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China's modern society is a special historical stage, a period in which great changes have taken place in both society and literature. The collection of papers in this book provides a relatively comprehensive reflection of this history from different levels, different aspects, and different perspectives. This book has a total of 30 papers, divided into five series: the first series has 5 articles, all of which are articles on Gong Zizhen; the second series of 5 articles, all of which are articles on Huang Kan; the third series of 7 articles, which are mainly articles on modern prose; the fourth series of 6 articles, all of which are articles on the study of modern Chinese translated literature; the fifth series is comprehensive, with a total of 7 articles, and the research objects involve poetry, poetry, novels, drama and community genres, as well as some important issues in modern literary research.

Under the general framework of "Confucianism, Taoism and Literature" and relying on Lu Zhi's cultural character, this book conducts an overall survey of Lu Zhi's creation of parallel-style official documents, and then analyzes the changes in parallel-style official documents during the Tang and Song Dynasties and Lu Zhi's role and influence in them, as well as the important impact and significance of Lu Zhi's reform of parallel-style official documents in the context of the cultural transformation of the Tang and Song Dynasties. The book is divided into three parts: upper, middle and lower, with a total of nine chapters. It studies the evolution of the style and style of parallel-style official documents before the Tang Dynasty, the social and cultural background of parallel-style official documents in the Tang Dynasty, the new atmosphere of parallel-style official documents in the Tang Dynasty before Lu Zhi, and Lu Zhi's political ideals and cultural psychology. There are both macroscopic discussions and microscopic observations, with a broad vision and quite innovative ideas.

This book uses the theoretical method of comparative literary iconology to conduct a diachronic study of the image of the United States in Chinese novels from 1980 to 2005, and examines the characteristics and contemporary significance of the image of the United States in three major periods. (1) The image of the United States in Chinese-language novels in the 1980s embodies strong "political modeling" characteristics, and is a politically modeled image of a developed capitalist country. (2) The image of the United States in Chinese novels in the 1990s shows the characteristics of "social panorama", is broad and diverse, and expresses the rich social features and vivid personalities of the United States. (3) The image of the United States in Chinese novels at the beginning of the 21st century shows the characteristics of "cultural diversity" in the United States. It no longer focuses too much on macro-level discourses such as politics and economics, but instead turns to an in-depth exploration of the basic factor of American society: "people."

The contents of the book mainly include: comparative literature research, British literature research, American literature research, research reviews and book reviews, etc. The articles included in the book mainly include: "Writing of Regional Culture in Epic Style - On Liu Baochang's New Work "King Wu of Chu"" by Weiners, "Don't Seek New Voices to Create a Better Work - Research Notes on Shen Guangming's "Foreign Students and the Modernization of Chinese Literature"" by Zhao Guotai, "Acceptance, Influence and Integration - Part 1 of an Interview with Peng Yanjiao's Poetry" by He Yunbo, "The Philosophical Implications of the Novel "Tonghua"" by Zou Jianjun and Chen Qingfang, etc.

"A Dream of Red Mansions", one of China's most famous novels, has generated considerable criticism in both Chinese and Western academic circles. The novel narrates the intricate life details of an aristocratic family in the Qing Dynasty and is full of information about gender rules. For example, this book describes in detail how gender privileges are maintained through a series of gender discourses and how the contradictions caused by these privileges are mediated. This book cites gender as a basic category in the structure of social systems and develops analysis on this basis. In the following chapters, the author will interpret the text of "A Dream of Red Mansions" from a gender perspective, sorting out the efforts made by Red Studies critics in different periods to interpret and interpret "A Dream of Red Mansions" and the gender\u002F political discourse hidden behind such efforts.

By analyzing Jin Shengtan's comments on popular novels, this book not only analyzes the unique social and cultural background and characteristics of Jin Shengtan's comments, but also analyzes the importance of Jin Shengtan's comments on the canonization of popular novels in the Ming and Qing Dynasties. The content of this book is mainly divided into the following parts: The first chapter studies the specific cultural context in which Jin Shengtan lives from the perspective of regional culture, that is, the various cultural resources, social needs, popular values, dominant ways of thinking, etc. He faced, trying to accurately grasp the emergence, existence and significance of his novel commentary discourse system. The second chapter mainly studies the formal criticism of Jin Shengtan's novel criticism, that is, Jin Shengtan's construction of the narrative theory of the novel. The third chapter focuses on the political criticism of Jin Shengtan's novels. The fourth chapter focuses on the cultural significance of Jin Shengtan's novel criticism, connecting external research and internal research to integrate the above discussion.

This book discusses the poets from the Tang and Song dynasties to the Ming and Qing dynasties, comments on their gains and losses, and describes their evolution. However, due to various reasons, the original and sequels were published separately. The main volume is "Lingxi Ci Shu", which was published by Shanghai Ancient Books Publishing House in 1987. The sequel was "Talks on Ancient and Modern Ci Studies", published by Taipei Wanjuanlou Book Co., Ltd. In 1992 and Yuelu Publishing House in 1993. The two authors have profound knowledge of poetry, and every discussion can be said to be a perfect infiltration of knowledge, emotion and meaning. Therefore, this book was once a popular classic work on poetry research.

Professor Yu Bin, a senior expert and writer in the field of world literature, combined his many years of teaching, reading, and writing results to intensively study the translation of Lin's translation of world classics and create "Lecture Notes on Translation of Lin's World Masters." This book selects the most "master" writers in the history of world literature and their works with the most "prototype" significance, and uses humorous and lively words to interpret "Don Quixote", "Madame Bovary", "The Great Gatsby" and "Wheatfield" in simple and easy-to-understand terms. "The Watcher" and other pinnacle works in the development history of world literature. It explores the author's personal anecdotes and decodes the essence of the work's style. It also includes comments by famous writers and a brief history of the publication of the Chinese translation, allowing readers to get started easily, wander through the forest of famous works, and appreciate the joy of reading. Famous writers Ye Zhaoyan and Liu Liangcheng sincerely recommend it!

With the unique perspective and sensitivity of an admirer, translator, and researcher, the author of this book, after 52 years of elimination, reveals the interaction between genius and adversity of the great poet Mio Lermontov, one of the founders of modern Russian literature headed by Pushkin, and reveals his spiritual realm and originality as a non-literary person. The pursuit of complementarity, the discovery of the commonality and complementarity of inspiration in different art forms as a multi-faceted writer (poet, novelist, playwright), the analysis of his inner drive to use poetic aesthetics to create a new path for world prose narrative ("Contemporary Heroes") and his influence on modern literature are all refreshing highlights for readers. The author of this book translates poems, appreciates poems, analyzes poems, reviews poems, and even uses his own poems to interpret the artistic thinking of Lermontov, a rare genius, to our readers.

This book selects Haizi, an iconic figure in literature in the 1980s, as the research object. Through the discussion of comments about Haizi and his poems, it reflects on Chinese literature in the 1980s and the self-knowledge and self-understanding of Chinese intellectuals. The shaping of Haizi by different cultures and intellectual spaces demonstrates the new anxieties and new hopes of Chinese thought after the 1990s. This book has a novel and unique perspective, showing the author's good problem awareness and method awareness, as well as the ability to independently engage in creative scientific research. It embodies new academic ideas, explores valuable new phenomena and new laws, and has strong theoretical significance and practical value. The structure of the book is exquisite and complete, the writing is beautiful and smooth, and the theoretical analysis and text interpretation can be perfectly combined. This book is revised and improved from the author's doctoral thesis, which has won the title of Beijing's Outstanding Doctoral Thesis in 2009.

There are two paths to the practice of creating proletarian literature (culture) in revolutionary China. One insists on cultivating writers from workers and peasants; the other insists on transforming intellectuals with proletarian consciousness so that they can create qualified works. By studying the production of "Lin Hai Xue Yuan" and its derivative texts, this book presents the various difficulties and heights that can be achieved in the process of exploring these two paths. This book believes that revolutionary China consciously regarded literature (culture) as an organic component of the ideological state apparatus. Therefore, the creation of literature (culture) must attach importance to the popular pursuit of all people; and in the actual production process, due to the intervention of senior literati, this popular pursuit has a certain elegance. Elegance suppresses the original roughness of the peasant and army writers and reflects their actual low status in the cultural hierarchy. But on the other hand, the imprint of peasants and soldiers stubbornly fixed in the work, because of its ambiguity and vividness, makes the adaptation also have the possibility of repeated interpretation, that is, it has a classic character.

The selection of characters in Red Mansions in this monograph is very appropriate. Among the twelve characters, only Jia Baoyu was chosen by men, and the others were all women. Among the female images, there are six of the Twelve Beauties of Jinling: Lin Daiyu, Xue Baochai, Shi Xiangyun, Jia Tanchun, Wang Xifeng, and Miaoyu; three maids: Xi Ren, Qingwen, and Siqi; and two concubines: Ping'er and Xiangling; almost covering several major types of important characters in "A Dream of Red Mansions". These characters are all hot topics that were discussed a lot in red academic circles 30 years ago.

This book is the paperback version of "Yao Yao's Intensive Reading of Zizhi Tongjian and the Warring States Reform", and some contents have been revised. The whole book is based on the first three volumes of Sima Guang's "Zizhi Tongjian" (Zhou Ji 1 to Zhou Ji 3). It is mainly divided into four parts: original text, vernacular, annotation, and interpretation, providing an in-depth interpretation of it. In addition to the vernacular translation of the original text of "Zi Zhi Tong Jian", the author added annotations, corrected some errors in the original text, and interpreted it from his own unique perspective, providing a wonderful analysis and commentary on historical events. This book is the first volume in Yao Yao's series of intensive readings of "Zizhi Tongjian". The translation and annotation are accurate, the views are unique, and the text is easy to understand. This book has no guiding questions and the ideological content is healthy.

"Inside and Out of the Study" revolves around the two themes of book writers and book translators, which fully embodies the characteristics of Dark Horse's literary profession: it records the book romances of famous Chinese and foreign literary figures, digs into anecdotes about their literary careers; it talks about the hardships and skills of literary translation, tastes classics, and comments on new books. The articles collected have all been published in newspaper columns and have been specially revised and supplemented for this book. The manuscript has no political orientation.

"A Dream of Red Mansions", as a representative work of Chinese classical literature, has always been a hot topic in the literary and historical circles. However, who is the author of "A Dream of Red Mansions"? Rugao native Mao Lianquan used his spare time, did not believe in the authority of red studies, and was not limited by the established theory. After thirty years of painstaking research, he proposed a new theory: the real author of "Dream of Red Mansions" is not Cao Xueqin, but Rugao scholar Mao Bijiang! This book believes that Mao Pijiang wrote "A Dream of Red Mansions" under the pseudonym Cao Xueqin, and convincingly presented 70 pieces of evidence. These evidences are Mao Pijiang's elements buried in "A Dream of Red Mansions".

This book's study of the relationship between metaphysics and the poetics of the Wei, Jin and Six Dynasties will focus on basic poetic categories and poetry history issues, such as the relationship between metaphysics' "discrimination of words and meaning" and the categories of "word" and "meaning" in poetics, the development of the "discrimination of words and meaning" from "proud to forget words" to "exhausting meaning" and its historical significance in poetry, the emergence of metaphysical views of nature and "object" poetics, the establishment of "nature" as a category of literary criticism, etc. Through the analysis of the basic categories of Wei and Jin poetics and basic issues in the history of poetry, it is a basic research idea of ​​​​this book to explore the inner relationship between metaphysics and the development and construction of Wei and Jin poetics.

The various urban men and women in the trivial and chaotic emotional whirlpool of "Jin Ping Mei" have woven into a complex and tense web. With the beautiful and fast writing style of the book, the objects and human feelings of the society at that time are vividly displayed on the page one by one. This book is written with women's delicate feelings, thoughtful and rounded, yet lively, interesting and meaningful. It is very different from ordinary academic treatises.

Starting from Zhu Xi's original works, we conduct in-depth research and exploration of the profound connotations of Zhu Xi's literary thoughts from both macro and micro levels. From Zhu Xi's literary research monographs on the Book of Songs, Songs of Chu, and Korean studies, to Zhu Xi's analysis and reflections on the works of writers of all ages, from Zhu Xi's literary theory topics, to his literary criticism and appreciation, and even Zhu Xi's theory of creation in a broad sense, a comprehensive and in-depth study has been conducted.

This book mainly analyzes the development of Confucianism in the Wei and Jin Dynasties and its impact on literary creation and literary criticism. The book is divided into three parts: upper, middle and lower. The upper part explains the official Confucian construction in the Wei and Jin Dynasties. The middle part focuses on Xu Qian, Wang Su, He Yan, Xue Zong and others for detailed case studies, discussing the influence of Confucianism on specific writers. The lower part analyzes the influence of Confucianism on critical theory during this period.

The author of this article has long been committed to the study of Chinese classical literature and is a research expert in the field of Chinese classical literature. In this manuscript, the author collects decades of research experience and systematically explains in ten chapters the inheritance, universality, authority and influence of classic works on contemporary society. The entire manuscript is widely cited, with clear arguments, novel and unique viewpoints, and an in-depth analysis of the connotation of the word "classic". It is a valuable theoretical research monograph.

In the book, the author "reminisces and thinks" about the past among some literati in the literary world, major issues and events in literary history, and the discussion of major issues in literature and art. Respecting history, seeking truth from facts, being true, concrete and "authentic" are the main themes of the author's writing. Since the author "has worked in the Propaganda Department of the Central Committee for a long time, directly participated in the discussion of major issues in literature and art, and came into contact with some noteworthy materials," some of the reminiscence articles provide some first-hand valuable materials and have certain historical and academic value.

Dai Jianye, read the latest Tang poetry! The most magical introductory course on poetry, a book that will make you fall in love with ancient poetry! An immersive reading experience. In the language and text of this book, the author retains his language characteristics in the classroom, allowing readers to see an "authentic" Teacher Dai. The writing is witty and the exciting passages are fully reproduced. Dai Jianye always said, "What I write is more interesting than what I tell!", And this book is exactly the same. The book not only retains Mr. Dai's wonderful moments in class, but he also combines his own life experiences with them to bring the atmosphere of the prosperous Tang Dynasty to life in his poems. Carefully annotated and rich in content. The content in this book will be more systematic, comprehensive and thorough than the content in the author's Tang poetry class video. In addition to adding a long preface and postscript written by the author, there are also many supplements and annotations on the content. It can be said that this book is an upgraded version of the author's online lecture videos. "Teacher Dai's Magic Poetry Class" is just the beginning, more new works will be released one after another, so stay tuned. In this book, in addition to a more systematic arrangement of the content of his Tang poetry class that has become popular all over the Internet, Teacher Dai also adds new content and knowledge points, including his own appreciation of the classic poetry of the Tang Dynasty, as well as an explanation of the life trajectories of the two most representative poets of the Tang Dynasty, Li Bai and Du Fu. The author also combines his own life experience to vividly display the atmosphere of the Tang Dynasty in the poems in front of readers. The content in this book is the accumulation of many years of teaching and research by Mr. Dai Jianye. He has always emphasized that "although online video clips are interesting, they are not systematic after all. To learn knowledge, you still need to go to class systematically, read books, and read books repeatedly!" He hopes that his new book can help more people who are interested in learning ancient poetry.

This book is the author's famous work. Originally published by Culture and Art Press, it has not been reprinted for many years. The author of this book has always been good at studying social customs and cultural psychology. After the publication of his "Transformation of Opera in the Late Qing Dynasty", the society received a good response.

This book takes "Poetry has no meaning" as its program, and from the perspective of hermeneutics, it systematically sorts out and analyzes the ideas and characteristics of multiple interpretations in Chinese poetics. The first part analyzes the four prerequisites for the formation of multiple interpretations, namely the stipulations of text, readers, philosophy, and aesthetics; the middle part analyzes the formation process of the proposition "Poetry has no explanation", and the second part summarizes the three major characteristics of multiple interpretations, namely aestheticism, mysticism, and experientialism. The whole book has solid and rich historical materials and strict and powerful logic.

This book introduces in detail the author, content, artistic achievements and influence of world famous works on world culture. With a volume in hand, you can see all the classics.

This book is the first part of the series of poetry exchanges between China and North Korea in the Ming Dynasty (Hongwu to Zhengde). It arranges various materials on poetry exchanges between China and North Korea in the form of "chronological month and day", and most of the materials are tied to specific dates after textual research. This book guarantees to reflect the comprehensiveness of poetry exchanges between China and North Korea in the early Ming Dynasty at a macro level. It also ensures to reflect the systematicity of poetry exchanges between China and North Korea in the early Ming Dynasty at a micro level, objectively and thoroughly reflecting the prosperity of poetry exchanges between China and North Korea in the early Ming Dynasty.

This book is the culmination of the author's many years of academic achievements. From a new perspective of traditional culture, this book examines the six classical Chinese novels "The Romance of the Three Kingdoms", "Water Margin", "Journey to the West", "The Plum in the Golden Vase", "The Scholars" and "A Dream of Red Mansions".

As a winner of the Russian Booker Prize for Literature and a candidate for the Nobel Prize for Literature, Liu Ulitskaya has long been a leading figure in contemporary Russian female literature. Contemporary Russian women's literature is a very special existence in contemporary world literature. It deconstructs the traditional stereotype of so-called "female literature" in a unique way and is a large-scale re-metaphor and symbol of contemporary women. These innovations are directly reflected in the jumps and disorder in language description, content structure, and time and space narration, causing great obstacles for readers and researchers to correctly interpret the connotation of the work. The "linguistic turn" in humanities research in the 20th century has given great space to the linguistic research of literature. However, due to the existence of various academic barriers and the long-term separation of linguistic research and literary research, this series of monographs systematically studies contemporary Russian women's literature from the perspective of linguistics. From the perspective of literary rhetoric, the rhetorical appearance of Ulitskaya's novels and the entire artistic expression system of the works are comprehensively grasped and investigated through text analysis.

Known as the "Three Musketeers of British Literature", Martin Amis, Ian McEwan and Julian Barnes all have profound urban cultural backgrounds and focus on contemporary London. Therefore, their works profoundly display the inherent contradictions and dilemmas of contemporary Western urban culture from multiple aspects, pointing out the spiritual disaster in Western urban culture caused by the overflow of instrumental rationality. This study carefully interprets the texts of the three writers, systematically and comprehensively explores the multiple dilemmas of contemporary Western urban culture from three aspects: the decline of ethics in contemporary Western culture, the value dilemma in contemporary Western culture, and the emotional ecology in contemporary Western culture. It also sorts out the value system and thinking logic behind the superficial prosperity of Western society, and reveals the ideological reality and spiritual reality behind the gorgeous appearance. This achievement constructs a multi-dimensional approach to Western cultural communication and cognition, and has important reference significance for how my country constructs a healthy value orientation.

"On Poetry of the Three Great Masters of the Tang Dynasty" focuses on the poetry creation activities of Li Bai, Wang Wei, and Du Fu. It focuses on the development and changes of poetic styles and takes the respective characteristics of the three great masters as the starting point. The "laughter" in Li Bai's poems, the structure of the song lines, metaphors and true rhetoric, Du Fu's seven rhymes, song lines, poetry compositions, and his status in the "history of poetry". In particular, Wang Wei's paintings and poetry are combined to study, and the reasons for the common emergence of the three great masters are explored. This book also compares the three poets in detail, from their poetic style to style, such as the comparison of the five- and seven-character quatrains of Li Bai and Wang Wei, the comparison of the keywords that the three poets like to use, etc., And then extracts the inner roots of the peak situation of the poetry world in the prosperous Tang Dynasty.

In the past sixty years or so, the study of modern Chinese literature overseas has grown from scratch to a style of its own. Although its marginal position has not changed, the landscape of the discipline has gradually been clarified. It meditates on and debates various possible and impossible "encounters", shuttles among various topics and methods, casts huge variables on "China", "modernity" and "literature", and at the same time reveals details that cannot be concealed. The research paradigms opened by Sinology, China Studies and even Western Anthropology are both founded and broken by them. The confrontation between theoretical demands and reality is not only seen at the level of geography and theory, but also leaves an ethical space for calling a new round of literary criticism. The "globalization of Chinese literature" is destined to have twists and turns. Only by historically rethinking and reconstructing this special history of reading and criticism can we get closer to the West and China in a non-geographic sense, and see from them an academic community and literary republic based on the imaginary interface.

"Essays on Poetry" is the representative work of Mr. Miao Yue, a famous literary historian in my country. It is a classic short book about the art of Chinese classical poetry. It has subtle insights and beautiful diction. It has been appreciated and respected by readers since its publication and has been reprinted many times. Based on the eleven articles in the previous edition, this updated edition adds more than 30 of Miao Yue's classic literature essays, more comprehensively demonstrating the magnanimity and charm of Mr. Miao Yue's classical literature research. Ye Jiaying once recalled: "My admiration for Mr. Miao began when I first read his book "Collections of Poems" more than 30 years ago. There were two works on poetry that I admired most at that time, one was Wang Guowei's "Human Words", and the other was Mr. Wang's "Collections of Poems". "". I think these two books have some common features, that is, they are works that not only appeal to people's minds, but also appeal to people's hearts. Their works are full of deep and thoughtful experiences and spiritual inspiration."

One is a noble son of ancient fresh love poems, and the other is a romantic love brother of the Republic of China. Although the two live in different eras, their birth backgrounds, views on love, deep-rooted romance, and endings and fates are all similar, but they also have their own unique personal characteristics. What would Xu Zhimo say when he met Nalan Rongruo? Will they become buddies or will they hate each other? This book tells you the legendary lives of Nalan Rongruo and Xu Zhimo, analyzing their views and approaches to love and friendship, and their different attitudes toward life, the future, and ideals through their poems. It also tells about their similarities and unique charm through the collision of Xu Zhimo's Crescent School poetry and Nalan Rongruo's distinctive words.

The contents of this book include: Who is the author of "Dream of Red Mansions" - a discussion with Comrade Dai Bufan; On the formation and development of Jia Baoyu's rebellious character; On Lin Daiyu's character and her love tragedy; On Xue Baochai's character and its mark of the times; On Yuanchun's sealing and life tragedy, etc.

When searching and exploring in the spiritual home of Dream of Red Mansions, you can ignore the external noise. It is peaceful and fulfilling. There is no end to the search and exploration. It may not be expressed in words or appeal to the soul. Dream of Red Mansions is such a work that as long as you never forget to take it with you, it will never leave you to nourish your spirit and soothe your soul.

This book is the product of the author's many years of hard work on the four major Chinese classics. The name of the book is "Dissertation". Firstly, the characters in the book are not limited to certain standards, but only based on feelings; secondly, they do not make comprehensive comments on the selected characters, but discuss one thing or many things, criticizing the characters and deriding the times.

The new edition of "Jin Ping Mei in the Eyes of Famous Masters" retains the essence of the original book, with particular emphasis on the concept of "famous masters" to highlight the classic significance and academic value of the book. On the other hand, most of the classic articles included in the book are very old, and it is not easy for current readers to find them. After being compiled into a volume, it also provides convenience for people's use. In addition to "famous", another criterion for our selection of articles is "practical", that is to say, the selected articles should have a certain value as information and should not be limited to general analysis and interpretation. This is to help more readers discover "Jin Ping Mei" "in their own eyes" with the help of these materials. Some of the newer texts appropriately added to the book were selected based on this principle. As for the pictures inserted with the article, although they are not without suspicion of following fashion, I believe it is still beneficial for readers to read this book and even study "Jin Ping Mei". This is also our original intention to launch the "Picture and Text Classics" series.

"Zuo Zhuan" is one of the important classics that inherits the excellent traditional Chinese culture. It has many commentaries and has high academic value. This book brings together the handed down commentaries on Zuozhuan into one book. The recorded comments date back to the Song Dynasty at least, and are mainly comments by Ming and Qing dynasties. More than 70 authors are quoted in this book. It provides a wealth of literature for the study of Zuozhuan and commentaries. It is expected to enable researchers to fully realize the important value of commentaries on Zuozhuan, attract the attention of academic circles, and open up a new field of study of Zuozhuan. At the same time, collecting numerous materials in one book can not only save researchers the effort of collecting, but also help researchers draw credible conclusions through comparison and identification.

The century-long course of the 20th century was not only a century of hesitation and confusion, a century of hardship and pain in the Russian and Soviet intellectual circles, but also a century of exploration and pursuit, a century of subversion and innovation. During this period, people's world outlook, values, aesthetics and ways of thinking have undergone tremendous changes. This book is my country's first academic monograph to conduct a complete study of Russian and Soviet literary criticism theories in the 20th century. It provides a relatively comprehensive discussion of the major Russian and Soviet literary criticism theoretical schools within the territory of the former Soviet Union and in exile, especially some critics who were little-known in the past and their representative achievements. We try to review this historical picture of literary criticism theory from a methodological perspective, and try to use the methods of religious and aesthetic criticism theory to analyze specific literary works as much as possible, in order to achieve the purpose of integrating theory with practice and reveal the guiding role of literary criticism theory in literary creation. This book provides a valuable reference for reflecting on the relationship between Russian and Soviet literature and ideology in the 20th century, understanding the origins of modern Western literary criticism theory, and perceiving the spiritual life of the Russian nation in the 20th century.

The play "Mourning" by Eugene O'Neill, a leading American dramatist in the 20th century, has always been the focus of drama criticism. The academic circles have explored the source of the tragedy of the Mennan family in the trilogy from various angles and with novel methods. However, among the numerous reviews, there are relatively few works that systematically analyze the origins of the Meng family's tragedy from the perspective of normal love. Looking at Eugene O'Neill's drama creations, more than 40 of his 50 or so works describe love from the front or side. What O'Neill describes is not the naked desires between people, but what he pursues and deeply explores is the true feelings between people. This book aims to unearth the tragic roots of the Mennan family in "Mourning" and explore O'Neill's original intention to replace the "external supernatural view of fate believed by the Greeks" with the modern psychological view of "internal factors" of people, that is, to find out the essence of this "psychological factor" that affects the fate of modern people. In view of this, the author of this book compares and analyzes the "Lamentation" trilogy with the "Oresteia" trilogy of the ancient Greek tragic poet Aeschylus, pointing out that while the characters and structures in the two trilogies are basically similar, Aeschylus highlights the theme of "fate"; correspondingly, the modern playwright Eugene O'Neill places more emphasis on "psychological factors." This "psychological factor" is expressed as "love" in "Mourning". It is the mishandling of love by the Meng family: a series of love distortion processes from the beauty of love → the lack and suppression of love → the distortion and mutation of love → love turning into hate, which led to the tragedy of love in the Meng Nan family and became the "mourning of love", which is the theme of this book.

The Tang and Song Dynasties were an era when poetic monks emerged in large numbers. Poetry creation and poetry theory made great achievements. Representative works in poetry, such as Wang Fanzhi's Poems of the Tang Dynasty and Hanshan Poems, were more prominent in theory. The main existing monk poetry styles include Jiao Ran's "Poetry Style" and so on. The monks' poetic words are also rich, which at least reflects the social atmosphere of monks' enthusiasm for poetry. This book takes this as the main research object, and is supplemented by other monks' poetic theories.

Speaking of Tang poetry and Song lyrics, it always makes people feel good. This book analyzes Tang poetry and Song lyrics with beautiful artistic conception and delicate writing style. With a sincere heart and deep characterization, this book presents several ups and downs, evocative and classic emotional stories contained in Tang poetry and Song lyrics and the lives of famous poets and poets related to them in the form of beautiful articles, presenting readers with a gorgeous literary feast of poetry and lyrics.

Speaking of Tang poetry and Song lyrics, it always makes people feel good. This book analyzes Tang poetry and Song lyrics with beautiful artistic conception and delicate writing style. With a sincere heart and deep characterization, this book presents several ups and downs, evocative and classic emotional stories contained in Tang poetry and Song lyrics and the lives of famous poets and poets related to them in the form of beautiful articles, presenting readers with a gorgeous literary feast of poetry and lyrics.

This book is a long introduction that provides an in-depth and comprehensive analysis of Hemingway's works. With his expertise in "historical reading" and "literary reading", Yang Zhao peeled off the cocoon and uncovered the huge iceberg hidden under Hemingway's words, cracked the code of his extremely concise aesthetic style, and elucidated the noble personality value conveyed in "The Old Man and the Sea". The appendix "The Old Man and the Sea" is a classic work by Nobel Prize winner Hemingway. It takes the story of the old man fighting a big fish as the core, condenses the minimalist scene into a metaphor of human beings' loneliness and desperation, and depicts Shen Yong's perseverance and resistance.

This book is part of the author's many years of research on the Book of Songs. It contains a total of ten papers, covering the study of the Book of Songs in China, Japan and Korea. According to its nature, it is divided into three parts: Commentary, General Theory, and Japanese and Korean chapters. The commentaries include: the interpretation of the Book of Songs and its pros and cons in "Commentary on Mao's Poems", and the commentary on the punctuation version of "Commentary on the Thirteen Classics". Several issues in "Mao's Poems on Justice" and other articles; the general chapter includes: "Shangbo 1. An examination of the interpretation of "Guanyong" in "On Confucius' Poetry", an examination of Shu Xi's poems to supplement the lost poems, an examination of the fragments of Dunhuang's "Mao Shiyin" No. 2729 Collected in London, etc. The Japanese and Korean chapters include: a study of Qingyuan Xuanxian's "Mao's Poems": focusing on the relationship with "Annotations on Mao's Poems", an examination of Joseon Jeongjo's "Lecture Notes on the Book of Songs", etc. The scope of this book's discussion, in terms of era, ranges from the Chu Bamboo Book of the Warring States Period to the modern punctuation edition "Annotations on Mao's Poems"; in terms of region, it covers China, Japan, and Korea. Compared with previous studies of "The Book of Songs", this book has expanded its research horizons and research fields and can be used as a reference.

"Fourteen Poets" focuses on the image of "spring" and the experience of "youth", using ancient poems to explain five life events: friendship, loneliness, lust, death, and separation, and two attitudes toward life: desire and acceptance. The book is divided into seven chapters based on these themes. Each chapter selects two poets to explain their literary appearance and poet's personal temperament under this theme. In the comparison of the two poets, different interpretations of poetry are presented, showing the contradictions and possibilities of life. The author integrates the academic method of knowing people and analyzing the world with the analytical language of modern psychology, and interprets it on the basis of inheriting the annotations of classic notes. He aims to discover the helpfulness of classical poetry on real issues in life, inspire readers to resonate deep in their hearts, and evoke profound life experiences.

This book not only has concise language and concise meaning, but also runs through China and the West in the explanation process, citing the words of famous Western writers and thinkers such as Goethe, Carlyle, Arnold, and Shakespeare to annotate certain scriptures. In the annotations, the Chinese characters and Chinese dynasties appearing in the book are compared horizontally with characters and time periods with similar characteristics in Western history, helping Westerners who know little about Chinese culture to better grasp the content of Confucian classics.

This book aims to comparatively study cultural studies and Chinese and Western cultures, and explore the development direction of Chinese culture. It had a significant impact on the cultural and ideological circles of the 1930s and 1940s, and it still serves as an inspiration and guide to this day. Chen Xujing used the theories of Western anthropology, sociology and cultural studies to put forward fundamental concepts about culture. Based on this, he introduced and studied the three factions on Chinese and Western cultural issues at that time, namely those who advocated the full acceptance of Western culture, those who advocated returning to China's inherent culture, and those who advocated compromise, thereby exploring where the way out for Chinese culture lies.

The Analects is a classic that records the words and deeds of Confucius and several of his disciples. Therefore, there are so many old annotated versions of The Analects of Confucius and the divergence of interpretations that few other books can match them. Nowadays, various annotated versions of modern languages ​​and texts are constantly coming out, and they are added with various interpretations, making them more and more complicated. In order to meet the needs of this book for reading classic texts in college classes, this editor adopts the method of collecting several important old annotations and supplementing them with a small number of modern interpretations. The editor himself only rarely expresses his views on individual annotations, and uses modern styles to explain the meaning of words as little as possible.

"Zhuangzi" is an important pre-Qin classic. It has always been loved and valued by people for its rich content, profound philosophy, and unbridled writing style. This book selects representative articles from "Zhuangzi" and annotates them for easy reading. For the selected articles, there are explanations, cultural history expansion, literary history links, collection reviews, etc., Which are of great help in grasping the thoughts of "Zhuangzi".