Library

Over the past twenty years, a variety of research monographs have been published on Chinese historical and cultural geography, including some single-element studies (such as Zhou Zhenhe and You Rujie's "Dialects and Chinese Culture", Li Yinghui's "Buddhist Geography of the Tang Dynasty"), comprehensive chronological studies (such as Lu Yun's "Han and Jin Cultural Geography"), and regional comprehensive studies (such as Zhang Weiran's "Hunan Historical and Cultural Geography") "Physical Research", "Research on the Historical and Cultural Geography of Hubei", Zhang Xiaohong's "Differentiation and Integration of Cultural Regions - Research on the Historical and Cultural Geography of Shaanxi", Zhu Haibin's "Research on the Historical and Cultural Geography of Zhejiang"), as well as national special studies (such as "Regional Research on the History and Culture of China" by Zhou Zhenhe), many of which have aroused good responses in the academic community. But so far, there is no monograph that explores historical culture and geographical imagery. This article is the first to actually explore the formation and interpretation of geographical imagery based on China's local experience. The whole manuscript consists of five parts. First, in the introduction, the author systematically and briefly elaborates on the theoretical issues of Chinese historical and cultural geography. The main text consists of three parts: the first part discusses the regional concepts and geographical images in the minds of the Tang people, the middle part examines the historical place names in literary works, and the second part discusses the geographical origins of literary images. Each article is divided into several topics. Among them, the first part seems to only discuss simple cultural concepts and geographical concepts, but it mainly uses literary materials.

Meizhou, Guangdong, is a famous "hometown of culture". The Hakka people endure hardships and stand hard work, start businesses and value literature and education. They are guided by the Confucian cultural thoughts of loyalty, filial piety, benevolence, justice, etiquette, wisdom and trust, and self-cultivation to govern the country and bring peace to the world. They have inherited the ancient Han culture. Couplets are one of the outstanding traditional cultures of the Chinese nation. After the Ming Dynasty, a number of famous couplet writers came into being, and specialized couplet books sprung up, adding fuel to the fire for this excellent literary genre of the Han nation that is appreciated by both refined and popular people. Meizhou is located in the northeast of Guangdong. The economic development in northeastern Guangdong has stimulated the popularity of couplet culture. This book contains nearly 3,000 couplets from more than 400 couplet authors, which are the most representative and outstanding couplet works in Meizhou during this period. When the author compiled the book, in order to facilitate readers' reading, he made brief notes on the creative background of some of the couplets, and also appreciated and commented on some of the couplets.

Couplet is a unique art form of the Chinese language and a representative product of Chinese culture. It is an art that integrates language, literature, calligraphy, mounting, small woodwork and other forms. It is a well-deserved treasure of Chinese culture. Couplets have a long history and flourished in the Ming and Qing Dynasties. According to the traditional customs of our Chinese nation, Spring Festival couplets are put up during the Spring Festival, happy couplets are put up when getting married, longevity couplets are put up to celebrate the birthdays of the elderly, and elegiac couplets are put up to mourn the dead. Pavilions, bridges, buildings, pavilions, palaces, ancestral halls, temples, shops, homes, etc. Must be decorated with couplets. It can be said that couplets are inseparable from the lives of our Chinese people and are an important part and important symbol of our national traditional culture. This book introduces the origin and development of couplets, types and characteristics, writing methods and taboos. It not only teaches the basic knowledge, but also teaches readers how to write couplets. It also has a special chapter to introduce the topic setting, competition and selection of various couplet competitions. The author lists a large number of examples of ancient and modern couplets in the book, and combines his own creative practice to explain the knowledge about couplets systematically and in simple terms. The content is rich and detailed, the narrative is colloquial, and the writing is vivid. It can be used as an introductory book for understanding the knowledge of couplets, and it can also be used as a practical manual for writing couplets.

This is a collection of Mr. Yang Jian's academic papers on literature and philology, with more than 20 articles embodying the author's more than 20 years of academic experience and writing achievements. The main field is the study of writers and works of the Yuan Dynasty, focusing mostly on the examination of the writers' life experiences, the compilation of lost documents, and the identification of forgeries. It points out the shortcomings and reviews of various Yuan Dynasty collections compiled by predecessors. It has made great efforts in the textual research and compilation of Yuan Dynasty documents, and shows us the characteristics of Yuan Dynasty literature.

"Garden Talk" is a collection of articles on garden culture and art written by the famous garden expert Mr. Chen Congzhou, edited and selected by his daughter Chen Xin. The selected articles are divided into three series according to categories. The first is an overview of Chinese garden art, the second is about the beauty of garden details, and the third is about the style of gardens in various places. It has both a macro overview and specific garden examples. The rich knowledge of literature and history is perfectly combined with ancient garden architecture. Just as Ye Shengtao said, "Philosophy, literature, and fine arts are integrated into one furnace, and reaching such a high level brings endless admiration."

This book is a self-selected collection of essays by Mr. Yang Qingcun, with about 450,000 words. It is divided into three parts: "Prose and Novels", "Poetry and Drama", and "Textual Research and Collection of Ancient Books". It provides an in-depth analysis of a certain genre of ancient Chinese prose, novels, poetry, drama and other genres from different angles and levels. The cultural origins, regular characteristics and spiritual content of specific works, or appreciation of its thought and art, or discussion of its development origins, or research on the author's family life and connections, fully demonstrate the author's unique viewpoints and insights rich in original research, and also have high academic value and cultural significance.

"Globalization·Diversity·New Trends: Research on Contemporary Foreign Literature" takes foreign literature at the turn of the century as the discussion object. Key topics include globalization and contemporary foreign literature, ecology, gender and ethnic writing, foreign literary criticism theory, and the development trends of foreign literature in the 21st century. The selected papers are rich in content and have novel perspectives. They include both theoretical thinking on literature and specific text analysis. They involve literature from Britain, the United States, Russia, France, Germany, Japan, South Korea, Peru, Canada and other countries, reflecting diversity and cutting-edge nature.

This book systematically sorts out Mao Dun's life and creation from four stages: the early period, before and after the Great Revolution, the Left Alliance period, and the Anti-Japanese War and Liberation War period. It summarizes Mao Dun's social thoughts and literary and artistic thoughts, and makes a detailed analysis of Mao Dun's representative works "Eclipse", "From Guling to Tokyo", and "Midnight". The appendix also carefully organizes the chronology of Mao Dun's writings and translations and notes on his pen names (aliases). During the writing process, Mr. Sun also invited Mao Dun and Shen Shuang to review the manuscript and improve some details to ensure the authenticity of the content to the greatest extent. This book enriches the domestic literary circle's empirical research results on individual writers, opens a window for studying Mao Dun's life experience and literary creation, and lays a solid foundation for future generations of Mao Dun research.

Hollywood's premier story writing consultant and founder of the John Truby Writers Studio. He has worked as a story writing consultant and "script physician" for Disney, Sony, Fox, BBC, HBO and many other organizations, and has "diagnosed" more than 1,800 film and television scripts. Truby's script writing and genre creation courses have attracted tens of thousands of people around the world. His students include writers, screenwriters, directors, and producers. Many blockbuster Hollywood movies were produced by his students, such as "Sleepless in Seattle," "Star Wars," "Shrek," "Rise of the Planet of the Apes," "Pirates of the Caribbean," "X-Men," "Ace vs. Ace," "The Addams Family," "Ratatouille"... Many New York Times best-selling authors and literary award winners are also his students. "Story Writing Master Class" is the essence of his 30 years of experience in story creation and teaching. It has been best-selling for more than ten years. It contains a complete set of secrets for story writing, allowing creators to accurately find the right method and write good and engaging stories.

"There are no boring topics, only incompetent authors." This book will tell you that anyone can learn to write! This set of story writing methods summarized by the American magazine "Writer's Digest" is both practical and simple. It tells you how to write a good story that others are willing to publish and read, and that you can't stop reading. "A Guide to Short Story Writing" is prefaced by Joyce Carol Oates, winner of the U. S. National Book Award and France's Femina Literary Prize, and is creatively taught by 38 writers and editors across the United States. The content covers all aspects of short story writing techniques. In this book you will get answers to questions like: Can writing just rely on inspiration? How to make characters real and believable? Is dialogue the same as speaking? How to choose the right perspective? How are plot and conflict established in the story? How to set up the scene? How to use flashback? Etc. Every writer, from beginner to professional, can find inspiration, guidance, and encouragement in this practical book.

"On Appreciating Refined and Popular Popularity" is a collection of some articles written by Mr. Zhu Ziqing after the victory of the Anti-Japanese War. A total of "fourteen papers on literature and art" were included. In the preface, the author explains the title by saying that he "attempts to understand tradition from a modern standpoint." The so-called "modern standpoint", according to the author's understanding, "can be said to be the standpoint of 'appreciating both refined and popular tastes,' or it can be said to be a standpoint that emphasizes laypeople and ordinary people, or it can be said to be a standpoint close to the people. All the papers in the book speak in this direction."

This book is a theoretical monograph on the study of Wang Guowei and his Ci studies. The book is divided into five parts, which conduct systematic and in-depth discussions on the evolution of Wang Guowei's literary concepts, especially the concept of Ci, the formation and perfection of Wang Guowei's Ci theory, the acceptance history of Wang Guowei's Ci theory, the academic origins of Wang Guowei's Ci, and the far-reaching influence of Wang Guowei's Ci. It is an important achievement of Wang Guowei's Ci study in the past ten years.

Professor Yu Weimin of Nanjing University has devoted himself to the study of musical style and rhythm for many years. The book "Rhythm of Ancient Chinese Musical Style Literature" starts from the examination of the external form of tunes and musical styles, and specifically involves the origin and evolution of tunes, set tunes, lining words, wrong tunes, metrical scores, etc., And systematically and meticulously uses modern scientific research methods to analyze and summarize the internal laws of musical style literature. The publication of this book is a blessing for the field of Quxue research.

This thesis believes that the history of Chinese literature is run through two traditions: narrative tradition and lyrical tradition. The two originate from the same source, coexist, interact and benefit each other, so as to make up for and correct the one-sidedness and deficiencies of previous studies. The entire manuscript begins by discussing the relationship between Chinese character configuration and narrative thinking, and then explores the two major traditions that are integrated in different literary styles such as literary criticism, historical narrative, general poetry, Yuefu, Fu, prose, opera, novels, etc., With special attention to the process of the mutual integration and influence of the two major traditions, and then makes a theoretical summary to explore the development direction of using the two major traditions to study the history of Chinese literature.

Strange novels were a particularly prosperous literary genre during the Wei, Jin, Southern and Northern Dynasties. Many important works emerged, such as "Natural History", "Sou Shen Ji", and "Records of Supplements", etc. They laid the foundation for the development of later literary genres such as Tang legends and Song Dynasty Pinghua. "History of Strange Novels in the Pre-Tang Dynasty" is a treatise that systematically studies the origin and development history of supernatural novels. The author makes an in-depth analysis and explanation of the types of fantasy novels, the social reasons for their emergence, and representative works. This is a very important work of chronological literary history in contemporary academic circles.

This book uses the critical method of "Poetry Culture" to pay attention to and integrate the genes of imperial examination culture, seclusion culture, regional culture, and family culture to identify many specific phenomena of the richness and complexity of Qing Dynasty poetry. It is based on the text and adopts the method of mutual verification of poetry and history. The book's anatomy of those seemingly ordinary but profound characters shows the author's sharp vision of seeing through the world and people's hearts. The book adopts a unique perspective for its analysis of poet groups and poetic masters, and its exposition language also has a strong personal touch. The author's down-to-earth style of study makes the book's academic achievements represent the standards that contemporary Qing poetry research should have.

Yan Dichang's "History of Ci Ci in the Qing Dynasty" takes the trend of Ci as its main thread, takes the growth and decline of Ci schools and major Ci creation activities and group practices in various periods as its backbone, and takes the latitude and longitude of the creation criticism of everyone and famous people. The evaluation focuses on exploring the evolution of its "causes" and "changes" from two aspects: cognitive value and aesthetic value. The book is rich in information, has a tight structure, clear theoretical summary, and concise writing style. It is the pioneering work and introductory material for contemporary Qing Ci research.

"History of Schools of Qing Poetry" is a book that analyzes and integrates the various schools in the Qing Dynasty. It not only strives to explore the historical reasons for the emergence and development of various schools in the Qing Dynasty, as well as the reasons for the poetry itself, but also carefully explores the mutual influence between the schools; This book is very diligent and contains detailed information, a self-contained system, and many insights.

This book is a monograph on the literary thought of the two Han Dynasties. It "strives to give a more comprehensive explanation and a more pertinent evaluation of the literary thought of the 426 years of the Han Dynasty. It focuses on re-evaluating the literary thought of the middle period of the Western Han Dynasty during the heyday of Confucian classics, the turning period of the Han Dynasty, and the reform period of the late Eastern Han Dynasty, so as to reveal its hidden meanings and its changes." In terms of writing method, this book does not adopt the usual method of arranging the works of writers according to time, but combines the research of "history" and "topic" to meet the research requirements of "history of ideas" in breadth and depth. It is still a classic monograph in related fields.

This book is one of the "Chinese Contemporary Literary Documents and Historical Materials Series" edited by Professor Wu Xiuming, and is one of the projects funded by the High Level Academic Fund for Liberal Arts of Zhejiang University. The history of contemporary Chinese literature and discipline construction are reflected in the study of contemporary Chinese literature and can be classified as academic history. Most of the selected historical materials are scattered in various Chinese newspapers and periodicals. Some are archival documents or internal materials, and some are selected from relevant treatises. All historical materials are arranged roughly according to the chronological order of publication.

The deep connotation of culture is a key factor that affects writers' aesthetics and literary creation. To study modern and contemporary Chinese writers, we must not only proceed from the history of modern and contemporary Chinese literature, but also from the history of Chinese culture. This book explores the deep relationship between culture and the daily life, spiritual construction, and text creation of modern and contemporary Chinese writers from three levels: regional culture (Southern Song Dynasty culture, Wuyue culture, and Eastern Zhejiang culture), religious culture (Buddhist and Taoist culture), and underlying culture. The focus of the research is to examine the depth of thought and the uniqueness of creative techniques of modern and contemporary Jiangnan writers under the influence of multi-dimensional culture. This book aims to reveal the cultural and psychological mechanism of Chinese modern and contemporary writers' creations by sorting out the relationship between multi-dimensional culture and Chinese modern and contemporary writers, explore the nature of their creation, and provide a useful exploration and supplement for understanding and studying Chinese modern and contemporary writers from multiple perspectives.

This manuscript combines the era, region, and cultural characteristics of that time, takes the identity of the regional poet as the bright line, and uses the theme content and artistic techniques of poetry in different periods as the dark line, to study the regional poetry of eastern Zhejiang in the Southern Ming Dynasty at the junction of time and space.

Results of the Humanities and Social Sciences Research Project of the Ministry of Education. Blumenberg made a thorough study of Gnosticism in "Mythological Studies" and was deeply influenced by it. Gnostic dualism refers to the fact that there is no fixed and simple correspondence between the subject and the world. This opens up an unprecedented broad space for hermeneutics. Therefore, "meaning is greater than aesthetics." At the same time, the word "workonmyth" (German "Arbeitam Mythos") has two meanings: if it represents the creative behavior of a subject, we call it "myth creation," which is in line with the definition of poetics; if it focuses on the reader's acceptance behavior, we attribute it to the hermeneutic category of "mythology research." This article reconstructs the ideological system of the book with the idea of ​​dualism, and strives to grasp Blumenberg's poetics of "myth creation" and hermeneutics of "myth research" as a whole.

This book introduces the development trajectory and current situation of contemporary American youth literature, namely the confused period after World War II, the period of problem novels and the direction of diversified development. In addition, a special chapter discusses cultural ideologies and expressions in youth novels, youth subculture and youth discourse, youth characterization, narrative strategies and techniques in youth novels, and a brief introduction to high-profile youth literature awards and their evaluation criteria. The study of American youth literature has not received due attention from foreign literary circles. This book will open up a new field for the study of American literature in our country, and at the same time provide extraterritorial information and international perspective for the development and prosperity of our country's youth literature.

As the founder of Russian philosophical poetry, Baratinsky's poetic achievements have long been recognized in Russia and the West. However, the research on Baratinsky in our country is still blank. This thesis takes Baradinsky's philosophical lyric poetry as the research object. Through the study of a series of issues such as individual concepts, hometown and foreign land, the relationship between the past and the future, and the dialogue with the future in Baradinsky's poetry, it deeply explores the artistic characteristics and artistic value of Baradinsky's philosophical lyric creation through reasonable inference and layer-by-layer progress.

This book is divided into two volumes: "Philosophy, History, and Culture" and "Economy, Politics, Society, and Law". It is the first book in the "We Walk with the Times" series of works of the Zhejiang Academy of Social Sciences with "Abstract" as the main content. The book displays in the form of abstracts the outstanding works of various disciplines of the Zhejiang Academy of Social Sciences from 1978 to 2010, making it a new form of expression of the academic works of the Academy of Social Sciences serving the economy and society today.

"He Feng Xin Yun Xu He's News Works Collection" is a collection of news works by Xu He, the former editor-in-chief of China Organization and Personnel News, since he started working in the industry. It is divided into two series: Longshang Pingzong and Beijing Years. According to the news genre, it is divided into news, personal interviews, in-depth reports, etc. More than 30 years of working experience as a current affairs reporter for a party newspaper and working as a theoretical editor have honed the author's acumen for news, solid theoretical writing skills, and rich newspaper editing and editing experience; 7 years of working experience in the Regulations Department of the Ministry of Personnel has made her familiar with personnel and talent policies and news management business. The author insists on running a good newspaper, putting talents first, and attaches great importance to the construction of the editorial team.

Based on the theoretical basis of the cultural schools of communication and translation studies, this article focuses on the translation, dissemination and reception process of the most representative and influential Lu Xun novels and "Dream of Red Mansions" among Yang Xianyi's translations. It combines macro research with micro research and fully considers the impact of social and cultural factors such as ideology and international relations on the production, dissemination and reception of translated works. In addition, it conducts an in-depth and detailed investigation of the dynamic process of Chinese literature foreign translation through text analysis, quantitative statistics and other means, including the selection of translation materials, translation strategies, communication channels, reception effects, etc. Through typical case studies, we try to discover the advantages and existing problems of the state-sponsored translation model, and provide some reference for the foreign translation of Chinese literature.

This book is a collection of the core literary thoughts and theories of the new generation of Japanese writer Hirano Keiichiro. After winning the 120th Akutagawa Prize, he successively created works such as "Burial", "Fill the Blank", and "Destroy". Keiichiro Hirano used the concept of "divided humanism" to express the behavior of literary characters and think about people's self-perception. Based on his own life experience and thinking, Hirano started from the English word origin of "individual" step by step, which was interpreted as "indivisible" to mean "individual", and proposed that "individual" cannot be divided in modern times, which has affected people's diversified lives and multi-directional interpersonal relationships. Therefore, he proposed to subdivide the unit of "individual" and put forward the brand-new concept of "dividing people", so that a person can face his true self on different occasions and when facing different people, instead of being simply thought of as showing different "faces" before.

Appearance description is an important means of character presentation in literary works. This book is a historical evolution of character descriptions influenced by physiognomy theory in Italian literature and Chinese literature since the Renaissance. It is a comparative study of philosophical foundations and literary functions. It takes the appearance of rulers as an example to demonstrate the similarities and differences between the two cultural contexts.

This book starts from the paratext theory proposed by the French literary theorist Gérard Genette, and combines relevant theories such as iconography, historical materials, art, and psychoanalysis to conduct a certain theoretical discussion, historical review, and case study of modern Chinese literary images.

This book begins with a study of Schutz. As an important figure in the field of Western social theory, what makes Schutz unique is not only his dual background as an exile and a philosopher. This unique life experience also gave Schutz a personal and detailed grasp of the subjectivity, self-identity and meaning of ordinary actors in daily life. Schutz combined this work with reflections on social science methodology to form a unique reflection on modern people and social sciences. The discussion of this aspect of Schutz's work will form the main content of the first half of this book. However, this book hopes not only to base the study on Schutz's work, but also to further examine the core issues of phenomenological sociology as an academic school. □□An important trend shown by this school in its recent discussions is to return to the understanding of the classics. The typical representative in this regard is O'Neal. O'Neill used social theory to reinterpret Freud's classic psychoanalytic work, and on this basis, he placed sociology itself within the tradition of the history of Western civilization. This is also what this book extracts from O'Neill's work in addition to the above two dimensions. Every ordinary person in the modern sense is a penitent in the third dimension of existence in his daily life.

"Writing Power" is divided into two parts. The first part starts with how to choose a topic, and summarizes how to write a good article from scratch, how to carefully refine paragraphs, and several common mistakes when writing articles. The second part explains it in categories according to the five common literary styles, vividly demonstrating the skills of writing each style well. In the writing of the author Gao Yuhan, the article is not a lay-out of words and sentences, not a pile of gorgeous rhetoric, but a vital, spiritual and rhythmic existence. Therefore, while he talks about the writing method, he also explains how to write in order to make an article full of spirit and momentum, which is what we often say is touching people's hearts and arousing resonance among readers.

Focusing on the works of writers in Fifteen Lectures on Chinese Literature (Second Edition), it selects some shining highlights and essences in the history of ancient Chinese literature, that is, some of the representative works of writers with the highest achievements and greatest influence, and discusses them to vividly and typically reflect the main content of the national tradition of Chinese literature and the high achievements of thought and art. In addition to introducing the historical background of the work, the life and thoughts of the writer, and the basic characteristics of literary creation, it also focuses on the specific appreciation of the work from an aesthetic perspective, helping readers gain a vivid understanding and improve the level of analysis and appreciation. It is a good introductory book to ancient literature. This revision has corrected some errors and added the original texts and interpretations of some key works, making the content richer and more complete.

This book is the first documentary work on the theme of Africa for general readers in China. The author started in Uganda, an East African country, and conducted a large number of in-depth and solid interviews with dozens of Chinese living in Africa and African cultural elites. He also selected three characters (entrepreneurs, migrant workers, and successful business people) to focus on, striving to present a real Africa to Chinese readers. China and Africa, two civilizations that embrace each other but are strangers to each other, are "like glue and paint", mixed with misunderstandings and misinterpretations. When the Chinese set foot on this vast land, what will be waiting for them? Where will the future of the ancient Eastern countries and mysterious continents go? ...

This book is a relatively special textbook on the history of contemporary Chinese literature. What is special about it is that, like other literary histories, it contains descriptions of China's important writers, works, and literary trends since 1949. The author pays particular attention to the analysis of the history of ideas and the influence of foreign literature lingering in the history of literature. He also pays attention to observing the generation mechanism of contemporary Chinese literature and the cultural system it relies on from a sociological perspective. Therefore, this book can be said to be a profound yet simple literary history, full of exploration and speculation. After this book was first published in 2009, it received good response from the academic community and was reprinted in 2011. In 2012, after this book was included in the high-quality course textbooks recommended by the Academic Affairs Office of Peking University to the Ministry of Education, the author made many revisions. This is the second edition.

This book is a national-level planned textbook for ordinary colleges and universities, and is used as a textbook for undergraduate foreign literature courses and general education courses. It provides a general overview of the development process, literary genres and development clues of world literature according to historical periods. It is divided into two parts: European and American literature and Oriental literature. The highlighted writers are listed as special sections, both of which are divided into two paragraphs: one is life and creation, and the other is to select a major work for analysis. It also lists the introduction of the works of the major Nobel Prize-winning writers in recent years, a comparison table of names in Chinese and foreign languages, and a comparison table of works in Chinese and foreign languages. This book has a clear context, substantial content, highlighted key points, and is suitable for teaching. In addition to winning the "Third National Colleges and Universities Outstanding Teaching and Research Achievements Award" and being included in the "Eleventh Five-Year Plan National Planning Textbooks for General Higher Education", this book was also listed as a "Peking University Planning Textbook" in 2016. The third edition adds a new introduction, "World Literature: Polyphonic Discourse Practices"; updates the information on writers and works, and adjusts the interpretation and evaluation of writers and works in line with the development of the times; updates the introduction to the Nobel Prize in Literature and information on award-winning writers and works in the appendix.

Detective fiction is a modern literary genre that originated in the West in the 19th century. It began to be introduced to China in the late Qing Dynasty and quickly became popular. Under the influence of Western translated works, the creation of local detective novels in China reached its peak from the 1920s to the 1940s, giving birth to Chinese versions of Sherlock Holmes and Yassen Lupin, such as Hawthorne and Lu Ping. On the other hand, starting from the 1950s, the detective novelist from the Netherlands Goro Pei has repackaged traditional Chinese public case novels with the techniques of Western detective novels, giving the traditional Dee Renjie story a modern reading interest. Goro Pei's Detective Dee story was translated into Chinese in the 1980s, attracting more and more Chinese writers and directors to further interpret and develop this character. This book examines attempts to Chineseize these two types of detective novels. In these attempts, the translation and adaptation of detective novels across different cultures have become a unique interface for observing the production, circulation, translation and reshaping of modernity in different regions around the world.

This book is the result of a late-stage project funded by the National Social Science Fund. "Consciousness and Translation" is the first book to study translation from the perspective of consciousness. It explores the dominance of consciousness on translation and the reaction force of translation on translators from five perspectives: personal consciousness, group consciousness, regional consciousness, social consciousness and national consciousness. It forms a new interpretation model, clarifies some translation disputes and translation evolutions in the history of Chinese translation, and provides reference for the export of Chinese elements. This book talks about cases from the Ming and Qing dynasties to the present day, sorting out the intricate cultural intersections in the process of the transmission of Chinese classics to the west in modern times and the evolution of foreign literature introduced into China. It also sorts out the various debates caused by Westerners' translation of Chinese classics during the Ming and Qing dynasties and the Chinese people's response to Western literature. It comprehensively displays the translators, translations, translations and their social and historical environment, reveals the interactive rules of consciousness and translation, and provides reference for Chinese culture to go abroad and enter the West.

"Perspectives and Methods: An Exploration of the History of Chinese Literature" is a collection of Jiang Yin, a famous scholar in the history of Chinese literature, looking back on decades of student history and reviewing his academic achievements in his 19th year. The book is based on thirty-one cases and includes "The Spiritual Historical Significance and Research of Classical Literature", "Li Yin: Dali Poets' Acceptance of Xie Tiao", "Du Fu and the Laojing of Chinese Poetry Aesthetics", "Lu You's Silence and Popularity", "The Effect of the Imperial Examination Poems in the Twenty-Two Years of Qianlong on Qing Dynasty Poetics" "The Influence of Chinese Literature" and many other representative works, covering four aspects: first, the discussion of the basic theories and basic concepts of Chinese literary history; second, the analysis of specific literary history issues; third, the revelation of the significance of individual writers' literary history; and fourth, the study of literary influence and reception. Because it involves many aspects of literary history research, it is given the subtitle of Exploration of Literary History.

This book is revised based on the textbook "History of World Literature" that the author has published for many years. Since the 1990s, many Nobel Prize winners in literature have been outside Europe and the United States, gradually changing the European and American-centered landscape of world literature. In view of this, many universities and ordinary readers have gradually expanded their horizons from Europe and the United States to South America, the Middle East, Africa, the Far East and other entire worlds. Related course designs in universities have also been gradually adjusted, but there has never been a satisfactory teaching material to choose from. Unlike similar textbooks currently on the market that are co-edited by multiple people, this book is written by one person, and its concepts and writing are relatively unified and vivid. This book has been used in many universities for many years, with more than 3,000 copies sold every year, and market expectations are guaranteed. In this revision, in addition to focusing on Europe and the United States, the author will also focus on Nobel Prize winners and examine literary circles in different regions, thereby presenting a distinct world literary landscape.

This book is the result of the author's intensive discussion of language, space and art issues. It consists of five parts that are closely related and progressively related, that is, "five articles". The first article mainly discusses the "linguistic turn" and the construction of contemporary poetic culture theory; the second article mainly discusses the formation of ancient Chinese language philosophy and Chinese traditional poetic culture; the third article mainly examines the spatial turn that has emerged in the field of Western philosophy and culture from the perspective of the change of language concepts, and specifically discusses Derrida, The spatialization turn of Foucault and Heidegger and its revolutionary consequences; the fourth chapter mainly examines the spatialization of ancient Chinese cosmic space-time consciousness from multiple perspectives such as language, way of thinking, etc. And its impact on the spirit and structure of traditional Chinese art. It also reflects on and cleans up the "emphasis on time and space" theory that was once popular in Chinese academic circles. The fifth article expands from the study of linguistic poetics to the fields of art theory and art semiotics in the philosophy of language. It combines Heidegger's phenomenological ontological view of language to explore the relationship between art and technology and the salvation of objects by art. Through an examination of the dispute between Heidegger and Shapiro, it considers the dialogue between art philosophy and art history research, and rethinks the overall philosophy of Heidegger's art philosophy with the spirit of ecological ethics and its future enlightenment significance for the construction of contemporary art theory. This article also combines Heidegger's phenomenological ontological view of semiotics to raise issues of reflection and reconstruction of the semiotic foundation of today's art. This book is committed to seeking new paths into art theoretical research from the perspective of interdisciplinary research, and exploring the construction of Chinese contemporary art theory that can not only adhere to the laws of art itself but also have an ecological and humanistic spirit.

Liang Shiqiu is a veteran of Taiwanese literary circles, and his "Ya She Xiao Xiao" has had a wide impact. When Liang Shiqiu was 73 years old, when he and his first wife Cheng Jishu went to the supermarket in the United States, an iron ladder suddenly fell and hit Cheng Jishu on the head, causing her death on the spot. Liang Shiqiu, who was deeply saddened, wrote the touching book "Memories of Sophora Garden Dreams". The owner of Taiwan's Far Eastern Publishing House was Liang Shiqiu's old friend for many years. In the name of proofreading the book, he invited Liang Shiqiu to return to Taipei to relax. Liang Shiqiu accidentally met Han Jingqing, a singer 30 years younger than him, in Taipei, and fell in love - a legendary love. Those readers who were immersed in tears in "Memories of Sophora Garden" learned about Liang Shiqiu's dusk love, which immediately set off a news storm. Liang Shiqiu's students even organized a "nursing group" to resolutely oppose the teacher's love affair in order to maintain Liang Shiqiu's "Confucius" image. The year-long love between Liang Shiqiu and Han Jingqing has withstood the test of 13 years. The author of this book exclusively interviewed Liang Shiqiu's wife, Han Jingqing, for many times, and described Liang Shiqiu's twilight love with first-hand information, and wrote this documentary, which has been widely welcomed by readers in the Mainland, Hong Kong and Taiwan. Taiwanese newspapers commented that Liang Shiqiu's Love at Dusk should have been written about by a Taiwanese writer, but unexpectedly the Shanghai writer Ye Yonglie took the lead. Instead, Taiwanese readers could only read the story that happened in Taiwan from the Shanghai writer's pen.

This book is a general work on the theory of the integration of poetry and painting. It takes the aesthetic concept of the integration of poetry and painting as the guiding ideology, and uses the aesthetic method of reading poetry and painting as the basic means to deduce the various expression forms, meeting points and channels of the integration of poetry and painting. The purpose is to examine the deep communication of the art of poetry and painting, carry forward the artistic spirit of the integration of poetry and painting in the Chinese nation, and build an aesthetic system for the integration of poetry and painting. The writing is civilized and quick, the writing is beautiful, the argument is clear, the evidence is abundant, and the explanation is profound and simple.

"Memories of Teachers and Friends" is one of the "Yu Yingshi's Works Series". This is a very meaningful "memoir", which contains Mr. Yu's words of remembering and commemorating his teachers and friends over decades. The objects of remembrance include not only Fairbank, Qian Zhongshu and Qian Mu, who are famous among readers, but also Liu Dazhong, Yu Jizhong, Wu Huoshi and other famous names in the academic, journalistic and even economic circles in overseas Hong Kong and Taiwan. They are full of affection and long-lasting phonology. Through these "warm as jade" reminiscences, readers can deeply feel the deep friendship of the older generation of Chinese intellectuals like Mr. Yu, as well as the true cultural people's pursuit and commitment to values, ideals and academics.

The main content of "The Fourth Criticism": Writer-scholar criticism, which is both a writer and a scholar, is an objective existence in the history of Chinese and foreign literature, but it has never attracted the attention of the academic community. "The Fourth Criticism" is the first to make this argument, and regards it as the "Fourth Criticism" alongside media criticism, scholar criticism, and writer criticism. The book has both theoretical depth and practical breadth. The theoretical construction in the first part and the case analysis in the second part complement each other. The interviews with three typical writers and scholars, Ge Fei, Cao Wenxuan, and Zhang Dachun in the appendix provide strong practical evidence for the arguments of "The Fourth Criticism".

"Knowing the World: The Workplace Struggles of 110 Peking University Graduates" is a collection of interviews conducted by the Peking University Student Reporter Group on the workplace struggles of 110 Peking University graduates. The interviewees are mainly targeted at young alumni who have made their mark in various fields. These Alumni have accumulated valuable workplace experience and life insights. "Knowing the World: The Workplace Struggles of 110 Peking University Graduates" truly presents their growth and career development experiences in the form of interviews, focusing on life planning and development issues. The 110 figures in "Knowing the World: The Workplace Struggles of 110 Peking University Graduates" are distributed in various fields such as IT, finance, culture, etc. Their experiences are of great reference value for contemporary college students and people who are new to the workplace in seeking employment. It is also of great reference value for middle school students to choose their professional direction and establish their life goals. We hope that the wisdom extracted from the personal experiences of professional elites will bring useful inspiration to your career and life planning.

The author of "Thoughts on Modern Chinese Popular Novels" is one of the most accomplished scholars in contemporary China studying modern popular novels. "Thoughts on Modern Chinese Popular Novels" starts from the author's decades of research experience on modern Chinese popular novels, concisely and concisely cuts into many key issues of modern Chinese popular novels in the form of questions, and conducts popular and vivid thinking and elaboration on them. Many of the discussions are refreshing. The content of "Thoughts on Modern Chinese Popular Novels" shows the latest achievements in the study of modern Chinese popular literature.

The content of "Fifteen Lectures on Western Literature (Revised Edition)" spans three thousand years and spans two continents, Europe and the United States, from ancient Greek mythology and art, medieval biblical literature and chivalry literature, the Renaissance and the Enlightenment to the modern romantic movement, realism literature, modernism literature, and postmodernism literature. It covers the main trends in the development of Western literature and the most classic writers and works of each period, revealing the endless movement of Western literature from the depths of the soul. At the same time, it pays attention to connecting with the reality of contemporary life, exploring the modernity of Western classical literature, and conducting comparative interpretations with Chinese culture, striving to make some useful discoveries in the connection of China and the West, and the connection between ancient and modern times.

Rilke, a famous Austrian poet, is known as one of the great German poets of the 20th century. "Duino Elegy" is Rilke's late masterpiece and a masterpiece of German poetry in the 20th century. As the crystallization of Rilke's life experience and speculation, it represents the supreme achievement of Rilke's poetic creation and is also the culmination of Rilke's mature artistic style. The author of this book, Professor Liu Haoming, has long been committed to the study of German literature and philosophy. He also spent more than ten years translating and researching Rilke's "Duino Elegy". Therefore, this book can be said to be the most profound, thick and broad study of Rilke's works in China so far, and is of great academic and cultural value. This book integrates translation, annotation, interpretation and review. It not only provides detailed annotations on the words of the poem "Duino Elegy", but also analyzes and interprets the work line by line in the commentary section. It also explains the generation process of the work in the poet's poetics and its broader poetic significance. These interpretations and poetic discussions are based on a comprehensive investigation of the existing Western studies of "Duino Elegy" and even Rilke, and at the same time fully reflect and integrate the author's own original views and research.