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After reading "Xiao Tian Shuo Shi", my understanding of Chinese classical poetry and songs suddenly became enlightened. Selected as the winner of the Lu Xun Literature Award for Poetry in ancient style poetry, this book interprets and popularizes traditional literature like a story.

This book mainly appreciates the outstanding poetry of the Song, Yuan, Ming and Qing dynasties, and modern times. Jiang Kui, Yuan Haowen, Ma Zhiyuan, Wang Mian, Tang Yin... Whether they are poets recognized as having great achievements, or poems that have been selected into various collections countless times, in this book, they all show a different beauty than before.

Selected poems and songs from Chuci in the Book of Songs to the early Tang Dynasty are analyzed in depth, from "Guan Guan Jiu Jiu" to "Not like the water of the Xiangjiang River flowing northward", from the pre-Qin Dynasty to the early Tang Dynasty, explore up and down, and feel the source of the charm of Chinese poetry.

This book mainly appreciates the masterpieces of poets from the Tang, Five Dynasties and Song Dynasties. Li Yu, Su Dongpo, Li Qingzhao, Yan Shu, Yang Wanli... Whether they are poets and poets who are recognized as having great achievements, or their poems that have been selected into various collections countless times, in this book, they all show a different beauty than before.

Selected famous poems from the Tang Dynasty for in-depth interpretation. From "The end of the world is like a neighbor" to "Moisturizing things silently", look at the poetry of the Tang Dynasty and how you can chant all the joys and sorrows in the world!

Mr. Zhou Ruchang, a master of Red Studies, has devoted his life's research efforts to finally write the masterpiece of "Red Studies", "The Twelve Floors of the Red Building". This book starts with the culture of "Red Mansions", the purpose of "Red Mansions", the daughter of "Red Mansions", the beauty of "Red Mansions", the aesthetics of "Red Mansions", the self-description of "Red Mansions", the fat inkstone of "Red Mansions", the lost exploration of "Red Mansions", and the truth of "Red Mansions". This book, "Red Mansions" index, "Red Mansions" puzzles, "Red Mansions" Q&A, etc. Comprehensively explore various unsolved cases in "A Dream of Red Mansions", "rehabilitate Xue Qin, who has been wronged for more than 200 years", and restore the historical truth. "With lightning-quick inspiration and rigorous research, it follows the essence of Chinese culture, is elegant, unique and fascinating."

This book is an interpretation of the classic "Journey to the West" from a unique perspective. The author starts from many details of the original work, takes each character as a perspective, and through his whimsical interpretation, presents a three-dimensional world of gods, Buddhas, mortals, and spirits constructed in "Journey to the West". There are four chapters in the book, namely "The Struggle of Spirits", "The World of Gods and Buddhas", "The Destiny of Mortals" and "The Protagonist's Journey". The author re-examines each character. From a new perspective, monsters may make people sad or admirable, gods are no longer thin and full of fireworks, and the fate of mortals makes people sigh and empathize.

This book starts from the text of "A Dream of Red Mansions", compares multiple versions, combines comments from the Qing Dynasty and modern research results, uses biographical narrative techniques and the artistic conception of ancient poetry, and uses a calm and peaceful attitude to deeply analyze the identity, talent, love, appearance and fate of the main and secondary characters in "A Dream of Red Mansions". After the first edition in 2007, the market response was good, with more than 6,000 copies sold, but it has been out of stock in recent years. Currently, the author has made a lot of revisions and plans to publish an updated version this time. This book pays attention to the disclosure and description of details, and the text is beautiful and smooth. It not only maintains academic rigor but also greatly enhances the reading interest. It is closer to the public than traditional classic works on red studies.

"Rilke's Park" is the work of the poet Al. His poems have all the characteristics of avant-garde poetry, but also have his own unique temperament, broad themes and diverse styles, which to a certain extent reflect the combination of tradition and modernity. The civilian perspective, strong rhythm and harmonious rhymes of his poems have given his poems a wider audience.

This book is the second volume of "The Time Book of Poetry", taking readers through the magical gallery of Western poetry classics. Beginning with Sappho, the world's first poet who sang about personal love, the author selects 12 great poets in the history of Western poetry: from Shelley, the representative of romanticism and the "poet among poets", to Pushkin, the father of Russian literature; from Ding, the poet laureate of aestheticism Nissen, to the pioneer of Symbolism, Edgar Allan Poe; from the ancient Greek tragedy master Euripides, to the poet Prudhomme who wrote about the loneliness of modern people... 12 Heart-wrenching poetic stories depict an extremely splendid picture of life, and also reveal the original loneliness of human nature. The book contains nearly a hundred famous Western paintings, which together with the moving poems, merge into a miniature version of the history of Western art. The poems and paintings are accompanied by magnificent and splendid works, which fully demonstrate the loftiness and magnificence of the Western art classics.

This book will lead everyone to obtain an education scripture from Tang Monk and his disciples. Among the four famous novels, only one, Journey to the West, has a happy ending. The success of Tang Seng and his apprentices has great educational significance for our learning and growth. The book is full of Yi Zhongtian's humor and Yu Dan's philosophy. It's not "Lecture Forum of Hundreds of Schools", but better than "Lecture Forum of Hundreds of Schools". Okay, let's start our journey to the West.

Lao She and Hu Jinquan are both old Beijingers, and they both love calligraphy, painting, folk arts, and folk culture. As a fellow countryman, Hu Jinquan liked to read Lao She's novels and was influenced by them when creating movies. From 1973 to 1975, Hu Jinquan published a series of articles on Lao She in Ming Pao Monthly, which were then compiled into a book, "Lao She and His Works". This book is Hu Jinquan's summary of Lao She's life, works and literary activities. It starts from Lao She's birth and details his experiences in studying, writing, traveling to foreign countries, returning to teach in China, and presiding over the "Literary Association" during the Anti-Japanese War. Hu Jinquan believed that Lao She had the characteristics of a small citizen in Beijing - "being content with the status quo and not doing anything radical". He called him a "Beijing (Guquan) person". This personality influenced Lao She's behavior and was also reflected in the characters in his works. The materials cited in the book include Lao She's autobiography, friends' memories and other articles published in newspapers and periodicals around the world, etc., Which were compiled by Hu Jinquan's visits to the libraries of British and American universities. Hu Jinquan, who is good at making martial arts movies, is on a journey both on and off the screen. Lao She also has the image of a drifter in his works. With their hometown of Beijing as the connecting point, "walking" has become the key word in the life trajectories of these two masters. The artistic influence and charm inheritance during this period can be glimpsed through this book.

This book uses consumption as the entry point to study current literary narratives, and examines important writers, works, literary phenomena and literary criticism in the new century. Among them are not only the understanding and sympathy for the research object, but also the persistence of the personal position of the research subject; not only the intervention of literary phenomena in the context of globalization, but also the questioning of the eternal way of heaven and the human heart.

It is difficult to write Chinese characters, especially when using a knife to carve oracle bones or lacquer to write on bamboo slips. It is impossible to use a computer like today, and a large version can be written in a few minutes. Therefore, ancient prose is the most concise and contains less nonsense. This is a specialty of our ancestors and should not be thrown away easily. Zhong Shuhe copied several short articles over the years. The short standard is that they should not exceed one hundred Chinese characters, and they must be independent articles. Now I will select some of them and explain them slightly for the benefit of readers. To borrow a sentence from Zheng Banqiao: "There are some benefits, let's take a look; if there are no benefits, it's just a window covering and a wall covering."

The author uses the memories of Shen Congwen's closest relatives and friends to reflect Shen Congwen's warm daily life. The author's writing style is concise and atmospheric, expressing Mr. Shen's gentle and pure character, and also portraying Mr. Shen's courageous and upright spirit.

"If you are about to fly but have not yet soared" is a sentence in Cao Zhi's "Luo Shen Fu". Acheng said, "This critical state of transition is the most moving." For literary criticism, relying on specific works without being attached to them is the most charming.

This book collects poetry works from the Wei, Jin, Southern and Northern Dynasties, as well as some pseudo-Yuefu and Three Kingdoms poems with main names. In addition to providing captions and brief annotations for each work, it also comments on the works chapter by chapter.

This book appreciates movies such as The Blue Bridge, Roman Holiday, Hibiscus, Gone with the Wind, It Happened One Night, Love Story, Butterfly Dream, Life and Death, Cleopatra, Manhunt, Witness, Kamata March, etc.

The content of this book includes: Homer's "Iliad", Ovid's "Metamorphoses", Molière's "The Hypocrite", Stendhal's "The Red and the Black", Zola's "The Germination", Shakespeare's "Hamlet", etc.

The book opens with Yeats, who was hailed by Eliot as "the greatest contemporary poet". This book opens the door to the classics of Western poetry for readers. The author has selected 21 important poets in the history of modern Western poetry: from Rimbaud, the originator of surrealist poetry, to Amy Lowell, the representative poet of Imagism; from Frost, the poet laureate who abides by meter, to Whitman, who created "free form"; from Eluard, a modernist poet who pursued freedom all his life, to Mrs. Browning, who wrote all innocence and love in sonnets... These 21 poetic stories are about love and loss, about ideals and freedom. The fate of the poet blends with the mood of the critic, reproducing the charm of these poems that have been washed by time.

Starting from the perspective of Chinese and Western comparative literature, this book takes nearly 200 poems from multiple English translations of the Book of Songs as the research object, focusing on the translation of famous objects, rhymes, rhetoric, images, and themes in the Book of Songs. It conducts an objective, in-depth, and detailed analysis and commentary on the literary nature of the translation of the Book of Songs and its relationship with history and culture, as well as the external translation and dissemination of the cultural tradition of the Book of Songs. The book also puts forward many new views and insights on the translation of The Book of Songs from the perspectives of literary aesthetics and cultural communication.

"Categories and Interpretation" includes "Categories" and "Explanation", which are the shorter two chapters in Aristotle's "Reference Book" of logic. "Categories" describes the theory of logic and formulates the doctrine of categories; "Explanation" expounds the general principles of argumentation and discusses the problem of syllogism. We must study this work with a correct analytical attitude, absorb the essence that is useful to me, and eliminate the outdated dross.

"Research on Chinese Classical Literature from a Cross-Cultural Perspective" contains 21 articles by teachers from the School of Liberal Arts of Jinan University. It is divided into four series, including cultural studies and ancient literature research, literature and ancient literature research, ancient novels and communication research, philology and ancient literature research. The content involves specific text research such as "Li Sao", "Explanation of Names", "Annotations of Du Gongbu's Poems and Essays in Reading Hall", etc. , There are also studies on the historical context of literature and literary phenomena, such as the Seven Sons of the Ming Dynasty, the Jingling School, popular novels of the Ming and Qing Dynasties, etc.; There are also discussions on the relationship between social culture and literary phenomena, such as the wearing of Taoist uniforms by literati and officials in the Northern Song Dynasty, the singing style of the early "Shenbao" authors, the Buddha's "love" and the feminization of male aesthetic images in the Six Dynasties, and philological research, such as the second examination of Zhou Bangyan's deeds in his later years, and the five examinations of writers in the late Ming Dynasty. This book is rich in content, broad in vision, and academically standardized. It demonstrates the rich academic achievements of teachers from the School of Liberal Arts of Jinan University and contributes to further research on the cross-cultural perspective of Chinese classical literature.

This book is the lecture notes of the new literature course taught by Mr. Lin Geng at the National Peking Normal University from 1936 to 1937. It was originally the old collection of the famous scholar Professor Luo Genze. It was only discovered and compiled in recent years that it became known to the world. The handout is an "on-the-spot" summary of the new literature that just passed away at that time. It briefly and completely records the development of new literature before the Anti-Japanese War. It can be called an instant reflection on the twenty years of Chinese new literature. This lecture, completed eighty years ago, also highlights Mr. Lin Geng's dual perspectives as a literary researcher and a modern poet, providing a series of original literary scenes, filled with precious freshness and a vibrant sense of presence.

This little book is a "little gift for learning recitation and speech" dedicated to readers. After introducing the general knowledge of recitation and speech, the editor quotes 28 famous articles with a strong Beijing flavor to provide specific guidance on content appreciation and technical skills. This will be helpful to every friend who studies, works, works, and struggles in Beijing, whether it is from the perspective of experiencing cultural influence and gaining spiritual nourishment, or from the perspective of improving language expression and building communication confidence.

This is a monograph that examines Pu Songling's life, "Liao Zhai" skills and reveals the multiple cultural implications of "Liao Zhai". It specifically includes three parts: the first is the textual research on the life story of Pu Songling, the author of "Liao Zhai"; the second is the textual research on the ability of "Liao Zhai"; the third is the revelation and micro-examination of the multiple cultural connotations of "Liao Zhai". Many of the textual researches in the book are unique and take a step forward based on previous research. For example, the inscriptions on Pu Songling's portrait reveal his complicated mentality in his later years; the research on Pu Songling's relationship with the Zhucheng survivor group explores the impact on his thoughts and creations; the research on the deeds of the "Jin Monk" in "Liao Zhai" points out the important historical value of the "Jin Monk" chapter in the study of the temple economy during the Ming and Qing Dynasties. Previous researchers have never mentioned these aspects.

This book is a "continuation" of "Answering Questions from Guests in West Beijing". The famous scholar Chen Pingyuan revised and compiled the answers to reporters' questions and dictations published in recent years into a book. This book contains more than fifty questions and answers. The author has slightly modified each article and changed most of the titles. However, the title of the publication has been noted at the end of the article for easy retrieval. This book focuses on the three keywords of "reading", "university" and "Chinese Department". The author puts forward his own views on some issues in current society and academia in the form of questions and answers.

"The Academic Process of Literature Research in European and American Countries" is the 11th volume out of the total 12 volumes of "The Academic Process of Chinese Foreign Literature Research". This volume systematically and comprehensively organizes academic research in China on Australian literature, Canadian English literature, New Zealand literature, Eastern European literature, Latin American literature, Spanish literature, Nordic literature, and ancient Greek and Roman literature, in addition to the five mainstream countries in Europe and the United States (the United States, Britain, France, Germany, and Russia). The book details their occurrence, development, and transformation in China, as well as their value in academic history. The significance of this study explores the influence of the humanistic atmosphere, political climate, social development and various domestic and international ideological trends in different periods on the above-mentioned research. It explores the mental process and evolution of Chinese scholars' absorption, reference, translation and comment on writers, works and literary phenomena from the above-mentioned countries and regions. It also reveals the emergence of the subject consciousness of Chinese scholars and even the gradual emergence and emphasis of academic consciousness and critical consciousness.

"The Academic Process of Russian-Soviet Literature Research" is the seventh volume out of the total 12 volumes of "The Academic Process of Chinese Foreign Literature Research". This book is an academic historical research work. This book takes the century-old history of Russian-Soviet literature research as a clue and academic transformation as a theoretical framework. It conducts an in-depth investigation of the research situation of Russian-Soviet literature and takes a comprehensive look at the research on Russian-Soviet literature in China that has lasted for more than a hundred years.

"Methodological Issues in Foreign Literature Research" is the first of the 12 volumes in "The Academic Process of Foreign Literature Research in China" and is one of the "General Discussions". The whole book involves two important issues in the study of foreign literature in my country in the past century: methodology and discourse transformation. The author of the manuscript has a high-level discussion on the methodological issues and discourse transformation issues of foreign literature research in my country over the past century, especially in the past thirty years. He has made a comprehensive review and concise review of the academic history of foreign literature research in my country, comprehensively summarized and analyzed the achievements of my country's foreign literature research, pointed out the existing problems and deficiencies in the research from a methodological perspective, looked forward to foreign literature research, and proposed the direction for future efforts.

"The Academic History of American Literature Studies" is the fourth volume out of the total 12 volumes of "The Academic History of Chinese Foreign Literature Studies". This book systematically examines and analyzes the context and important results of American literary studies in China over the past century, and sorts out and explains the origins of the subject's history and related academic and teaching institutions. This book draws on the data statistics and analysis methods of quantitative history to conduct qualitative and quantitative analysis of the development status of the discipline, achieving a research effect that combines empirical research and diachronic elaboration. In addition, it focuses on in-depth analysis of the dissemination of literary works, evaluation of literary creation, literary theoretical research, activities of academic organizations and institutions, and important research works. It also conducts special inspections of the monographs of current young scholars. After summarizing the experience of American literary research, this volume puts forward the disciplinary historical significance of academic consciousness and academic innovation, reflecting the high emphasis on innovation in American literary research in the new century.

"Investigation of Literature and History" mainly includes: a discussion on the characteristics of the narrative in Guoyu; an examination of Confucius' deleted poems; the ethics and moral standards advocated by Confucius and their limitations; an examination of Mozi as a person in the Song Dynasty - and a refutation of the three theories that Mozi was a Lu, a Luyang, and an Indian; a review of the debate on the hometown of Zhuangzhou; an analysis of Zhuangzi's aesthetic thoughts from the fables of "Zhuangzi"; a discussion on the creation of characters in "Zhuangzi", etc.

This book mainly studies the relevant development changes and characteristics of British and American literature from a female perspective. Due to changes in the historical traditions, cultural background, and life styles of British and American countries, the images of women in literary works are also very different. There are all kinds of female images created in British and American literary works, but regardless of their personalities, these female images have significantly different approaches to love and life.

Among contemporary overseas Chinese writers, Yan Geling is considered one of the more active. So far, Yan Geling's literary creation career has spanned more than thirty years. During this period, she kept writing and dedicated a large number of works to readers. In the literary world, especially in the field of Chinese literature, she has opened up her own sky and formed a unique and distinctive style. Therefore, the study of Yan Geling's novels not only helps to achieve a comprehensive understanding of her, but is also an important measure to enrich the research results of Chinese literature in the world. By combing Yan Geling's works, we can find that her novel creation has certain concentration and stage characteristics in subject selection and ethical expression. At the same time, it also reflects overall changes over time. This book follows his creative process, focuses on the focus and characteristics of his works, and attempts to make a diachronic and holistic summary of the ethical expression of Yan Geling's novels from the five ethical relationships of political ethics, cultural ethics, gender ethics, survival ethics and interpersonal ethics.

After the publication of Rawls's "A Theory of Justice", the landscape of contemporary political philosophy was reorganized. Not only did the coordinates of the historically established theoretical schools such as utilitarianism and liberalism undergo fundamental changes, but also along with the theoretical debates surrounding "A Theory of Justice", theoretical schools such as citizenship theory, communitarianism, multiculturalism, and feminism suddenly emerged, fundamentally changing the dominant pattern of utilitarianism. ? The book "Contemporary Political Philosophy" is a presentation of this theoretical scene. In the book, author Kymlicka examines various theories active in the contemporary political philosophy arena in detail, and critically analyzes their different arguments and interpretations of equality, freedom, and a just society based on the two. It not only clarifies the complex background of the emergence of the theories of each faction and the historical process of their continuous development beyond the original point in the process of mutual debate, but also clarifies the different interests behind various confusing concepts of justice through rigorous logical argumentation. Reading "Contemporary Political Philosophy" not only allows readers to appreciate the colorful pictures drawn by the most thoughtful theorists of the era we live in on social institutional issues, thereby gaining spiritual experience, but also provides a good theoretical guide for people to understand and understand various complex issues of the era.

The influence of cyberspace on the way literature exists is as follows: it reconstructs the subject of literary and artistic creation from aspects such as identity, psychology, and body (cybers, posthumans); it promotes the evolution of reader functions from aspects such as reading methods, aesthetic psychology, and experience methods; it reshapes text forms from aspects such as text type, text openness, spatialization, and temporality. Traditional narrative theory cannot adapt to the characteristics of digital media, so "interactive narrative" emerged in response to the trend. Micro-level analysis of works, taking hypertext, hypermedia literature, interactive drama and other literary types as examples, strives to outline a panoramic view of literary reconstruction.

Starting from DeLillo's overall creative process, this book not only focuses on the literary aesthetic dimension in DeLillo's novel creation, but also reveals the power logic and political direction behind the text by exploring the ideological connotation of the work. It can be said that DeLillo's works are multi-dimensional and involve many issues such as gender, race, class, ethnicity, and ideology. An in-depth discussion of these issues will help us broaden the research topics of postmodernist novels, highlight the intervention of postmodernist novels in reality and history, and highlight the consistent political themes in DeLillo's novel creation.

The early Qing Dynasty was full of complex political struggles and beautiful youth. This unique style of the times is vividly expressed in "The Deer and the Cauldron". The emotional and flavorful descriptions are as if they were seen in person. All aspects of traditional Chinese life and classical culture are shown in the book, including food, clothing, housing, transportation, music, chess, calligraphy and painting, astronomy and geography, poetry and music, hundreds of schools of thought, and nine streams and three religions, almost everything is covered. The period from 1667 to 1689 was in the first half of Kangxi's reign and was also the peak of the military and political ambitions of the rulers of the early Qing Dynasty. In this book, the author uses "Wei Xiaobao's perspective and experience" in "The Deer and the Cauldron" to analyze, examine and restore as much as possible the real historical politics, social life and cultural conditions of this period.

This book explains Thoreau's poetics of freedom from the perspectives of romantic poetics, realist poetics and transcendentalist poetics. The author believes that Thoreau explored the realm of life and spirit freedom in the freedom in the wilderness world, the freedom in moral society, and the freedom in religious experience, and formed his unique view of freedom in the natural system. Thoreau's poetics of freedom is a product of the romantic era and the result of his poetic philosophical thinking, with a strong utopian color. Thoreau used poetic wisdom to describe an eternally free "Walden Pond", constructing a spiritual home for human beings to live in poetically in this "absurd" world.

This book mainly consists of three parts: the first part is a selection and analysis of Shakespeare's sonnets; the second part is a selection and analysis of Shakespeare's wonderful monologues in his plays; the third part is a brief history of Western Shakespeare criticism. Also included is a research paper exploring the relationship between Shakespeare and the Bible. The author has several main considerations in structuring this book. First of all, the research results on Shakespeare, especially on Shakespeare's plays, can be said to be numerous and innumerable, and their research contents cover almost every corner. But comparatively speaking, the analysis and discussion of Shakespeare's sonnets are relatively weak. Although some scholars have analyzed and evaluated some of Shakespeare's important sonnets, so far there has not been a book analyzing Shakespeare's sonnets. The central theme of Shakespeare's sonnets is love and friendship, which expresses the poet's understanding and views of love, friendship, youth and beauty, which strongly reflects the poet's innocent and pure altruistic thoughts and broad mind of tolerance and understanding; it also expresses the poet's aggressive outlook on life that desires to defeat time and cherish life. At the same time, the poem also reveals some broader and deeper thoughts and feelings, such as strong resentment and hatred towards the ugly realities of the society at that time, such as intrigues, the weak and the strong, and the confusion of right and wrong. This emotion is the basic starting point for the poet's future tragedy creation. In addition, many poems also express the poet's persistent pursuit of aesthetic ideals in literary and artistic creation. This is an important document for understanding the poet's artistic outlook. Obviously, a more comprehensive and specific analysis of these poems will help people understand Shakespeare's greatness and profundity more comprehensively and emotionally from a poetic perspective. Secondly, it is also very meaningful to understand and analyze Shakespeare from the perspective of dramatic character monologues. There are many wonderful monologues in Shakespeare's plays that are familiar to readers of all generations and have been passed down for generations.

As a collection of reviews, this book focuses on literature, movies, representative figures in the literary world, literary phenomena, trends, etc., Which form the main direction of the author's reviews. The target audience includes emerging military literary writers, famous literary critics, and well-known figures in the literary and art circles such as Mo Yan, Zhou Daxin, and Zhang Yimou. It presents readers with a sharp and unique spicy feast.

This book discusses the basic theoretical issues of Internet literature and art in the context of Internet media. The book is composed of 7 parts and 42 papers, including academic logic, theoretical transformation, concept genealogy, value construction, body shape, status quo evaluation, and critical paradigm. It mainly discusses the ontological structure of Internet literature, the transformation of Chinese literature under digital media and its theoretical turn, the institutional genealogy of Internet literature and art, the value orientation and aesthetic choices of Internet literature and art, the laws and paradoxes of Internet creation, image representation and text aesthetics in the digital media era, and issues of literary classics and literary and artistic forms in the Internet era. The topic, the significance and limitations of Internet literature criticism, the paradigm boundaries and media of new media literature and art research, and a detailed analysis of the theoretical construction and conceptual changes of different Internet literature and art types such as Internet novels, blog literature, Weibo literature, WeChat literature, mobile phone text message literature, digital animation, online games, and Internet Martian literature. These papers were published in "Chinese Social Sciences", "Literary Review", "People's Daily", "Guangming Daily" and other CSSCI publications, and many of them were reprinted by "Xinhua Digest", "National People's Congress Copy Materials", "Chinese Social Sciences Digest", and "China University Liberal Arts Academic Digest".

From the perspective of modern curriculum theory and teaching theory, combined with the history of modern Chinese education, this book is systematic and in-depth from seven aspects: thinking on the ontology of Chinese education, Chinese curriculum thinking, teaching material compilation thinking, reading education thinking, writing education thinking, Chinese assessment thinking, and formal aesthetics thinking. It thoroughly combs through the thoughts of Mr. Xia Qizun, a master of Chinese language education during the Republic of China. His elucidation and expression of Xia Qizun's ontological thoughts on Chinese education, and his combing and discussion of "why to read" and "why to write" in his thoughts on reading education and writing education are particularly innovative.

"The World of Chinese Classical Novels - Shenzhen Scholars·South Study Room Night Talk Season 4" is a revision and compilation of the exciting content from the 20th issue of the brand academic salon "Shenzhen Scholars·South Study Room Night Talk Season 3" jointly organized by the Shenzhen Academy of Social Sciences and Shenzhen Library. The main content is to analyze and interpret four representative works of Chinese classical novels: "A Dream of Red Mansions", "Romance of the Three Kingdoms", "Water Margin" and "Journey to the West", to guide readers into the world of classical literature.

This book contains more than 30 articles on French literary criticism by Mr. Guo Hongan. The content can be roughly divided into writers (critics), work criticism, preface to the Chinese translation, random thoughts on literary criticism, and essay research. The compilation intention of the whole book is relatively prominent, and it is intended to express the author's views on literary criticism in a comprehensive, concentrated and concrete way.

This book selects sixteen classic and significant works of modern Chinese literature by sixteen writers, and divides them into four units: the first unit: social life of literature, the second unit: the world and customs of literature, the third unit: love and family of literature, and the fourth unit: the philosophy and psychology of literature. The whole book conducts a unique appreciation analysis of these classic texts, guiding readers to re-understand and read literary works. Each writer is accompanied by a brief biography and the original text or excerpts from the original text for the convenience of readers.

The author of "Research on the Chinese Lyrical Traditional School" traces the ideological origin of the school, describes its development process, analyzes its academic methods, and finally points out that the Chinese Lyric Traditional School is essentially a modern invention of the history of Chinese literary and aesthetics based on the Western Romantic stylistic concept as an ideal, and reflects the mirror-image recognition and imagination of overseas Chinese scholars towards Chinese traditional culture. Out of reflection on the theory of lyric tradition, the author advocates an objective and pluralistic comparative perspective and a more microscopic research method on Chinese literary aesthetics.

The introduction of "Dream of Red Mansions" to South Korea began in the early 19th century after the appearance of Cheng Keben. This book focuses on the introduction of "Dream of Red Mansions" in Korea, Le Shanzhai's translation of "Dream of Red Mansions" and its sequels, and modern translators' translations. It is divided into ten chapters and provides an in-depth discussion of the dissemination and translation of "Dream of Red Mansions" in Korea.

There are currently two misunderstandings in the academic research on Weng Fanggang's poetics: one is to interpret "texture" as "righteousness" and "literary theory", and the other is to equate "texture" with the entire Weng Fanggang's poetics. This book uses Volume 10 of "Shizhou Poetry", a manuscript collected by the Shanghai Library, to analyze in detail the connotation of the "texture" theory and its lack of theoretical construction. It also examines how Weng Fanggang emerged from the "spirit" and his contribution to defining the aesthetic characteristics of Song poetry. Among them, concepts such as "frontal writing", "situation" and "incorporating learning into poetry" are mainly discussed. Finally, Weng Fanggang's creative practice of "using textual research into poetry" and his influence on Feng Minchang, Liang Zhangju, Ruan Yuan, Pan Zuyin and others were examined, and he was characterized as "the perfect mediator of traditional poetics" from the perspective of the history of poetics.

This book is an updated version of the 2011 edition of "Flowers Burning in Season: A Study of the Literary Society of Southwest Associated University" published by Zhonghua Book Company. It has a total of about 400,000 words. It conducts a systematic study of the literary societies of Southwest Associated University in the history of modern literature, and the representative Nanhu Poetry Society, Plateau Literature and Art Society, and Nanhuang The emergence, development, creative achievements, influence and status of important societies such as the Literary Society, Dongqing Literary Society, Wenju Society, Literary Society, and New Poetry Society are reviewed and discussed in depth. It is a research monograph that reflects the cutting-edge academic level in the fields of modern literary history, university education, etc., And has considerable reference value.