accumulated by humans in the world over five thousand years. Maybe it's because the book has just been developed and the scope of involvement is not very large. I just asked the audience about the background and content of the movie, and there is not much else. Actually, there is one point in this book that makes me excited, that is, the movie characters and the actors who perform the roles have not appeared in the same page. For example, Qiudi and Bingbing, let the actors watch their characters and the protagonists interact in a real world, and then the actors interact with the protagonists in the live broadcast room. This scene must be very interesting! ! ! ! [Fn=2_3] (No matter how great an actor is, there is also a position called director during the filming of a movie. In Chapter 77, I thought Duncan was going to interact with the protagonist, but he appeared for a short period and then disappeared. The same goes for Donnie Yen [fn=2_6]) Finally, I would like to make a small suggestion. The audience in the prehistoric world can be regarded as Zhenyuan Daxian. He has high seniority, strong abilities, and a good personality. He can completely stimulate the plot in the prehistoric world. Okay, stop talking nonsense here, I wish the live broadcast system becomes more and more popular! Misha will become a great god soon! ! 🌹

I have just read the first ten chapters, and I see that the protagonist is very silly and naive. Not to mention other things, I can't bear to tell the audience directly about the protagonist's reward path. In other words, if the audience knows the source of his strength, will he be manipulated by the audience in the future? Or being asked by the audience to do something the protagonist doesn't like? Or maybe when the protagonist kills someone, the audience is dissatisfied and then condemns the protagonist, which leads to problems such as a decrease in fans and less rewards? In short, telling the source of his strength means that the protagonist will lose the initiative and be in a passive state. I have read another book about unlimited live broadcasting, "Infinite World Live Broadcasting System", but it was okay in the early stage and crashed in the later stage. It also obtained rewards through fans, but the protagonist tacitly understood it and did not reveal the source of his rewards.

I haven't read this book, but it's a book in the genre of Live Broadcasting System. Why do I have the potential to be an exhibitionist? Especially as mentioned in the introduction, traveling through different worlds and then live broadcasting it for people to watch, does it feel like an idiot's déjà vu? Is it really so acceptable to expose what you do to others? Especially when the other world obtains power that does not match one's own state of mind (understand the super power out of control).

At the beginning, the protagonist can draw a lot of good things, but then when the system is updated, it looks very high-end, and then the things he can draw with hundreds of times the points are not as good as before the update? Then came another subsystem, and the theme changed from live broadcast to trading city. . The top combat power in the main world has changed from just a golden elixir or a top powerhouse to a Daluo Jinxian who can shake things up. ? ? ? Are you kidding me? You don't even bring a replacement map? A strong man who has overcome tribulation spent hundreds of thousands of years planning to destroy a race whose highest quality is only golden elixir?

How funny! There are a bunch of weird and weird worlds. It doesn't matter if the writing is bad or the logic is bad. After all, we can read it without thinking. It's all a messy world. What about Eastern stories? What about playing with snakes?

Mainly because people who travel through the world of movies and TV shows look exactly like real-life actors can't stand it. After all, it's the real world over there, so the settings should be similar.

The author licks white people so much that he might as well commit suicide and be reincarnated.

After watching several worlds that the protagonist traveled through, I felt that the protagonist was so weak! The first few worlds are not very good, and they do not help to improve the protagonist's strength. There are no exercises or martial arts, not even the lowest martial arts or martial arts. The protagonist just fights with a broken gun! It feels like the author is desperately trying to slow down the protagonist's strength improvement speed. Every time he completes a task, the rewards are hovering between low-level draws and mid-level draws, most of which are low-level draws! And the probability of winning in the lottery is also ridiculously low, with almost half a chance of winning! The lottery function is simply a trap. The probability of winning is low, and the probability of winning something good is even lower!

Did you really not find the problem? I read a few chapters. The protagonist said in the live broadcast room that the lottery relies on rewards, and then he drew a prescription. The prescription can make people "strength more than a thousand pounds." Then the people from the country said that the protagonist should ask for help if he needs help. I really accepted it. Once the country confirms the authenticity of the prescription, and considering that the protagonist will contribute something to the country, the protagonist also said in the live broadcast room before that the lottery requires reward money. It is money. The country still needs the protagonist to speak? As long as the prescription is real and effective, there is no need to ask for it. Isn't the state going to spend money like crazy? Then the author came up with a system upgrade, increasing the ratio of money exchange for lottery draws by 1000 times, and the daily reward limit for a single person. However, I want to ask, at the national level, are these restrictions really useful? The reward limit for a single person seems to be 250,000 yuan. How many people are there in China? How much money can the state pay every day? Why does the author think that the country will help only if the protagonist speaks out? The country only needs to make sure that the prescription is effective, and if the protagonist draws something good, he will contribute it to the country, so the protagonist still needs to speak? I don't know how to deal with it later. I can't stand it anymore after seeing this.

The most disgusting ones are those that are neither too foreign nor too foreign. I'm not talking about you or me. I'm just saying that this type of thing is disgusting. The good Eastern culture I wrote about suddenly turned into a Western one.

I saw Chapter 30, what should I say... I thought it was the main line of the Eastern world... Movies and TV shows will also focus on the East. I didn't expect that Western wizards and other things would come out... I never expected... Gone

I originally thought it was well written, but after reading many chapters, I still haven't experienced the Chinese style world. Looking at the table of contents, the world I experienced is all foreign style, and the prehistoric world is just to lure readers. At first glance, it seems that the author does not understand Chinese works and does not want to understand them, so he slipped away.

Poisonous Hair: Chapter 5 Reason: Failure in the exposure task will cause the system to leave, and the exposure must complete the system task. Weaknesses of the Protagonist: Without immortality, it is impossible to know the plot details of all film and television works, and the plot information needs to be provided by the audience. This is tantamount to handing the knife to the audience. Once the audience provides wrong information, the protagonist has no idea what will happen. Needless to say. Poison point: The protagonist is too naive, confessing everything to the audience and not knowing how to hide his clumsiness.

Brainless harem stories, one in every world, especially when I saw the Celestial Beast, I finally got poisoned and died. The previous one was too long, but I couldn't bear this one.

Stallion books, I really don't like bringing characters back to their original world, go away, goodbye

To be honest, you can travel through famous mountains and rivers in various worlds, with local customs, pretty boys and beauties, and famous historical scenes. Why do you have to have a mission system? It's really nonsense. What you write are various film and television novels in the real world, and you also play roles and complete tasks in them. Isn't this digging a hole for yourself?

The pacing of this novel was not well written, and the action scenes that were originally exciting were suddenly interrupted by funny moments, which immediately killed the atmosphere. Are you a new author?

As a result, I still can't stand the live broadcast and time travel.

You should change to a funny plot. There is too much nonsense, and you still can't write a reliable plot. Good novels and plots are all original.

Not to mention other things, there are almost 200 cards, and the training (strength) system feels like there is no one.

Generally speaking, the government will definitely intervene in this type of live broadcast. Although it is not able to help the protagonist in terms of power, it will definitely gather a group of highly intelligent people to form a think tank to advise the protagonist later. If this setting is added, then the book will be difficult to write in an instant. Apart from other things, how to write that kind of high IQ feeling is enough for the author to have a headache...

First of all, the live broadcast platform is connected to the bullfighting live broadcast platform; secondly, potential points are converted from rewards; thirdly, you can travel through many novels, animations, movies, etc. So here comes the question: Because it is a live broadcast of another world time travel, and it is a multi-world time travel, then the real-world government should react within one day at most. If it can only be time-traveled to ancient times, that is fine. If it can also be time-traveled to other near future or future novels and movie worlds, then the government's first approach should be to control the live broadcast platform. This platform cannot be left in the hands of a certain company or private person, and this platform cannot be opened to the outside world. Because this is related to the stability and security of the world. If this platform is not controlled, and dangerous goods such as the T-virus equation are accidentally played during the live broadcast, the real world will not be far from the end. Moreover, the protagonist can also cooperate with the government in the real world. The government sets up a staff group to provide advice to the protagonist. It can also give unlimited rewards to the protagonist. Anyway, the rewards are just virtual items. You can call the program and get as much as you want. The protagonist uses the potential points converted from these rewards to strengthen himself and exchange them to collect high-tech information and feed it back to the real world to achieve a win-win situation.

Is the author an anime fan?