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This book mainly refers to the famous checkpoints of the Great Wall. Including the historical evolution, architectural specifications, and cultural connotations of Shanhaiguan Pass, Juyong Pass, Zijing Pass, Niangzi Pass, Pingxing Pass, Yanmen Pass, Jiayuguan Pass, Mutianyu Pass, Jingxing Pass, Jinshanling, Longquan Pass, Gubeikou, Qingshan Pass, Lupi Pass, and Jiangjun Pass, Honorary achievements, etc., Including pictures and texts, illustrations and annotations, intuitive images, pleasing to the eye, colorful production, exquisite design, elegant style, very suitable for readers to read and collect, and also very suitable for library equipment and display at all levels.

This book is divided into three parts: Carving Techniques - Northern Rock Paintings, Red Paintings - Southern Rock Paintings, and Unique Styles - Other Rock Paintings. The main content includes: an extremely large number of Yinshan rock paintings, profound connotation of Helan Mountain rock paintings, Qinghai rock paintings with wide distribution, etc.

This book mainly refers to ancient tombs and unearthed cultural relics. Including the Shang Dynasty Tomb in Ganjiang, the Sword of the King of Yue in the Chu Tomb in Jiangling, the Bamboo Slips of the Qin Tomb in Shuihudi, the Tomb of the Qi King in Tianqi, the Tomb of the King of Zhao, the Tomb of Wang Zhaojun, the Tomb of the King of Chu, the Tomb of the Goguryeo King and Noble Tombs, the Tomb of the Western Xia King, the Liudingshan Ancient Tomb Group, and the Longtoushan Ancient Tomb Group. The Kingdom of Wuyue, the Tomb of the King, the Tomb of the Song Dynasty, the Tomb of Yue Fei, and the Tomb of the King Lu Jian are all illustrated with pictures and texts, and the images are intuitive and pleasing to the eye. They are made in color, colorful, exquisitely designed, and elegant in style. They are very suitable for readers to read and collect.

The main content of this book includes: stone carving treasures - Dazu Rock Carvings; art treasures - Leshan Giant Buddha; calligraphy wonders - Taishan Stone Carvings; cliff exquisite works - a collection of moments.

This book comprehensively displays and describes in detail the Diamond Throne Tower and more than 300 pieces (sets) of exquisite cultural relics on display at the Beijing Stone Carving Art Museum, divided into eight parts according to the exhibition, and lists and introduces more than 300 pieces (sets) of unexhibited cultural relics. Easy to understand, with pictures and texts. It is a reference book and tool book for understanding and learning the art of stone carving in Beijing.

This book mainly tells the story behind the theft of the national treasure. The story is full of twists and turns, full of dangers. For example, the theft of the stone Buddha statue from Longquan Temple in the Northern Wei Dynasty, the theft of treasure from the Dongling Tomb of the Qing Dynasty, etc. The National Treasures series aims to awaken the world on how to sum up experience and learn lessons, so as to jointly promote the early return of China's lost cultural relics.

This book mainly tells the mystery of the Chinese national treasure passed down from generation to generation. The story of the national treasure being passed down from generation to generation and finally revealed to the world after years of vicissitudes. For example, there are some handed down stories about the Shang Simuwu Dafang Ding, which was unearthed in March 1939 in Anyang, Henan Province and is known as the "National Treasure"; the twists and turns of "Along the River During the Qingming Festival" painted by Zhang Zeduan of the Northern Song Dynasty, which is known as "one of China's top ten famous paintings"; This book aims to awaken the world's people on how to sum up experience and learn lessons, so as to jointly promote the early return of China's lost cultural relics.

The vastness of China has unlimited national treasures. However, in the course of thousands of years of historical changes, many national treasures have disappeared. This book tells the story of some national treasures that have been lost, either overseas or lost to other people, disappearing from everyone's sight. For example, the "King of the Lei" - Shang Pantian Quan Fang Lei whose head is in a different place, Yan Liben's "Pictures of Emperors of the Past Dynasties" written by Tang Yan, etc. This book aims to awaken the world's people on how to sum up experience and learn lessons, so as to jointly promote the early return of China's lost cultural relics.

This book is a supporting catalog for the special exhibition "King Langya - From the Eastern Jin Dynasty to the Northern Wei Dynasty" held by Nanjing Museum in December 2018. Through more than 100 pieces (sets) of exquisite cultural relics from Nanjing Museum, Nanjing Municipal Museum, Shanxi Museum, and Datong Municipal Museum, the book shows the past and present life of the Langya King Sima Jinlong family, and connects the exchanges and interactions between the two most important capitals in East Asia at that time - Jiankang (now Nanjing) and Heping City (now Datong).

"Dialogue with the Ancients" is the first book by Mr. Huang Dalu, a well-known archaeologist in my country. The author relies on half a lifetime of archaeological experience, historical and academic knowledge, and through his many years of participation in numerous ancient tomb excavation research projects, the author presents to readers the wisdom, evolution and inheritance of human civilization, cultural development process and life thousands of years ago, as well as historical gossip, character stories and rich historical knowledge that will not be mentioned in museums. The author uses the perspective of "life archeology" to bring archaeology closer to ordinary people. Through the cultural relics in ancient tombs, the author conveys the living habits and ways of ancient people. Some of them are still passed down by people today, but many details are unknown to people today. At the same time, the author also tells readers about the culture, thoughts and history hidden behind the cultural relics in the form of exploration. Say what the ancients did not have time to say. Looking back on the past is also the basis for looking forward to the future.

"Collection of Research on Dunhuang Music and Dance" is the research result of the Humanities and Social Sciences Research Planning Fund Project of the Ministry of Education. It is a collection of research articles on Dunhuang music and dance. The book contains a total of 28 articles, divided into five parts: music and dance, culture and communication in Dunhuang murals; music scores, bands and musical instruments in Dunhuang murals; dance, modeling and reconstruction in Dunhuang murals; costumes, statues and aesthetics in Dunhuang murals; and other research on Dunhuang music and dance. The publication of this book has important academic and material value for the majority of musicology learners and enthusiasts, especially readers who love Dunhuang culture.

"Expressions of the Ancients" is an interesting book that combines intellectual, interesting and aesthetic qualities. The author has collected a large number of ancient masks and tried to restore the emotions and expressions of the ancients through the expressions of joy, anger, sorrow and joy expressed by the masks, thereby further exploring the customs, etiquette, culture and other traces of civilization in ancient society. The book highlights the narration of ancient culture, has a strong cultural atmosphere, and has mysterious qualities. It describes knowledge in areas unknown to the public, which can arouse readers' interest. At the same time, the author uses a relaxed writing style to avoid the academic content and shorten the distance with readers.

This book is based on a large number of newly unearthed stone inscriptions as new materials, and mutually supports the documents handed down from ancient times. From the perspective of gentry literature research, this book examines the representative literary families of the Tang Dynasty during the historical transition period from the noble gentry in the Southern and Northern Dynasties to the imperial examination families of the Tang Dynasty. It mainly explores the family tradition, academic style and writing style of these literary families that have been passed down for thousands of years through the stone inscription documents, mainly epitaphs, and then reveals the many aspects of the literary ecology of the Tang Dynasty.

The author spent more than ten years of hard work, visited more than a hundred museums in the north and south, reviewed more than three million words of information, revised it three times, and finally presented "Chinese Design and Style in Museums" to readers. Through the study of the creative background, color, shape, decoration, texture, inscription, signature and changes of typical cultural relics of each dynasty, this book takes you through more than 8,000 years of Chinese civilization, appreciates the design style and aesthetic values ​​​​carried by the cultural relics of past dynasties, and feels the breadth, depth and development context of Chinese culture. This book draws on the achievements of archaeology, history, aesthetics, history of arts and crafts, and literary history, and applies the relationship between language and language modalities to deconstruct and construct the styles and designs of Chinese past dynasties, and interprets the cultural relics handed down with modern words. Such an interpretation not only helps readers more easily understand the design styles of past dynasties in China, but also has positive guiding significance for carrying out innovative design work that integrates modern and ancient design. Recognizing Chinese style helps people return to their souls and enhance national pride and self-confidence; it helps people draw nutrients from thousands of years of cultural treasures and develop new creations and designs.

This book makes inferences about the material of He's Bi and its place of origin through a detailed analysis of existing historical documents about He's Bi in ancient Chinese history, a comprehensive study and analysis of the social politics, economy, diplomacy, major historical events and figures at that time, and comprehensive research on the types and characteristics, functions and meanings, shape evolution, ornamentation and meaning, material and origin of jade.

This book covers the basic knowledge of jade, including the concept, origin, function, shape, main decoration and jade culture of jade. In particular, it elaborates in detail the development of Chinese jade in different historical periods, as well as representative jade in each era, involving jade science, jade appreciation, history, archaeology and many other aspects of knowledge. This book aims to enable readers to understand jade, known as "Oriental Art" and the glorious history of Chinese jade culture for more than 8,000 years, and to better promote and inherit my country's excellent traditional culture. The book is rich in content, with pictures and texts. It can be used as a teaching material or teaching reference book for students majoring in jewelry at colleges and secondary schools, and can also be used as a reading reference for jewelry practitioners and jade enthusiasts.

This book provides an overview of the types and evolution of ancient Chinese stone carvings, the survival and discovery of ancient stone carvings, the research on stone carvings in the past dynasties, and the common styles of stone inscriptions. It summarizes how to interpret stone inscriptions, how to authenticate stone carvings and their rubbings, etc. It is a basic work for a comprehensive and systematic understanding of ancient Chinese stone carvings. This book was previously published by Cultural Relics Publishing House in 1997. This is an updated edition, with more than doubling the content and adding more than 200 illustrations, which are inserted along with the text, making the book more readable and intuitive.

Anbu Town is located at the southern end of Chaozhou City, adjacent to Shantou, Jieyang and Chenghai. It was called Longxi Capital in ancient times. The author records, takes photos, makes rubbings and organizes the inscriptions on famous and unnamed inscriptions from past dynasties in Anbu Town that have historical value, and also includes the stories behind them. The book contains more than 140 inscriptions, arranged in chronological order. The upper part is composed of plaques, calligraphy and paintings, and the lower part is inscriptions. It is divided into pictures, inscription descriptions, calligraphy comments, author biographies, content notes, etc. This book can be used as a literary and historical material for studying the history of Anbu, providing readers with an overview of the local humanities, politics, and economic development of Anbu.

"The culture of the Chinese nation has evolved over thousands of years and reached its peak in the Zhao and Song Dynasties." - Chen Yinke. This book takes the national treasure "Along the River During the Qingming Festival" as the object, breaks down the details one by one, and vividly explains why Bianjing, the capital of the Northern Song Dynasty, can be called a model of urbanization.

Hong Kong's arcades have gradually disappeared amid the rapid urban development, with only about a hundred surviving to this day. Over the past few years, the two authors have visited various streets in Hong Kong and Kowloon, documented nearly a hundred Hong Kong-style arcades with photos, and shared their interpretation of the architectural features of the arcades. They also attached a map to indicate the location of each arcade, allowing readers to follow the map to appreciate it in person and experience the living environment of Hong Kong people in the past.

The Song Dynasty was a golden age for cultivating the spirit of "shi", that is, the spirit of scholar-bureaucrats. In their secular life, scholars used landscapes, fields, flowers and birds, tea and fragrance as their vocabulary, and used imagination and creation to create an independent small world for themselves. The style of furniture in the Song Dynasty, especially the taste of the furnishings of the scholar's bedrooms, had a deeper impact on later generations. The definition of elegance contained in it was carried by poetry and paintings into the new era.

This book contains more than 50 articles by Mr. Rao Tsung-i on Dunhuang studies. It is the first time that Mr. Rao's articles on Dunhuang studies have been collected and published in a single volume. The articles cover Taoist documents, Buddhist historical materials, Dunhuang literature, Dunhuang music, Dunhuang calligraphy, Dunhuang painting and many other fields. The collected articles are roughly classified according to content, and each category is sorted according to time, so that readers can understand Mr. Rao's various achievements in Dunhuang studies from different angles.

On the occasion of the 70th anniversary of the founding of the People's Republic of China, East China Normal University Press grandly launches "China in 70 Cultural Relics" compiled by the Shanghai Museum. In this book, professional researchers in the field of cultural heritage try to select angles of public interest, using 70 cultural relics as the fulcrum, to lead readers to re-view the long and magnificent evolution of Chinese history through "objects". An artifact, a picture, an inscription, a site... They are all a perspective to understand "China". From great works of art to daily utensils, cultural relics from different eras and regions eventually merge into a colorful and magnificent picture of the mountains and rivers of the motherland.

The manuscript was originally serialized in Guangzhou Daily under the title "Decrypting Hejiacun". It mainly focuses on the gold and silverware hoard unearthed in the Forest of Steles in Xi'an in 1970. A total of more than 1,000 pieces were unearthed from the Hejiacun cellar, which were hidden in two large pottery urns and a silver jar. The materials include gold, silver, jade, pottery, etc., With fine workmanship, beautiful shapes, and high artistic value. Most of them were daily necessities of the Tang royal family. In May 2004, 65 pieces (groups) of exquisite treasures from Hejia Village were unveiled at Peking University for the first time, including the "scent bag" worn by Concubine Yang, the dancing horse of the romantic emperor Xuanzong of the Tang Dynasty, the mysterious "Golden Kaiyuan Tongbao", etc. Regarding the mystery of the buried treasures of Hejia Village and the hidden stories behind the 65 pieces (sets) of artifacts, Qi Dongfang explained them one by one in a "puzzle-solving" tone.

Zhejiang is the birthplace of "Dunhuang Studies" research in China, and Zhejiang University is an important center for Dunhuang Studies research. In order to summarize the achievements of Dunhuang studies and Silk Road culture research at Zhejiang University, the "Zhejiang Scholars' Silk Road Dunhuang Academic Book Series" plans to include the representative achievements in Silk Road Dunhuang studies of Zhejiang scholars, mainly Zhejiang University. Among them, 12 are scholars from Zhejiang University: Jiang Liangfu, Jiang Lihong, Pan Yunhe, Huang Shijian, Zhang Jinquan, Guo Zaiyi, Lu Xiangxiang, Ji Xiangxiang, Qi Yinping, Zhang Yongquan, Liu Jinbao and Xu Jianping. Six of them, including Shi Pingting, Qi Chenjun, Zhu Lei, Fan Jinshi, Xiang Chu, and Chai Jianhong, are part-time professors at Zhejiang University. Eight scholars, including He Changqun, Fang Hao, Xiang Da, Chang Shuhong, Wang Yong, Huang Zheng, Wang Huimin and Yu Xin, have worked and studied at Zhejiang University. Luo Zhenyu, Wang Guowei, Xia Nai, Wang Zhongluo, Pan Jiezi, Wang Bomin, Chang Shana, Chen Jian, Huang Yongwu, Xu Wenkan, Wu Liyu, Dong Zhiqiao, Zhao Feng and Feng Peihong are Silk Road Dunhuang scholars from Zhejiang. This book is a volume by Jiang Liangfu.

Zhejiang is the birthplace of "Dunhuang Studies" research in China, and Zhejiang University is an important center for Dunhuang Studies research. In order to summarize the achievements of Dunhuang studies and Silk Road culture research at Zhejiang University, the "Zhejiang Scholars' Silk Road Dunhuang Academic Book Series" plans to include the representative achievements in Silk Road Dunhuang studies of Zhejiang scholars, mainly Zhejiang University. Among them, 12 are scholars from Zhejiang University: Jiang Liangfu, Jiang Lihong, Pan Yunhe, Huang Shijian, Zhang Jinquan, Guo Zaiyi, Lu Xiangxiang, Ji Xiangxiang, Qi Yinping, Zhang Yongquan, Liu Jinbao and Xu Jianping. Six of them, including Shi Pingting, Qi Chenjun, Zhu Lei, Fan Jinshi, Xiang Chu, and Chai Jianhong, are part-time professors at Zhejiang University. Eight scholars, including He Changqun, Fang Hao, Xiang Da, Chang Shuhong, Wang Yong, Huang Zheng, Wang Huimin and Yu Xin, have worked and studied at Zhejiang University. Luo Zhenyu, Wang Guowei, Xia Nai, Wang Zhongluo, Pan Jiezi, Wang Bomin, Chang Shana, Chen Jian, Huang Yongwu, Xu Wenkan, Wu Liyu, Dong Zhiqiao, Zhao Feng and Feng Peihong are Silk Road Dunhuang scholars from Zhejiang. This book is a volume by Huang Yongwu.

This book collects and studies relevant documents and information on Angkor and Siem Reap Regional Protection and Administration (APSARA), the International Coordinating Committee for the Protection of Angkor Monuments (ICC), and various countries, including my country, participating in the international protection of Angkor. Conducting direct interviews basically clarified the history and current situation of the international protection of Angkor monuments, including the establishment process and main responsibilities of the APSARA Bureau, the operation mode of the ICC, and the main characteristics of countries participating in the international protection of Angkor. It aims to provide reference for the protection of domestic large-scale cultural heritage and for my country to participate in or host such international protection projects in the future.

This book is a key publishing project supported by the academic publishing of the School of Architecture and Design of Southwest Jiaotong University. This book takes Zhang Daqian's copying of Dunhuang murals as a research perspective, and analyzes Zhang Daqian's paintings from a unique perspective. By analyzing the evolution of Zhang Daqian's personal painting style, it explores the innovations of modern Chinese traditional painters in painting concepts, techniques, forms, etc. It is an artistic academic masterpiece with a unique research perspective.

This book touches on various aspects such as the value of archaeological discoveries, theoretical methods, history, hot spots of archaeological concern, several frontiers of archeology in China and the world, and the popularization of archaeology. It also contains some reading experiences and interviews with several famous archaeologists through their work. This book hopes to build understanding and understanding of archaeological knowledge and archeology itself in a more relaxed reading.

Selected on the 100 Best Books List! Letting the national treasure speak is our purpose and the guiding light for us to edit and publish this book! Let the national treasure speak and tell the great history of Chinese culture, Chinese wisdom, national spirit, and civilization development! Let the national treasure speak, let the national treasure go out of the museum, enter the study room of every ordinary Chinese, and enter the heart of every Chinese. Let the national treasure speak, feel the history, look to the future, and let us be proud of the long-lasting Chinese civilization that has never been broken!

"Understanding Chinese Bronze Wares" is a review of Dai Kecheng's research on Chinese bronze wares. It can be seen in it a brief history of the development of Chinese bronzes, the author's research on the shape, function, pattern, the status of the evolution of bronzes in the history of Chinese culture, an overview of bronze pseudo-wares, etc. The book is full of pictures and texts, and most of the pictured artifacts are from overseas collections. Therefore, it can be used as an introductory textbook for the study and collection of Chinese bronzes, and readers can also appreciate the essence of Chinese bronzes collected overseas.

Mystery is the larger realm around us, always accompanying us like a shadow, and a prerequisite for us to understand and choose individual things. As long as you discover it, you will enter new time and space, allowing you to live in an infinite world of freedom.

"The Oxford General Reader: Archeology's Past and Future" is full of fun and reflects the enduring charm of archeology. Archeology is uniquely attractive as a pastime, a career, and a discipline. It encompasses the entire earth and explores 2.5 Million years of history. From deserts to jungles, from deep caves to peaks, from stone tools to satellite photos, from field excavations to abstract theory, archeology intersects with nearly every discipline in an attempt to reconstruct the past.

This book mainly refers to the beauty and value contained in geology. Including the southern karst (Yunnan Stone Forest, Guizhou, Libo, Chongqing, Wulong, Zhaoqing, Qixing Rock, Guilin Landscape, Yangshuo Scenery, Xingyi Nihan Stone Forest, Xingyi Conical Karst Xiuwen Stone Forest, Poyang Hukou Stone, Zhongshan Yao Linxianjing Yixing Limestone Cave Assimilation Yayuan Cave Hanzhong Nanzheng Xiaonanhai Guanyin Cave) Chinese Danxia Assemblage (Jiangxi Longhu Mountain, Jiangxi Guifeng Fujian Taining, Hunan Shanshan, Guangdong Danxia Mountain , Jianglangshan in Zhejiang, Danxia landform in Chengde, Chishui, Guizhou) China's soil forests (Xichang Huangliangguan soil forest, Yunnan Yuanmou soil forest, Datong soil forest, Chuxiong soil forest, Zada soil forest, Yushe soil forest, Fengjiahui soil forest) China's wetlands (Poyang Lake Wetland, Zhalong Wetland, Xianghai Wetland, Dongzhaigang Wetland, Bird Island Wetland, Dongting Lake Wetland, Zoige Wetland, Pamir Plateau Wetland, Maipu Wetland) China's glaciers, tiankeng ground cracks, etc.

This book is divided into four parts: the Buddhist Gallery - Dunhuang Mogao Grottoes, the Stone Carving Treasure House - Longmen Grottoes, the Great Grottoes - Yungang Grottoes, and the Oriental Sculpture Hall - Maijishan Grottoes.

The Great Wall of Inner Mongolia in northern China is located on the southern edge of the Mongolian Plateau, in the middle zone between mainland China and the Eurasian steppe. Since ancient times, it has been the intersection of the northern steppe civilization and the agricultural civilization of the Central Plains. It is also an area of ​​great concern to history and archaeology in China and even the world. During the Han Dynasty, with the strengthening of centralization, this area was included in the ruling area of ​​the Central Plains dynasty, and eventually the Han culture of the northern region with certain local characteristics was formed. Therefore, this area is also of great significance for studying the formation of Han culture and the relationship between remote areas and Central Plains culture, and explaining the pluralistic unification of Chinese culture and the formation process of the Chinese national community. This result selects Han Dynasty tombs in the northern border areas of China as the research object. Based on the phased and zoning study of Han Dynasty tombs in the vast area along the northern Great Wall during the Han Dynasty, it summarizes and summarizes the regional characteristics, cultural factor composition, comparison with surrounding areas, and the overall development characteristics of Han tombs in the northern region. By sorting out relevant literature during the Han Dynasty, it interprets the reasons for the staged development of Han tombs in the northern region, as well as the composition of the Han Dynasty residents in the northern region. The topic selection is very meaningful and has important academic value.

The content of this book covers the basic content of digital management of museum collections, from theory to practice, from abstract to concrete, and provides a comprehensive explanation of the relevant theories, methods and methods of digital management of museum collections. It is hoped that graduate students with a master's degree in cultural relics and museums and practitioners in the cultural and museum systems will understand and master the theories and methods of digital collection management, so that they can be used for reference in future practice. This book can also be used as a textbook for archeology, cultural relics and museum studies, and other related majors.

This book analyzes some basic and common questions in prehistoric archeology, and observes and answers the origins of people and human civilization from an archaeological perspective. The relationship between man and nature, the code of evolution, the hunting and gathering behavior of prehistoric humans, the origin of agriculture, the origin of human social behavior, the motivations behind the birth of civilization, etc. Are all discussed in detail. From a global perspective, the origin of human beings, the origin of agriculture, the origin of civilization, and the lifestyle of hunter-gatherers are all issues of great concern. When exploring these issues, the author incorporates his years of study, teaching, and research experience into them, and combines them with local archaeological materials in China. The text is easy to read, and the content is novel and interesting. This project of the author has been funded by the Humanities and Social Sciences Project and can provide a certain amount of funding.

This book is an article on epigraphy that the famous scholar and calligrapher Qu Yanbin has studied in the past ten years. Most of the seal cutting works discussed in the article are book seals collected by literati and scholars, or leisurely seals related to books and learning. The book is divided into four parts: a collection of Fang Cun's proverbs and a collection of stories told by writers, a collection of books and inscriptions, and a collection of seals and seals. Although there are only a few sentences in each book seal, it covers profound cultural connotations. The author quotes a lot of circumstantial evidence and makes extensive discussions, providing people with a lot of common sense about cultural history. This book is of certain help to epigraphy lovers and cultural history lovers.

This manuscript is an academic work that discusses the protection planning and protection technology of large-scale historical relics such as the Jingdezhen Royal Kiln Factory Site, a national key cultural relic protection unit in Jiangxi Province, Tan Lun Tomb in Yihuang County, and the Xianshui Cliff Tombs in Longhu Mountain. It has a total of about 300,000 words and 100 pictures. The main content of the manuscript has five levels. The first is an overview and important value assessment of the archaeological site of Yuyaochang, Tan Lun's Tomb, and the Xianshuiyan Cliff Tombs. The second is the investigation, analysis and research on the current situation of the archaeological site of Yuyaochang, Tan Lun's Tomb, and the Xianshuiyan Cliff Tombs. The third is the archaeological site of Yuyaochang, Tan Lun's Tomb, and the Xianshuiyan Cliff Tombs. Assessment of disease problems at the Lun Tomb and Xianshuiyan Cliff Tombs. The fourth is the ideas and countermeasures to solve the disease problems at the Yuyaochang archaeological site, Tan Lun Tomb, and the Xianshuiyan Cliff Tombs. The fifth is the specific protection measures or protection technical methods to solve the disease problems at the Yuyaochang archaeological site, Tan Lun Tomb, and the Xianshuiyan Cliff Tombs. Among them, the last three levels are the focus. The research on the protection planning of the Yuyaochang archaeological site and the Xianshuiyan cliff tomb group focuses on comprehensive solutions to the overall disease problem. The research on the investigation and protection of Tan Lun's tomb highlights the key details and more detailed solutions to various aspects of the disease problem.

"The Layout of the Tang Tombs: Space and Order" uses rich historical materials and detailed research to explore the system of the Tang Tombs from the layout of the Tang Tombs, and successfully connects the space of the Tang Tombs layout with the ruling order of the empire. It is believed that its core spirit is to "consider the rules of the Han and Wei dynasties"; the layout and changes of the Tang tombs contain the politics and etiquette of the empire; and the unity of the continuity and diversity of the imperial tomb system from the Han, Wei, Zhao and Song embodies the common political ethics and is the product of the influence of the common historical and cultural spirit of traditional society. "The Layout of the Tang Tombs: Space and Order" uniquely uses the background of political history and institutional history to conduct archaeological research in a dynamic process, thereby greatly expanding the depth and breadth of the research.

"Archaeological Research on the Mausoleum of the First Emperor of Qin" In ancient Chinese history, as a great statesman, there is probably no one more worthy of him. In "Historical Records: The Chronicles of Qin Shihuang", Sima Yu recorded the magnificent life of Qin Shihuang in extremely concise and highly summarized words. However, due to Qin Shihuang's "emergency policies", the first multi-ethnic unified centralized empire in ancient Chinese history quickly collapsed. For more than two thousand years since the Han Dynasty, Qin Shihuang has been portrayed as a symbol of "tyrant" by most politicians and historians in the past. The construction of the Mausoleum of Qin Shihuang, the construction of Afang Palace, the construction of the "Great Wall", the opening of "straight roads" and "chi roads", and "burning books and entrapping Confucianism" have become the concentrated expression of Qin Shihuang's "violent" politics. I think the importance and historical significance of the "Great Wall" and its related "straight roads" and "chidao" projects to a unified multi-ethnic country like China is self-evident! As for "burning books and entrapping Confucians", there are now different opinions in academic circles. In order to move the capital from "Weibei" to "Weinan", the "Afang Palace Front Hall" built by Qin Shihuang in his later years has been found to be an unfinished project by field archaeological work on the Qin Afang Palace Front Hall site in recent years. The Tang Dynasty writer Du Mu's "A Fang Palace Ode" said that "A Fang comes out, Shushan Wu", Qin's Afang Palace "covers more than three hundred miles", etc. Are undoubtedly "a metaphor for the present". Among the many "projects" of Qin Shi Huang mentioned above, the Mausoleum of Qin Shi Huang has been the one with the most extensive archaeological work. The Mausoleum of Qin Shihuang is world-renowned for being one of the "four major mausoleums" in the world (Pyramid of Khufu in Egypt, Mausoleum of Qin Shihuang, Qianling Mausoleum of Emperor Gaozong and Wu Zetian of Tang Dynasty, and Emperor Nintoku's Mausoleum in Japan). The archaeological discovery of Qin Shi Huang's Mausoleum and its Terracotta Warriors and Horses has become one of the most important archaeological discoveries in China and even the world in the second half of the 20th century. Among them, the archaeological discovery and research on Qin Shi Huang's Mausoleum undoubtedly occupies an extremely important academic position in the archaeological research on Qin Shi Huang's Mausoleum. The archaeological discoveries and research on Qin Shi Huang's Mausoleum have been the most fruitful, especially in recent years. Professor Duan Qingbo's "Archaeological Research on Qin Shi Huang's Mausoleum" is an important work on the archaeological discoveries of Qin Shi Huang's Mausoleum in recent years.

This book is a high-level art history research monograph. It takes the very important art history materials tomb images of the Han and Tang Dynasties as the research object, draws on archaeological research methods, and conducts detailed and in-depth research from the perspective of art history. It is very beneficial for us to further understand the art of the Han and Tang Dynasties and promote the development of research on the art history of the Han and Tang Dynasties.

Wine, a liquid beverage, has been loved by people of all ethnic groups in the world since its invention in prehistoric times. It has become popular in the world and has been favored in the history of human society. In China, throughout the ages, people have regarded it as a jade liquid that worships heaven and earth, worships gods and beguiles ghosts, and is a good medicine for curing diseases. It is also regarded as a fusion agent for maintaining friendship, unity and kindness among countries, nations and people, and it has the effect of cultivating the mind and cultivating morality. However, in the past, very few people studied its origin, both in the world and in Chinese academic circles. The author has made some gains in archaeological research on this topic, so he made a new exploration into the origin of wine, hoping to help the public understand the origin of wine.

Architect Ieoh Ming Pei once said: "We are just tourists on the earth, coming and going in a hurry, but cities will exist forever." And a city that wants to exist forever will be unimaginable if it does not have its own history and does not have its own soul. "Exploring the Civilization Coordinates of a City: Archaeological Jinan" explores more than 40 archaeological sites, interviews dozens of archaeological experts, and continues to write the glorious history of "underground Jinan" for more than 8,000 years. It is the first work to comprehensively review the archeology of Jinan. Dr. Cui Dayong, a well-known archaeological expert, serves as an academic consultant and writes a preface.

Chen Chun, born in 1948, is a professor in the Department of Literature and Museum of Fudan University. PhD from Mcgill University in Canada, and former researcher at the Institute of Archeology in Toronto, Canada. Courses such as "General Introduction to Archeology" and "History of Archaeological Thought" are offered.

Changsha Zoumalou Three Kingdoms Wu Bamboo Slips are important historical materials discovered in recent years about the political, economic and social life of the Sun Wu period in the Three Kingdoms. Its main content is some administrative books of the Linxiang Marquis during the Jiahe period of Sun Wu. Most of the affairs involved were important affairs of the Linxiang State, which not only truly reflected the characteristics of the daily administration of Linxiang County Court, but also faithfully recorded the affairs that the Linxiang State focused on at that time and even related to the overall situation of Sun Wu. The interpretation and utilization of these Wu bamboo slips has become one of the hot topics in the field of historical research in recent years. This book is an attempt to use these Wu bamboo slips to interpret the Sun-Wu system and even its relationship with the Han and Jin systems. The book has a clear structure, in-depth analysis, and rigorous discussion. It is an excellent academic work.

In a certain sense, the newly unearthed bamboo slips and silk documents can be said to be a rare reconstruction of the history of philosophy and thought of Zhou and Qin. This book systematically discusses the important changes that newly unearthed bamboo and silk documents have brought to ancient Chinese philosophy and thought: The first is the new knowledge of the cosmogenesis model. The second is the new knowledge of the Confucian classics and the birth of civilization guided by the classics. The third is new knowledge about the ideological genealogy of Confucianism and Confucian theory of mind. The fourth is new knowledge about the religious beliefs and divine will theory of the Eastern Zhou Dynasty. The fifth is Huang Lao's new knowledge of public rationality and Qin's Confucian political ethics.

The number of existing ancient temple buildings and murals in Shanxi ranks first among all provinces in my country, among which the murals of the Yuan and Ming dynasties are of the highest quality. This book is a specific study of the murals in several Yuan, Ming and Qing temples in Shanxi based on field research, case studies of some outstanding murals, and an in-depth analysis of the theme connotation, artistic connotation, and social background of each mural. It not only rethinks old issues, but also discovers and in-depth thinking about some new materials. It has great reference value and fills gaps for us to re-understand Shanxi murals, expand the history of ancient Chinese murals, and study Chinese religious art.

This book is the most comprehensive and systematic archaeological treatise on the Wei, Jin, Southern and Northern Dynasties to date. It comprehensively summarizes and analyzes the archeology of the Wei, Jin, Southern and Northern Dynasties from five aspects: city sites, tombs, handicrafts, religion, and cultural exchanges between China and foreign countries. It explores the development and evolution rules of various archaeological remains, reveals the relationship between archaeological phenomena and historical backgrounds, depicts the collision and integration of the traditional Han and Jin civilizations, the Hu civilization, and foreign civilizations, and demonstrates the specific process of the Qin and Han civilizations evolving into the Tang civilization through the Wei, Jin, Southern and Northern Dynasties in an archaeological way.