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This book takes the inner connection between the "soul storage concept" reflected in the epic "Gesar" and the "holy mountain and holy lake" as the research object. It integrates text analysis, theoretical thinking and cultural interpretation into the study of cultural ecology of "man and nature", expanding and deepening the research on the epic "Gesar". This book mainly involves two working languages ​​and a large number of first-hand Tibetan documents and field materials. It provides Latin transliteration and annotation of numerous Tibetan terms and special vocabulary in the epic writing. It practices a work method worth advocating in the study of Tibetan epics, showing that the author has a profound foundation in Tibetan language and a prudent scholarly attitude. This book has a reasonable topic selection, a novel perspective, a clear problem awareness and a broad academic vision. It reflects the academic consciousness that contemporary ethnic scholars should have, and has a considerable role in promoting the study of the "Gesar" epic.

This book takes Du Fu's resignation from Huazhou after the Beginning of Autumn in 759 AD and headed west to Qinlong as the starting point of the narrative. It ends with Du Fu leaving Tonggu in the winter of that year, entering the Shu Road and heading south to Sichuan. It uses Du Fu's life and creation in Gansu for nearly half a year as the narrative time and space. In order to realize the basic intention of writing this book - to clearly reproduce Du Fu's journey to Longyou in those years and sort out the academic differences in the previous research on Du Fu's Longyou poems, this book uses literary means such as scene reproduction to describe Du Fu's whereabouts and life in Longyou in detail, while also launching a large number of thematic discussions on the academic issues involved in the description. Therefore, literary description and academic expression are interspersed and rhythmic with each other. The first feature of the book is that it reads in an orderly and dry manner. The second feature of this book is that it actively expands some novel topics in the study of Du Fu Longyou's poems, such as the folk writing and common people's feelings of Du Fu's Longyou poems, the life experience and thoughts of Du Fu's close friend Ruan Fang in Qinzhou, "The tail of seclusion" in Du Fu's Longyou poems, Du Fu's "medicine life" and "eye life" in Longyou, the "always agile" writing characteristics of Du Fu's Longyou poems, the new world of poetic imagery in Du Fu's Longyou poems, etc.

This book mainly examines the relationship between the characters, stories and human geography phenomena in "Journey to the West" and the culture of the "Greater Western Regions". This book believes that the character prototypes, event motifs, and narrative features in "Journey to the West" are deeply influenced by the culture of the Western Regions. "Journey to the West" is the crystallization of the mutual integration of the culture of the Middle Earth and the Western Regions. This book is innovative in the collection, sorting and interpretation of new literature, the perspective of new perspectives and the comprehensive application of interdisciplinary methods.

This book takes the famous contemporary British female writer Doris Lessing's series of science fiction works "The Old Man of Southern Ship: Archives" (also known as "space novels") as the research object. It uses a variety of literary theories to try to reveal the cultural and political significance of Lessing's white British identity and colonial growth experience, deconstruct the grand narrative contained in the "space novels", and discover the colonial thoughts hidden in it.

This book selects 130 novels from the late Qing Dynasty and the early Republic of China, examines their version status, and briefly introduces relevant information. It attempts to provide some reliable information for readers to understand novels from the late Qing Dynasty and the early Republic of China (including creation and translation), and also lays a foundation for the academic community to correctly evaluate novels from the late Qing Dynasty and the early Republic of China. Compared with similar results, the old novels selected in this book have distinctive characteristics, being both extensive and representative, rich in historical data and academic, and popular and interesting with pictures and texts.

This book first gives a brief introduction to the life and works of Doris Lessing, and then divides the beauty of language in some of Lessing's works into six categories: the beauty of sound and color, the beauty of connection, the balance of language, the emphasis of language, the beauty of changes in language, and the implicit beauty of language. , And provide a more systematic analysis of twenty-one rhetorical devices that Lessing skillfully used in his works, on which various types of language beauty are realized. The analysis of each rhetorical device is centered on example sentences, combined with the context, and analyzes the literary effect from the perspective of language beauty. This book can help readers of Lessing's works appreciate the literary effect and linguistic beauty in his works from a rhetorical perspective. It can also help English majors learn more about and better master English rhetorical means and improve their language appreciation ability.

Li Zhiyi is famous for his "Bu Suanzi" ("The King Lives at the Head of the Yangtze River"). He is a member of Su Shi's literati group. He was dismissed from office for joining Su Shi's shogunate, and was arrested and imprisoned for Fan Chunren's suicide note and deeds. In his later years, he was exiled to Dangtu. Li Zhiyi traveled extensively throughout his life, traveling north and south. He once participated in the torrent of Yuanyou's poetry creation, and sang and responded to the masters of Su Shi's literati group. In his later years, he settled in Dangtu and was admired by young students as a disciple of Su Shi. This book uses detailed historical materials to explain the life of the Northern Song Dynasty writer Li Zhiyi and his friendship with Su Shi, Qin Guan and others. It also discusses Li Zhiyi's academic and literary thoughts. It also makes a detailed appreciation and analysis of the artistic characteristics and influence of his Yuefu poems, ancient poems, rhymed poems and quatrains against the background of the Northern Song Dynasty poetic style. It not only reveals the trend of the times, but also explains his personal characteristics and highlights his unique characteristics in pastoral poems and epic poems. Li Zhiyi's poetic theory is comprehensively discussed based on his poems, letters, inscriptions and postscripts and other related discussions, combined with the records of poetry talks in the Song Dynasty and the characteristics of Li Zhiyi's poetry itself. Li Zhiyi put forward the view that Ci "has its own style" in "Postscript to Wu Sidao's Xiaoci", expressing the ideological thought of Ci that insists on the characteristics of Ci. This book examines historical facts, embodies his artistic characteristics, and makes in-depth analysis of his lyrics.

This book is the final result of the National Social Science Fund Project "Research on Feng Menglong's Literary Activities" (Grant No. 08BZW042). Feng Menglong was a diligent and productive writer and scholar. He compiled seventy to eighty works in his life and left us tens of millions of words of works. His writings cover classics and history, poetry, drama, novels, folk songs, jokes and many other fields. The academic research on Feng Menglong focuses on the "Three Characters" and rarely touches on his chapter novels, classical Chinese novels, legends, folk songs and jokes. This result is of great significance for deepening Feng Menglong's research and expanding the research space of popular literature.

Chen Zhongshi is a Shaanxi writer who started writing before the "Cultural Revolution". He adheres to the literary belief of "only about hard work, not about harvest" and has completed the transformation from an educated youth who returned to his hometown to a professional writer. His masterpiece "White Deer Plain" is known as "the European and Western countries in the West, even though Balzac and Standal refused to give in," the "wonderful book of the generation" and the "secret history of the nation". This book is the first "critical" academic monograph to comprehensively examine Chen Zhongshi and his creations. The time span is from before the "Cultural Revolution" to the 21st century. The writing categories include novels, essays, and creative talks. The book uses detailed information, rigorous argumentation, and simple and clear words to systematically sort out the general context and entire process of Chen Zhongshi's literary activities and creative experience. It examines Chen Zhongshi and his creations in the context of contemporary Chinese literary history and even world literature. Through his growth experience and Summarize the creative experience, explore the artistic rules and literary value of his creation, and thus have a macro grasp of the evolution of contemporary literary creation in Shaanxi, outline the development of contemporary Chinese literature, and especially point out the inspiration and reference significance of Chen Zhongshi's creative experience for the growth of future writers. Literary works are autobiographies of writers. This book is based on commentary, and through the analysis and interpretation of "White Deer Plain" and other works, it explores the history of Chen Zhongshi's life experience and spiritual fission, so as to reflect on the vicissitudes of Chinese society since the founding of New China and its impact on Chen Zhongshi's literary creation. This reverse thinking and research of "work-writer-society" is an exploration and attempt with practical significance.

Jiang Yan (444-505), courtesy name Wentong, was a famous writer in the Southern Dynasties. He made outstanding achievements in various literary creations such as poetry, fu, and prose. However, throughout the ages, the perspectives on its research have mostly stayed on individual issues and individual chapters, and rarely examined its literary creation as a whole. This book starts from the five major themes of relegation, sentimentality, Confucianism, Buddhism and Taoism, stylistic awareness, and artistic thinking, and conducts an overall study of his literary creation. At the same time, he makes necessary comparisons with his contemporary writers, and makes a diachronic sorting, tracing back to the source, and following the trends, in order to give an accurate historical positioning to his literary creation.

This book interprets several important works of Canadian writer Margaret Atwood from the perspective of cultural studies, explores the author's thoughts on society, the subject's mental state, and human survival conditions reflected in the novels, and expounds Atwood's thoughts on the inherent relationship between the social and cultural functions of literature and its humanistic expression. This book's study of Atwood's cultural and social thoughts includes a three-dimensional analysis of individual spirit, social existence and human condition. It is mainly based on French philosophical thought and combined with Canadian social and cultural reality to interpret the social and humanistic care in Atwood's novels, involving themes such as nation and country, power structure, psychoanalysis, society and ideology, scientific and technological humanities, posthumanism and other themes. By elaborating on the relationship between writing and society and the writer's responsibility, this book explains the ethics and social responsibility in Atwood's works. Atwood not only expresses great concern for the nature of human nature, but also expresses concern for Canada's nation, national identity, human spiritual conditions, and even environmental ethics, ecological crisis, and post-human future society. By exposing the social and political issues and cultural crises in reality, Atwood looks forward to the utopian ideal of the future and makes profound thoughts on human nature and culture. These reflect the author's thinking and implementation of the social function of literature.

This book contains a total of three sections. "Plain Songs" selects several poets with the most typical significance in the history of ancient Chinese poetry. Through the analysis of their poetry creation, it explores the literary historical significance of ancient China's plain poetry style and the poet's mentality, and explores the aesthetic value it represents and embodies; "The Afterglow Scattered into Qi" briefly combs the institutional origin of ancient Chinese prose. , Explains the characteristics of various literary styles, and on this basis outlines the history of the development of ancient Chinese prose creation, and explores the characteristics of each stage of its ups and downs; "Social Roles and Literary Activities of Literati in the Mid-Tang Dynasty" focuses on several representative social roles of literati in the Mid-Tang Dynasty, and explores the interactive relationship between social roles and literary activities and the mentality of scholars.

The writing style of this book is consistent with the author's other book "Tangren Quatrain Enlightenment". The author selects the lyrics of more than a hundred poets from the Tang and Song Dynasties, explains them one by one, talks about the development process of the lyrics, the artistic characteristics of the lyrics, the poet's mood and feelings, and the writing is smooth and clear as words. This kind of enlightenment explanation has a profound impact on the education of young people.

In 1945, Maugham responded to the request of "Red Book" magazine to list what he considered the world's top ten novels, and attached ten thoughtful reasons for the recommendations. Shortly after the book list was published, it aroused enthusiastic responses from readers, and "Ten Novels and Their Authors" was born. More than seventy years later, Maugham's recommendation of the top ten novels in the world has become an immortal classic in the literary palace, and this collection of reviews written by him has also maintained its enduring charm and has been regarded as an introductory guide to literary reading by generations of readers.

Ancient novels have always been an important branch of ancient literature, but compared to the study of ancient poetry, the research on ancient novels is slightly weaker. This book is compiled from the "Series of Discussions on Frontier Issues in Ancient Novels" column run by three experts on ancient literature, Liu Yongqiang, Pan Jianguo, and Li Pengfei from the Department of Chinese Language and Literature of Peking University for ten consecutive years in the Journal of Peking University. It explores basic issues in the study of ancient novels in the form of dialogue, including style, style, structure, plot, etc., And generates many new ideas and perspectives. It is very enlightening and has certain cutting-edge reference value for ancient literature research. The so-called cutting-edge issues are not necessarily the current hot spots and cutting-edge research. They can also be the reflection and excavation of basic issues. And through such reflection and excavation, we may find that these complicated but connotative basic issues may still be the starting point or even the commanding heights of novel research.

A book that studies the Creation Society and Japanese literature. This book focuses on the relationship between Guo Moruo, Cheng Fangwu, Yu Dafu, and Zhang Ziping, the main early members of the Creation Society, and Japan. Starting from their study in Japan and extending to the period of World War II, it analyzes and criticizes their relationship with Japan in life, culture, literature, and politics from various angles. This book is based on the view of history that "there should be no gaps in history". Based on the principle of paying attention to historical materials and contemporary documents, this book uses comparative literature techniques to comprehensively examine the relationship between the early Creation Society and Japanese literature. It puts forward many new perspectives in order to fill the gaps in the research on the relationship between the Creation Society and Japanese literature.

This book is the first monograph by Chinese scholars to systematically study German Romanticism since the "spread of Western learning eastward" in the mid-19th century. Not only does he thoroughly study the history of the formation of German Romanticism, he also puts German Romanticism into the broad perspective of the Enlightenment, German classical literature, and contemporaneous Slavic-speaking world literature, English-speaking world literature (including North American literature), Romance-speaking world literature, Nordic literature, and other literature related to it. What is even more valuable is that this book has unique insights into the historical debate about German Romanticism. It is convenient for readers to grasp German Romanticism in one book, and it will also help promote in-depth research on German Romanticism in Chinese academic circles.

Although youth literature has always been favored by young people, who has tried to enter the author's world? This book divides writers born in the 1970s and 1980s into several types: traditional writers born in the 1970s and 1980s, youth writers born in the 1970s and 1980s, and alternative writers born in the 1970s and 1980s. Let's step into their world.

Starting from the starting point of New World Literature, this book covers the development history of rural areas, prose, novels, drama adaptations, etc., As well as the current situation of the new century and predictions of future development trends. It is the best reference document for comprehensively studying the history of literature in the new century.

"Xiao Chuang You Ji" was written during the Tianqi period and was written by Lu Shaoheng. Together with "Cai Gen Tan" and "Wei Lu Night Talk", it is also known as the three great books on life. The original name of this book was "Zuigutang Jiansao". Booksellers in the Qing Dynasty attached it to the name of Chen Jiru, a Ming Dynasty man, and renamed it "Xiao Chuang You Ji" and published it separately. It has been widely circulated. As a result, many people who came later did not know the original author. This book was written by Lu Shaoheng when he was living in Beijing. He was inspired by the world's customs. He extracted exquisite words and phrases from more than fifty classics and historical collections, divided them into twelve volumes, and compiled them into a book for self-examination and self-entertainment. It is a short essay of aphorisms and aphorisms. The content mainly explains the feasible methods of cultivating one's mind and dealing with the world. It provides valuable life experience for later generations and reflects the noble character cultivation of ancient literati.

The draft "Listening to Professor Li Yining Lecture on Poetry" is compiled based on Li Yining's class notes on Tang poetry and Song poetry. The full text is divided into three chapters. The first chapter summarizes the realm of understanding poetry, including poetry creation and the main classification of poetry; the second chapter specifically discusses Tang and Song poetry, Five Dynasties Song poetry, Jin and Yuan poetry, and Ming and Qing poetry; the third chapter analyzes the themes and feelings of Li Yining's poetry creation. This book is the first systematic compilation of Professor Li Yining's poetry, and reflects Professor Li Yining's in-depth and unique insights into the nature of poetry, poetry genres, and poets' achievements.

This book is selected from the works on Song Ci that the author has accumulated over many years of teaching and research work. It has already become the authoritative version of Song Ci appreciation anthologies. "Appreciation of Song Ci" abandons the politicized criticism model and returns to the path of criticism that focuses on the aesthetic characteristics of literature and analyzes the artistic skills and literary value of lyrics.

"Knowledge of Chinese Literature" mainly includes the development history of Chinese literature, ethnic and folk literature, Hong Kong and Taiwan literature, myths and legends, poetry and prose, sanqu and lyrics, novels and essays, fables and sketches, notes and travel notes, couplets and inscriptions, etc. It is highly literary, readable and informative. It is a good reading for our readers to understand Chinese literary works and improve their literary quality. It is also the best version for libraries at all levels to collect.

"How Deep the Red Is - An Aspects of "A Dream of Red Mansions"" is the culmination of Mr. He Xinmin's more than 30 years of research on "A Dream of Red Mansions". The book has a systematic and unique review and analysis of the author of "A Dream of Red Mansions", the origin and development of "Redology", the ideological connotation of the work and its aesthetic and philosophical value, the artistic achievements of the novel, the characters of "A Dream of Red Mansions", and the important plots of the work. In addition, this book also introduces the little-known academic contacts between the author and famous "Red Scholars" Zhou Ruchang, Hu Wenbin, Xue Ruisheng, etc., Which can enhance readers' enjoyment. The writing of the book is fluent, the language is fresh and interesting, and it combines scholarship and readability. It can be regarded as a popular work of "Red Studies" that can be appreciated by both refined and popular people.

In the more than two hundred years since Australia was named, Australians have invented their own cultural traditions and many national myths. These myths include "the discovery of Australia's unclaimed land by white Europeans", "the Australian bush myth", "Australia is white people's Australia", "the myth of Australia's happy lifestyle", and so on. Peter Carey, a famous contemporary Australian writer, conducted a series of deconstructive activities on these myths constructed by Australian society and history in his novels. As a spokesperson for national culture, Carey is committed to exploring the most common and fundamental social issues in Australia, namely the complexity, ambiguity and uncertainty of national identity, national identity and cultural identity. This book starts from the Australian-British and Australian-American relations reflected in Carey's novel creation, and studies identity issues such as the crisis and turning point of Australia's national identity, the ambiguity and clarification of national identity, the dilemma and transcendence of cultural identity, and Australians' exploration of self-identity.

This book takes the Chinese literary creation of contemporary Taiwanese ethnic minorities as the main research object. It uses theoretical knowledge such as ethnicity and cultural anthropology to conduct research on the historical origins, development patterns, aesthetic qualities, development dilemmas and significance of contemporary Taiwanese ethnic minority literature on the basis of comprehensively grasping the development of multi-ethnic literature in China and the changes in social and ethnic relations in Taiwan. This book deepens the understanding of Taiwanese literature and opens up a new field of research on Chinese ethnic minority literature.

This book uses the form of a ramble to focus on the poet's life course, the connotation of his works and the performance of his poetic art, with an emphasis on artistry, storytelling and interest. Each of the short essays included throughout the book deals with a poem, or a specific event. You can appreciate the essence of the work by reading each chapter separately, and you can understand the poet's life experience and personality by reading them together. It is both a very good cultural sketch and an academic sketch, and is very suitable for readers with middle-level education.

The main part of this book was serialized in a newspaper supplement. After being compiled into a book, it is quite popular among readers from all walks of life. The whole book "A Dream of Red Mansions" is simple and easy to understand, not branching out, full of eloquence and eloquence. It provides precise explanations and comments on the characters, stories, and writing techniques of "Dream of Red Mansions", including "Dream of Red Mansions".

"Jin Ping Mei", written in the Ming Dynasty, is China's first full-length social novel. It relies on historical books and borrows the story of Ximen Qing and Pan Jinlian from the novel "Water Margin" to extend the story. It writes about the lives of ordinary people in the city. It reflects the darkness and corruption of society by writing about Ximen Qing's family, setting a precedent in the history of Chinese novels. This book analyzes Jin Ping Mei from an aesthetic perspective, starting from breaking down the theme and explaining in detail the temperament and destiny development of each character in the book. Lead readers to know a more realistic "Jin Ping Mei".

This book is full of passion and covers the rise of Buddhism and the spread of Western learning to the East. It has a broad vision. The appendix is ​​"Introduction to the History of Chinese Thought in the Seventeenth Century". The two books are combined, including its ideological background, academic methods, national thoughts, philosophical thoughts, historical thoughts, and political thoughts, all analyzed one by one, with frequent and fascinating insights.

This booklet contains a total of seventeen articles. Among them, six are "Introduction to the Legends of the Tang Dynasty", "From the Problem of Guan Yu Mi Heng to the Analysis and Evaluation of Historical Figures", "Wu Jingzi and His Scholars", "Three Heroes and Five Righteousnesses", "The Strange Current Situation Witnessed in Twenty Years", and "The Flowers of the Sea of ​​Evil". These two small books have been out of print for a long time. Now, the above-mentioned articles have been revised and included in this book as a few footprints in the author's journey of developing classical novels.

The whole book provides a panoramic review of the works of Yugui writers in the past dynasties, and conducts detailed analysis and interpretation of representative writers' works. This paper uses the relevant theories of literary geography to focus on exploring the unique role played by Guangxi's unique natural environment and humanistic environment on the emergence and development of Yu-Gui literature. It also classifies and explains the transformation of Yu-Gui literary creation from a diachronic perspective, and discusses the status of Yu-Gui literature in literary history and its influence on later literary creations.

This book presents the general process of writing the history of Chinese new literature at home and abroad from 1919 to 1949 in a chronological form. On the one hand, the collected literary history works and literary history papers are displayed in chronological order, and their authors, publishers, publication times, editions, formats, page numbers, word counts, etc. Are introduced, and their important innovations are commented upon. On the other hand, this book divides the 30 years of writing on the history of Chinese new literature into three periods and compiles them into three chapters. Each chapter begins with an overview of the development and paradigm characteristics of China's new literature history writing in each period, and the last chapter summarizes the historical rules of China's new literature history writing. This book will also appropriately mention the major political, economic, and cultural events that influenced the writing of China's new literary history, in order to explain the internal and external reasons for the changes in the writing of China's new literary history.

This book, represented by the narrative poems of more than fifty modern poets such as Zhang Weiping, explores and studies the creation overview, artistic characteristics, development trajectory, significance value, narrative consciousness and other issues of modern narrative poetry, and strives to summarize and depict the overall overview and regular characteristics of the development of modern narrative poetry. In terms of content and theme, modern narrative poems not only focus on reflecting social people's livelihood and paying attention to major historical events, showing creative characteristics closely related to the situation of the times; they also focus on depicting the fate of individual lives, creating colorful characters, and showing a creative tendency that is life-oriented and civilian-oriented. It not only comprehensively reflects domestic social life, but also begins to open its eyes to the world and depicts what is experienced outside the region. In terms of poetic characteristics, Yuefu narrative poems mostly use objective scene narratives, focusing on the concern and description of social issues. Five-character narrative poems often use self-narrative or witness narratives with strong subjectivity and individuality, which can not only describe social issues, but also show personal life. The performance mode of the Seven-Character Song Line is somewhere between the two, and its performance function focuses on depicting various characters and telling legendary stories. Narrative poems mostly use combined narratives of scenes from different time and space, and their expressive functions are extremely wide and have the characteristics of series and scale.

The exploration of the nature of space runs throughout Calvino's novel creation. The writer tried to create different spatial forms at different times to convey his understanding of the world. Compared with other writers of his generation, he is not an experiencer of space, but a shaper of space and a reflector of the concept of space. This highly speculative exploration of space makes Calvino unique among many space writings. This book combines Calvino's eleven representative works from different periods into a whole. Taking spatial form and subject anxiety as the research goals, this book outlines the evolution of Calvino's spatial concepts and the growth process of subject thought contained in them.

This "Outline of the History of Foreign Literature" is based on the brief introduction and analysis of relevant knowledge points such as important writers and their representative works in the history of foreign literature development. It attaches great importance to the key points of knowledge about the writer's life and creation; it pays attention to the condensed expression of key information in the analysis of representative works; it also takes into account the simplification and condensation of some knowledge points of Asian and African literature. The refining and summary of important knowledge points in the history of foreign literature (i. E. "Historical outline") is the core of this book. Reading target: researchers and learners of foreign literary history.

Western literature is an indispensable plateau in the territory of contemporary Chinese literature. Some landmark writers and works have been produced here. The west is the birthplace of Chinese civilization and the inhabited area of ​​ethnic minorities. It has preserved rich folk culture due to its relatively closed, backward and remote characteristics. Since these folk cultures have been internalized into the daily lives of westerners, they have naturally become the main content that western writers want to describe. Therefore, to study western literature starting from western folk culture is to find the soul and blood of western literature. This book is the first comprehensive investigation and study of Western literature from the perspective of folk customs, folk beliefs, folk songs, dialects and other folk culture. It not only opens up a broad aesthetic space for Western literature and contemporary literature, but also finds rich spiritual resources for the research and creation of Western literature.

The structure of this book is organized around "erotic" writing in modern literature, and it also explores the diversity of the formation and construction of modern literary history. "Preface" and "Introduction 1 and 2" strive to provide a scientific and rational description of "erotic" writing from a relatively objective perspective. Introduction 3 provides a simple overview of erotic writing in Ming and Qing novels (extending to the entire ancient Chinese literature), sorting out the blood connection between modern literature and ancient literature, and explores how (modern) literature should write "erotica" through the erotic view of ancient literature. This thesis uses a case study of modern literary writers as a window to explore the various forms and possibilities of "erotica." The thesis is to summarize and analyze the problems encountered in the writing process of this thesis and the methods and values ​​adopted, so as to explore possible paths for the writing of modern literary history.

Su Shi was an outstanding representative of comprehensive talents in the Song Dynasty, integrating morality, articles, politics, and art. Shenzong of the Song Dynasty praised him as a "wonder in the world" and Xiaozong of the Song Dynasty as "the master of articles." However, Su Shi's person, his studies, his poems, his writings, and his lyrics were also sharply criticized by the people of the Song Dynasty. This book mainly focuses on the establishment of the aesthetic beauty of plain poetry in the literary theory of the Song and Jin Dynasties and the criticism and acceptance of Su Shi by Li Qingzhao, Zhu Xi, Yan Yu, Liu Kezhuang, Yuan Haowen and others. It involves the author theory, creation theory, stylistic theory, style theory, appreciation theory, acceptance theory in literary criticism, as well as some issues of concern and controversy in the literary thought of the Song Dynasty. It is not difficult to see the openness and activity of academic thought in the Song Dynasty, Su Shi's contribution and influence on Song Dynasty literature and Song Dynasty academics, and the spiritual admiration of scholars and academics in the Song Dynasty.

Ever since Su Xuelin re-entered the research horizons of mainland academic circles, the definition of her has basically remained at the level of an author of beautiful articles or a conservative literary critic. The reason for this existing judgment lies in the lack of investigation of literary trends and trends at that time, which makes the research lack historical profundity. At the same time, the lack of perspective on development and change makes the research object flat and monotonous. The author of this book relies on the results of academic research on literary trends of thought in recent years to bring Su Xuelin into the perspective of ideological trends and clearly present the evolution of her literary thoughts throughout her writing career, thereby more accurately explaining the external and internal reasons for the transformation of her thoughts at each stage, allowing a relatively real and full Su Xuelin to enter our literary history today.

Since the Han and Tang Dynasties, the Book of Songs has been revered as one of the Six Classics, and its original literary appearance has been shrouded in the curtain of Confucian classics. With the rise of doubting thoughts in the Song Dynasty, the literary nature of the Book of Songs was gradually revealed. The Book of Songs of Lu Jiuyuan's Xin School was an important branch of the study of the Book of Songs in the Song Dynasty. However, Lu Jiuyuan advocated speaking directly to one's heart in academics, describing without writing, and not establishing words. Therefore, the true meaning of his famous proposition "I annotated the Six Classics, and I annotated the Six Classics" has been disputed by later generations, and Lu's Shijing studies are still shrouded in mist. Yang Jian, Lu Jiuyuan's great disciple, deeply understood his master's purpose and wrote "Cihu Poetry Biography", which skillfully integrated psychology, classics, literature and political and ethical philosophy into one. An in-depth study of "Cihu Poems" can reveal the true face of Lu's School of Songs and its unique position in the history of the Book of Songs, and unlock the true secret of Lu Jiuyuan's "Six Classics annotated me, and I annotated the Six Classics". "Cihu Poems" can be called the most philosophical masterpiece in the history of Chinese Book of Songs.

"An Examination of the Crescent School" is based on the richest possible first-hand literature and starting from specific literary historical facts, it examines and analyzes the basic documents, important historical facts and other related issues of the Crescent School writers' works. This achievement not only makes a number of new discoveries in terms of specific facts and documentary materials about the Crescent Movement, enriching the study of the history of modern Chinese literature, especially the history of literary schools, and consolidating its documentary foundation, it also provides credible documentary and historical factual information through textual research and analysis of a number of specific issues.

This book selects some important categories and propositions of ancient Chinese poetry. From the historical and cultural context, poetry creation status, philosophical and social trends, Taoist Zen understanding, literary communication and acceptance, and the internal structure of poetics, it explains the origin and original meaning of the historical generation of poetic theory, and analyzes the new meaning derived from its inheritance and the construction process of the system.

This book selects more than 20 classic articles by Mr. Shu Wu on poetry of the Tang and Song Dynasties, including the traveling poet Meng Haoran, Wang Wei's essays, the glory of the day in Li Bai's poems, Gao Shi and Cen Shen, birds of prey - common images in Du's poems, a discussion of Han Yu's poems, a close reading of Yuan Zhen's "The Palace", and a reading of Zheng Xi's "Jin Yang". "Three Hundred Poems of the Tang Dynasty", "Three Hundred Tang Poems", the imperial capital and the mountains and countryside, from animal decoration to plant decoration, coquettish words across the fence, the coming from behind of famous lines, boats, ships and spaceships, Li Qingzhao's "acting", why marry a hero, bow under the flower, the completely pessimistic "Human Words", etc.

The book "A Brief Introduction to Poetry" emphasizes "the depth of meaning and the beauty of poetry", and at the same time carefully scrutinizes and analyzes its "tone, rhythm, meaning, syntax and calligraphy". The book contains hundreds of famous poems by Wang Bo, Luo Binwang, Li Bai, Du Fu, Wang Wei, Meng Haoran, Bai Juyi, Lu Lun, Liu Zongyuan, Liu Yuxi, Li Shangyin, etc., Starting from the tone, meter, meaning, syntax, and calligraphy, explaining their subtleties.

"The paper is full of absurd words and a handful of bitter tears. It is said that the author is crazy, who can understand the meaning of it." Mr. Sameng Wu interprets "A Dream of Red Mansions" from the perspective of studying social culture, leading readers to gain an in-depth understanding of the family life of Jia's family, re-understanding the traditional Chinese family, revealing the cultural and ethical pattern of traditional society, and interpreting the flow of social trends. It has subtle insights and enlightens people's minds. It is a unique little book that talks about the near and far-reaching goals.

This book uses characters as its warp and time as its latitude. Through relaxed and humorous writing, it not only conveys the research results of "Red Studies" to readers in a popular form, but also incorporates the author's many experiences from long-term study of "Dream of Red Mansions". In short, this book not only overturns many old conclusions, but also puts forward some insights worth pondering, and this is precisely the greatest value of this book - not to mention the sophistication and refinement of its writing!

"Awakening the World" is a collection of short stories in vernacular compiled by Feng Menglong in the late Ming Dynasty. Together with the previous "Yu Shi Ming Yan" and "Warning Words", it is collectively known as the "Three Yan". Among the "Three Yan", it is the most widely circulated, the most influential, and the most talked about. "Awakening the World" contains mostly mature story-telling novels, with a total of forty stories. Some of these stories reflect love and marriage, some condemn the darkness of officialdom, and some praise chivalry. The plots of the stories are bizarre and tortuous, the characters have distinctive personalities, and are full of fun, making them endlessly readable. This book provides a brief summary before each story, briefly introducing and commenting on the plot of the novel, to help readers better understand the story and comprehend its gist.

The Eight Great Masters of Tang and Song Dynasties are the collective name for the eight representative prose writers in the Tang and Song Dynasties, including Han Yu, Liu Zongyuan, Ouyang Xiu and others, who occupy an important position in the history of literature. This book selects the representative works of eight great masters and conducts precise interpretation on this basis.