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This book is divided into three parts: Chinese myths, folklore, and myths and legends of ethnic minorities.

This book is divided into ten parts, including celebrity legends, lama legends, landscape legends, cliff legends, Aobozhao legends, village place name legends, tree legends, taboo etiquette legends, horse and dog legends, and other legends. It introduces the legends and stories between the Tushyetu Banner people and nature.

Smart, smart and fond of reading. When Lin Mo was a child, he was not only innocent and lively, but also smart. Her life hobbies are different from those of her five sisters: the five sisters loved to wear colorful clothes when they were young, but Lin Mo only liked to wear scarlet clothes; the five sisters loved to wear gold, silver, pearls and jade jewelry, but Lin Mo only liked to plant wild cauliflower and chrysanthemums; the five sisters loved to eat fish. Waiting for meat, but Lin Mo likes to eat vegetables, fruits and vegetables; the five sisters are very quiet and don't like to go out, but when Lin Mo was only six or seven years old, he often went to the beach with the neighbor sisters to watch the ebb and flow of the tide, the flying seagulls, and the return of fishing boats... The golden childhood life is full of poetry and painting. Sometimes, Lin Mo and his neighbor sisters Biyu and Caixia go to the beach to pick conch and other shells; sometimes, they play and chase on the soft sand; sometimes, they learn to swim on the shallow beach; sometimes, they climb on the small sampan parked at the harbor and learn to row... In addition to playing at the beach, Lin Mo also likes to follow his 12-year-old brother Hong Yi and sit in the private school to listen to Mr. Guo's lectures. She is only 7 and a half years old, but she understands the books taught by the old gentleman.

As early as the ancient times, there were already myths and legends. In an era without historical records, Chinese ancestors were already using oral methods to tell the mysteries of the creation of the heaven and earth, the legends of the creation of the gods, the migration experiences of ancestors, and the stories of heroic adventures. They told the joy of love, the desire for life, the fear of death, the innate human joy of love, the desire for life, and the fear of death. They also told about the universe, the sun and the moon. Movements, seasonal cycles, earth vegetation, forest animals, and the origins of life, old age, sickness, death, love, hatred, and resentment in the world tell the beginning and end of time, the depth and breadth of the earth, the birth, death, and rebirth of human beings, and the stories of gods and monsters wandering in remote areas. This book takes the historical development process as its axis, from ancient times to the Qing Dynasty. According to chronological order, it lists the myths and legends from ancient times to the present. These stories are not only unique, but also have ups and downs of plot and are highly readable. Readers can understand the historical background and cultural heritage reflected in myths and legends, and experience the profoundness of traditional culture from another perspective.

This book is divided into six chapters: Creation Myths, Heaven and Gods, Adventures of Epic Heroes, Magic and Mysteries, Life and Love, Destruction and Death. It contains the most widely circulated myths and legends from all over the world. It is rich in content and highly fantasy.

Fable is a literary style that entrusts profound philosophy and lessons in short, vivid stories. Short fables condense the essence of human wisdom. They often make people more willing to accept the big principles that they are unwilling to accept due to their strong preaching meaning, and gain life experience and wisdom more conveniently and effectively. In life, there are always various problems that trouble people, such as how to succeed and obtain wealth, how to obtain management and marketing experience, how to live a rich and exciting life, how to obtain self-improvement more effectively, etc. Fables can also provide solutions to these problems that trouble people. "Read a Good Fable Every Day" is divided into five parts: success fables, wealth fables, management fables, marketing fables, and life fables. It selects hundreds of profound and thought-provoking fables. There is an "Analysis" column at the back of each story to deeply analyze the profound connotation of the fable, making it easier for readers to understand. In life and on the road to success, these fables will bring powerful help and profound inspiration to business managers, marketers and readers in other industries: managers and financial managers can learn business wisdom and wealth wisdom from them, and achieve career and economic success; managers and marketers can learn management wisdom and marketing wisdom, and thus obtain management and marketing concepts and techniques; ordinary readers can learn life wisdom and philosophy of life, thereby obtaining spiritual sublimation and living a fulfilling life.

"Myths of Ancient Rome" selects the most representative ancient Roman myths, including the birth of gods, the families of gods, creations of gods, wars of gods, the origin of mankind, the love between humans and gods, etc., And is supplemented by exquisite pictures that match the text content, showing readers a magnificent mythological picture, allowing readers to wander in the unique world of humans and gods.

"Ancient Greek Myths" collects the most representative works of ancient Greek myths, with classic content, profound implications, moving plots and high interest. At the same time, the book is equipped with exquisite pictures, which present the romantic and moving mythical world to readers in an all-round and multi-level manner, allowing readers to gain rich imagination space and elegant artistic enjoyment. Opening "Ancient Greek Myths" is like entering a magical world, where history and imagination are intertwined, and mystery and romance blend together. Here, you can find emotional experiences that resonate with your own soul from the wonderful and vivid mythological stories. You can draw nourishment, gain insights, and stimulate thinking from the wise language, and create a pure holy land for your life.

This book collects and compiles 132 folklore stories scattered in local historical records and ancient books in northern Sichuan, reflecting the simplicity, kindness and good wishes of Sichuan people for thousands of years, as well as the living customs and customs of Sichuan folk.

Japan is located to the east of mainland China and is an island country surrounded by sea. Most of Japan has a temperate monsoon climate with four distinct seasons. Japan is mainly composed of four large islands: Hokkaido, Honshu, Shikoku and Kyushu, as well as the Ryukyu Islands and surrounding small islands. Before the Meiji Restoration (1868), the main people living in Hokkaido were the indigenous ethnic group-the Ainu people. It is the only ethnic minority in Japan. Therefore, if the Ainu nation needs to be mentioned in the narrative, it will be explained. The Ryukyu Islands at the southwest end of the Japanese archipelago is Okinawa Prefecture. When Japan was locked down in the Edo period, this area had trade relations with foreign countries. Therefore, it was greatly influenced by the culture of mainland China and Southeast Asia, and then formed its own unique culture.

This is a love poem written by the sixth Dalai Lama Tsangyang Gyatso. This master of love songs wrote hundreds of love poems. It is hard to imagine that such graceful and delicate poetry could be cultivated in the rough and cold environment of the snow-covered plateau of Tibet. Tsangyang Gyatso's love poems have been translated into more than 20 languages ​​and spread all over the world, and there are still many new translations appearing. Just from the Chinese translations in the past hundred years, we have seen no fewer than seven or eight versions: some in folk song style, some in five-character and seven-character styles, and some in modern new poetry. Influenced by derivation, these poems also provide inexhaustible inspiration and creative resources to contemporary painters and musicians. In particular, Tsang's love songs, composed with great passion by contemporary outstanding composers and singers, are particularly charming. The human love encouraged and blessed by Tsangyang Gyatso adds divine brilliance.

This book is one of the Chinese Qixiang Literature and Art Series. The manuscript is a folk literature volume, divided into six parts, including totems, stories and proverbs of Cixiang, food, folk crafts and intangible cultural inheritance. The work shows the fruitful results of the hard work of the people in the land of wolfberry with a strong local flavor, and once again shows the world the wonderful picture of the land of wolfberry, which has collection value.

This book is an academic work. After in-depth investigation and research, the author collected it from the folk, which belongs to the intangible cultural heritage passed down from generation to generation among Ningxia folk. The content of this book is divided into four major chapters: folk customs, folk crafts, folk medicine, and folk delicacies. It focuses on folk customs, culture, art, etc., So that people can feel a folk Ningxia with simple folk customs and profound cultural accumulation in simple words, so that they can enter Ningxia, understand Ningxia, and contribute to the protection of intangible cultural heritage in Ningxia and even the world.

"Mahabharata" and "Ramayana" are known as the two major Indian epics. "Ramayana" was translated by Mr. Ji Xianlin and published in the 1980s. The Mahabharata is four times as long as the Ramayana. The book is divided into eighteen chapters. The core story is set against the background of Indian society in the era of strife among nations. It narrates the struggle between two descendants of the Bharata tribe, the Kolulu and Pandava tribes, for the right to inherit the throne. This so-called encyclopedic epic is large in scale and complex in content. So far, there are only a fine revision of the Mahabharata completed by Indian Sanskrit scholars in half a century and the previous English translation in the world, while translations by French, American and other scholars have all failed midway. In the late 1980s, under the support and leadership of Mr. Jin Kemu, the translation project of the Chinese version of the Mahabharata was launched. After the hard work of a group of scholars, it took 17 years to complete the project and handed it down to the world with the support of Mr. Huang Baosheng. It has become one of the only three texts in the world today.

"Mahabharata" and "Ramayana" are known as the two major Indian epics. "Ramayana" was translated by Mr. Ji Xianlin and published in the 1980s. The Mahabharata is four times as long as the Ramayana. The book is divided into eighteen chapters. The core story is set against the background of Indian society in the era of strife among nations. It narrates the struggle between two descendants of the Bharata tribe, the Kolulu and Pandava tribes, for the right to inherit the throne. This so-called encyclopedic epic is large in scale and complex in content. So far, there are only a fine revision of the Mahabharata completed by Indian Sanskrit scholars in half a century and the previous English translation in the world, while translations by French, American and other scholars have all failed midway. In the late 1980s, under the support and leadership of Mr. Jin Kemu, the translation project of the Chinese version of the Mahabharata was launched. After the hard work of a group of scholars, it took 17 years to complete the project and handed it down to the world with the support of Mr. Huang Baosheng. It has become one of the only three texts in the world today.

"Mahabharata" and "Ramayana" are known as the two major Indian epics. "Ramayana" was translated by Mr. Ji Xianlin and published in the 1980s. The Mahabharata is four times as long as the Ramayana. The book is divided into eighteen chapters. The core story is set against the background of Indian society in the era of strife among nations. It narrates the struggle between two descendants of the Bharata tribe, the Kolulu and Pandava tribes, for the right to inherit the throne. This so-called encyclopedic epic is large in scale and complex in content. So far, there are only a fine revision of the Mahabharata completed by Indian Sanskrit scholars in half a century and the previous English translation in the world, while translations by French, American and other scholars have all failed midway. In the late 1980s, under the support and leadership of Mr. Jin Kemu, the translation project of the Chinese version of the Mahabharata was launched. After the hard work of a group of scholars, it took 17 years to complete the project and handed it down to the world with the support of Mr. Huang Baosheng. It has become one of the only three texts in the world today.

This book eulogizes the great achievements of the older generation of proletarian revolutionaries, and praises the fearless revolutionary spirit of the revolutionary martyrs and Jinggang people who shed their lives for the Chinese revolution. It is a rare and precious spiritual wealth for us to carry out the education of ideals and beliefs and the education of socialist core values.

The topic is a movie script. The script tells the story of a TV station reporter who saw the news published in Lanzhou Morning News about the discovery of a big plum vase with a blue and white figure in "the first year of Yongchang" in Lanzhou, and also heard the news that "Li Zicheng returned to Qingcheng in Yuzhong". Therefore, the reporter went to Qingcheng to interview and discovered and reported the basic facts of Li Zicheng's retreat to Qingcheng; at the same time, the reporter interviewed and reported the entire process of Li Zicheng's uprising from Jin County, overthrowing the Ming Dynasty, failure, and retreat to Qingcheng in the oral history of the Li family. This book attributes the reason for Li Zicheng's failure to "lack of ability to govern the country" and reflects on Li Zicheng's success and failure.

The son stood in the middle of the room, and the mother rushed to the kitchen with Qiu Yi tucked in her arms. My son put down his luggage and shouted to stop me. I had eaten. I was waiting for the bus at the station and had a bowl of shredded pork noodles. Mother ignored him and started working in the kitchen. The door was open, a gust of wind passed through, and the 20-watt light bulb above his head swayed. The son saw that his shadow almost completely covered a wall. The chirping of crickets came from the base of the wall, close to my ears, making the rural night even more peaceful. Suddenly feeling a sense of discomfort, his son quickly turned around, closed the door, and kicked the night out. My father has always been procrastinating. Now he came out of the bedroom, yawning and hunched over. You lost weight! His eyes widened as he approached his son.

In the days before I went in, my eldest brother almost never paid attention to me, even if he glanced at me with a little emotion. He must have thought that I was still a "silly young man" and that we should live in two different worlds. Distinguishing everything by age seems to be the simplest standard in any era that lacks standards. Well, except for a slight exception when facing his parents, his face with a cold light has never changed much for any child. At that time, his father and my uncle had just passed away. He ran away from his hometown to join his uncle and my father and lived in our house. But who would have thought that in just one year, he would actually become famous in our area, and he would become even more arrogant towards me.

Grandpa is an old carpenter. As long as I can remember (sorry, maybe I started to be wise later, I only started to remember when I was six or seven years old), my grandpa has been getting old. The kind that just got old. Not senile yet. But I have seen other decrepit old ladies in the village. It's strange in our village that most of the people who live longer are women, that is, old ladies. The muscles on their faces are hanging out one by one, and it's really strange that there are so many grooves in a small face, which is more meaningful than the taut and dewy little girl's face. However, something meaningful may not necessarily make people like it. They like to touch the children's heads and say repeatedly: "Good, good, so good, haha, haha..." But the children don't like this, and will avoid it if they see it from a distance.

This book is one of the "Cultural Value Series of Hailongdun Tusi Site". The object of investigation is the folklore about the Hailongdun Site. The folk tales or legends contained in this book can be divided into: the first part is the legend of Yang family in Bozhou, the second part is the legend of Hailongdun and the third part is the legend of Bozhou place names. These folklores can be mutually corroborated with official historical records, remains and unearthed cultural relics. It has both documentary and literary value and is the crystallization of minority culture in Guizhou. The compilation and publication of this book are of great significance to the research and development of Bozhou Tusi culture and Hailongdun ruins, and also play an important role in applying for world cultural heritage.

A story about Tibetan female soldiers. Generally speaking, I have no feelings about music. Maybe I will shed tears for a certain song, or I will be stuck in the past for a certain melody and have emotional fluctuations. But I will definitely not buy high-end speakers at home like an audiophile and listen professionally from every corner. Nor will I wear an evening dress and sit solemnly in a concert hall to listen. Why spend that money? I usually let the music enter my eardrums or enter my state of mind very casually. But something unexpected happened that day. When I saw the news in the local evening newspaper that the Hubei Opera House was coming to the city to perform the large-scale opera "Red Guards of Honghu Lake", I immediately became excited and immediately booked a ticket according to the booking phone number provided in the newspaper. 360 Yuan is not too expensive for me. A person must do such outrageous things several times in his life, otherwise his life will be in vain. This is how I explain my behavior.

This book is a collection of the world's classic fairy tales, fables, myths and folk tales. It brings together a large number of excellent story works from ancient and modern times at home and abroad, including almost all famous works known to women and children. It is a rare collection of classic stories. The book is divided into four parts: world classic fairy tales, world classic fables, world classic myths and world classic folktales. They are divided into categories to facilitate readers to find and read. It is equipped with rich and exquisite hand-drawn pictures, which are intuitive and three-dimensional, giving readers an immersive feeling and a relaxing reading experience when reading the story.

This book is Japan's first literary work, containing ancient Japanese myths, legends, ballads, historical stories, etc. The "Kojiki" compiled by Tai'an Wanlu on January 28, the fifth year of Hetong (712), was dedicated to Emperor Yuanming. Events from the founding myth to the era of Emperor Suiko (the aunt of Prince Shotoku) have been recorded in history books. The whole book is written in Chinese characters. Although the Chinese subject-verb-object grammar is the main word order, Japanese grammatical structures also appear from time to time, reflecting some characteristics of early Japanese variant Chinese. The content can be roughly divided into two items: "Ben Ci" and "Emperor Chronicle", and three parts: "First Volume", "Middle Volume" and "Second Volume". This book contains color illustrations and inserts.

Qingyan sketches are a literary style independent of classics and epic poems. They express the philosophical thoughts and aesthetic tastes of traditional Chinese literati in the form of concise aphorisms. "You Mengying" is one of the representative works, "taking romance as Taoism and incorporating education into humor". It is elegant and casual, fresh and extraordinary, and it will leave a fragrance in your mouth and cheeks after reading it.

Most of "Aesop's fables" are animal stories, using animals as metaphors to teach people how to live and be a human being. A few of them are mainly about people or gods. The form is short and concise, the metaphors are appropriate, and the images are vivid. They usually end with a sentence to reveal the underlying truth. They are small in length but profound in meaning. They have few words but are worth recalling. They have high artistic achievements and have a great influence on future generations. They are satirical metaphorical stories circulated among ancient Greek folk.

There are many ethnic groups in the world, and each ethnic group has its own mythology. However, when it comes to the richness of content, the artistry of expression techniques, and the wide range of circulation, it must be Greek mythology. Greek mythology is a collection of Greek stories about gods and heroes. For thousands of years, Greek mythology has penetrated into the literature and art of ancient Greece and even all aspects of Western culture, playing an indelible role in the development of human civilization. Therefore, if you want to understand the process of Western civilization, it is necessary to read this "Greek Myths and Legends".

Bridges are corridors between rivers and seas. After the cancellation of boats, bridges and boats became natural enemies. Between mountains and mountains, bridges lead to roads, and between islands. The bridge connects boats, and between water and water, the bridge connects cars. Since my childhood, I have had the impression that road bridges are flying rainbows, island bridges are circulating boats, always moving on the skin of water, and only floating bridges on the water are the real cars on land. When I write the word "bridge", boats, cars, boats, roads and rafts are like the illegitimate children of water born together, so the bridge I understand can truly become the cradle of land and sea. Standing on the bridge, there is the mainland, the sea, or mountains and islands behind you. Face to face, we can only choose the road before we start. This is an infinitely long vestibule, and its goal points to the future. Therefore, only through the connection of bridges can the world become a whole.

After receiving a call from my daughter, I immediately picked up my luggage and boarded the express train bound for Nanjing. Because I have a mission, there is no room for hesitation or delay. Just as my heart flies like an arrow, my caring heart has already flown to my daughter far away in Nanjing! The train seemed to understand my thoughts, running quickly on the vast East China Plain. The scenery in the wilderness appears in front of your eyes one after another quickly, and then quickly leaves you, just like a splendid documentary of plain scenery being shown repeatedly. Looking out the window, the charming scenery outside the car window gradually relaxed my nervous mood. It is the transition period between late summer and early autumn, and green is still the main color in the fields, emitting vigorous upward momentum and infinite tension of life.

This is a medieval poem, probably written between 1202 and 1204, and the language used is Middle High German. The whole poem has a total of 39 songs, 2379 stanzas, each stanza has 4 lines, and a total of 9516 lines of poetry. This poem is characterized by a heroic epic written in the style of a court knight's epic. The content is a historical story from the great migration period of the Germanic people (4th to 6th century), but the form is based on the court literature style of the heyday of the Middle Ages (12th to 13th century). In other words, "Song of the Nibelungs" is a combination of ancient Germanic culture and medieval Christian civilization. The epic shows the unique character of the Germanic nation, highlights the tenacious spirit of the Nibelungs in their tragic struggle with fate, and has had a profound impact on Western literature. This book is a high-quality translation and introduction by An Shuzhi, a veteran German professor at Peking University, and has been carefully revised many times.

Reading the poems in "Traveling with the Sky on Your Back (His and Hers Book Series)" written by Tan Jinxia is like walking into a forest. Not only is the wind blowing in the air, the leaves are swaying in front of the eyes, but also the dewdrops are shining, and the purple grapes make people salivate... Every poem reads fresh and natural, with sincere feelings, full of pictures, and very cute.

There are many ways to present the historical ancient villages. This book uses the perspective of folk stories, combined with pictures and news reports, to more completely present the historical appearance, customs and customs of Gucun Dragon Palace. The local and daily characteristics of folk tales make this book more humane when presenting history and customs, and also make village history readable and approachable.

"The Legend of Dayu's Flood Control" written by Yang Dayuan is a legendary story about Dayu's flood control. Dayu was a great pioneer, and his deeds have been remembered for thousands of years. This book fills the gap in the lack of complete story books about Dayu's flood control. The author provides a rough outline of Dayu's flood control based on the article "Yu Gong" in "Shangshu". Kuo, based on this interpretation and imagination, reproduces the entire process of Dayu's flood control and dredging of Kyushu in ancient times. The language is easy to understand, the story has ups and downs, and the characters have distinctive personalities. It is a legendary story suitable for all ages.

"Miscellaneous Tales of Chinese and Foreign Folktales" consists of two volumes, with hundreds of selected fantasy stories, animal stories, life stories, folk fables and folk jokes from all over the world, both ancient and modern. It is a good reading material for enlightening wisdom, increasing knowledge, and expanding horizons. It is also the best version for teenagers to learn and research folktales. It is very suitable for collection and display in libraries at all levels. The first volume includes Bao Gong beheading his uncle, Ouyang Xiuqiao versus Lai Xiucai, King Qian's removal of gods, King Yao's marriage, Li Liang's trial of geese, Li Shimin's selection of talents, upright official Hai Rui's removal of two cards, the legend of Yueyang Tower, Li Shimin invited Zhang Gu three times, a penny stumped a heroic man, Zhu Yuanzhang's search for Chang Yuchun, the burning of Qinggong Tower, Hua Mulan Story contents include attacking mountains, soldiers skillfully managing ministers, King Wen of Zhou visiting wise men, Kangxi mediating disputes, She Taijun wisely retreated from Liao soldiers, Liang Hongyu defeated Jin Wushu, heroine Qin Liangyu, Qi Jiguang punished Japanese pirates, Lin Zexu paid a private visit in disguise, Ximen Leopard shoveled the strong and helped the weak, Hai Rui and the Bodhisattva, Wu Zixu's revenge, Zongben's treat, etc.

"Selected Chinese and Foreign Mythological Stories" consists of two volumes, covering hundreds of famous Chinese and foreign mythological stories from ancient and modern times. It is both representative and universal, and is very suitable for teenagers to study and collect. The second volume includes stories about natural supernatural beings, spirituality of all things, heroic legends, folk customs, etc., Such as the origin of the year, the origin of the Spring Festival, the legend of New Year's Eve, the sticker chicken, the legend of the Lantern Festival, February 2, the dragon raises its head, the legend of the Dragon Boat Festival, the legend of the Chinese Valentine's Day, the Ghost Festival, the August 15th Mid-Autumn Festival, the origin of moon cakes, the origin of the Double Ninth Festival, the legend of the Laba Festival and other stories.

Myth is a product of human childhood and has an everlasting fascination. Greek mythology has been around for a long time because of its relatively complete system and unique literary charm. Greek mythology and biblical mythology have had a comprehensive and profound impact on the religion, philosophy, thought, customs, natural science, literature and art of the entire West and even mankind. When you come into contact with Western culture, you are bound to encounter allusions from Greek mythology. Almost every important classic Western literary work involves characters and plots from Greek mythology, and some are even directly based on Greek mythology. Today, although we do not have to "call everything Greek", a systematic understanding of Greek mythology is necessary for every modern person.

"Tangwu Folk Stories" is a portrayal of the labor creation and spiritual civilization of Tangwu ancestors. The stories in the book are generally compiled according to natural villages, and revolve around the origin of the clan, historical changes, geographical environment, and humanistic customs. The mountains have their origins, the waters have their stories, and the villages have their stories. From them, we can get a glimpse of the creation of the Tangwu people. The stories generally come from oral transmissions from local elders or antique scholars. They are imaginative and unique. In particular, the language fully retains the local traditional habits and dialects and slang, making it easy to understand and catchy.

"Legends and Stories of Emperors of the Qing Dynasty" is a volume in the "Story Series of Classics of Mountains and Seas". It is mainly based on legends collected from the folk. Each volume has a core character or theme, retaining a lot of folk wisdom and reflecting folk customs and historical features. "Legends and Stories of Emperors of the Qing Dynasty" mainly tells stories that happened to the Qing Palace and its characters.

"Miao Lian Qiao Pair of Stories" is a volume in the Shan Hai Jing story series. The content is mainly based on legends and stories collected from the folk, and each volume has a core character or theme, retaining a lot of folk wisdom and reflecting folk customs. Its content revolves around the theme of "wonderful couplets and clever pairs", and is a reasonable selection of couplet and couplet stories collected from the public. It reflects the lively folk customs and life wisdom.

"The Legend of Flowers and Birds" tells the origins of various flowers and birds, as well as the beautiful legends between them and ancient literati.

The content of "Legends of Haining Chao" revolves around the theme of Haining Chao, and is a reasonable selection of legends collected from the folk. The style is lively, retains a lot of folk wisdom, and reflects folk customs and historical features.

"The Story of Xu Wenchang" is a volume in the Story of Classics of Mountains and Seas series. The content is mainly based on legends and stories collected from the folk, and each volume has a core character or theme, retaining a lot of folk wisdom and reflecting folk customs and historical features. "The Story of Xu Wenchang" revolves around Xu Wenchang and tells many folk stories about him.

"Lao Can's Travels" takes Lao Can, a charlatan, as the protagonist, and uses his travels and experiences as the main line to focus on describing the various evil deeds of "honest officials". As he shook the string bell in his hand, he linked up all the social beings in the late Qing Dynasty, and slowly unfolded a volume of social life in the late Qing Dynasty.

Ancient Greek mythology is a wonderful flower in the treasure house of world literature and art. It reproduces the social outlook and spiritual life of the ancient Greeks in the form of romantic epics, and has had a profound and long-lasting impact on the development and prosperity of Western literature. In the colorful world of mythology, ancient Greek mythology is like a dazzling pearl. Understanding ancient Greek mythology has become an indispensable part of people's process of building a knowledge structure.

Hao Chuan, editor of "Chinese Classic Myths". Myths are the precious spiritual wealth of a country and nation. Every country and nation in the world has its own myths and legends, and China is a country rich in myths. "Chinese Classic Myths" selects classics from ancient Chinese myths. There is Pangu who evolved his own life into a vibrant world; there is Nuwa who created humans from clay and refined five-color stones to mend the sky; With perseverance, he filled the sea with branches in his mouth; Hou Yi was not afraid of hardships, and bent his bow to shoot the sun for the sake of a happy life for mankind... Whether they are deified people or humanized gods, the characters in the story all have strong vitality, and are persistent, brave, smart, and perseverant.

"Stories of Chinese and Foreign Festivals" describes in detail the origins of Chinese and foreign festivals and other knowledge. The different etiquette, customs and habits of these festivals have left a deep impression on people. Invisibly, these unique programs have formed a culture that is profound, timeless, and thought-provoking.

"Chinese and Foreign Folktales" selects relatively representative stories that are popular and familiar to readers, covering a wide range of topics. Some are about gods and ghosts, some are about legendary figures or real historical figures, and some are about nature and humanity. These folktales are rooted in the folk and are an indispensable part of national culture.

Chinese mythology and ancient Greek mythology are the oldest ancient myths. They are also a literary style created by people in the process of working and living through long-term social practice. It is a naive explanation of the heaven and earth, the universe, the origin of mankind, all things in nature, exploration of life, tribal wars, and working life through fantasy in human childhood. Myths are passed down orally among the people. Its magic and magnificence reflect the infinite artistic charm, show people's innocent, simple, sincere and beautiful artistic imagination of all things in the world, and reflect people's yearning and pursuit of a better life. Let's read "The Most Beautiful Myth" together!

"Classic Greek Mythology" tells a poignant and touching love story and magnificent war scenes. Greek mythology originated from the ancient Aegean civilization and is slightly similar to the Chinese Shang and Zhou civilization. The Greeks are the ancestors of Western civilization, with outstanding nature and extraordinary imagination. In primitive times, they felt mysterious and incomprehensible about natural phenomena and human life and death, so they continued to fantasize and meditate. In their imagination, everything in the universe is alive. However, after the Dorians invaded the Aegean civilization, they had to look outside to expand their living space because the Greek peninsula where they lived was overpopulated. At this time, they worshiped heroes and heroes, thus many national heroic stories in which humans and gods were intertwined were produced.