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Because of Calvino, "Italian Fairy Tales" can become a classic comparable to "Andersen's Fairy Tales" and "Grimm's Fairy Tales". And Calvino, who single-handedly created this miracle, what are the basic rules and paradigms of classic fairy tales in his eyes? "On Fairy Tales" is Calvino's comprehensive summary of the work of writing Italian fairy tales, and it is also a love poem he dedicated to the world's fairy tales. Calvino studied fairy tales from all over the world and absorbed their wonder, simplicity, fun and morals into the arrangement and rewriting of Italian fairy tales. He is the well-deserved "Father of Italian Fairy Tales".

Calvino's literary creation is a complex literary machine. His life's work is to put the parts of science, philosophy, and politics that are closely related to the times into this literary machine, constantly running in and debugging. "The Literary Machine" is Calvino's experience in literary creation and experimentation throughout his life. In this collection, Calvino switches back and forth between the identities of reader, author, and critic, not only exploring new possibilities for literature of this era, but also adding new content to our bookshelves.

A long documentary that comprehensively tells the history of the Liberation War. This is the largest work among Wang Shu's non-fiction works.

"Mo Yan Research Yearbook (2013)" is divided into four parts: "Mo Yan's Voice", "Reaction to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. Contemporary literature researchers and others have expressed their opinions on Mo Yan's winning of the "Nobel Prize" and his creation. The analysis and comments made by this book not only include papers by important critics such as Chen Sihe, Cheng Guangwei, Xie Youshun, Yang Yang, but in order to take care of the comprehensiveness of the data, some general critical articles are also collected. It can be said that it basically reflects the overall picture of Mo Yan research this year.

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Qinghua, Zhao Yong, and He Huaihong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in 2014.

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Xinxin, Wang Binbin, Bai Ye, and Zhang Hong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in that year.

From the perspective of intellectual development, "Intellectual Development of Teenagers' Writing" gives a detailed, in-depth and creative account of the various problems encountered by teenagers in the writing process, and provides more than 40 tools for writing intelligence development, so that teenagers can discover their own writing talents, eliminate writing obstacles, and truly fall in love with writing in writing practice. The author also lists and analyzes a large number of textbooks and classic masterpieces in "Intellectual Development of Young People's Writing", such as "Praise to the White Poplar", "She Opera", "The Story of Hulan River", "Suet Ball", etc., So that readers can better understand the benefits of masterpieces in the layout of articles. Through constant speculation and practice, they can master writing skills like writers.

Peking University Micro Lecture Hall is a popular science lecture held by Peking University for students. It invites professors, famous experts, academicians, etc. From various disciplines to explain the content in an authoritative yet easy-to-understand manner. When exploring "literary education" in modern Chinese universities from the perspective of academic history, the focus is often on "discipline construction", "curriculum design" and "professional writings". Professor Chen Pingyuan started from the "literary classroom" jointly constructed by teachers and students. The "big history" of twentieth-century China, the "small environment" of the here and now, plus the personal knowledge and talents of the lecturers, together created many "literary classrooms" that are full of aura, unpredictable, and will be recalled by future generations of readers. Professor Chen Pingyuan briefly elaborated on the "literature" before subjectification, "laughter" inside and outside the classroom, how "new literature" can be academicized, whether "creation" can be taught, and how teachers and students "dialogue", and implicitly "explained" in "reconstruction" to explore what "ideal literary education" is.

The book "The Spread and Recreation of Chinese Novels and Legends in Japan" brings together relevant works by well-known scholars from China, Japan, Hong Kong and other countries and regions at home and abroad. It explores how some familiar historical figures and legends, such as Yang Guifei, Guan Yu, Nine-tailed Fox, Romance of the Three Kingdoms, Journey to the West, etc., Were spread from China to Japan, and how they were reinterpreted in Japan, and finally transformed into characters and stories that were very different from those told in China.

This book takes Northeast China as a clue and selects the works of five writers including Cui Shuhai, Jiang Jingai, Jin Nantian, Han Xueye, and Li Jiyong as research objects to deconstruct and explain the core of Korean popular literature - internationalism. This book combines the author's subjective perspective with objective confirmation of data and facts, and explores the significance of Northeast China in Korean popular literature from multiple dimensions.

"Ten Lectures on Ci Studies", also known as "Yi Sheng Xue", are the lecture notes that Long Yusheng gave to the opera composition research class at the Shanghai Theater Academy in the 1960s. The whole book is self-contained and unique, based on the author's decades of research experience and lyric writing experience. Ci is an art form that closely combines musical language and literary language. It is a feature of this book to explain the mood and artistic conception of lyrics from the musicality of the lyrics. The whole book not only tells the history of the emergence and development of Ci, but also dissects the internal structure of Ci. It takes representatives of famous writers from past dynasties as examples and introduces the selection of rhymes, sentence length, rhyme arrangement, antithesis, structure, four tones of yin and yang, and Bixing. It opens a door for Ci enthusiasts to appreciate and create Ci as an art form.

Mr. Genghai is also Professor Bai Yangyi of Guangdong Dianping. What is "ploughing the sea, one, two, and three" is what "Laozi" said: "Tao gives birth to one, one gives birth to two, two gives birth to three, three gives birth to all things." Taoism naturally produces all things, following the mathematical logic of one, two, and three. What a joy it is to cultivate the sea of ​​books, observe their wonderful truths, explain their wonderful principles, and capture the wonderful interests! When reading, you cannot show off your tips, but you must also look for them. To read the laughter of wisdom is to use wisdom as a string of reading, invest in wisdom, and capture wisdom. Without wisdom, a book is a dead book; without wisdom, a person is a fool. The sea of ​​learning is vast, dare I ask where the way is? In fact, the road is at your feet. Reading is the first step on the road to scholarship. The more you read, the more you will gain knowledge. "You will know the sound after you have played a thousand tunes, and you will know the weapon after you have watched a thousand swords." If you are familiar with the literature, compare evidence, and gain insights, coupled with the necessary discipline training, your scholarship will be a matter of course. There is no mystery in scholarship. The key is to know how to get started, rather than lingering outside. Reading and studying should be regarded as a kind of life investment, making it become another life form with wisdom for you, carrying the body temperature of your life and wisdom.

"Su Shu" came into being around 230 BC at the end of the Qin Dynasty and the beginning of the Han Dynasty, and it really became popular during the Eastern Jin Dynasty from 317 to 419 AD. "Sushu", like "The Analects of Confucius", "Laozi", "Mencius", "Mozi", "Sunzi" and other ancient classics, are treasures in the historical and cultural garden of the Chinese nation. There are not many words in "Su Shu", only six chapters and 132 sentences in total. Most of them use seemingly simple and simple but profound connotations of aphorisms and warnings, about how to cultivate one's moral character, how to start well and end well, etc. In the process of interpreting "Su Shu", the author spared no effort to quote from classics and circumstantial evidence, word for word, sentence by sentence, in-depth study, patient and meticulous excavation, and tried his best to restore the original meaning of the original work. Through interpretation, the author has once again lifted the curtain on the study of "Su Shu", which may help the readers and researchers of Su Shu to correctly understand, conduct in-depth research and widely apply the contents of Su Shu. This book is easy to understand, with smooth writing, sufficient historical facts, easy to understand, and integrates knowledge and practicality. It is an excellent work worthy of reading by readers and researchers who love history.

This book is divided into two parts: a brief discussion of Confucianism, Buddhism and Taoism culture and an interesting discussion of European civilization. The content includes: Chinese culture in the pre-Qin period, Confucianism after the Qin and Han Dynasties, Chinese Buddhism, the four old K's looking at Europe, topography and landforms looking at Europe, royal culture looking at Europe, and political systems looking at Europe, etc.

"The Eight Great Chinese Poets" systematically introduces eight representative poets in ancient China, including Qu Yuan, Tao Yuanming, Li Bai, Du Fu, Bai Juyi, Su Shi, Lu You, and Wang Yuyang. They embody different poetic styles and have a profound impact on later generations. In "China's Eight Great Poets", Mr. Hu Huaichen outlines the lives, environments and poetic styles of the eight poets, and analyzes the origins and influences of their works in particular detail, linking them together into a unique "history of minimalist poetry". "China's Eight Great Poets" also includes "The Method of Poetry", breaking up the distinction between old poetry and new poetry, so that readers can not only learn to appreciate poetry, but also write their own poetry.

"History of Chinese Children's Literature" is based on the profound national culture and excellent literary tradition, and also pays attention to the achievements of learning and borrowing from Western literature in modern times. It systematically discusses the development history of Chinese children's literature. The themes of the works discussed include poetry, novels, fables, film and television and drama literature, science and literature, etc. The book is divided into eight parts. The first part is "Prehistoric Footprints of Chinese Children's Literature", and the second part starts with describing the situation of Chinese children's literature from 1917 to 2000.

"Rhyme and Rhythm of Ci Poems of Tang and Song Dynasties" is a book dedicated to the rhythm of Ci poetry of Tang and Song Dynasties. This book contains a total of more than 150 Ci Pai tunes, which are first divided into five major categories based on rhyme and rhyme, taking into account the evolution of each tune style. Each word plate explains its origin and evolution. Each word plate is marked with word patterns such as "fixed pattern" and "deflected pattern", as well as sentence pronunciation, level and rhyme. Each word tablet is accompanied by one or several works of poets from the Tang and Song dynasties that have been recited throughout the history as examples.

This is a book written by professional scholars for the public. It introduces the mythological system of ancient Greece and Rome to public readers in a rigorous yet popular way. Ancient Greek myths are not only colorful and fascinating stories in their own right, but also the source of many of our cultural elements today - from philosophical concepts to artistic works to games and technology. Therefore, this book allows readers to realize the inextricable connections between these myths and today's world.

This book selects the relevant results released by the 11th Annual Meeting of "Selected Works", covering many aspects such as "Selected Works" compilation, "Selected Works" annotation, "Selected Works" edition, "Selected Works" academic history, "Selected Works" stylistics, "Selected Works" theme types research, "Selected Works" linguistics, "Selected Works" calligraphy, etc. It reflects the new progress in the study of "Selected Works".

In the 20th century, there were many different literary schools in France, and numerous writers emerged. Whether they were poems, dramas, novels or biographies, they all achieved world-renowned achievements, and their influence spread to the world literary world. In the ups and downs that Chinese society and literature experienced in the twentieth century, the figure of French literature is clearly visible. The author carefully combs through the translation, introduction and research of French literature in China over the past century, and explores the source. Starting from French literary schools and representative writers, the author comprehensively demonstrates its translation and research process in China that changes with the times and circumstances, as well as its subtle influence on Chinese literature and even society: Surrealism, existentialism, new novels, absurdist drama, etc. Have gradually expanded their influence on the Chinese literary world and society; France, France, etc. Romain Rolland, Gide, Proust, Duras, Roland Barthes, Le Clézio, etc. Are well-known to Chinese readers; Fu Lei, Sheng Chenghua, Luo Dagang, Liu Mingjiu, Guo Hongan, etc. Have worked tirelessly in translation and research; the creations of Dai Wangshu, Lu Ling, Wang Xiaobo, Yu Hua, etc. Have benefited a lot from French literature... This book, for the first time, comprehensively depicts a picture of Sino-French literary exchanges in the 20th century from a Chinese perspective.

French literary translator Xu Jun is the main translator of the Chinese version of the works of Le Clézio, the 2008 Nobel Prize winner in literature. Xu Jun has been friends with Le Clézio for more than 40 years due to translation. This book records a series of conversations they had on literature, creation, translation, education, life and other topics. Among them are Xu Jun's in-depth exchanges with him in Paris shortly after Le Clézio won the Nobel Prize for Literature, and Le Clézio's heartfelt conversations with Xu Jun, Bi Feiyu and others at famous domestic universities such as Nanjing University, Zhejiang University and Wuhan University after he was invited to serve as a tutor for doctoral students majoring in French language and literature at Nanjing University. Their exchanges and dialogues are rich in content, vivid in language, full of wisdom, full of interest, fresh materials and profound thoughts. A profound, wise and interesting dialogue between Le Clézio, winner of the 2008 Nobel Prize in Literature, and Xu Jun, the main translator of the Chinese version of his works, the most famous translator in contemporary China and a French literature scholar. The dialogue between the most outstanding contemporary French writer and the most famous contemporary Chinese translator is rich in content, vivid in language, full of wisdom, interesting, fresh material and profound thoughts. This is a series of dialogues between the famous domestic translator Xu Jun and the 2008 Nobel Prize winner Le Clézio on literary creation, translation, education, life and other topics. I believe it will attract the attention of domestic literary creation and researchers and be welcomed by the majority of literature lovers.

Virginia Woolf is not only a representative writer of stream-of-consciousness novels, but she also made considerable achievements in theoretical research on novels. This book collects more than ten of her essays, each discussing the author's views on the works of Austen, Eliot, Conrad, Hardy, Lawrence, Forster and others. From it, we can see some of the author's literary arguments, such as the theory of changing times, character-centered theory, subjective reality theory, breaking the traditional frame theory, etc., As well as her criticism methods, such as impressionistic, perspective, open, etc. Especially in "A Room of One's Own", the author uses humorous and sarcastic writing to criticize the sex discrimination against female writers by male writers at that time. It is considered to be a feminist declaration in the literary world.

This book is divided into seven parts: connotation theory, category theory, tradition theory, ontology, stylistic theory, denotation theory, and appendices. It systematically discusses the connotation and denotation of the concept of "Chinese New Literature" and discusses its academic feasibility in detail. On this basis, using "Chinese New Literature" as a macro framework, it re-examines and organizes the history of modern and contemporary Chinese literature, and makes its own interpretations on many topics such as translated literature, the distinction between refined and secular, critical forms, novels, dramas, poetry, etc.

It mainly analyzes the essential characteristics of modern biographical literature and emphasizes its literary attributes. In the context of the tradition of historical biography and the spread of Western learning to the east, this article will macroscopically sort out the history of the modern transformation of Chinese biographical literature, explore the unique historical contributions of Liang Qichao, Hu Shi, Lu Xun, Yu Dafu, Guo Moruo, Ba Jin, etc. In the theory and practice of biographical literature from the perspective of stylistic evolution, and study the poetic construction of modern biographical literature theory. The book has a broad vision, concentrated discussion, clear viewpoints, and rich literature.

Under the influence of local culture and Western culture, enlightenment modernity and aesthetic modernity, amid the entanglement of power discourse and personal discourse, and on the pursuit of individualism and feminism, modern Chinese female writers have formed a unique female literary consciousness and put this consciousness into creative practice. Modern Chinese female writers have their own unique thoughts on why they write, what they write, how they write, and who they write to. If this forms their unique literary consciousness, then the hidden or explicit female consciousness sneaking and flowing in the dual texts of theory and practice creates a female literary consciousness with Chinese characteristics.

Based on the concept of internalizing modernity, learning from foreign classics, integrating Chinese and Western, and reconstructing tradition, this book selects Zhao Yiheng's "unique secrets" of "poetry" monographs and presents them in an intensive display of classics to fill the gaps in the publication of contemporary new poetry at home and abroad, thereby promoting the study of modern Chinese poetry, the development of modern poetics, and the expansion of research directions and perspectives in related disciplines, to realize its unique academic value. At the same time, it also provides a unique text with unique reference significance and interesting reading for the majority of poetry and literature researchers and lovers.

This book traces the literature of the Wei and Jin Dynasties to the rise of the new style of literature in the Central Plains at the end of the Han Dynasty, and extends it down to the new changes in Jiangzhou's hermit literary style during the Jin and Song Dynasties. The book is divided into four periods: the late Han Dynasty, the Three Kingdoms, the Western Jin Dynasty, and the Eastern Jin Dynasty. It conducts a relatively systematic discussion on many issues such as the impact of different regional cultures on literature during the late Han Dynasty, Wei and Jin Dynasties, the cultural exchanges and literary integration of scholars from the north and the south, and the impact of the migration of cultural centers on new changes in writing styles. By sorting out the literati groups, literary creations and literary style characteristics and their cultural origins in different regions during the late Han, Wei and Jin dynasties, the historical process of the evolution of Wei and Jin style and literary styles is revealed from the perspective of regional culture.

Mr. Cheng Qianfan is a famous scholar in classical literature and has profound attainments in both the creation and research of classical poetry. The book "Tang Poetry Lesson" compiles more than ten papers written by Mr. Cheng on Tang poetry. His articles have novel angles, such as studying the virtual and real issues of geography and orientation in Tang poetry, the description and structure of classical poetry, the one and the many, the understanding and acceptance of the poem "Moonlight Night on the Spring River", etc. They are unique, insightful, and very readable.

With the popularity of CCTV's "Chinese Poetry Conference" program in 2016, the demand for reading original poems among teenagers and other readers has increased. At the same time, appropriate comments from famous experts are also needed to understand the meaning of ancient poems. With the continuous promotion of national reading, readers' demand for exquisite traditional national literature and culture such as ancient poetry has increased. This book selects and interprets more than 200 philosophical poems from more than 100 poets from the pre-Qin Dynasty to the Song Dynasty. Analyze philosophical interests, poetry and art appreciation.

As the largest literary society in Chinese history, Fushe's status in Chinese academic and cultural history is self-evident. Through analysis and elaboration from multiple perspectives, the book explores in detail Fushe's association process, literary propositions, creative characteristics, status and influence in the literary world in the late Ming and early Qing dynasties, and its relationship with other literary schools.

"The Golden Rose" is a collection of beautiful essays that summarizes the author's own creative experience, studies the creative activities of many literary masters in Russia and the world, and discusses the process, methods and purposes of literary creation. The literary master used his unique writing style to depict the beautiful human emotions and the picturesque scenery of nature in a majestic and delicate manner, and elaborated on the writer's mission, the purpose and methods of literary creation, and greatly inspired every literature lover, literary creator and literary critic who read "The Golden Rose". This book uses novel and beautiful writing to create vivid and moving images, which have irresistible and powerful appeal, leaving an indelible impression on people and inspiring people's beautiful feelings of fraternity. All famous modern and contemporary Chinese writers who have read "The Golden Rose" praise it as a rare and good book, and affirm that the book played an important role in their own literary creation. I believe this book will still teach readers a lot today.

This book provides a platform for the textual research of Chinese popular literature. The book takes the study of ancient operas and popular literature as its main object, features empirical research, attaches great importance to the discovery and utilization of first-hand documentary materials, and emphasizes the investigation, cataloging, and textual research of basic literature. It especially emphasizes the research of textual research on literature and materials, that is, it focuses on author research, important event research, edition literature research, collection of catalogs for collectors at home and abroad, research on rare documents, and collection and interpretation of new literature materials. Opera, popular literature, literature, and empirical evidence are the key words that distinguish this book from other similar publications.

The period from the late Qing Dynasty to the May Fourth Movement is generally regarded as the "period of emergence" of modern Chinese literature. During this process, Japan became the "intermediary" that activated Chinese writers' living feelings and transmitted foreign culture. Several generations of Chinese writers from Huang Zunxian and Liang Qichao to Creation Society have completed the self-activation of their creative subjects through the experience of studying in Japan. They have reflected on their own world in a new sense and expressed unprecedented fresh insights. This has effectively promoted the emergence of modern Chinese literature.

This book focuses on the genetic relationship between Liang Qichao's theory and practice of "New People's" literary enlightenment and the enlightenment discourse of modern Chinese literature. Starting from the overall cultural perspective of Liang Qichao's political enlightenment, the author explores how the discourse logic, discourse form, discourse connotation and discourse value orientation of using literature as a method of enlightenment affect the occurrence of enlightenment discourse in modern Chinese literature. The author aims to reveal the inherent "educational" logic of enlightenment discourse in modern Chinese literature and confirm the importance of Liang Qichao's literary enlightenment discourse as a historical intermediary between the classical "poetry" tradition and the modernization.

Nathaniel Hawthorne is an important novelist in the history of American literature. His reflection and inheritance of the American Puritan cultural tradition, his emphasis on the history of colonial New England, his use of allegorical and symbolic techniques to create romantic literature, his deep understanding and delicate portrayal of character psychology, his serious thinking and literary expression of the development trend of American society in the first half of the 19th century have become a valuable literary legacy, which greatly influenced later American novelists such as Melville and Henry James. "The Bystander in the Transcendentalist Era: A Study of Hawthorne's Thoughts" uses the perspective of cultural studies to carefully read and study Hawthorne's forty-year literary works in the era in which he lived and the Western cultural and ideological tradition. It studies and discusses Hawthorne's outlook on life, morality, history, progress, human nature, and women. It focuses on exploring the reference value of worldly care, the beauty of the mean, and humanistic care in Hawthorne's thought to the development of our current era.

"Collection of Ning Jie's Poems and Books" is Comrade Shi Yongkang's third poetry collection, mainly composed of classical poems, after "Collection of Ning Jie's Singing Harmonies" and "Collection of Ning Jie's Songs". The book contains 328 works written by the author over more than 40 years since the 1970s, 40 poetry manuscripts, and more than 190 poems sung by friends in poetry circles. This collection of poems and books is expressed in various forms and covers rich content. It mainly encourages reform and opening up and gives people positive energy.

The Japanese "Chinese Literature Research Society" is a society with the goal of opposing traditional Japanese Sinology and China studies (called "China studies" before World War II). It occupies a decisive position in Japanese Chinese studies in the 20th century. It was founded by Takeuchi Yoshi and Takeda Taijun. This book uses the journal "Chinese Literature" published by the Chinese Literature Research Society as a clue to place the Chinese Literature Research Society in the specific context of Japan's sinology system, academic system, political ideology, publishing system, and external expansion. By sorting out a large amount of basic data, it explores its historical position in Japan's Chinese studies from the perspective of development history, and strives to present a full picture of the Chinese Literature Research Society.

"British Literature in the Seventeenth Century" is Mr. Yang Zhouhan's masterpiece that uses comparative methods to study British literature in the seventeenth century from a broad perspective and a new perspective. He used 17th-century British literature as a breakthrough point, put 17th-century literature into a historical context, and used some writers who had far-reaching influence but little attention as a starting point to reveal the fashion and ideological trends of 17th-century British literature, and unearthed the unique significance of 17th-century British literature in the history of thought and literature. It rewrites the history of seventeenth-century British literature from a completely new perspective. Mr. Yang Zhouhan is not limited to classic literature, but brings some literary genres and cultural phenomena that have not been paid attention to by previous literary historians, such as mourning poems, into the scope of his research. From the unique perspective of Chinese scholars, he comparatively studies ancient Chinese mourning poems and draws some brand-new conclusions.

"Talking About Writing with Comrade Workers" tells about some writing methods, writing skills and characteristics introduced by Mr. Lao She and comrades workers.

"The Development History of Literary Theory and Criticism in the New Era for 40 Years" is a summary work of the development of literary criticism and literary theory in China in the past 40 years, completed by a team led by the famous scholar Professor Lu Shuyuan. It is the final result of the National Social Science Fund key project "Literary Theory Construction and Literary Criticism Research in the New Era", and is also one of the "Thirteenth Five-Year Plan" national key publication planning projects. This book takes the overall development of literary theory construction and literary criticism practice since the new era as the object of reflection, and connects it with the reality of contemporary society; it deeply explores the literary concepts, moral norms, and humanistic thoughts contained in China's excellent traditional culture, and demonstrates the eternal value and immortal contribution of ancient Chinese literary theory; it combines with modern Western literary trends to establish the unique status of China's literary development in the new era in the history of world literature. By sorting out the inheritance and sublation of traditional culture in China's literary criticism and theoretical construction in the past 40 years, as well as the mutual influence and absorption of world literary trends of thought, this book re-establishes the status and value of Chinese literature in the new era from the perspective of ancient and modern times, both at home and abroad, and outlines a clear blueprint for the development trajectory of Chinese literary theory construction and literary criticism practice in the new era.

"The Essence of Novel" was written in 1885. It is Tsubouchi Xiaoyao's literary criticism and an important theoretical work in the history of modern Japanese literature. After the Meiji period, two trends became popular in the Japanese literary world. One was dramatic literature that inherited the humorous tradition of Edo, and the other was political novels with the purpose of spreading Western ideas. "The Essence of Novel" advocates that literature should exclude morality and utilitarianism and be based on objective description. The "realism" proposed by Tsubouchi Xiaoyao had a profound impact on the birth of modern Japanese literature. The book is divided into two parts. The first volume advocates that the most important thing in novels is to describe human feelings, and further explains that they should describe the appearance and customs of the world. The second volume discusses specific writing methods.

"Critical Critic: Eliot's Collected Works and Essays" contains nine critical articles and speeches written by Eliot from 1917 to 1961. This critic with a high reputation in the literary world has a unique vision and commented on many cultural phenomena, such as the use of literary criticism. In addition, he also evaluated several writers who had a huge influence on him, and emphasized the importance of receiving a true education.

This book contains a total of 18 critical articles and speeches written by Eliot from 1919 to 1936. With his profound literary connotation and calm and keen insight, this outstanding critic conducted a continuous examination of the representative poets of great importance in the history of British literature. At the same time, he also expressed his unique insights into the meaning and techniques of literary criticism.

This book contains a total of 20 critical articles and speeches written by Eliot from 1919 to 1936. Eliot, who was also devoted to the creation of poetry and drama, carefully explored the golden age of drama - the Elizabethan era. He put Shakespeare, Marlowe and other playwrights under his pen for careful and cautious analysis. At the same time, he pointed out the crisis of modern education at the end and proposed the significance of classical literature cultivation in modern education.

This is the sequel to "Last Night's Star" published in 2015. In this monograph, Mr. Shen Ji uses his distinctive and consistent documentary style to expand from movies to anecdotal stories about people in literature, art, opera and other fields. In writing, the author uses oral reminiscences to elaborate on the life path and literary career of each involved character, or to excerpt fragments to write about their character and experiences from one side. He narrates the little-known past events of his old friend, which is historical and readable. It is a rare and vivid record and memoir of literary and artistic exchanges, which is extremely precious.

Under the broad perspective of "Cultural Tianjin", this book classifies, introduces and evaluates ancient and modern Tianjin literary documents, and uses this to further construct the basic framework of Tianjin literary philology. Its main content includes the compilation of Tianjin literary documents and Tianjin literature, traditional poetry documents, miscellaneous notes, local chronicles, inscriptions, Tianjin newspapers and periodicals, Tianjin literature research treatises, etc. Since this book is a relatively detailed compilation of existing documents, it will undoubtedly promote the rescue excavation and collation of certain important documents, and will also help Tianjin City plan to carry out Tianjin cultural projects including "Tianjin Document Integration" in the future.

"Chinese Poetry Research" is an academic journal sponsored by the Chinese Poetry Research Center of Capital Normal University. This is the eleventh series and is divided into five columns: "Special Articles of this Journal", "Research on Ancient and Modern Chinese Poetry", "Research on Poetry History and Poetry Documents", "Elegant Sound from Abroad" and "Youth Forum". The book contains both research on ancient poetry and modern poetry; it not only includes the research results of domestic scholars, but also pays attention to the research results of foreign scholars such as Japan, Europe and the United States; it contains not only articles by famous scholars, but also articles by young scholars.

The modern enlightenment of Chinese new literature originated from the path of enlightenment in the "breeding of the late Qing Dynasty." As China encountered Western modernity and entered the modern historical stage, a group of people with lofty ideals started a path of enlightenment that overthrew the imperial system and promoted the vigorous development of science and democracy through the comparison of Chinese and Western cultures. This book introduces in detail the origin and development of the modern enlightenment of new literature, specifically explains the various modern practice forms of new literary creation, and deeply analyzes the modern practice attributes of new literary criticism.

Zhang Dachun is one of the best contemporary Chinese novelists. He boldly said that he is "probably the master with the most comprehensive equipment and the most varied techniques among Chinese novelists" (Liang Wendao). In this work, readers will see that he is knowledgeable about hundreds of schools of thought and has a clear structure. Starting from Zhuangzi, Zhang Dachun shows off his skills by imitating Marquez, parodying Sima Zhongyuan... And he is extremely capable of playing ruffian and mocking. It is rare that he is so knowledgeable and knowledgeable about hundreds of schools of thought, and it is even rarer that he has such a clear structure and a unique view of novels.

Many of the issues discussed in "Research on Narrative Theory of British and American Novels" have been ignored in previous studies, and many of the views in the book are proposed for the first time at home and abroad. The research method used in the first and middle parts, which combines novelists' narrative perspectives with creative practices, is innovative compared with previous research. The comparative study of different narrative traditions of British and American novels also constitutes a new approach. The second part clears up the confusion of related concepts and terminology in postclassical narrative theory and corrects various biases.