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Mu Xin said, "On the day I became famous, I watched myself being buried." Before returning to his hometown of Wuzhen from the United States in his later years, he decided not to enter galleries, auction houses, receive interviews, give lectures, publish articles, accept gifts, or write inscriptions - these seven "nos" are also his attitude on the day he returned home. Mu Xin said that a person's position in history is nothing more than a bed. In addition to all Mu Xin's published works, there are also a considerable number of notebooks and scattered manuscripts, which have never been published and are estimated to exceed one million words. Since Mu Xin usually does not indicate the year of writing, it can be inferred from the content and handwriting that a small part was written in the 1980s, and the majority was written in the 1990s and the new century, until his death in 2011. The contents of this batch of posthumous manuscripts are broad and miscellaneous, and are not divided into chapters. They can be written as they go and are rarely complete in length. These include names of people, bills, book lists, catalogs, letters, and occasionally simple book designs drawn by hand, as well as his own cemetery. Haiku, random thoughts, old-style poetry, and free verse that readers are familiar with account for about half of the work. The rest is somewhere between miscellaneous notes, memos, narratives, and recollections of the past, as if talking to oneself, and is different from all his published works. On the tenth anniversary of Mu Xin's death, the first batch of Mu Xin's posthumous manuscripts can finally be handed over to readers.

Deng Yunxiang said that the courtyard can represent the style of Beijing, "integrating with Beijing and integrating with history. Without it, how can it show the life of Beijing?" Deng Yunxiang uses a deeply nostalgic style to introduce the standards, changes, flowers, trees, layout, etc. Of the courtyard, as well as the personnel and life in the courtyard. Here, courtyard houses have become a unique symbol imbued with the atmosphere of Beijing.

Human love can be seen in the smoke, peace can be found in the four seasons, and extraordinary warmth can be written in ordinary days. Three meals a day, one dish and one soup are full of the warmth and restorative power of life. This book selects 35 beautiful essays from the literary master Wang Zengqi, which will help you find the generosity and calmness of life in ordinary fireworks, understand the meaning of home from three meals, and appreciate the tenderness of life in the four seasons. This is a warm letter written to the world. This book is dedicated to everyone who works hard to live. I hope you have three warm meals, are safe in all seasons, live a good life, and meet each other slowly.

This book is a collection of essays on the theme of traditional Chinese opera. Kun Opera and Peking Opera are the two peaks of traditional Chinese stage arts, known as the "Elegance Department" and the "Flower Department". As a hardcore fanatic and well versed in various classic images in traditional Chinese culture, the author has selected 10 Kunqu opera excerpts and 10 Peking opera opera excerpts. From the opera to the singing, from the eyes to the body, he tells us about the unknown splendor and charm of these works, and uses paintings to freeze the most exciting moments for us. This book can be regarded as an excellent introduction to Chinese opera. The author quotes from many sources, interprets classic operas in a profound and simple way, expresses his feelings about history, culture, art and real life arising from the operas, and arouses the resonance of readers. At the same time, the author draws his own understanding of the characters in the opera into paintings. The characters are flexible, vivid, and lifelike; the pictures are either strong, light, splashy, or delicate... It makes people naturally think of the weight, urgency, tightness, and shades that are similar to those in opera performances. It adds a sense of picture to the text, making the article more vivid and charming to read. Through this book, readers can follow the author to appreciate the artistic charm of traditional Chinese opera and gain the ability to feel and appreciate beauty.

This book is a collection of essays with the theme of traditional classical poetry and imagery. After review, this book does not have any bad political orientation. This book is divided into five parts according to the colors of the five elements (indigo, cinnabar, barberry yellow, tea white, and xuandai). Each part selects four related traditional poetic images that have been chanted repeatedly through the ages and have profound cultural charm. Each article, one painting, the author uses classic poetry, world affairs and human feelings as the sutra, philosophical analysis, and spiritual thinking as the weft, appreciating the profound meaning and interest of these twenty traditional images in classical literature, philosophical speculation, and artistic aesthetics. He weaves the tapestry with clever writing, allowing readers to appreciate the charm of traditional culture in a relaxed reading process.

This book is a collection of essays with the theme of Guolan. According to the contemporary national orchid classification system, this book selects the most representative orchids from six series: Chunlan, Cymbidium, Jianlan, Chunjian, Lotus Petal and Cold Orchid for interpretation, leading readers to recognize and explore the cultural meaning behind them. After years of observation and sketching of orchids, the author uses unique poems and paintings to sublimate different types of orchids in the form of artistic creation, allowing readers to see that orchids are by no means the same as in traditional ink paintings. Each orchid has its own unique charm and charm. The author's writing style is smooth and fresh. He is good at raising orchids and can paint orchids. He has planted many famous orchids by hand. He re-examines orchids from a literati perspective. He can be said to be the only "contemporary ancient" who integrates orchid cultivation, appreciation and painting. This book combines poetry and calligraphy with ink paintings. It not only introduces the characteristics of various types of orchids in detail, but also quotes classics and classics to tell the history of orchids and the stories of literati and orchids. It leads readers to further understand the orchid, so that readers can better appreciate the unique temperament of the orchid and understand the cultural attributes contained in the orchid.

At the age of 22, she suffered from uremia; at the age of 24, she received a kidney transplant; at the age of 26, she found the love of her life, her Mr. Gao; at the age of 27, she became a professional writer; she is Wanxi, an inspirational writer born in the 1990s. When they first met, Mr. Gao knew about her physical condition, but he still entered into marriage with her without hesitation, integrating their life trajectories into one. Two people in love think that as long as there is love, everything will be fine. But when the pots and pans were put away, the firewood, rice, oil and salt came pouring in, and the pressure of work and life and the friction of family turned into difficulties on the road to learning, the two people walking hand in hand discovered that marriage life was far from being supported by love alone... In fact, their marriage was indeed no fairy tale. They have not been left behind the same conflicts that other couples have experienced, such as financial problems, disputes between mother-in-law and daughter-in-law, different ideas, and parenting conflicts. Difficulties pile up one after another, sometimes making people doubt the meaning of marriage, and even consider divorce. But their lives are divided between sadness and joy. The sweetness is always a little more bitter than the bitterness, so they have endured until now. Now, seven years have passed, I have a house, I have children, there are fewer quarrels, I am more tolerant and understanding, my marriage is stable, and I have not been itchy for seven years. All of this does not rely on luck or love, but on their own practice, mutual understanding, compromise, acceptance, and tolerance. In "May your love be gentle from now on, and the rest of your life be warm", Wanxi uses the soft words unique to women to express her feelings about love, marriage and family. Every bit of her views converges into a healing stream, which warms readers both inside and outside the city.

This is a non-fiction picture and text book series about urban life. From observing "other people's Shenzhen" to telling "our Shenzhen", from writing "your life" to paying attention to "our city", the author uses meticulous life observation to record the streets, villages, parks, rivers, lakes, and people he sees in his daily life. He records many details that are happening and have disappeared in this rapidly developing and changing city, and shows the exploration and life perception of new immigrants in the city as they integrate into the city of Shenzhen. From "walking and writing" when he first came to Shenzhen, to the emotional change of "Shenzhen is already my hometown", to feeling the warmth of Shenzhen from ordinary people's items in the streets, small shops and vendors, the author Wang Guohua's "Street Chronicles" series attempts to depict the spiritual picture of a generation in Shenzhen with words full of poetry and warmth, and strives to write about Shenzhen's "city sorrow". This book is divided into four sections: "Let the streets and alleys be more crowded", "Its concreteness, my fullness", "Shenzhen can accommodate the body and heart", "Follow the flowing water, to the sky", and contains 25 prose works by the author. They start from the streets and alleys, mountains, rivers and lakes, flowers and plants, personal mood and other aspects to show Shenzhen's urban life, natural environment and other aspects, and describe a beautiful Shenzhen that is full of vitality and suitable for human habitation.

As a first-tier city, Shenzhen is very different from Beijing, Shanghai, and Guangzhou. Its grassroots, lively and youthful urban characteristics are well known. The author of this book, Wang Guohua, uses his personal experience and delicate writing style to write about the northerners' experiences when they first came to Shenzhen to work hard and their insights into living in Shenzhen. He also recorded the stories of Shenzhen's streets and alleys. It not only described the scenery, but also compared the foreign land and his hometown. He conducted more in-depth research and thinking on some well-known characteristics of Shenzhen and even the Lingnan region. As a work that reflects the personal geographical evolution of new immigrants in the city, this book shows the author's life in Shenzhen from his hometown to a foreign land. However, it does not stop at describing the appearance of a city, but presents a way of life and thinking through meticulous writing, which is full of emotional tension and the reality of details. This book won the fifth "Jiujiang Dragon" Prose Gold Award of the Guangdong Provincial Youwei Literature Award and the sixth "Shenzhen Top Ten Best Books". "I Don't Know the People in Tiegang Village" included in the book won the 8th Bing Xin Prose Award.

"The Heart of Plants and Trees" is a collection of essays by Shenzhen young writer Hou Pu. Houpu records the elegant affairs of the study, expresses the nostalgia and customs of his hometown of Chaoshan Plain, old people and old stories, writes the vitality and interest of vegetation, mountains and rivers, flowers, birds, insects and fish, writes the warm local flavor, and writes the beauty and agility of the world. The book specially contains dozens of hand-drawn illustrations by Hou Pu, which reflect the emotion and spirituality of all things in the world.

Over the past forty years, "You are a Shenzhen native when you come here" has become an important label for Shenzhen's openness and inclusiveness. Nowadays, "Shenzhen is already my hometown" is gradually becoming the consensus of more and more people. They shed their sweat and tears here. Month by month and year by year, the city is changing, and so are they. The city and the people are finally connected by blood. This book follows the delicate writing style of "Street Chronicles: Walking and Writing", describes Shenzhen more clearly, strengthens the concept of "city sorrow", and strives to give this city new legends and a sad background. People who have lived in Shenzhen for a long time will resonate with it, and people who have never been to Shenzhen will have a deeper understanding of Shenzhen. This book is part of the "Our Shenzhen" series, which is a non-fiction series that positions Shenzhen's humanities. The plan leads readers to discover Shenzhen from the perspective of physical geography and humanities, covering 100 topics including people, nature, geography, technology, art, creativity, history and humanities. In terms of content, we will dig deep around the small incisions to tell a folk Shenzhen, a personal Shenzhen, and a Shenzhen full of emotions. We will dig deep and write content to be original, unique and in-depth.

The 6 million-copy best-selling author Cai Chongda has created a new masterpiece after "Skin", "Destiny" and "Grass People". It tells the story of the childhood black dog Da and six small animals growing up in a small town in southern Fujian, interweaving the trivial warmth of Tai, his parents, and the villagers and neighbors. In the narration with laughter and tears, we will understand: in the long time of loneliness, the world will always want to accompany you in some way and make friends with you. Dedicated to all sensitive children who long for care, to all adults who are lonely and helpless, so that everyone can finally find peace of mind.

This book is a collection of Zhang Xiaofeng's selected essays, including the author's classic representative works from different periods. The book is divided into five series, with five articles named "Love Tomb", "Meeting", "Reading Your Name", "The Man Looking at the Painting" and "Original Intention". It writes about travel experiences, life insights, human connections, daily life, and classical feelings, interpreting the theme of "enjoying life to the fullest if you can, and leaving some spare time if you can't". Zhang Xiaofeng describes the beauty of the world with delicate and gentle brushwork and heals the vicissitudes of time. Her words can provide insight into the world from subtle details and contain feelings of compassion. Her eager pursuit of a sense of identity is full of contagion, allowing people to understand the meaning of life through profound philosophical thinking.

Chen Yingsong attracted widespread attention and praise after he opened the column "Shen Nong's Wild Notes" in "Zhongshan" magazine. He was named one of the top ten essays in the "2022 China Annual Literary Ranking" by "Yangtze River Literary Review". This book is a collection of this column. This is a book that takes Shennongjia as an object, thinking about and describing forest nature, ecology and humanities. Chen Yingsong has lived and written in Shennongjia for a long time, and is familiar with the local customs, strange stories, and exotic flowers and plants. In particular, he has devoted himself to thinking about forests, nature, and ecology. His condensation is profound, broad and wise, his language is majestic and beautiful, and his knowledge is broad and rich. This is a book that understands and describes nature and forests. It is also a vast book that embodies the humanities and natural history of Shennongjia. It is a thick and heterogeneous work of contemporary ecological literature.

This book is the latest collection of essays by Qiao Ye, winner of the Mao Dun Literature Prize. Qiao Ye is good at capturing poetic details in trivial daily life, and in his narration, he shows everyone's most honest and subtle emotions and emotions when facing life - it seems that everything should be beautiful and elegant, and all kinds of life are worthy of our taste and appreciation again and again, and this kind of Observation and appreciation reveal more about the inner feelings of contemporary people - not only seeing the beautiful details of life, but also insisting on seeing the truest appearance deep in our souls; not only cherishing everything we have now, but also persisting in resisting emptiness and negativity. The real love in this era must be for specific people.

"The Wilderness in the Heart" is a collection of prose essays by Lu Shuyuan. Compared with the earlier version, Lu Shuyuan has made large-scale additions and revisions to the manuscript, collecting his feelings and reveries about nature and humanities, wilderness and cities, faith and cognition, emotion and technology, life and money at different times and in different spaces in the past 40 years. It has included more than 100 articles, nearly doubling the capacity. The book is divided into six parts: "Wilderness Revelation", "Life Poems", "One Planet", "Ebb and Flow", "Under Bodhidharma's Cave" and "Speaking of Fish Climbing Trees". The author inherits the traditional wisdom of ancient Chinese sages such as Laozi, Zhuangzi, and Tao Yuanming, and draws nutrients from the ecological thoughts of Western scholars such as Leopold and Ralston. At the same time, he combines his own "innate wilderness complex" to express his concerns and expectations for the current development of ecological civilization. The text in the book blends Lu Shuyuan's personal experience and insights, memories and longings, and at the same time reflects his observation and reflection on social and historical phenomena, combining academic discussion and practical concern. More than a hundred essays with the author's warmth and soul pulse provide a rich mirror for the era we live in now.

The transparent Yang Tianzhen decided to take a long vacation for herself. During this long vacation, Yang Tianzhen suspended all the work at hand, took a break from the tight schedule, and embarked on a journey alone. From Paris to London, from New York to Spain, she experienced luxurious and lively fashion shows, and also experienced the tranquility of life on a desolate island. Only then did I discover that the way to love myself without internal friction is to see the vast world. This book is not only the author's self-examination, but also an inspiration for women to always listen to their inner voices and be brave enough to be themselves. All of Yang Tianzhen's important life propositions are here. In her sincere introspection, she recorded her thoughts about the world and life. Different from her previous capable image, this book will show her soft and delicate side. Only by seeing the world can we have a world view, and many invisible blind spots will be exposed. Life is a wilderness, and it is also free to sing in the mountains and seas. Traveling far is to withdraw, to go into the heart, to meet everything unknown, to meet the truer self. Let's go on adventures together and travel around the world.

This book is an essay by the famous scholar Wen Rumin. It is divided into three volumes: the first volume recalls teachers and friends, most of whom are scholars from Peking University whom the author has taught or worked with. Although they are fragments of impressions, some aspects of personality, life and knowledge can also be seen. The second volume tells the traditions and campus anecdotes of Peking University. The third volume is a self-narration, describing the author's experience in studying and doing research. The book presents some of the past decades in academia and Peking University. The text is simple and straightforward, and the descriptions are vivid and vivid, with a unique charm that is diluted and meaningful.

The manuscript contains many essays written by the author after he turned 90, based on his own life experiences. "My Family: The History of a Small Trader" writes about family past events and recalls his parents and relatives; "The Ignorant Little Naughty Boy" and "The Well-Behaved Middle School Student" write about the warm childhood and teenage life; "Admitted to Nanjing University", "Studying at University" and "Beijing Russian Specialized School" "Me and Zhengzhou University" writes about my study, reading and teaching career; "Travel in Moscow", "The Bitter and Happy Years of Compiling Dictionaries", "My Russian Learning is Not in vain", etc. Write about the experience of engaging in Sino-Russian cultural exchanges and compiling many large reference books; "The Unfortunate and Sad Things I Encountered", "Playing Basketball" and "Learning Expertise and Lifelong Joy" record the interest in life and thoughts on life. The style of the book is positive, the writing is simple and fluent, full of truth, goodness and beauty, and it is both ideological and artistic, interesting and readable.

"Wandering on a Rainy Pond" is a collection of witty and humorous reviews compiled by George Saunders, the Booker Prize winner and New York Times best-selling author, based on his more than twenty years of experience teaching 19th-century Russian literature at Syracuse University. In this book, Sanders provides an in-depth analysis of seven classic Russian short stories: Chekhov's "On the Carriage," "Baby," and "Gooseberry," Turgenev's "The Singer," Tolstoy's "Master and Servant," "The Broken Jar of Alyosha," and Gogol's "The Nose." He guides readers to explore the structure of short stories and identify ingenious designs and inadvertent flashes of inspiration in the works. In addition, there are three after-school activities at the end of the book: "Deletion Exercise", "Upgrade Exercise" and "Translation Exercise", which encourage readers to stimulate their creative enthusiasm and try to pick up a pen.

The manuscript selects nearly 40 essays written by Fu Xiuying in recent years, divided into four series, namely Dreams, Ambition, Novelists, and Novelists. The writing is sincere, delicate, and touching, and talks eloquently about the growth experience, writing process, creative motivation, etc.

This book is a collection of prose essays. It is the latest masterpiece of the well-known writer Ai Yun. It writes about her experiences and feelings while traveling around the world, and truly presents the local human geography and history. Following the traces of local thinkers, this book is not only a profound dialogue between the writer and the local cultural landscape, but also the reflection and long-lasting echo of his rich mind on the world. The author uses language full of vitality and imagination to bring readers into the secrets of people's hearts, making the regions, scenery and local thinkers vivid and vivid, as if they are vividly remembered.

This book is one of the "Novelist's Essays" series. This book selects several essays written by contemporary writer Guan Renshan over the years, and the content is divided into seven parts. The first part is the writer's review of his childhood life, the second part is about rural life and the call of nature, the third part is about creatures and human relationships, the fourth part is about the earthquake and post-disaster reconstruction in his hometown of Tangshan, the fifth part is about the praise of women, the sixth part focuses on travel notes and writes about natural scenery, and the seventh part is about the opportunity of creation and the author himself and the book. The entire collection reflects the writer's love for simple life and his thinking about man and nature. The articles in this book are all portrayals of life and spiritual experiences, full of sincere emotions and profound insights into life, and have rich cultural significance.

This book is part of the "Novelist's Prose" series, and is also the first publication of Ai Wei's prose collection. The manuscript is divided into five volumes. The first volume is "I Was Not a Drinker", recalling the unique memories of growing up as a post-60s generation; the second volume "Chittering Mahjong and Porcelain Rice Balls" tells the customs of Ningbo and Hangzhou; the third volume "And Fictional People" The fourth volume "The King of Texts" talks about the foreign writers who influenced him and the Chinese writers he is familiar with respectively. The fifth volume "The Journey of Settlement and Soothing" tells the thoughts of travels across the country in recent years, and the sparks of thought are settling at his feet. The whole text is full of positive power. All things in the world can only survive by working hard and making progress. The progress of time and space, especially the progress of human society, is the fundamental role of positive forces. The hope, hard work, sincerity, kindness, and improvement after frustration are full of strong educational and worldly values, and make people feel the inspiration from the depth of the book.

"Ink Traces" is a collection of essays, the content of which revolves around the author's own hometown - Mochengwu. The book contains the local sounds and feelings of Mochengwu, and traces of the local customs and customs. As a son of a farmer who left Mochengwu, the author recorded its traces in the simplest words. He commemorated it in this eternal way and also expressed his love for his hometown. There are many scenes in the book that are familiar to people born in the 1970s. No matter working, playing, gazing, or even leaving their hometown, no matter the departure or the warm encounter, you can find comfort in it.

Tsangyang Gyatso's life is full of legends. He lives in the Potala Palace and is the king of the snowy land. Wandering on the streets of Lhasa, he is the purest lover in the world. This extremely talented poet wrote love poems that moved the world. Three hundred years ago, he moved countless people. Three hundred years later, there are still many readers who are moved by his love poems. He used his life to interpret the beauty of poetry. The aesthetic biographer Bai Luomei uses clean and beautiful language to combine Tsangyang Gyatso's life with his poetry, trying to depict a true, affectionate, simple and talented Tsangyang Gyatso, and more importantly, show readers the beauty of his poetry. The book also compiles "The Complete Poems of Tsangyang Gyatso" and "The Chronicle of Tsangyang Gyatso" to provide readers with a comprehensive understanding and experience of the beauty of this part of traditional Chinese culture.

This book is a collection of articles written by the author in the column "Floating Light Mark" on FT Chinese website in the past five years. The book records the author's unique observations, thoughts and insights on urban life, food and wine, culture and art, highlighting the characteristics of the times and the flavor of life. They are the traces, glimpses and context of urban life and food culture. The author uses objective and calm writing to comment on food, wine, and art, traces the changes in urban aesthetics, analyzes the changes in the tastes of Chinese consumers in recent years, feels the rise and fall of various cultural hot spots in the Internet era, and tells the bizarre urban life and life of drinking.

"Enrollment Notes" is a collection of retrospective essays written by Mr. Huang Shizhong, a "Yangtze River Scholar" of the Ministry of Education and a professor at Sun Yat-sen University. It is divided into six series, namely "The Road to Learning", "Years of Teaching", "Memoirs of Teachers and Friends", "Japanese Books and Shadows", "Study" "Preface to People's Letters" and "My University", the word "entering into study" runs through the whole book, connecting personal growth experience in the countryside, study experience after entering university, book visiting experience after going abroad, and interactions with teachers, friends and students. The writing is vivid and highly readable. This book is also a book of academic enlightenment. In the process of academic exploration, the author summarizes the academic methods and effective reading experiences of his predecessors, which can provide various inspirations to readers. What this book provides readers is "a touchable academic realm, an academic spirit that can be understood, and an academic life that can be imitated."

Mr. Wang Ning is a senior professor at Beijing Normal University and director of the Zhang Taiyan and Huang Kan Academic Research Center at Beijing Normal University. He is an important successor to Zhang Taiyan and Huang Kan academics in contemporary China. The books he wrote have won the 2018 "China Good Book" and the 14th Wenjin Book Award. "Xue Lin Zhui Yuan Lu" is Mr. Wang Ning's first collection of retrospective essays. The book recalls his interactions with a large number of teachers and friends, including Lu Zongda, Qi Gong, Zhong Jingwen, Zhou Youguang, Xiao Zhang, Liu Naihe, and Li Gefei, reflecting Mr. Wang's strong feelings for his family and country and his lofty realm of life. Mr. Wang has rich life experience and profound literary foundation. These reminiscence essays are both professional and emotional, both heavy and touching, full of transparency of life, and can inspire readers in many aspects.

As the "cultural business card" of Guizhou Province, Dai Mingxian has formed his unique artistic style in more than sixty years of prose creation and is a special existence in the Chinese literary world. Dai Mingxian's prose mostly writes about the mundane affairs of small towns and rural affairs, but his thoughts and words are quite cutting-edge and avant-garde. They have the poetic and literary spirit of small town life and scholarly career; he also has a calm and leisurely demeanor that is accustomed to worldly affairs, and has a taste of the world and the charm of returning to simplicity. In terms of brushwork, he combines various art forms such as movies, dramas, novels, poems, and even the "blank" technique of traditional painting to convey far-reaching meanings and give people endless aftertaste. Many essays have been selected for reading in local languages. This book selects nearly fifty representative essays by Dai Mingxian, including "Shicheng Yin", "Father's Garden", "People from the Lower River", "Looking at Liantan", "Actor", "Listening to the Bamboo Qin", "Yezi Mushroom and Celery Sour", etc. It presents the author's creative style based on culture and emotion as the reference from multiple angles. It is also accompanied by a number of photos, showing the author's living environment and appearance in different periods over the past ninety years.

Zhu Yong is one of the most representative and influential writers in the "new prose" genre in the 1990s. In recent years, as a researcher at the Palace Museum, he has continued to write about the allusions and legends of the Palace Museum, borrowing objects to reminisce about them, or reading scrolls to reflect on them, showing a rich and profound classical China from a unique perspective. His prose systematically and methodically describes all aspects of the Forbidden City. Time flies, vivid in small places and majestic in large parts. It is full of a literati and scholar's warmth and respect for history. Zhu Yong is a master of words and a detective of history. He stands on this side of the long river of time, looks at the other side, and reaches the depth of history in a non-historical way. He got rid of the constraints imposed on him by both the era and the tradition of prose, and freely deployed his troops in the world of words.

This book selects chapters from Wang Zengqi's prose about the interest in life, similar to Lin Yutang's "The Art of Life". Wang Zengqi is a "life artist" who loves life and is full of interest. In his writings, people, scenery, food, vegetation, insects, fish, culture, and art are all full of energy and have a "Wang flavor" perception. Reading his writings always makes people "suddenly realize that the business before them is full." In his later years, he unconsciously wrote: "How wonderful it is to be alive. The purpose of writing these articles is to make people feel: How wonderful it is to be alive!" It can be said that he lived to the end of his life with great interest. Wang Zengqi's articles are hymns of life and treasures of appreciation. They artistically guide people to discover the interest of life and inspire people's love and persistence for life.

When the clouds dissipate, when the prosperity comes to an end, when everything returns to nature, will what you once pursued wantonly make you feel at ease? I hope this book can touch a corner of your soul, cheer you up when you need encouragement the most, and communicate with you when you need a chat with a bosom friend the most. I hope that through this book, you can feel the charm of the mortal world.

"Linquan in the Alley" is a collection of essays by Yang Yunsu, which records ordinary people's common things and fireworks in the world. Uncle Dan, who is a serious cat lover, uncle who is a foodie enlightenment, a war orphan who grew up in Chengdu, Lu Qinggong who fell in love with the screen character, Master Feng, the chef god in the cafeteria, and his "suspected first love" elementary school classmate... After reading this book, people will fall in love with the world again. The author, Yang Yunsu, worked as a documentary director for 20 years. After switching to writing, he quickly broke out of the industry and was hailed by netizens as the "grandmaster who appreciates rice", a talented player, and a real lifer. Reading Yang Yunsu's prose, my long-stale senses were activated, and I suddenly became aware of the human world again. Life is not just about "being born" and "living", but also living calmly and cunningly, enjoying the fireworks of the world.

This is the first full-length memoir novel by Yang Yunsu (Before the Storm in the Hometown). The story happened during the Spring Festival of 1999. "I", my then-boyfriend Tan Sheng, and Tan Sheng's parents returned to their hometown of Chaoshan. The first time she appeared in this huge family as a prospective daughter-in-law, she was naturally warmly received by her relatives. But when "I" further integrated into this family, I discovered the turbulence hidden under the lively and harmonious surface, as well as the imminent family war... This book vividly presents the complex Chinese family relationships with delicate writing techniques and picturesque text. There are deep feelings that are thicker than water, but also those unspeakable gloomy moments such as hypocrisy, unbearableness, and weakness. Although the trauma of the original family cannot be healed, everyone is trying to reconcile with the family in their own way. Maybe you will have a strong resonance after reading it. Every smile and every move of your relatives seems familiar. This is also a close-up of Chinese-style family relationships, which makes us feel that it is not blood relations that truly maintain family ties, but respect and understanding between each other in life.

The author Zhang Shouchun received an undergraduate degree from Tsinghua University and a master's degree from the State University of New Jersey in the United States. He has published "The History of Xia, Shang and Zhou" and the Bronze Age War series under the pseudonym Xiaoshui. This book is his prose, and the insights and literary talent in it are fascinating.

This book is derived from the variety show "I Read on an Island". It is divided into 12 chapters and printed in full color. In addition to retaining the beautiful scenery and poetry, it purifies the topic and goes straight to the essence of reading. Along with the sunshine and sea breeze, the talk of the host and guests, you can enter the charming world of books, see yourself, see the world, and see all living beings.

This book is the first volume in Zhang Xingang's "Travel on the Great Silk Road" series, focusing on the Prairie Silk Road, a long-standing civilization channel. The Grassland Silk Road is connected by the prairie that runs through northern Eurasia, starting from the Greater Khingan Mountains and Hulunbuir Grassland in the east, and ending in the lower reaches of the Dnieper River that flows into the Black Sea in the west. This vast prairie has given birth to a unique civilization landscape in the history of Eurasia. This book mainly relies on the author's more than 40 years of travel and research, covering tens of thousands of kilometers and covering the cultural characteristics and historical anecdotes of various places along the Prairie Silk Road. From Inner Mongolia to Ningxia, from Lake Baikal to the Altai Mountains, from the Kazakh grasslands to the Black Sea-Caspian Sea grasslands... The author is deeply touched by the diverse customs and geographical features along the Prairie Silk Road. He uses his lens to record the changes of the times over the past few decades. He observes the past and present with profound writing skills, combs through the inextricable historical origins of different civilizations, and connects a vast and mobile map of grassland civilization.

Family love is like water, which makes the complicated become pure after being filtered; family love is like fire, which makes the plain become sharper by calcining; family love is poetry, which makes boring become a kind of artistic conception through modification. Family love is the eternal driving force of life. This book selects touching articles about parents nurturing and nurturing their children, and children's filial piety to their parents. Through different characters' memories of their parents' nurturing and nurturing themselves, it expresses the feelings of being grateful to parents and praising their parents. It inspires us to learn to be grateful, filial, give back, and be a good person.

"Liang Xiaosheng Talks about Reading and Life" brings together the essence of Liang Xiaosheng's prose about reading and life. The writing is sincere, simple, humorous, sober and warm. The book has three volumes. The first volume is "Time is Long in Books", which focuses on the writer's thoughts on reading and his insights on writing. You can get a glimpse of what are the methods of reading, what are the "tips" and "rules" of writing; the second part is "Settle the Heart", how teenagers and middle-aged people can settle the heart, how the author faces difficulties, how to live a positive life, and look at the lives of others Viewing is also about finding the true self inwardly; the third volume is "Love in the World". The author's deep love for relatives, friends and neighbors, and strangers, as well as thoughts about fathers and sons, love and marriage, anxiety and loneliness, and the emotions and mind immersed in the fireworks of the world are particularly touching.

"Moonlight Is Not Light" is Chen Cang's latest collection of essays, which includes seven large essays, including "I Have a Tree", "Father's Love Affair", "Brother's Legacy", "Moonlight Is Not Light", etc. The work describes the various complexes that the urban and rural changes since the reform and opening up have brought to the protagonists, including nostalgia, family affection, attachment to the past life, and fear and adaptation to the ever-changing life today. Among them, "I Have a Tree" tells the story of the fateful entanglement between a farmer, a village and various trees; "Father's Love" depicts a ridiculous story that happened after a farmer's father entered the city; "The Magpie is Back" It tells the story of a humble and helpless descendant of a farmer who is looking for his missing uncle, that is, a source of support; "Moonlight Is Not Light" tells the story of migrant workers who return to their hometown with their children to find their roots and find that the countryside has become a hometown that they cannot return to. The work reflects the psychological shock that the tremendous changes in the countryside have brought to people who are far away from and returning to their hometowns during the journey of poverty alleviation.

"Crazy Bone Collection" contains more than 80 emotional essays, each with a poem at the end. The works are written with love and true feelings, and the words are full of pride. My love is only a small part among the thousands of people in the world. It is ordinary and vulgar, common and simple. It was magnificent when I met you. But I have my own pride. Even if I am covered with thorns because of you, my soul will never bow. May you grow as much as you want and live like crazy. I respect you that life is like the moon, only bright and clear, regardless of the roundness or imperfection.

"No Other Life" is a collection of essays by the author Gao Yan, divided into five volumes. From his hometown to a foreign land, due to accidental life changes, the author traveled from the northeast to the south of the Yangtze River. Time and space have passed. What remains unchanged is the author's attitude of getting close, exploring, and touching. He uses his pen to find his spiritual destination. He uses his own body temperature, emotional presentation, and cultural care to discover the many possibilities behind the depth of life and years, as well as the richness behind the words. From "Heilongjiang" and "My Northland" to "Earthly Chengdu", "One Person, One City" and "Thousand Years of Reading", in this way, whether it is a foreign land here or a distant homeland, it is still close to you if you experience it personally. Even if you cannot completely reach it, after all the search, there is still a cloud.

Wang Zengqi's new collection of essays, learn modern Chinese with Mr. Wang, and get "Interesting Life"! The fireworks in the world are the most soothing to mortal hearts. When you feel tired and working hard, why not listen to Wang Zengqi talk about life. Don't be anxious, life is just like life. When you are young, you are understanding the text, and when you grow up, you are understanding life. The book contains 27 classic articles selected as Chinese textbooks and after-school readings. Those ignorant words in your youth will eventually be soothed by the power of Wang Zengqi's articles when you grow up and experience the hardships of life. Every generation of young people is reading Wang Zengqi. Mr. Wang's words remind you that you are still treated tenderly by the world. With the theme of "interest", this book is divided into three parts: plants in the world, taste in the world, and interesting things in the world. It presents the fun and beauty of the world from three parts: plants, food, and old stories about old friends, and shows Mr. Wang Zengqi's interest in life and attitude towards life. His prose contains culture in its leisure, and is sweet and heavy in its own way. The human heart of plants and trees is made by nature; the most sincere, most sincere, most sincere.

This book uses poetry as its warp and time as its latitude, connecting the friendship and bonds between the literati of the Tang Dynasty. These outstanding literati in the literary world always have a deep spiritual bond with their friends. They miss each other when they are apart. They convey their friendship through letters and ancient poems. In the poems, they can always feel each other's true inner thoughts, resonating like mountains and flowing water. They are Bai Juyi and Yuan Zhen, Wang Wei and Pei Di, Li Bai and Du Fu, Liu Yuxi and Liu Zongyuan, Li Bai and Meng Haoran. Opening this book also opens up the brilliance of the stars in the sky of the Tang Dynasty; the fate and secrets of the literati in the Tang Dynasty; and the character and affection of an era.

This book uses the representative poems of 18 foreign poets as an introduction to tell the story of the 18 poets' desperate efforts in love. They are Neruda, Yeats, Rilke, Pushkin, Eluya, Tsvetaeva, Emily Dickinson, Szymborska, Bob Dylan... There are mean, realistic and boring people everywhere. The poet is an inspiring soul, burning with pure flames, using indomitable sincerity to break into this mottled world, satisfied, happy, proud and sure. No matter how crazy the world gets, always remember our innocence.

Shenzhen is a coastal city with water everywhere. Water is the soul and essence of Shenzhen. The word "Shenzhen" itself has an inseparable relationship with water. What is the form of water? Rivers, lakes, seas, wells, waterfalls, rain... What are the things related to water? Bridges, umbrellas, fish, boats... This book is the sixth in the author Wang Guohua's "Street and Alley Chronicles" series. Different from the previous books, this book is all written around the water in Shenzhen, covering Lingdingyang, Maozhou River, Dasha River, Lixin Lake, Enshang Reservoir, Shajing Well, Maluan Mountain Waterfall, Yongxing Bridge, etc. There are 21 texts in total, divided into four chapters, the longest is more than 15,000 words, and the shortest is three to five hundred words. The author spent five years inspecting the large and small water systems in Shenzhen, looking at and talking to the water, and looking at another aspect of Shenzhen from the waves and the sound of the waves. The water systems in the book each have their own characteristics and are complementary, from which we can get a glimpse of the core of life in Shenzhen.

When Mr. Tan Tan was nearly eighty years old, he traveled around the motherland, collecting stories, visiting, and conducting inspections. His footprints were all over his hometown where he was born and raised, Yunnan and Guizhou where he lived, poverty-stricken villages, and prosperous cities. The things he talked about, the places he talked about, and the people he wrote about were real, true, and sincere. This enthusiasm and passion of an old man without losing the madness of a young man comes from the love for life and the strong will that has been tempered by hardships to refuse to admit defeat or retreat. It comes from the great sentiment of "a foreign country is also a hometown" and starts from the responsibility of caring for the people and keeping in step with the times.

This is a collection of works that reflects the development, changes and important nodes of Shenzhen over the past few decades with prose essays. It includes the journey out of thorns, the heart-warming words of the pioneer cows, the surprising glances from all over the country, and various personal experiences of living in Shenzhen. The emotional memories of different authors in different eras follow the growth of Shenzhen, describe the splendor of this economic miracle city, touch the sensibility and softness of the city, and present the light and warmth of a city.