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This book is compiled by Mr. Chen Yinchi, director of the Chinese Department of Fudan University. It screens and selects a total of 90 articles with beautiful and touching words, annotates and appreciates them. It is a selection of ancient texts that is especially suitable for young people to read.

This book is compiled by Mr. Chen Yinchi, director of the Chinese Department of Fudan University. It screens and selects a total of 263 ancient poems with beautiful diction and touching people's hearts, and annotates and appreciates them. It is a selection of ancient poems that is especially suitable for young people to read.

The Book of Songs is the earliest collection of poetry in my country, collecting 305 poems from the early Western Zhou Dynasty to the middle of the Spring and Autumn Period over 500 years. In the pre-Qin Dynasty, it was called "Shi", or the whole number was called "Poetry Three Hundred" or "Three Hundred Chapters". It was revered as a Confucian classic during the Han Dynasty and was called the Book of Songs, which is still in use today. The Book of Songs marks the first peak of Chinese poetry creation. Confucius once summarized the purpose of the "Book of Songs" as "innocence" and taught his disciples to read the "Book of Songs", which was regarded as a classic by Confucianism and became one of the "Six Classics" and the "Five Classics". On the basis of inheriting the excellent results of previous studies on the Book of Songs, this book accurately interprets the theme and intention of each poem, and clearly annotates each chapter and sentence, so that readers can appreciate the simplicity and beauty of the Book of Songs and resonate with the emotions of the ancients.

This book is a collection of love poems written by many famous Chinese writers throughout the dynasties. It has a unique entry point and is divided into eight chapters: secret love, first love, passionate love, life and death love, long-distance love, extramarital love, bitter love, and lost love. It uses alternative text expressions and combines ancient and modern times. It is not limited to the literal understanding of classical love poems, nor is it a simple appreciation in the traditional sense, but a comprehensive explanation with a unique style and rich emotions. The highlight of this book is that it not only satisfies readers' knowledge needs for love poems themselves, but also satisfies readers' understanding of the historical stories and even unofficial anecdotes behind love poems. It combines modern love story analysis and understanding of love, which is informative, interesting, and popular. It is a book that goes into your soul, cleanses away your impetuousness, and makes you yearn for it like a river, and your meditation becomes like a dream.

Poems about peach by poets of all ages are one of the wonderful parts of ancient poetry. These artistically appealing peach poems have been recited by people from generation to generation, showing their enduring artistic vitality.

"1400 Examples of Modern Usage of Famous Phrases from Classical Poetry" is based on "famous verses". It selects a few hundred lines from classical poetry that are very wonderful and are most frequently used in later generations. It introduces the author and title of the poem, annotates and translates the original sentences into modern times, and attaches usage instructions and examples of modern usage. "Today's use" includes usage introduction and modern usage examples of poetry. "1,400 Examples of Famous Phrases from Classical Poetry in Today's Use" is suitable for reading and reference by lovers of classical poetry and literary and artistic creators, especially middle school Chinese teachers and students.

Ancient poetry is a beautiful flower in the palace of literature and art in our country. The sorrows and joys of the ancients are all engraved in short and clear poems and songs, which may be fresh and graceful, heroic and unrestrained, passionate, or elegant and melodious. With the arrangement and change of each word and sentence, the emotions surging in the heart are vividly expressed on the paper. Future generations are fortunate enough to find a ray of soul from the treasures scattered on the ground, and to appreciate a period of life. There are always some fragments that coincide with this life, and with a tacit understanding, they coincide with the time thousands of years later. The bright moon shone at this time, and the beautiful scenery complemented each other so well.

"Ci poetry takes realm as the top priority. If it has realm, it will have its own high style and its own famous sentences." By the Song Dynasty, Ci poetry had both verve and charm, and famous writers emerged in large numbers, so various anthologies emerged in endlessly. "Three Hundred Song Ci Poems" was compiled by Shangqiang villagers and was first published in the Jiazi Year of the Republic of China (1924). It was originally an elementary school reading book for my nephews to find and recite verses. It also included famous poems from various schools. It included 88 poets and 300 poems in total. It is the most widely circulated and most representative anthology of Song Ci poems. This edition of "Three Hundred Poems of the Song Dynasty" was compiled by Qiang Villager as a base, with detailed annotations and detailed appreciation. It also includes comments from famous writers such as Chen Tingzhuo and Tang Guizhang to enhance readers' aesthetic interest in reading.

The author of "Selected Poems of Du Fu" is Du Fu, a poet of the Tang Dynasty with a courtesy name Zimei. His ancestral home is Xiangyang (now part of Hubei), and he was born in Gong County, Henan. Because he once lived in Shaoling in the south of Chang'an City, he was recommended by Yan Wu as Jiedu staff officer in Chengdu and a member of the Ministry of Inspection and Engineering; later generations called him Du Shaoling, Du Gongbu. Du Fu was born in a family with a "Confucianism and officialdom" and a literary tradition. He was the grandson of the famous poet Du Shenyan. He studied poetry at the age of 7 and became famous at the age of 15. After the age of 20, it can be divided into 4 periods. From Xuanzong's Kaiyuan 19th year (731) to Tianbao's fourth year (745), Du Fu lived a romantic life of "Qiu Ma Qing Kuang". He once roamed around Wuyue and Qi Zhao areas. During this period, he went to Luoyang to take the imperial examination and failed. In the third year of Tianbao's reign, he became close friends with Li Bai in Luoyang. They broke up the following autumn and never met again. There are more than 20 poems written by Du Fu in this period, most of which are Wulu and Wugu, represented by "Wang Yue".

"My Favorite Nalan Ci" In historical memory, Nalan Xingde has many legendary and romantic labels. A passionate and handsome young man, good at riding, shooting, and fighting. He is a first-class bodyguard of the Manchu Zhenghuang Banner. But inside his military commander's heart, there is a passionate scholar. He has experienced several unforgettable relationships, including a confidante, a first love, a loving wife... They all came into his life one after another, and then left one by one; he made friends with bohemian commoner men of letters, and indulged in poetry and wine, living in a carefree and unrestrained way. In this short life, whether it is joy or pain, it has become the nourishment of his poetry. Open "My Favorite Nalan Ci" and you will taste the beautiful artistic conception of Nalan's Ci and feel Nalan Xingde's true life.

The poetry of the Han, Wei and Six Dynasties inherited the pre-Qin Dynasty and inspired the Tang Dynasty. They are an indispensable and important link in the development of ancient Chinese poetry. From Chinese poetry and Han Yuefu folk songs, there are nineteen ancient poems, masterpieces by Cao Cao, Cao Zhi, Cai Wenji, Ji Kang, Ruan Ji, Tao Yuanming, Xie Lingyun, Yu Xin and other outstanding Yuefu folk songs, as well as outstanding Yuefu folk songs such as Peacock Flying Southeast and Mulan Poems. "Chinese Classics of Chinese Studies: Three Hundred Ancient Poems" has wonderful contents and reflects the full picture of ancient poetry to the maximum extent. The styles of ancient poetry vary from simple to exotic. However, in expressing one's feelings directly and writing naturally, there is a spiritual connection, thus unifying the pursuit of vocal diction and the sublimity of natural temperament, which prepared the way for the Tang people to complete the separation of ancient and modern styles and achieve the artistic realm of "high style and clear rhythm".

"Three Hundred Tang Poems" collects the essence of Tang Dynasty poetry in the order of the poet's activity time. The selected poems are all well-known masterpieces of Tang poetry, including representative works of various schools in various periods of Tang poetry. Its genres and themes are very wide, including natural phenomena, political dynamics, labor, social life, etc. It comprehensively reflects the whole picture of Tang poetry and can help readers understand the deep connotation of Tang poetry.

The two Song Dynasties were the pinnacle of the history of Ci, with a wide range of styles, colorful styles, and competing schools. Song poetry and Tang poetry have always been regarded as two masterpieces, and both represent the literary triumph of a generation. When reading Song poetry, you should look for physical and spiritual qualities.

This book is an anthology of classic inspirational poems from past dynasties. The selected poems range from the Book of Songs to the Qing Dynasty poetry, spanning more than two thousand years of history. Most of the poems are masterpieces by famous writers and can be called classics; some are from unknowns; some works are not well-known, but the themes must have inspirational significance.

He Xin is a well-known scholar at home and abroad, and his research in politics, economics, and international relations has long been well-known. His research on Chinese classics is even more unique. "He Xin's New Interpretations of Chinese Classics" includes all of He Xin's important works on ancient studies in the past twenty years. He Xin believes that China is the precious stomach of "Japanese China". This shocking theory is earth-shattering. Those who want to find the root of national culture must read this set of ancient books!

He Xin is a well-known scholar at home and abroad, and his research in politics, economics, and international relations has long been well-known. His research on Chinese classics is even more unique. "He Xin's New Interpretations of Chinese Classics" includes all of He Xin's important works on ancient studies in the past twenty years. He Xin believes that China is the precious stomach of "Japanese China". This shocking theory is earth-shattering. Those who want to find the root of national culture must read this set of ancient books!

He Xin is a well-known scholar at home and abroad, and his research in politics, economics, and international relations has long been well-known. His research on Chinese classics is even more unique. "He Xin's New Interpretations of Chinese Classics" includes all of He Xin's important works on ancient studies in the past twenty years. He Xin believes that China is the precious stomach of "Japanese China". This shocking theory is earth-shattering. Those who want to find the root of national culture must read this set of ancient books!

This book contains a total of more than 70 poets from the Tang Dynasty and more than 300 poems. The selected articles are simple and moderate, easy to understand, the language is beautiful and fluent, and easy to be recited. It has had a profound impact on later generations.

When secular children attend school, they are taught "Poems of a Thousand Families", which are easy to recite, so they are not discarded. However, the poems are picked up casually, and the workmanship is clumsy. They are only five or seven rhymes and have only two styles. People from the Tang and Song Dynasties mixed in, and they have a very strange system. Because he specializes in the most popular poems in the Tang Dynasty, he selects the most important ones, and gets dozens of poems from each style, totaling more than 300 poems, and records them into a series, which is used as a textbook for children to learn. As the proverb goes: "If you read three hundred Tang poems by heart, you can recite them even if you don't know how to recite them."

This book is a modern interpretation of the Book of Songs, a book that refuses to be submerged in the vast sea of ​​books. Each chapter of "Inaction at the Beginning of My Life: Beauty and Sorrow in the Book of Songs" contains poetry, annotations, translations, explanations, extensions, etc. The author of "Inaction at the Beginning of My Life: Beauty and Sorrow in the Book of Songs" does not stick to the literal understanding of the poem, nor is it a simple appreciation in the traditional sense. Instead, he uses a unique style and emotional prose essay, coupled with elegant, classical and exquisite illustrations, to depict the beautiful and moving historical scenes in the "poetry" and appreciate the beauty and sadness in the poem.

Living in the Potala Palace, I am the biggest king in the snowy land. Wandering on the streets of Lhasa, I am the most beautiful lover in the world. Tsangyang Gyatso's life is an elusive mystery and an eternal legend. It contains both the sacredness of religion and the weirdness of politics, as well as the poignancy of love and the impermanence of fate. In the hurried journey of life, the magic of destiny is revealed, and it has been pursued and explored by future generations for three hundred years. His legendary story has touched countless men and women in later generations. He is one of the most influential cultural figures in the Chinese world today. His legendary life, mysterious origin, and poetry that will last forever will be remembered by the world forever. As a Dalai Lama, his poems express all the emotions of the world.

The part about spring sorrow and boudoir resentment in classical poetry is the most beautiful and touching. They may use scenery to express their emotions, or chant objects to express their ambitions. They cannot describe the delicate and soft thoughts of women. "The Lovesickest Woman in the World" selects the best works among them, forming twenty-four chapters of spring boudoir. Feng Yue Xiangqun, the author of "The Lovedest Woman in the World", starts from the things around women, combines allusions, legends and ancient customs, as well as the lives of poets and lyricists, to elaborate on the romantic artistic conception of poetry, depict the classical beauty of women, and tell the poignant joys and sorrows.

The ancient prose works of the "Eight Great Masters of Tang and Song Dynasties" represent the highest achievement of prose in Tang and Song Dynasties. Their works have had a profound influence on modern and contemporary prose writing in many aspects. In line with the purpose of weeding out the old and bringing forth the new, and carrying forward the tradition, the editor has selected the famous chapters of eight masters to compile the book "Eight Masters of the Tang and Song Dynasties". It is hoped that readers, facing the pain of complicated and difficult ancient books, can face the essence of ancient Chinese culture, and learn and apply them at the same time.

As an important genre in the history of Chinese poetry, frontier poetry has a dazzling glory in the history of Chinese verse. The compilation and selection of this book starts from the garrison poems in The Book of Songs and extends to the frontier fortress poems of the Qing Dynasty and even the late Qing Dynasty. During the selection process, in line with the principle of taking into account the richness of the subject matter and the novelty of the style, as well as the eclectic works of different eras and poets, key selections were made of important frontier fortress poets and classic frontier fortress poems of all dynasties since the "Book of Songs", especially the frontier fortress poems of the Tang Dynasty, with more than 160 works.

History has faded away, and time has eroded all prosperity. The atmosphere of the prosperous Tang Dynasty has gradually become a dream hidden in people's hearts. The gorgeous poems shine with the light of the glorious Tang Dynasty. The voluminous Tang poetry has become the epitome of an era, telling the rise and fall of the sorrow and joy. In the tense worldly life, choose a classical dusk or a romantic morning, be alone in a secluded corner, read an ancient book, and in the mist of clear tea and the fragrance of books, listen to the clear voice that comes from ancient times, and let your heart fly with it across the ravines of time.

This book is a collection of mourning poems from past dynasties in China. The author carefully selected 300 mourning poems from the vast ancient Chinese poems for analysis. Through the author's detailed analysis, we have a further understanding of these ancient poems. In addition, this book further expands the scope of "mourning" poetry. Since Pan Yue, a writer in the Western Jin Dynasty, first wrote three mourning poems under the name "Mourning", later generations used "Mourning" as a proper name to express their condolences for their deceased wives. However, in a strict sense, mourning poems in a truly broad sense refer to poems written by the living in memory of the deceased. The deceased can be relatives and friends, a monarch or a virtuous minister, or even pay homage to the martyrs and the motherland. The mourning poems in this article are based on this concept, and are not just works of care and mourning between husband and wife.

Boudoir love poems have been throughout the history of ancient Chinese literature. Throughout the dynasties, there have been countless infatuated men and women who lamented the spring and autumn, missed their loved ones and mourned their deaths. Therefore, there are excellent love poems left in the world. This book is a work that embodies the love poetry of Chinese dynasties. The author carefully selected 300 love poems from the vast ancient Chinese poems to annotate and analyze them. Through the author's detailed analysis, we have a further understanding of these ancient poems.

Nostalgic poems are a type of poetic works based on historical figures, historical events and historical relics. Its characteristic is that it uses history to express feelings or express opinions. This book contains a total of 300 nostalgic poems from the past dynasties, including 14 from the Han, Wei and Jin Dynasties, 11 from the Southern and Northern Dynasties, 109 from the Tang (26 from the early and prosperous Tang, 83 from the middle and late Tang), 71 from the Song, 1 from the Jin, 14 from the Yuan, 18 from the Ming, and 62 from the Qing. The nostalgic poems from past dynasties selected in this book can be roughly divided into three categories. The category is to praise historical figures or historical events, such as praising Jing Ke, Xiang Yu, Yue Fei and other senior heroes, and inspiring future generations to follow them as role models. The second category is criticism of history, such as satirizing Qin Shi Huang, emperors of the Southern Dynasties, Emperor Xuanzong of the Tang Dynasty, emperors and ministers of the Southern Song Dynasty, etc., And warning future generations not to repeat the mistakes of the previous generations' defeat. The third category is sympathy for history, that is, they do not make clear judgments of praise or blame, but only mourn the passage of time from the perspective of changes in time and space, and the changes in things and people.

The ancient stories and feelings in the Book of Songs are still fresh and warm today. "The beauty of peach blossoms shines brightly", the peach blossoms on the human face reflect each other's red, and the marriage in ancient poems is as beautiful as a picture; "The flowers are green, the white dew is frost. The so-called love is on the side of the water", although the distance is visible close at hand, it is far away in the world. The beauty is as dense as smoke, but it is still as fresh as before after thousands of years; "The bond between life and death is broad, and I have said it to my son, holding my son's hand, and growing old together with my son." The years are quiet, and the present world is stable. Such a concise and simple oath like a line drawing is really the most touching expression of love.

Immortals only stay in the human world for a short time, and they leave behind eternal songs. Whether it is graceful, heroic, or sighing, every poet has his own symbol. Poetry is the narration left by the poet after experiencing various situations in the world and the ups and downs of life.

This book is a poetry appreciation book, focusing on rich historical knowledge and profound emotional interpretation, interspersed with Li Qingzhao's words, using prose style to comment and appreciate, and combined with Li Qingzhao's experience for personalized and emotional interpretation.

What is the driving force for the progress of human civilization? The pursuit of "eternity" is the real driving force of human civilization. The information about the final destination of life cannot be interrupted. Once interrupted, the driving force to promote the progress of human civilization will no longer exist.

Liu Guangduo, born in 1938. Retire. Member of Chinese Calligraphers Association. Member of China Collectors Association. Love poetry, collection, calligraphy, artistic lettering, and folk crafts. Liugong Gourd is an intangible cultural heritage protection project in Yantai. A collection of poems has been published.

One of the important poets of "Misty Poetry". The style of poetry is more plain and light than that of other representative poets, but it has its own unique pursuit and meaningful meaning. The works collected in this collection of poems span thirty years and more comprehensively reflect the author's mental journey and creative achievements. About the author Lin Mang (1949-) whose original name is Zhang Jianzhong. Went to primary school and middle school in Beijing. In 1969, he went to Baiyangdian, Hebei to join the poetry team. In the same year, he started writing poetry. He became one of the representative poets of the "Baiyangdian Poetry Community". He returned to Beijing in 1975 and taught in middle schools and universities. In 1992, he worked in the Literary Department of the Chinese Literature Foundation of the Chinese Writers Association. In 1998, he worked in the Poetry Journal. He is the author of seven collections of poems, including "Lin Mang's Poems", "I Flow Through This Land", "Eternal Moments", "Selected Poems of Lin Mang", and "Collection of Lin Mang's Poems". There are also a collection of poems and essays "The Light Penetrating the Years", a collection of essays "Time Becomes the Past in an Instant", "Collection of Lin Mang's Poems and Paintings", etc.

The main content of "North": From the "poet who plays the reed flute" to the "trumpet blower" of the times, from the praise of the mother's "land" to the love for the "sun" of the motherland, from Europe to the land of China, the poet Ai Qing's deep call floats - "I love this land"! This is the true feeling of a child, a conscious sense of independence, and what he sings is his own song! "North" allows you to re-experience Ai Qing's new thinking on the nation and new exploration of poetry in the new century!

This book collects a total of 61 categories of variant poems from 184 poets from the Han Dynasty to modern times, with more than 350 poems divided into categories. There is no similarity between the selected works and "Three Hundred Interesting Poems". The famous poems about carriages and boats, the famous poems about acupuncture, the famous poems about turtles, the famous poems about phases, the famous poems about Go, the famous poems about solar terms, the five-line poems, the Liujia poems, the reverse rhyme poems, the split-word poems, the palindrome, etc., Which were originally included in the collection of "Qu" poems, will not be relisted because there are no sequels. However, it can be seen from this that there are at least more than 70 categories of Chinese variant poetry. Each poem is followed by an introduction, notes and explanations by the author. The author's introduction is listed after the work that first appeared. If the same author has poems in many categories, it will not be repeated. The annotations focus on difficult words, skills, and allusions, and strive to be concise. For pun words, if the meaning of the word is easy to understand, only the meaning related to the title of the poem will be noted; if the meaning of the word is difficult to understand, the double meaning will be noted; if the meaning of the word is difficult to understand, the meaning will be briefly explained. The sources of all poems are indicated. The description of each article focuses on the uniqueness, main content and theme of the article.

Tang Dynasty, the golden age in the history of Chinese literature. Literary stars are so bright and masterpieces are so frequent that it is dizzying to see. The brilliance of Tang poetry is unprecedented and unprecedented. From "Life is just like the first time we met" to "Liao Jiang Jin Se Ji Feng Nian", from "The Book of Songs" to Nalan Rongruo and Huang Zhongze. After ten years of preparation, An Yiru returned to her original intention and concentrated on writing her favorite Tang Dynasty and her favorite poems. This book mainly writes about the poetic figures and their works in the early and prosperous Tang Dynasty. The content is relatively comprehensive, ranging from the "Four Masters of the Early Tang Dynasty" to the representatives of court poetry, Song Zhiwen and Shen Quanqi, to the representatives of landscape and pastoral poetry, Meng Haoran and Wang Wei, and the representatives of frontier poetry, Gao Shi and Cen Can, and of course, Li Bai and Du Fu - the major poets of this period are all involved.

The Tang Dynasty was an era of bright stars in the Chinese poetry world. More than 2,000 poets wrote more than 50,000 poems. Their rich content, moving artistic conception, harmonious rhythm, and perfect form pushed Chinese poetry to its peak era. These masterpieces of poetry and prose have been passed down ever since, nurturing generations of Chinese children. "Poems of the Tang Dynasty" is one of the volumes in the "Chinese Studies Enlightenment Book Series". This series of books guides young people to approach Chinese studies and cultivates their simple moral values. This book allows young people to get close to Chinese studies easily and happily through reading, feel the charm of Chinese studies more intuitively and truly, and accumulate cultural heritage while reading.

"Reading Zhang Ji Ancient Yuefu" was written around the ninth year of Yuanhe (814). Zhang Ji (768? ~ 830?), Named Wenchang, was originally from Wujun (the county governed Suzhou, Jiangsu), and later moved to Hezhou (now Hexian, Anhui). In the 15th year of Zhenyuan, he was awarded the title of Taizhu of Taichang Temple. He was promoted to Secretary Lang and Doctor of the Imperial College. The world is called Zhang Shuibu or Zhang Siye. Because of his poor family background and low official position, he understood the sufferings of the lower class, so his poems mostly wrote about the social reality at that time. He grew up in Yuefu and is as famous as Wang Jian, and is also known as "Zhang Wang Yuefu". There is "Zhang Siye's Poetry Collection" handed down to the world. Together with "Yuan Bai", Li Shen and Wang Jian, he actively advocated the "New Yuefu Movement" to reflect the suffering of people's livelihood. Bai Juyi spoke highly of his Yuefu poems. A lot of mutual gifts. "Yuefu" was originally a music institution established by Emperor Wu of the Han Dynasty. It was responsible for collecting and sorting out folk and literati poems, and accompanying them with musical scores for the imperial court to sing and perform at sacrifices or banquets.

Nalan Ci is the work of Nalan Xingde, one of the most famous poets in the Qing Dynasty. Nalan Xingde (1655-1685), whose original name was Chengde, also named Rongruo, was a native of Lengya Mountain and a native of Zhenghuang Banner in Manchuria. The son of the great scholar Pearl. Kangxi Jinshi, first-class bodyguard. His poetry not only enjoys a high reputation in the poetry world of the Qing Dynasty, but also occupies a dazzling place in the entire history of Chinese literature as "Nalan Ci" in the poetry world. He lived in a period when the Manchu and Han Dynasties merged; the rise and fall of his aristocratic family was typically related to the state affairs of the dynasty; and the fact that he served the emperor but yearned for ordinary experiences constituted a special environment and background. Coupled with his personal extraordinary talent, his poetry creation presents unique personality characteristics and distinctive artistic style.

This book selects a total of 185 poems with 167 titles by Du Mu, mostly from the "Collected Works". For the remaining collections, those who can be determined to be authored by Du Mu will be selected with due consideration. The compilation style is divided into two parts: chronological and non-chronological, with "Drinking Alone" as the boundary. The chronological part is arranged in chronological order, while the unchronological part is arranged in the order of the original collections, first "Collected Works", then "External Collections", and then "Fellow Collections". The selected works generally have titles and explanations, specifying the year of creation, writing background, characteristics of the work, and evaluation by future generations, etc. Of each poem. However, it is not intended to be comprehensive, and it will depend on the specific circumstances of the work. The focus of the annotation is to solve the difficulty of the words and explain the meaning of the allusions. Sometimes they will be briefly explained. For the names of people and places, the annotations should be as clear as possible. The annotations should be concise and concise.

The Song Dynasty was a dynasty with brilliant literature and governance. The poets and poets were elegant and sophisticated, and their writings were full of flowers. The handsome young man wore a flower in front of his hat and a horse tied to the willow edge. And those beautiful Song lyrics, like lively women, looking back and smiling while gently swaying their singing fans, made the entire Song Dynasty intoxicated.

1. The world only knows that Song poetry is beautiful, but they don't know that Ci Pai itself also has sad or heroic stories. This book takes Ci Pai as its title, collects its masterpieces that have been passed down through the ages, and tells the stories behind them one by one, providing a more three-dimensional and dynamic reading perspective for Ci poets. 2. The delicate, elegant and flowing text is most suitable for reading carefully in leisurely afternoons and quiet nights. Put aside the troubles of worldly affairs and travel with a leisurely heart in the beautiful world created by the ancients. It is not only a short-term release, but also a beautiful journey. 3. Song Ci is a love flower. In this book, there is not only the love between men and women, but also the world of great love, family affection, friendship, and the patriotism in the hearts of men to make contributions, are fully revealed here. A word card can not only show sadness and lingering, but also express great pride.

"As if Meeting in a Dream" cleanses the soul in a cultural and historical feast, pours passion into it, refines the mind, and transcends aesthetics. In the perfect blend of novel Tang poetry and prose, readers can taste the charm of words, realize the truth of life, and explore the eternity of nature.

This book is an anthology of Song poetry specially compiled for modern beginners of Song poetry. It is a basic reading of Song poetry in the new era. The notes are based on the standard of being concise and concise. Only necessary notes are given on the selected works, and the pronunciation, meaning, allusions, rhetoric, and background that need to be paid attention to are clearly stated. It is easy to read and check, so that readers can understand a work in the shortest time and with the least effort. Particular attention was paid to marking the correct pronunciation of some words that had been ignored for a long time, correcting long-standing misreadings, and briefly explaining the ins and outs of the correct pronunciation of ancient pronunciations in dictionaries and textbooks.

This book selects twenty representative Yuan opera writers. With a writing style full of love and beauty, it allows us to understand Yuan opera, appreciate Yuan opera, and ultimately fall in love with Yuan opera through appreciating their works, thoughts and lives as if they were heartfelt. The author's writing style is fresh and powerful; he talks about people and music, and the two sides reflect each other, which vividly displays the free, lively, simple and natural vitality of Yuan music. It can be regarded as a beautiful article about Yuan music.

A masterpiece by Ms. Ye Jiaying, the master of contemporary poetry. Among the famous poets of the Northern Song Dynasty with various styles, some like Yan and Ou's broad-mindedness, some like Liu Yong's charm, some like Qin Guan's softness, some like Su Shi's boldness, and some like Zhou Bangyan's skill. But do you know why they have such different styles? Do you know how to appreciate these different styles? Professor Ye Jiaying leads us through time and space to get closer to the minds of the authors, to feel their joys, sorrows, and sorrows, and to understand the hidden resentments they hide deep in their hearts and are unwilling to express. And after we have closely appreciated the lyrics of so many famous writers of the Northern Song Dynasty, we may have some understanding of the indescribable characteristics of the lyrics that are different from poetry, right?

For a long period of time, people used poetry as food to eat, use poetry as air to breathe, use poems to drink wine, use poems to make friends, use poems to convey feelings, and finally use poems to die and be buried with poems. The author uses words to convey a gentle, beautiful and boundless subtle perception. I firmly believe that the twists and turns in everyone's heart, if they continue, will eventually touch the same distant soul depths.

Classical poetry is a beautiful flower in the palace of literature and art in our country. It is not only the model and essence of Chinese language and writing, but also contains the spirit and character of the Chinese nation. Our country is a country of poetry. Poetry has a long history, with numerous famous writers and numerous masterpieces. This book selects the most beautiful and representative poetry works from various periods in the history of ancient Chinese poetry, allowing readers to review the essence of classical poetry, discover the beauty of poetry in Chinese civilization, and find their own spiritual home.

Tang poetry, Song lyrics, and Yuan music are undoubtedly the most splendid among them. The content of Tang poetry is extensive and profound, pushing the artistic features of harmonious syllables and refined words in Chinese classical poetry to unprecedented heights; Song lyrics bear witness to the tragic and joyful history of the two Song Dynasties and the touching literati sentiments in a unique way, or are euphemistic and implicit. Or unrestrained and heroic; Yuan opera mixes elegant poetry and art with folk songs, common sayings, etc. It is humorous, free and easy, and is filled with a strong folk flavor.