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"Line Painting of Liangzhu Jade" uses line painting, a professional and traditional archaeological technique, to display Liangzhu jade from multiple angles, from the highest-ranking "King Cong" in Liangzhu, to the scepter symbolizing divine and royal power, to the unique headdresses, necklaces, and daily necessities of the Liangzhu people. The famous archaeologist and "the first person in Zhejiang archaeological line drawing" has a clear direction. He uses exquisite line drawing to allow us to clearly see and understand the Liangzhu jade and the blurred patterns on the jade that have been eroded by 5,000 years: four or five lines are carved within 1 mm. The fine details of the strips are revealed, allowing readers to appreciate the artistic achievements of Liangzhu civilizations and at the same time, through imaging, truly clear away the fog of Liangzhu civilization, truly understand Liangzhu, and understand the Liangzhu kingdom, Liangzhu jades, and Liangzhu art.

In order to reflect the achievements of cultural relics and archaeology in Zhejiang Province since the founding of New China, this book uses 26 articles to review and describe the people and events in Zhejiang archaeology. It vividly demonstrates the specific processes of many important archaeological developments in Zhejiang Province. A series of major archaeological activities in Zhejiang include the archaeological excavation of Shangshan Culture, the archaeological excavation of Jingtoushan Site in Yuyao, the archaeological excavation of Kuahuqiao Culture, the archaeological excavation of Hemudu Culture, the archeology of Liangzhu Ancient City, the archaeological excavation of Yinshan King's Tomb, the archaeological excavation of Song Liuling Tomb, the archaeological excavation of Wuyue Kingdom, the archaeological excavation of Shanglin Lake, the archaeological excavation of Wang Yangming's former residence, the archaeological excavation of Lanruo Temple, etc. These archaeological discoveries may prove the 5,000-year history of Chinese civilization, or correct errors in historical records. Of great significance. It is a model for building archeology with Chinese characteristics, Chinese style, and Chinese style.

This book is an archaeological diary that records what was seen, heard, and thought during archaeological excavations on the "Third Pole" Qinghai-Tibet Plateau. As a popular book reflecting the archeology of the Qinghai-Tibet Plateau, the author uses more than ten essays and many intuitive physical pictures and vivid line drawings to present the first-hand field materials obtained during archaeological excavations in a simple and easy-to-understand manner. The pictures and texts are popular, vivid and vivid. It vividly and truly records his discoveries and feelings during the excavation of prehistoric cultural sites represented by the Qugong Site in Lhasa, Tibet and the Minhe Lajia Site in Qinghai. It also displays the long and profound history and culture and the splendid ancient civilization on the snow-covered plateau.

This book combines the art collections of the three main dynasties of the Song, Yuan and Ming dynasties collected by the Forbidden City, including calligraphy, painting and people, and connects Su Dongpo's different life encounters at different life stages. The torrent of the times and the details of the characters blend with each other in the book. It not only presents all the trajectories of Su Dongpo's life, but also writes the spiritual and cultural landscape of the entire Song Dynasty.

This book systematically compiles the excavation data and basic research results of 58 late Shang tombs and 64 Zhou Dynasty tombs (2 Western Zhou tombs and 62 Eastern Zhou tombs) in Xiaohu Village Cemetery in Xingyang. Xiaohu Village Cemetery is located in the northeast of Xiaohu Village, Guangwu Town, Xingyang City, Henan Province, about 5 kilometers north of the Yellow River. The 58 late Shang tombs were all rectangular earth pit tombs with vertical pits, and a total of 405 relics were unearthed, including 154 bronzes. The 64 Zhou Dynasty tombs were all earth pit tombs with vertical pits, and a total of 217 relics were unearthed, mainly pottery. The information obtained from the archaeological excavation of Xiaohu Village Cemetery in Xingyang has important academic value for the study of funeral customs, ethnic origins and related historical and geographical issues in the late Shang Dynasty and Eastern Zhou Dynasty. Researchers from the Henan Provincial Institute of Cultural Relics and Archaeology carefully drew the general plan of the cemetery, more than 200 plane and section views of the tombs and unearthed artifacts, and took more than 400 pictures of the unearthed cultural relics and the excavation site, vividly and intuitively reproducing the Shang and Zhou cemeteries in Xiaohu Village, Xingyang and the unearthed cultural relics.

This book covers archaeological surveys and excavations of Pre-Qin sites, Neolithic tombs, Warring States Chu tombs, Tang Dynasty tombs, and kiln sites in the Ming and Qing Dynasties; stone tool traces, the origin of bells, small and medium-sized cities in the Central Plains of the Shang Dynasty, bow-shaped tools and drilling wood for fire, Han Dynasty lanterns, copper belts unearthed from Eastern Jin tombs, and the Five Dynasties adjacent to the West Rock in Zizhong, Sichuan Special research on the Great Statue Cave of King Salmonella; analysis and discussion of the function of white clay from the Spring and Autumn Tomb No. 1 In Shuangdun, Bengbu, Anhui; new archaeological discoveries in the Alepiti site in Jaffna, Sri Lanka in 2018; and an article on the analysis and experiment of the micropore technology of the turquoise tools unearthed from the Jiahu site, in order to promote related research.

This book is a popular reading that scientifically and systematically reflects the research results of the Sanxingdui culture, the ancient civilization center of the upper reaches of the Yangtze River. The book is printed in four colors and contains more than 600 color pictures. It shows the connotation of Sanxingdui civilization in a simple and easy-to-understand way with both pictures and text. The book discusses in detail the economic aspects of Sanxingdui civilization such as agriculture, handicrafts, cities, transportation, trade and other aspects from Sanxingdui: the reappearance of civilization, theocracy and civilization, the operating system of theocratic government, ancient Shu civilization, Xia and Shang civilization and the civilization in the middle reaches of the Yangtze River, ancient Shu civilization and ancient Eurasian civilization, and the Southern Silk Road: ancient Sino-Indian transportation and the spread of Chinese silk to the west. It also conducts a comparative study of Sanxingdui civilization and civilizations in the Central Plains and other regions, as well as ancient civilizations in West Asia. This book expresses profound academic research results in easy-to-understand language. It is both academically advanced and popular. It comprehensively and systematically introduces the mysterious ancient Shu civilization in a scientific and intellectual way of expression, and provides interesting scientific explanations for various unsolved mysteries surrounding the Sanxingdui civilization.

"Chasing Sanxingdui" takes the Sanxingdui ruins as the starting point and core, visits and pursues the ruins of the Bronze Civilization in the Yangtze River Basin, and thus leads us into Sanxingdui and its era. Divided into two parts, the first part "The Most Beautiful Sanxingdui" takes Sanxingdui as the axis, telling the myths and legends of the ancient Shu Kingdom, the research history of Ge Weihan, the Baodun Ruins and the Jinsha Ruins related to it, focusing on the archaeological discoveries of Pit No. 3 To No. 8 Newly excavated in 2020-2021; the second part extends from Sanxingdui to the bronzes in the Yangtze River Basin Civilization, interviews with sites such as Panlongcheng, Hanzhong, Tanheli, Xingan Oceania, etc. The book brings together reporters' interviews and interviews with scholars such as Li Boqian, Sun Hua, Shi Jinsong, and introduction of background information on the sites involved. From the different perspectives of reporters and scholars, Sanxingdui and its era are fully revealed.

The author of this book, Mr. Xu Xin, grew up in Malanyu Town at the foot of the Eastern Tombs of the Qing Dynasty. He worked in the Eastern Tombs of the Qing Dynasty as an adult. As a tomb keeper, his familiarity with the tombs of the Qing Dynasty is unparalleled. Who is the real tomb robber in the Tanglin Robbery? How did Cixi select a Feng Shui location for her mausoleum? What's the secret behind the construction of the underground palace of Cixi's Mausoleum? Why is Cixi's Mausoleum said to be more luxurious than the Forbidden City? What kind of disturbance happened when the underground palace of Cixi Mausoleum was opened? What is the current status of the cleanup of the underground palace of Cixi's Mausoleum and Cixi's remains? On the basis of previous research, the author relied on the vast archives and historical materials of China's First Historical Archives and the National Library, read a large number of Qing Dynasty historical books and Qing people's notes, conducted many on-site surveys of the tombs of the Eastern Tomb of the Qing Dynasty, visited many tomb-guarding bannermen, and obtained many first-hand precious materials. The author researched and identified various historical mysteries one by one, and it took many years to write it. The content of this book is as true and detailed as possible, and is accompanied by a large number of precious pictures, trying to bring readers back to the first scene of all the events in the Cixi Mausoleum.

On November 14, 1908, Emperor Guangxu, who had been under house arrest for ten years in the Qing Empire, died in pain. According to folklore, he was murdered. What is the truth? Why didn't Emperor Guangxu build his own mausoleum during his lifetime? Why did Emperor Guangxu's mausoleum become the only stolen emperor's mausoleum among the mausoleums of Western Qing Dynasty? What unsolved mysteries were discovered during the cleaning of Emperor Guangxu's underground palace? On the basis of previous research, Xu Xin, the author of this manuscript, relied on the vast archives and historical materials of the First Historical Archives of China and the National Library, read a large number of Qing Dynasty historical books and Qing people's notes, and used his geographical advantages to lead readers to deeply contact the dust-covered historical truth, uncover historical mysteries, and restore an objective and true historical original appearance.

The author of this book, Mr. Xu Xin, grew up in Malanyu Town at the foot of the Eastern Tombs of the Qing Dynasty. He worked in the Eastern Tombs of the Qing Dynasty as an adult. As a tomb keeper, his familiarity with the tombs of the Qing Dynasty is unparalleled. This manuscript is based on the Qing palace archives, coupled with the author's own geographical advantages, and uses popular writing to introduce in detail the historical reasons for the location of the Qing Dynasty's imperial mausoleums and the construction regulations and layout characteristics of Emperor Qianlong's Yuling Mausoleum. At the same time, through the causes and consequences of the theft of the Eastern Tombs of the Qing Dynasty and the tragic situation of the Eastern Tombs of the Qing Dynasty after the theft, the opening of the Yuling Tombs Underground Palace is publicly introduced to people in a recorded way, showing many little-known behind-the-scenes scenes, and accompanied by a large number of precious photos, bringing people who are eager to understand the truth of the mystery of the Yuling Tombs to the archaeological site of that year.

The manuscript "The Secret Mausoleum of Concubine Rong of the Qing Dynasty" is based on the computer restoration of the skull of Concubine Rong. By introducing the garden tomb where "Concubine Xiang" was buried and the discovery of the stolen mouth, as well as the portrait of Concubine Xiang in history, it opened up the relationship between Concubine Xiang and Concubine Rong of the Qing Dynasty. It used this as a clue to introduce the opening, cleaning and research process of Concubine Rong's underground palace. At the same time, the author uses his own unique environment and uses Qing palace archives as a basis to clearly and completely introduce the funeral system of concubines in the Qing Dynasty and the regulatory characteristics of their mausoleums. The manuscript contains more than 100 precious pictures. The author takes advantage of his unique environment and uses the Qing palace archives as a basis to clearly and completely introduce the funeral system of the concubines of the Qing Dynasty and the regulatory characteristics of the mausoleums.

The written cultural relics from the Pre-Qin and Qin-Han dynasties mainly include oracle bones, bronzes, bamboo slips, silk scripts, Han portrait stones, pottery, jades, gold and silverware, etc. Among them, the most distinctive ones are oracle bones and bronzes from the Shang and Zhou dynasties, bamboo slips and silk books from the Warring States, Qin and Han dynasties, and Han portraits and masonry. The 34 types of cultural relics selected in this book mainly come from these five categories. The book uses simple and easy-to-understand words to popularize interesting and informative historical knowledge to the public. It aims to popularize historical knowledge that ordinary people do not know and subvert historical historical knowledge that ordinary people know.

This book introduces the overview of the Xixia Museum, the preface hall, the Xixia Territory Model Hall, the Xixia History Hall, the Xixia Social and Economic Hall, the Xixia Cultural Hall, the Xixia Miniature Model Hall, the Xixia Mausoleum Unearthed Cultural Relics Exhibition Hall, etc.

"Research on Diaomu Money in the Qing Dynasty" is a book that introduces the Qing Dynasty Diaomu Money and the study of Diaomu Money. The author has been collecting ancient coins for 40 years. At first, he only bought some ordinary items from antique shops in Chinatowns in the United States. More than 30 years ago, he bought more than a dozen gold coins from Mr. Kann's collection. Later, he bought some blank cloth and gold-stitched knives from the collection of Howard Gibbs. By chance, he acquired all the Spitzer collections at the University of Michigan. Few people know about the author's collection of carved mothers. He published the article "Discussion of the Eagle Mother" more than ten years ago, but later became involved in official duties and disappeared from the world. Now the 40 years of research on carving mother collection, nearly a hundred carving mothers and some rare coins are made public. The content of "Research on Diaomu in the Qing Dynasty" mainly includes related research experience in the collection, identification and forgery identification of Diaomu, the difference between Diaomu and Mumo, detailed discussion of Diaomu, research on the Chinese money system, special research on several Diaomu coins, and appreciation of the collection of 73 Diaomu coins.

"Research on Lamps of the Han Dynasty" defines the concept and standards of "lamps" and the main methods of identifying lamps. It adopts the archaeological typology method, uses comparison and classification methods, borrows charts and other forms, and takes the lamps of the Han Dynasty currently unearthed in China as objects. A comprehensive study of the social phenomena reflected in the production, distribution, consumption, and disposal processes of lamps in the Han Dynasty was conducted. On the basis of a comprehensive analysis of the life course of lamps production, use, circulation, rise and fall, and even abandonment, the importance of ancient cultural relics to today's society was emphasized.

Regarding the archaeological research on the formation process of China's early state, traditional research methods are mostly based on the cultural types of pottery and relevant historical materials of the Xia and Shang (Yin) dynasties recorded in documents after the Warring States period. However, due to the emergence of a large amount of field archaeological data, analyzing basic data from an archaeological perspective and using unique archaeological methods can correct the credibility of historical records and avoid the limitations of a single research method. The author of this book divides various regions in the Erlitou and Erligang cultural periods into six major regions based on pottery styles. He uses quantitative analysis methods to calculate the overall changing trend of the composition ratio of each pottery system in each site, and uses these data to analyze the changes in pottery styles in time and space, so as to explain the dynamic relationship between regions in the formation period of the country.

This book selects more than 50 cultural relics buildings in Ningbo city. Each place uses about 1,500 words to describe its historical evolution, existing status, cultural relic value, cultural status, etc., And is accompanied by corresponding exquisite pictures. It is a book that can help readers understand the old city of Ningbo very intuitively, and is a culture, cultural relics and travel book. The author has been engaged in cultural relics work for more than 10 years and is very familiar with the cultural relics buildings in the city. Therefore, this book is both professional and popular, and explains it in simple terms. It includes Ningbo landmark buildings such as Tianyi Pavilion, Baiyun Village, Tianfeng Pagoda, City God Temple, Qianye Guild Hall, etc. It will help readers understand the past and present of Ningbo's cultural relics buildings and improve people's awareness of cultural relics protection.

Confucius is the master of ancient Chinese cultural thoughts. Worshiping Confucius is a commemorative activity to respect, admire and commemorate the sage Confucius. The ceremony for worshiping Confucius has a complete set of rituals, using the ritual vessels and musical instruments as clues to show today's people the solemn and solemn ritual procedures, which is a very good starting point. This book presents to today's people the musical instruments for the Confucius Temple made in Ningbo during the Qing Dynasty collected by the Ningbo Museum, thereby recreating the ritualistic ceremony and promoting the Chinese nation's traditional spirit of attaching importance to culture and education and respecting teachers.

The "Compilation of Inscriptions and Inscriptions on the Yan'an Grottoes" is based on a comprehensive survey of 367 grottoes in the Yan'an area. It conducts detailed and scientific surveying, photography, rubbings and written records of the contents of the inscriptions and inscriptions in the grottoes. Through this investigation, a total of more than 2,000 inscriptions and more than 200 inscriptions from past dynasties were discovered, most of which were officially announced for the first time and have extremely high academic value. This book provides a comprehensive introduction to the shape, location, size, rubbings, photos, recordings and other information of these inscriptions by county. Through the study of the inscriptions, we can further understand the characteristics of the Yan'an Grottoes in the past dynasties and the development process of skilled craftsmen in northern Shaanxi, strengthen readers' research on the history and culture of Yan'an, and reflect the inheritance of the art and craftsmen of the Yan'an Grottoes.

Chongning Tongbao is an era coin cast by Zhao Ji, Emperor Huizong of the Song Dynasty, during the Chongning period (1102-1106). This book collects more than 500 formats of Chongning Tongbao, supplemented by about 700 high-definition color photos, and introduces each format in detail. The first chapter introduces the terminology of Chongning Tongbao format, the second chapter introduces the small flat coin format of Chongning Tongbao, and the third to seventh chapters introduce the various formats of Chongning Tongbao folding ten coins. This book introduces Chongning Tongbao in a systematic, comprehensive, organized and detailed manner. After reading it carefully, coin enthusiasts will not only be able to understand the format, but also judge the format and market value of Chongning Tongbao by analogy.

This book contains the English explanations written by the author for various cultural relics in the Ningxia Museum. It is divided into two parts: the general history of Ningxia from prehistory to the Qing Dynasty and Ningxia rock paintings. The two parts are completely designed and typed according to the visiting order of the Ningxia General History Exhibition Hall and the Ningxia Rock Painting Exhibition Hall of the Ningxia Museum, allowing readers to have a preliminary understanding of the history and characteristics of Ningxia.

"Archaeology of China: 15 Archaeologists Talk About Five Thousand Years" is a general reading that presents 5,000 years of Chinese civilization from an archaeological perspective. 15 Major sites representing Chinese civilization are selected, including Yinxu, Sanxingdui, Liangzhu, Qin Shihuang's Mausoleum, Nanhai No. 1, The Great Wall, etc., Covering cities, mausoleums, underwater, plateaus, deserts, kiln sites and many other scenes, involving politics, religion, military, science and technology, industry, agriculture, architecture, transportation, water conservancy and other aspects of rich historical and cultural information, presented in full color. Archaeologists wonderfully told their personal archaeological stories and vividly explained the great construction, great exchanges and great dreams of Chinese civilization behind the archaeological discoveries. Each article is accompanied by some archaeological knowledge, which can be understood even with no basic knowledge. The whole book is organized according to the time of archaeological discoveries, from 1921 to 2020, paying tribute to the centenary of Chinese archeology and Chinese archaeologists.

After entering Xinjiang, the world-famous ancient Silk Road was divided into three routes with the Tianshan Mountains as the boundary: the southern route, the middle route and the northern route. From the initial prosperity of the southern route, to the later rise of the central route, and then to the smooth flow of the northern route, the Silk Road left a deep imprint on the north and south of the Tianshan Mountains in Xinjiang. This book takes the three lines of the Xinjiang section of the Silk Road as its main body. With a professional vision and popular writing style, it carefully and meticulously reports on the key cultural relics and archaeological sites on the three lines in recent years, showing readers the new discoveries and results of Xinjiang's cultural relics and archaeology. The new progress in cultural relics and archeology in Xinjiang has solved many controversial problems and historical mysteries in history. It has provided historical facts and evidence for the concept that "Xinjiang has been an integral part of China since ancient times" that the country has always emphasized. It has also provided many Chinese voices in related research fields and strengthened our Chinese voice.

This book is based on the existing display of Famen Temple Museum, in the order of time and space, based on history, using objects to describe history, and introduces the historical origins of Famen Temple, treasures in the collection, etc. With pictures and texts. It describes in detail the Buddhist holy relics of Famen Temple, the palace cultural relics of the Tang Dynasty, the structure and layout of the underground palace, as well as the research results and far-reaching influence on Chinese tea culture, incense culture, secret color porcelain, and glazed ware. Entering the Famen Temple Museum, the cultural relics can awaken the dusty historical memories. The distant Silk Road promoted the exchange and mutual learning of ancient civilizations, feel the glorious achievements of the Tang Dynasty's openness, tolerance, prosperity and civilization, and further enhance national pride and cultural confidence.

This book mainly uses the collection of Xi'an Museum as a link, and uses the timeline of prehistory, Zhou, Qin, Han, Tang, and modern times as the compilation logic. It adopts the form of illustrated narrative and uses three chapters of the historical and geographical overview of ancient Chang'an, the past and present of the Small Wild Goose Pagoda, and the ancient capital civilization of Xi'an. Enter Xi'an Museum, learn about the bloodline of Chinese civilization through cultural relics, open the door to time, realize spiritual exchanges between today's people and the ancients, find the spiritual capital deep in the minds of every Chinese, feel the glory and charm of Chang'an, the ancient capital of 13 dynasties, draw strength from it, enhance cultural confidence, and help everyone's Chinese dream.

This book includes six chapters: the revolutionary center, the mainstay, the red heart, the trend of the times, the spiritual home, and the victory flag. It selects nearly a hundred historical photos and charts, uses time as the warp and events as the latitude, and uses pictures and descriptions to describe the thirteen-year revolutionary history of the Party Central Committee in Yan'an. Enter the Yan'an Revolution Memorial Hall, review the red memories of the past glorious years, feel the spiritual holy land of the Chinese Communists, follow the footsteps of the revolutionary martyrs, spread revolutionary culture, inherit the red gene, carry forward the Yan'an spirit, cultivate and practice the core socialist values, and move towards the bright road of the great rejuvenation of the Chinese nation.

Hantai Gathered Treasures Origin of the Han Dynasty: Hanzhong City Museum, this book includes three chapters: Ancient Rhythm of the Tianhan Dynasty - Exhibition of Hanzhong Historical Cultural Relics, Vicissitudes of Ancient Roads - Baoxiedao Stone Gate and its Cliff Carvings, and Land of Longxing - Three Sites of the Western Han Dynasty. It selects nearly a hundred photos, uses time as the longitude, and events as the latitude. It uses pictures and descriptions to tell the stories behind the cultural relics and connects the development process of Hanzhong for thousands of years. Enter the Hanzhong Municipal Museum to appreciate the long history behind Chinese treasures and experience the unique Hanshui civilization where the north and south merge.

Qin Feng Chu Yun Diversified Collection: Ankang Museum, based on the Ankang Museum display exhibition, thematically presents the humanistic and natural panorama of Ankang. Taking the historical era as the context, combining Ankang's major historical nodes, major events, and characteristic exhibits, it displays the overview of Ankang's ancient humanities; it displays the rich natural resources in Ankang based on characteristic resources; it reflects the important process of Ankang's construction and development and the collection of characteristic cultural relics through the "Ankang Third Front Construction Process Exhibition" and "Ankang Museum Collection Characteristic Calligraphy and Painting Exhibition".

This book is based on the existing display of the Baoji Bronze Museum. According to the order of time and space, the cultural relics are interspersed in the story. It uses history as evidence and objects to tell the history. It introduces the profound cultural connotation of Baoji as the hometown of bronzes, rituals and music with pictures and texts. It describes in detail the cultural relics such as bronzes, ancient bronze mirrors, jades from past dynasties, and prehistoric pottery in the courtyard, as well as the social background, ritual and music system, customs and customs of the era. Entering the Baoji Bronze Museum, you can take a time tunnel from modern people to ancient times, talk to the ancients, and feel the splendid civilization of the Bronze Age and the rich foundation of the world of ritual and music, which will inspire us to create new glory in the new era.

This book selects more than 160 pictures, and introduces the development history and architectural features of the Shaanxi History Museum with pictures and texts, the ancient civilization of Shaanxi in prehistory, Western Zhou Dynasty, Qin, Han, Tang, Song, Yuan, Ming and Qing Dynasties, as well as a series of exquisite cultural relics such as bronzes, pottery figurines, gold and silverware of the Tang Dynasty and Tang tomb murals, showing the long and splendid Chinese history and the breadth and depth of ancient Chinese civilization. Entering the Shaanxi History Museum, you can feel the profound accumulation of Zhou rites and Qin systems, the millennium echoes of Han style and Tang rhyme, and the long cultural context of Song, Yuan, Ming and Qing Dynasties. I firmly believe that the long history of Chinese civilization will help you understand Xi'an, Shaanxi, and ancient China, and enhance your cultural confidence.

Han Dynasty Mausoleum State of the World: Yangling Museum of Emperor Jing of the Han Dynasty. This book uses the life and historical achievements of Emperor Jing of the Han Dynasty as historical facts. It introduces the layout of the cemetery, the Nanquemen and Dongquemen sites, the Houling Cemetery, the Ancestral Temple site and other Han Yangling sites, pottery figurines, and pottery sculptures in the form of pictures and texts. The cultural relics unearthed from the Hanyang Tomb such as animals, pottery utensils, building materials, seals and sealing mud, etc., And the protection and display of the Hanyang Tomb ruins such as the archaeological exhibition hall, the protection exhibition hall of the outer storage pit of the imperial mausoleum, the Nanquemen ruins protection exhibition hall, and the ancestral temple ruins protection exhibition shed.

Xi'an Forest of Steles Museum is the earliest museum established in Shaanxi. It mainly collects, displays and studies steles, epitaphs and stone carvings from past dynasties, making it a unique art museum in China. This book introduces the history, evolution, exhibition room tour, collection of cultural relics, etc. Of Xi'an Forest of Steles. It tells in detail the collection of cultural relics such as portrait stones, Yan Zhenqing's calligraphy inscriptions, Tang epitaphs, underground stone carvings, Dunhuang scriptures in the collection, as well as the historical stories behind the cultural relics and the life experiences of historical figures.

This book includes the past and present of the Banpo site and Xi'an Banpo Museum, the Banpo people's homeland, production and life, spiritual world, folk customs, and the social education activities of Xi'an Banpo Museum. It shows the unique style of Banpo people and Banpo society with pictures and texts, describes the historical status and development of the Banpo site, depicts the life picture of the prehistoric Banpo people, and conveys the call for civilization from more than 6,000 years ago. Enter Banpo, start a journey of prehistoric civilization, rush towards the dawn of prehistoric civilization, and relive the long-standing stories about human childhood.

Mausoleum of Emperor Qin Civilization Identity: Qin Shi Huang's Mausoleum Museum. This book takes the development of the Qin State and Qin Shi Huang's historical achievements as historical facts, focuses on new archaeological discoveries and new understandings in recent years, and introduces the construction process of Qin Shi Huang's Mausoleum in the form of pictures and texts. , Structural layout and military burials such as terracotta warriors and horses, stone armor, bronze chariots and horses, stable burial pits and other chariots and horses, entertainment burials such as rare birds and animals, various plays and miscellaneous entertainment, sacrificial relics such as the Yanxiang mausoleum, and the core of the mausoleum - the mystery of the underground palace.

He Runhuazhang's Romantic Characters: Weinan City Museum. This book is based on cultural relics and historical sites. It introduces the development and changes of Weinan from prehistory, Xia, Shang and Zhou, Qin and Han to modern times, as well as its contributions to the development of the country in different periods. It also talks about It tells many typical stories and events of Weinan's famous figures such as heroes, virtuous ministers, and cultural masters, making the cultural relics "alive" and using pictures and descriptions to demonstrate the profound history and rich cultural connotation of Weinan.

The "Into the Museum Series" series includes "Weinan City Museum", "Xi'an Banpo Museum", "Qin Shi Huang Mausoleum Museum", "Shaanxi History Museum", "Hanzhong City Museum", "Han Jing Emperor Yangling Museum", "Baoji Bronze Museum", "Ankang Museum", "Xi'an Forest of Steles Museum", "Famen Temple Museum", "Xi'an Museum", and "Yan'an Revolution Memorial Hall" select a group of the most representative museums in Shaanxi, one museum and one volume, focusing on exploring the connotative value of cultural relic collections, using objects to tell history, using objects to evidence history, using objects to string history, presenting culture through cultural relics, telling Shaanxi cultural stories well, and showing cultural confidence

The Sanxingdui and Jinsha ruins are two ancient capital ruins with regional central status in southwest my country. According to documents such as "The Chronicles of Shu" and "The Chronicles of Huayang", there were Cancong, Baiguan, Yufu, Du Yu, Kaiming, etc. In the ancient Shu civilization. Were they legendary figures or real people? Is it a personal name or the name of a clan or tribe? How long did the various dynasties they represented last? What about the mutual ups and downs? Where did they come from and where did they go? These numerous questions have cast a strong mysterious color on the history and culture of ancient Shu, leaving various speculations for future generations. The Sanxingdui and Jinsha ruins are important representatives of the world's bronze civilization from the 16th century BC to the 7th century BC. They are the cultural accumulation left by the ancient ancestors who lived in the Chengdu Plain from the end of primitive society to the Xia, Shang and Zhou dynasties. Its discovery provides unique physical evidence for our understanding and study of the vanished ancient Shu civilization. This book uses easy-to-understand language and more than 600 exquisite pictures to describe the Sanxingdui and Jinsha ruins in detail, comprehensively and systematically exploring the mysterious ancient Shu civilization.

The Silk Road is a road of commerce and trade, a road of dialogue between the East and the West, a road of friendly exchanges, and a road of cultural exchange and integration. The author of this book leads everyone to re-walk the Silk Road and experience ancient civilizations from Xi'an, Suiye, Samarkand, Bukhara, and Istanbul; and through unforgettable experiences in his archaeological career, such as the excavation of the Tubo Tomb in Dulan, Qinghai, the exploration of the sunken ship "Black Stone", etc., He can see archaeological sites, read unearthed cultural relics, witness distant history with his own eyes, and explore unknown civilizations with his own hands. This book contains a large number of photos of archaeological sites and exquisite cultural relics, making it a rare archaeological visual feast.

This book contains 25 papers and articles by the author on the origin and early development of Chinese civilization in the past 10 years. It demonstrates the process of Chinese civilization, regional patterns, regional interactions, cultural genes, mechanism motivations, and the relationship with ancient historical legends. It proposes important concepts such as cultural "early China", the "Northern model", "Central Plains model" and "Oriental model" of the origin of Chinese civilization, and reveals five cultural genes of early China over the past 8,000 years. It has had an important influence in the academic world and has stimulated heated discussions on "early China" and civilization models in recent years. In particular, articles published in newspapers such as "People's Daily", "Guangming Daily", and "Xinhua Digest" have had a strong social impact. At the 23rd collective study meeting of the Political Bureau of the Central Committee on September 28, 2020, Xi Jinping pointed out that we must better understand the long-standing, extensive and profound Chinese civilization, strengthen cultural confidence, and put forward high requirements for archaeological research on the origin and development of Chinese civilization, Chinese cultural genes, the Three Sovereigns and Five Emperors, and the history of the Xia Dynasty. The publication of this book is a concrete action to implement the relevant instructions of General Secretary Xi Jinping, and will provide an important reference for readers who study and care about the origin of Chinese civilization.

This book takes the attributes of man-made things as the main line and combines the theory of affairs. It first conducts a systematic study of the use and design situations of single-drawn carriages from the Shang to Qin Dynasties. Then it conducts in-depth and detailed literature research and cultural relic research on the single-drawn carriages from the Shang to Qin Dynasties. It also conducts on-site inspections of eight ancient Chinese chariot and horse pit sites and museums, analyzes case materials of hundreds of ancient vehicles, and outlines the development process and evolutionary logic of single-drawn carriages from the Shang to Qin Dynasties. On this basis, starting from the dual attributes of "physical structure" and "intentional function" of man-made things, a systematic study was conducted on the design and manufacturing paradigm and design ideas of independent carriages from the Shang to Qin Dynasties, and a modern interpretation of traditional design ideas was combined with modern design concepts and thinking logic.

The ritual and music system is the essence of Chinese culture, and bronze ritual vessels are the carrier and symbol of Chinese ritual and music civilization, carrying rich spiritual connotations. In this book, Xu Hong combs through the archaeological discoveries in China from primitive copper alloys to red copper and bronze dating back more than 6,000 to 3,000 years ago, clarifies the development of bronze techniques for more than a thousand years before the discovery of oracle bone inscriptions, outlines the beginning of the bronze civilization picture of the East Asian continent, and traces the beginning of "Bronze China".

Su Bai's lecture notes (Part 2) include: "Archaeology of Ancient Chinese Architecture", "Archaeology of the Han, Tang, Song and Yuan Dynasties: Chinese Archeology (Part 2)", and "Zhang Yanyuan's "Records of Famous Paintings of the Past Dynasties"". The above three lecture notes were compiled by Mr. Su Bai in the late 1980s and early 21st century for the undergraduate and graduate courses of the Department of Archeology of Peking University, and were compiled into books and published in his later years. "Archaeology of Ancient Chinese Architecture" points out the core position of wooden structures in my country's ancient architecture and sorts out its major evolutionary stages, leading a new direction in the study of ancient Chinese architecture. "Archaeology of the Han, Tang, Song and Yuan Dynasties" focuses on city sites, tombs, agriculture, handicrafts, religion, ethnic minorities, overseas transportation and other relics, outlining and opening up the historical context of Chinese archeology from the Qin and Han Dynasties to the Song and Yuan Dynasties. Mastering and learning to use important ancient documents is the only way to engage in archaeological art history research. In "Zhang Yanyuanhe's "Records of Famous Paintings of the Past Dynasties"", Mr. Su Bai shows the rules.

He is the "eternal teacher" in the field of cultural relics and archaeology. Su Bai's lecture notes (Part 1) include: "Catalog of Buddhist Books in Chinese", "Archaeological Discovery and Cultural Exchanges between China and the West", and "Remains of Chinese Buddhist Cave Temples: Chinese Buddhist Archeology from the 3rd to 8th Century", all of which were compiled by Mr. Su Bai in the early 1980s for the undergraduate and graduate courses of the Department of Archeology at Peking University. They were compiled into books and published in his later years. "A Catalog of Buddhist Books in Chinese" introduces the catalog, arrangement and development of historically important Chinese Buddhist books, which is nothing less than a key to the treasure house of Buddhism. "Archaeological Discovery and Cultural Exchanges between China and the West" provides a high-level overview of the characteristics and participants of Sino-foreign exchanges in different historical periods, and deeply explores the interactive influence of Chinese and foreign civilizations. "Buddhist Cave Temple Remains in China: Chinese Buddhist Archeology from the 3rd to 8th Centuries" takes the title of a brief history of research, the distribution of ruins, and key grottoes such as Yungang, Dunhuang, and Kizil, and briefly introduces the systematic knowledge of Chinese Buddhist archeology in the medieval period.

This book mainly studies the ceramic documents of the Qing Dynasty and explores the construction of the interdisciplinary system of "ceramic philology". First of all, the meaning of ceramic literature and ceramic philology is clearly defined, the research content of ceramic philology is clarified, and for the first time, the basic conceptual problems that are encountered in the research of ceramic literature are answered relatively completely. This book takes the relatively representative Qianjia period of the Qing Dynasty as an example to discuss the classification of ancient Chinese ceramic documents, and summarizes the approximate number, content value and status of various ceramic documents during this period. This book makes up for the regret that there is no published work on current ceramic literature research, fills the gap, and has pioneering significance.

"Chinese Archaeological Exploration Documentary Series" is a collection of documentary works written by writer Yue Nan and others over the past twenty years to describe the major archaeological discoveries in China in recent years. The author uses documentary literature techniques to spread out the entire excavation process in layers, integrating a large number of relevant important historical backgrounds during the archaeological excavation process, switching between characters and events freely, and the plot is vivid and fascinating. It restores the archaeological truth, explores secrets and records, takes you into real ancient tombs, and shows readers a picture of the ever-changing history. There are 11 books in the series, namely: "Snowy Dingling - The Opening of the Underground Xuan Palace Cave in the Dingling Tomb of the Ming Dynasty", "The Resurrection of the Legion - The Discovery of the Terracotta Warriors and Horses in the Mausoleum of the First Emperor of Qin", "The Death of the Yue Kingdom - The Excavation of the Tomb of the Nanyue King in Guangzhou", "Eternal Dharma - The Reveal of Buddha Bones in the Underground Palace of Famen Temple" (written by Shang Chengyong and Yue Nan), "The God-given Kingdom - Sanxingdui and the Jinsha Ruins". "Historical Records", "Searching for Ancestors - The Lost Skull Fossils of "Peking Man"", "The Lost Souls of the Western Han Dynasty - The Excavation of the Mawangdui Han Tomb in Changsha", "The Tomb of the Rimu Emperor - The Stolen Treasures from the Underground Palace of the Eastern Tombs of the Qing Dynasty", "The Ancient Cases - The Decryption of the Xia, Shang and Zhou Dynasty Projects", "The Unparalleled Sound - The Excavation of the Tomb of Marquis Zeng Yi in Leigudun", "The Unparalleled Soldier Saint - The Decryption of Yinqueshan".

The book is divided into six chapters. From the origin, content, and stylistic characteristics of inscriptions, inscriptions on different carriers such as bells, tripods, mirrors, and stele are introduced to explain the concepts and formal characteristics of inscriptions in different historical periods of the Pre-Qin and Han Dynasties, as well as their influence on later generations. In this context, the origin of inkstone inscriptions is explored based on ancient documents, literary works and archaeological excavations. Focusing on the performance content, influence of calligraphy and painting, and craft characteristics of ancient inkstone inscriptions, it details the inkstone inscription orientation and artistic characteristics of different classes of inkstone inscribers. The chapters involved highlight the classic works of literati inscriptions, taking into account the work of craftsmen, and analyze them from the aspects of calligraphy, painting, seal cutting, literature, history, etc. It is hoped that through a large number of appreciation examples and a comprehensive analysis perspective, the author's understanding of traditional inkstones will be presented.

This book was written by Mr. Cai Meibiao, a famous Chinese historian. It was published by Science Press in 1955. This is the 1955 revised edition. Most of the inscriptions on the vernacular tablets of the Yuan Dynasty are translated from official documents in Mongolian of the Yuan Dynasty, which are valuable original historical materials. The value of the vernacular monuments of the Yuan Dynasty can be explained from two aspects: linguistics and history. The first is the linguistic value. Most of the official documents of the Yuan Dynasty were first written in Mongolian and then translated into vernacular Chinese. Although this kind of vernacular is not completely consistent with the actual Chinese at that time due to limitations in translation level, it still reflects the spoken vernacular situation of the Yuan Dynasty to a certain extent and has become a good material for studying the history of Chinese in the Yuan Dynasty. This book is a relevant compilation of such information.

It is one of Professor Zhou Nan's masterpieces. This book is dedicated to explaining the application of statistical principles and techniques to archaeology. Its writing style is simple and easy to understand, making it a rare application of archaeological statistics. This book combines statistics and archaeological cases, starting from the most basic statistical principles and techniques. It is concise, easy to understand and easy to use. It changes the stereotype of archaeologists regarding statistics as difficult and obscure in the past. It is very suitable for archaeologists and students without mathematics background. Since the first edition of this book was published in 1996, it has become a required reading for graduate students majoring in archeology in many American universities. This book was reprinted in 2010 and was widely praised and used as a teaching material for the archaeological statistics course of Jilin University.

The articles in this book are of appropriate length, condensing the author's decades of field archeology, academic journey and life experience. Among them are stories of archaeological excavations of ancient tombs, experiences of searching for historical sites, the pain of archaeologists digging mud in the freezing cold, the joy of living together with colleagues when they were away on long business trips, and warm stories between myself and my family and friends, etc.