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This book is a collection of prose written by the author in recent years. It is divided into three parts: a record of travels in the north and south of Xinjiang, a delicate perception of family, friendship and love, and a profound reflection on the meaning of life and artistic pursuit. The language is fresh and the style is unique.

After ten years of working as a police officer and tempered by various types of police life, the author has turned into a number of theoretical work notes in practice. With the author's work experience as the main thread, these notes are strung together one by one to form a precious chain of hard work. Here are the reports and insights of the traffic police on the front line, the efforts and hard work of community work, and the thinking and exploration of the economic investigation front. In terms of police innovation, there are also unique thinking and far-reaching academic value and reference significance.

This book is a collection of a series of essays with the theme of popular science and science fiction written by Alai during his tenure at "Science Fiction World". From it, we can understand the development trajectory of the world's scientific community from 1997 to 2005. It not only allows us to look up at the stars, but also allows us to look down at the earth and see within ourselves. From the perspective of humanistic care, the author makes a profound explanation of the impact that the application of scientific results has on human life, thoughts and spirits. These insights are still thought-provoking even today.

This book selects Mr. Alai's speeches in recent years in various places, including "Literary concepts and literary writing issues", "Literature always faces some problems", "Literary narrative expression and imagination", "Non-fiction literature should have cultural responsibility", "When we talk about literature, what are we talking about" and other aspects about literature, writing, culture and other aspects. It combines the author's actual writing experience to discuss various aspects of literature in a more realistic way.

The hardships of interviewing, the joys and sorrows of writing, the joy of publication, feedback from readers, the surprise of winning... Haven't we all experienced it before? Isn't it also a very happy thing to talk about your own feelings by reading his works and have the opportunity to use this feeling to infect others?

Starting from Daming County, Hebei Province, my hometown in my boyhood, I continue to write about my home life after my retirement in 2000. It fully expresses her longing for her hometown, her gratitude to her master, and her flesh-and-blood feelings for being a son, a wife, and a mother.

From ancient times to the present, in the long history of China's splendid culture, our predecessors have had incisive discussions on "Zen", "mind painting" and "seal cutting". I would like to copy a few of them as the introduction to this book.

"Lovely China" collects eleven works written by martyr Fang Zhimin in prison: "Fang Zhimin's Autobiography", "Lovely China", "Death", "Poverty", "Prison Records", "A Brief Account of My Revolutionary Struggle", "Posthumous Letter", etc. The article is permeated with patriotic thoughts and patriotic enthusiasm of devotion to the country and the people, showing the bravery and fearlessness of a Communist Party member and the spirit and will of death. It is a rare teaching material for educating young people and the masses on revolutionary tradition and patriotism.

The essays by Leo Ou-fan selected in this book come from various collections of essays by Leo Ou-fan. They are compiled into five series according to different classifications under relatively concentrated themes. The first volume "Times Past" mainly presents Li Oufan's experience of studying abroad, as well as some of the author's thoughts and historical and humanistic thoughts on the universities he has studied in during his many years of overseas academic background. The second volume of "Chang Huaisi People" brings together Professor Li Oufan's memories and remembrances of his teachers, relatives, colleagues and friends. The third volume of "Literary Journey" is the author's review and comments on world literature and some writers as a scholar. The fourth volume "Humanistic Space" reflects the author's observation and experience of modern cities and modern architecture, while the fifth volume "Music Past" displays the author's appreciation and perception of music and humanities, expressing the author's extremely high musical accomplishment. These five aspects all reflect the author's unique and professional understanding of culture and art, as well as his love for life, nature, relatives, friends, and teachers. The whole book expresses the author's love for life, nature, and art. Although he is a scholar, in terms of writing level and quantity, Li Oufan is not far behind and can definitely be regarded as a first-class writer. As a scholar, most of Li Oufan's life from studying in the United States in 1962 to his retirement from Harvard (2004) was a life of scholarship and writing. This book is a collection of his many years of writing.

Over the past 50 years, the economy and culture of Shizuishan City have continued to prosper and develop, various undertakings have made great progress, and a new industrialized landscape garden city has rapidly emerged. With the development of economy and progress of society, Shizuishan City's literary undertaking has also experienced a glorious process of growing from scratch, from weak to strong, and from a single category to multiple categories of common development and prosperity.

This manuscript is an interview conducted by the famous cultural reporter Fan Ning with 25 famous current writers (Zhang Wei, Bai Xianyong, Yi Zhongtian, Yan Geling, Zhang Ling, Chen Yingsong, Chen Ruoxi, Shi Shuqing, Han Shaogong, Liu Zhenyun, Ge Fei, Lu Tianming, Su Tong, Lin Bai, Liang Xiaosheng, Ye Zhaoyan, Chi Li, Mai Jia, Deng Yiguang, Zhang Yueran, Bi Feiyu, Ye Guangqin, Lei Pingyang, Yu Hua, Ma Yuan), through a question and answer format, introduce the writer's current status, creative process, experience, as well as his observation of current cultural phenomena and the refinement of his own characteristics. The book covers a wide range of topics, from the setting of questions to the answers of the interviewees, with considerable quality and readability. It takes into account both ideological and personal characteristics. It is of great value to readers and researchers in understanding the writers beyond their works. At the same time, the dialogue content is also topical and in-depth. The writing is lively and interesting, and it goes from shallow to deep, making it suitable for reading.

The more than 60 essays collected in this book are records of translator Dark Horse's mood and thoughts when he translated multiple volumes of Lawrence's works. Most of them were inspired by answering questions requested by netizens before forming articles, as well as transcripts of newspaper interviews and lectures. They not only record the past, but also provide a reference book for readers who like Lawrence's works, sharing Dark Horse's happiness in interacting with readers over the years.

This manuscript is an interview conducted by the famous cultural reporter Fan Ning with 19 famous writers (Mo Yan, Jia Pingwa, Wang Meng, Luofu, Alai, Tang Haoming, Han Dong, Qiu Huadong, Zhou Daxin, Zhang Zhihao, Hu Xuewen, Wang Anyi, Chi Zijian, Fang Fang, Can Xue, Xu Yigua, Ge Shuiping, Qiao Ye, Di'an). Through a question and answer format, he introduces the writer's current status, creative process, and experience, as well as his observation of current cultural phenomena and the refinement of his own characteristics. The book covers a wide range of topics, from the setting of questions to the answers of the interviewees, with considerable quality and readability. It takes into account both ideological and personal characteristics. It is of great value to readers and researchers in understanding the writers beyond their works. At the same time, the dialogue content is also topical and in-depth. The writing is lively and interesting, and it goes from shallow to deep, making it suitable for reading.

After the founding of the People's Republic of China, Tianjin crosstalk has developed rapidly, one of which is the large number of famous crosstalkers. Dozens of famous artists, such as Zhang Shouchen, Chang Lian'an, Guo Rongqi, Ma Sanli, and later Liu Wenheng and Gao Yingpei, took the lead in performing in various district folk art troupes. Tianjin is not only famous for actors, but also famous for jokes. For example, "Civilization Ci" written by Gao Yufeng and Xie Ruizhi (later renamed "Xijiang Moon"), "Guan Gong Battles Qin Qiong" written by Zhang Jieyao, "Exaggeration", "Geographical Map", "Smart Matchmaker" and "Thieves Talk" written by Zhang Shouchen... There are too many traditional jokes from Tianjin, and they are all long-lasting jokes. Moreover, there are many teahouses specializing in cross talk performances, distributed in various districts. Even during the "Cultural Revolution", Tianjin still presented the cross talk "Digging for Treasures" co-written by Wang Peiyuan and Chang Baoting to the whole country. Of course, it did not escape the fate of all cross talk teahouses being closed at that time.

On the northwest border of China, there is a magical and beautiful land. There, the Ordos platform and the green basin coexist, the vast desert and the surging Yellow River coexist, the water town scenery and the frontier fortress scenery complement each other, and the Xixia culture, the Arab culture and the Chinese culture shine together... This is Ningxia, which is known as the "Pearl on the Fortress".

The first collection of stories by Su Xiaocheng, senior author of "Eige", collects the essence of short stories written over ten years. In his story, there is a tavern called "Dog Urine House", a man named Zhang Zhen, a fish counter in Seattle, a boy selling hyaluronic acid in Tokyo, and the lovelorn love of Mr. Ruan, the pig butcher. Outside the story, there is completion, regret, reluctance, and relief... You are now, and I was in the past.

This book is a monograph on the study of Merleau-Ponty's aesthetics. It contains the author's new foreign translation results in the past ten years. It is reliable, comprehensive, praising the new and has great reference value. The book is divided into three parts: the first part, "Meaning and Meaninglessness", looks at Merleau-Ponty's phenomenological aesthetics from an existential perspective, extracts the specific connotation of this aesthetics as an art philosophy, and studies its new ideas in painting, novels, movies and other artistic categories; the second part, "East and West", deals with Merleau-Ponty's aesthetics from the perspective of visual research, sorting out It tries to examine how phenomenological aesthetics eventually develops into a visual ontology centered on the interweaving and reciprocity of the visible/invisible; the third volume of "Appendices" contains translations that represent the main results of Merleau-Ponty research by Western philosophers, and also includes relevant research translations in an expanded sense.

"Collected Works of Su Qing" (6 volumes) collects the representative works of Su Qing, a well-known modern Chinese female writer, novelist and essayist. This volume includes Su Qing's narrative and lyrical prose works such as "My Girlfriends", "Little Angel", "Perm" and "Red Leaves", which demonstrate the author's rich perceptual experience and excellent ability to handle details.

"Collected Works of Su Qing" (6 volumes) collects the representative works of Su Qing, a well-known modern Chinese female writer, novelist and essayist. This volume includes Su Qing's prose works that reflect social life, such as "Having a Boy and Raising a Girl", "On Quarrels between Couples", "A Nursery in an Organization" and "The Future of Women". From these, we can see the author's exploration and pursuit of the most direct and realistic real life.

"Collected Works of Su Qing" (6 volumes) collects the representative works of Su Qing, a well-known modern Chinese female writer, novelist and essayist. This volume contains Su Qing's prefaces and postscripts to each of his collections, such as "Publishing Words", "Reading", "Preface to the Reprint", and "Postscript", as well as his experience and understanding of editing magazines, etc., Which will help readers gain a deeper understanding of Su Qing's writing style.

No matter where we are, some part of us is a foreign country. Who is not a stranger? Maybe you are in a foreign land, homeless; maybe you feel lonely, even if you are among people, strangers in your soul are everywhere. Happiness is actually not far away.

This book is a collection of poems and essays by Zhang Mingyou (Moyu Jiangnan), a poet who has been active on online literature websites in recent years. The first collection of poems contains more than 160 poems carefully selected by the author, mainly ancient poems, supplemented by modern poems. The second volume of prose contains 34 essays, some of which are written in classical Chinese, with supplementary explanations for each article. It is a rare piece of modern classical Chinese prose. Many of the author's poems have won awards in the World Youth Chinese Essay Contest.

Love is cruel but also beautiful. Open this book and you will never be alone in the world of love. A collection of love Bible essays that comprehensively talks about "ignorant first love", "crazy love", "fading love" and "breakup healing".

This is a collection of prose essays, containing inspiration, hope, emotion and other elements. The author inspires readers through stories that happened to himself and his friends. From these real and warm stories, people will feel how they can feel the power to move forward despite the difficulties they face. As long as we still believe in tomorrow, tomorrow will be beautiful. This short and exquisite collection can give some positive guidance to readers who are confused and fill their hearts with warmth and hope.

The themes and genres of "Youth by Weiming Lake" are rich and diverse, and the form is scattered but the spirit is not scattered. All the articles are written around core words such as Peking University, youth, growth, campus, the post-70s, and the post-80s, which can be said to be close to the readers' hearts and dreams. The book is full of talent and literary grace without losing its richness and depth. The lines are full of warm and sharp humanistic qualities. It is a concentrated display of the author's independent thinking spirit and comprehensive writing ability.

"Material Life" contains 48 essays and novels by Margaret Duras, involving the author's own works and other related aspects, such as the acquaintance with Jan André, the author's own illness due to drinking, etc., Which are also recorded in the book. Specific titles include articles such as "The Writer's Body", "October 1982", "Apparitions Coming in a Row", "The Blue of the Shawl", "The Last Customer at Night", "Chemical Smell", "The Highway of Discourse", etc.

Wang Xiaobo is currently the most creative writer in China. He is known as China's Joyce and Kafka. He is also the only mainland Chinese writer who has twice won the "Taiwan United Press Literary Award Novella Award", an important award in the world of Chinese literature. His literary creation is unique, full of imagination and fantasy, but also has a rational spirit. His writing is both transparent and hazy, honest and cunning. The maze-like text reminds you of Borges, who goes around in circles, more like a taxi driver than a taxi driver... In short, you can read about infinite possibilities or impossibilities, infinite certainty or uncertainty.

The spiritual monologue of Nobel Prize winner Andre Gide is a gospel on par with Nietzsche's "Thus Spoke Zarathustra". The authoritative translation by the famous translator Li Yumin. This is a book that will be hot when you read it... - Nobel Prize winner Martin Dugar for his extensive and artistic works, in which he presents various problems and situations of human nature with his fearless love for truth and his keen psychological insight.

I received a call from my old friend Gu Huai, saying that they were going to publish a book, which was a self-selected collection of prose by ten authors from Xinghua. The collective name was "Lotus Leaf Land" (this was originally a poetic nickname for Xinghua, because the water town is like lotus leaves floating on the water). When I heard this, I was surprised while appreciating the beauty of this collection, because Xinghua had just published a series of ten novels not long ago, showing people Xinghua's talented novel writers.

"Academic Library of the Chinese Academy of Arts: Searching for the Red Sea Collection" contains a total of sixteen articles about "Dream of Red Mansions", most of which are critical, review articles or review articles. These articles can best reveal a person's literary and historical skills and critical thinking ability. These articles not only require a high degree of induction, summary, and generalization abilities, but also require unique insights. This type of article is actually a small academic history of relevant academic issues.

"Written in the Footprints in the Snow" is a unique collection of works. The author is born in the 1950s. He has been in the army, literature, and politics for more than 40 years. He has rich life experience. He is good at using prose language to truly present to readers his love for his relatives, his feelings for the military camp, and his thoughts on politics.

This book is a collection of personal works, including a total of 29 essays and short stories written by the author over the years. The book is divided into four parts: "Heart of Spring", "Softness of Summer", "Rhyme of Autumn" and "Charm of Winter". It mainly describes some people and things around the author and expresses the author's love for his hometown Poyang Lake.

He is a legend in the history of literature, but he is buried like a legend. Wu Xinghua's collection of translations "Stones and Stars" found from past journals Wu's translation of the British essayist E. V. Lucas's "Picking Up Things", selected and translated James Joyce's "Eurystheus" (i. E. Ulysses), inserted three sections, and selected and translated "Lei Xing's Autographs" from "Hamburg Drama Review" (Lei Xing's Autobiography) Lessing), Rilke's "On the Criterion of Taste" by Rilke, the philosopher Hume's "On the Criterion of Taste", the famous Renaissance art researcher Giorgio Vasari's "Anecdotes of Leonardo da Vinci" and an abridged translation of the famous "Evidence of Aristotle's Poetics" by Italian drama theorist Castel Vitro. In terms of poetry translation, the twenty-seven Rilke poems selected for translation from the Sino-German Comparative Edition of "Selected Poems of Rilke" (now commonly translated as Rilke) produced by the Sino-German Society at that time were supplemented by Wu Xinghua, as well as "Copy of Shelley's Poems", "Copy of Tennyson's Poems", "Copy of Moore's Poems", "Copy of Poems of Scotto", etc.

The third generation after Chen Yinke and Qian Zhongshu, who was also a master of both Chinese and Western languages, he was the first person to translate and introduce "Ulysses". "The Builder of Sand" is the most comprehensive collection of Wu Xinghua's essays to date, including a total of 25 essays, book reviews and papers written by Wu Xinghua from the 1930s to the 1950s. From 1940 to 1941, Wu Xinghua contributed to "Western Literature" in Shanghai, introducing and excerpting Joyce's "Finigan's Wake" which had just been published at the time. Later, he published articles on Chinese and Western poetry and literary criticism in "New Poetry" magazine, Yanjing University's "Literary Annual Report", etc., From which we can get a glimpse of his profound academic foundation in ancient Chinese classics, and also his literary vision and appreciation of the ancient and modern Chinese and Western poetry.

Li Jing, Song Shinan, Dongdong Qiang, etc. Highly recommend it! Zhang Lixian was the first author recommended in "Duku" 1604, one of the top ten best books in 2016 on Sina's Good Book List, and one of the 2016 best literary books in "China Reading News"! I haven't seen a master of writing for a long time, but he comes with bad intentions, such as "single sword into battle, killing people with an inch of iron", light, fast, neat and elegant, fresh as washing, and delicate as silk. The cold eyes and warm heart hidden in the market call for the souls of everything that is darkened in the lights of the prosperous age and languishes in the dust. An old soul, obsessed with recording the wind and roots of ordinary people, writes about the hometown and people in the Northeast that Xiao Hong, Xiao Jun, and Duanmu Hongliang have not written about. This is the first collection of essays by Jia Xingjia (blog name "Aleph"). There are more than 30 essays, which are transformed into "people", "world" and "travel". Taking Harbin and other northeastern cities as the background, he depicts the fate of his ancestors, parents, relatives, friends, neighbors, and other people, as well as the filth, beauty, and sadness of this world. He records the helplessness and solemnity, humbleness and nobility of life, and evokes the souls of those people, lives, and cities who are deprived, humbled, insulted, and ignored. Regardless of whether we are high or low, we all walk a journey in dust until we return to dust.

Borges's conversations are as profound and wise as his works, and they remain timeless. The most important founder of American Spanish literature and one of the most influential classic writers of modern literature. Borges's character and conversation are at least as meaningful and witty as his works. During the last decades of his life, he traveled widely dictating poems, fables, and stories. In his travels and chats, he developed a special oral literature. The ubiquitous themes in his works are interwoven and shining in these eleven conversations, giving people a glimpse into the soul of this literary giant. This book is a poetic collaboration between three poets, Borges, Barnstone and Nishikawa, that spans time, space and language. Nishikawa began to translate and introduce Borges in the 1980s. Twenty years later, he revised and refined the translation and revised the new edition. Editor Barnstone's new work "Postscript" thirty years later re-evaluates Borges's literary legacy.

"When Fake Be True" is a collection of excellent prose works by Huang Yuning, a well-known writer, translator and senior editor of foreign literature in Shanghai in recent years. The first part is a retrospective essay. Family stories, songs listened to, unforgettable people, home-cooked food eaten, and old translators who have passed away all present the charming tension of non-fiction style in the author's writing. Through these narratives, we can look back on a life, a period of life, and an era. The second part is a review of novels and movies, focusing on exploring the "translation" between literature and images, exploring the transformation of stories, and demonstrating a technique for intensive text reading for us. The two parts interpret each other, forming a three-dimensional puzzle with no gaps between reality and reality, and also show the author's mature literary outlook.

This book is a collection of the author's works, which includes the author's previously published related prose and essays.

This book is a collection of the author's works, which includes the author's previously published related poetry works. I would like to thank my colleagues in the organization and unit for providing me with opportunities and help.

The article contains both sharp comments on real-life issues, affectionate memories of the past, the author's personal experience of traveling around the world, a serious understanding of the human emotional world, and gains from work experience. "The Road to Hometown" describes the historical ups and downs of a small village in the past century, reflecting the epitome of the times and the pursuit of human nature; "Past in the Court" uses realistic techniques to present vivid characters in the countryside and cases of flesh and blood; "Mo Yan in Hometown, Mo Yan's Hometown" reflects the author's familiarity and love for the culture of his hometown. The comments are from a high position, the narrative is objective and detailed, the travel notes contain emotions, and the emotions contain scenes, which demonstrates the author's skillful control skills and the creative concept of writing with heart.

The works of Guy Tellis, the "Father of New Journalism", are great non-fiction writings of the 20th century and a model for feature writers around the world! Before Tellis, no one looked at the city and wrote news like this: Every day, New Yorkers drank 460,000 gallons of beer, ate 3.5 Million pounds of meat, and used 21 miles of dental floss. In this city, 250 people die every day, 460 are born, and 150,000 people walk around with glass or plastic prosthetic eyes. This is a New York symphony. With his sharp vision and precise writing style, the author Tellis shows us the style of New York: the unknown anecdotes among the faceless crowds, and the embarrassing situations after the stars under the spotlight turn around. The shoe shiner at the club door, the doorman of the high-end apartment, the bus driver, the building cleaner, the construction worker, and stars such as Frank Sinatra, Joe DiMaggio, Peter O'Toole, etc. Were respected by Tellis, and he treated them with the same curiosity.

Works by Peter Handke, winner of the 2019 Nobel Prize for Literature. "The Painful Chinese" collects four of Handke's works, including the novel "The Painful Chinese" and three travelogues, namely "The Dreamer Farewell to the Ninth Kingdom", "A Winter Journey to the Danube, Sava, Morava and Drina Rivers or Justice for Serbia" and "A Summer Supplement to a Winter Journey". In "The Painful Chinese", as a mysterious stranger who appears in the protagonist's dream, the "Painful Chinese" has repeatedly become a metaphor for the protagonist's efforts to overcome his inner pain; the three observations and travel notes mark a new creative period for Handke, and also reflect his fearless justice and conscience in the face of the violent political turmoil in Europe.

This book is a collection of non-fiction stories about ordinary people. The author focuses on the most ordinary people around us and tells 28 life experiences and legendary stories of low-level people with different professions and backgrounds. Behind these ordinary people, it turns out that there are thrilling lives behind them, which makes people sigh, cry, sad and moved. It turns out that real life is always more powerful than drama. Su Xiaoqi said that he cried almost half his life's tears to create this book. Generations of these people, known as grassroots, have been ruthlessly harvested by the scythe of time. Whether it is the pride of the village girl Liu Suyun or the deep affection of the blind man Guan, whether it is the madness of Xu Shengli or the kindness of the building manager Jia Zhiqiang... In their stories, we read our own share of joys, sorrows, sorrows and joys. At the same time, these portraits are connected together and accurately record the faces of the Chinese people in the fast-moving era. They can be called the contemporary text version of "Along the River During the Qingming Festival".

"Ziwu Mountain Boy" is the eighth volume of "The Collection of Dai Mingxian" and is one of Dai Lao's Guizhou series. Ziwu Mountain is the hometown of Zheng Zhen, a poet in Guizhou Province in the late Qing Dynasty. Ziwu Mountain embodies his admiration for his loving mother. "Ziwu Mountain Boy" uses Zheng Zhen's poems as the carrier, and uses the chronology of the poet's life as the preface. It organically integrates poetry interpretation and heirlooms. It integrates chronicles, chronicles, translations, annotations and reviews to three-dimensionally present the poetic world of this poet who has been lonely for hundreds of years. Guizhou is located in the southwest border, with traffic congestion and little exposure to the culture of the Central Plains. In the late Qing Dynasty, a cultural elite group represented by Zheng Zhen, Mo Youzhi, and Li Shuchang appeared in Zunyi Beach Village.

This book is the sixth volume of "Collected Works of Dai Mingxian", which includes two books published by Dai Mingxian: "The Rising River" and "Into the Clouds" as well as some scattered articles on children's subjects in newspapers and periodicals. The author's creation of this subject matter is not strictly children's literature, as he said, "Novel written for children is not necessarily 'children's literature' for children; novels written for children should be written so that adults can also like to read it." For example, his "Gold Medal" is a novel that is extremely suitable for parents to read. It is the author's worry about various social trends such as nurturing, comparison, and expecting children to succeed. "Into the Clouds" specially arranges for a city child to go to the mountains to experience life in Wumeng Mountain. He uses his eyes to observe the mountain towns and mountain people full of fun and novel things, and also "describes the feelings of several children towards a small world."

This book contains six short stories, one novella and one novel with historical themes. It tells the stories of Wu Hancha, Di Renjie, Qin Hui, Du Yan, Ouyang Xiu, Mi Fu, Gong Zizhen, military camp singer Yan Rui, Tang Zhongyou, He Tengjiao, etc. The author has a unique cultural perspective and believes that excessive use of fictional rights in novel creation will weaken the trust of reading. Therefore, all plots and plots in this manuscript have their sources, and their historical sources include unofficial history, notes, etc. Besides official history. The author believes that the records in unofficial history notes are often closer to the truth and more reasonable. Among the many stories in the manuscript, there is only one fictional character, He Tengjiao's bodyguard He Qi. This book maintains a slow, sincere sense of handwork, writing about people, narratives, and objects, with dense and meticulous stitching and a long aftertaste. Writers are good at describing scenes and details, which also make the creation of historical figures intimate and touching, and come alive on paper.

"Shi Zhai Ji Yi" is the fifth volume of "The Collection of Dai Mingxian". It contains several articles about Dai Mingxian's art and writing, including selected texts from "Black and White Notes" and "Ju Yi Lu" as well as short columns from several newspapers and periodicals. "Black and White Notes" is divided into four series: "Memory Beads", "Inkstone Biancao", "Orpiment Records" and "Light Ink Traces". Liu Xizai's "Synopsis of Calligraphy" says: "A calligraphy is like it. It is like its learning, its talent, its ambition, in short, it is just like the person." As a famous calligrapher and calligraphy theorist, Dai Lao has done in-depth research on the origin of calligraphy, calligraphy culture, and brushwork and composition. He examines and appreciates the subtleties of art from the perspective of calligraphy culture, and pays attention to the originality of artistic creation. Dai Lao summarized the traditional seal cutting terminology of "dividing red into white" and "calculating red into white" as "the relationship between black and white", that is, the contradiction and unity of black and white (yin and yang), the opposite and complementary, and the harmonious change. This is the core issue of seal cutting art.

This book is the fourth volume of "The Collection of Dai Mingxian" and contains several selected short articles. The author imitates the notes, sketches and poems of the ancients. The article is concise and concise, and less is more than more. Warm memories, such as "Bookstore Reminiscing the Past" and "Several Graduation Songs"; laughter and satire, such as "Parodying the Constitution of the "Qian Culture Society"" and "Weird Little World"; flowers and plants, leisurely and leisurely, such as "Summer Playthings", "Wild Arrow Celery Sour"; reading experiences, such as "Jin Yong's Three Questions", "Returning to Common Sense and Reading Zhao Yi", etc. As a local writer in Guizhou, the author's writing always carries the cultural consciousness of showing the beautiful Guizhou to the world, and his deep affection for the land of Guizhou runs through it. Guizhou's mountains and rivers, Guizhou's humanities, and Guizhou culture are displayed in the author's writing, like a long scroll that gradually unfolds. It can be said to be an attempt by a weak culture to describe itself.

This book is the third volume of "The Collection of Dai Mingxian" and is one of the series of works by Dai Mingxian in Guizhou. Mr. Dai focused on small objects in daily life and selected some calligraphy and painting rubbings, photos and manuscripts, household items, etc. That were passed down from his father's generation and friends. From the perspective of "the history of objects", he narrated the stories of the objects. At the same time, he also silently wrote down the life stories of dozens of relatives, teachers and friends. The book mainly talks about personnel and affairs after the 1950s, and uses related objects to recall stories from earlier years. It covers a large time span, many geographical changes, and many characters. These objects carry the flavor of history and old times, and are silent witnesses to all kinds of life. Dai Lao uses objects in life as a fulcrum to leverage memories. From objects to people, he shows various characters and the scenery of the times behind them, forming a profound connotation of "people and time".

This book is the second volume of "The Collection of Dai Mingxian". It records many people and events that the author has personally experienced in his life, and is the author's "career" from his youth to his old age. The author considers his life path to be ordinary, with both bitterness and joy, but in the context of the great turbulence of the times (the Anti-Japanese War, the Liberation War, political movements, reform and opening up), it is just a trivial "tea cup disturbance." When he looked back on his life path in his old age, he thought it was like the taste of tea - slightly astringent, slightly bitter, and sweet aftertaste; and because most of what was recorded in the article were travel experiences, it was named "Tea Flavor Travel".