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In the early Qing Dynasty, the Guanzhong area was prosperous in humanities and writers emerged in large numbers, which aroused widespread concern among scholars at home and abroad at that time. Guanzhong poets represented by Li Yindu, Sun Zhiwei, Wang Youdan, Li Nianci, etc. Were once famous all over the country, and were praised by famous poets such as Gu Yanwu, Qian Qianyi, Wang Shizhen, and Zhu Yizun. This book systematically and comprehensively studies the poetic theory, creative achievements and regional characteristics of the Guanzhong poet group in the early Qing Dynasty, and uses theories such as cultural geography and literary psychology to further explore the cultural origins, creative mentality and aesthetic taste of the Guanzhong poet group in the early Qing Dynasty. It comprehensively demonstrates the overall creative achievements of this literary group as well as its academic and cultural value.

This book takes six major vernacular novels from the Ming and Qing dynasties as well as two representative short story collections of Three Words and Two Patterns and "Strange Stories from a Chinese Studio" as the research objects. It combines the latest research results of the academic community to accurately study each masterpiece, including its complex and long process of writing, the ideological connotation that is constantly deconstructed and reconstructed, the representative artistic image, the unique and profound artistic characteristics, and its dissemination and acceptance in the contemporary context. Using methods such as close text reading, this book strives to present these profound classic novels in an easy-to-understand form to readers.

The development of new media technology and consumer literature have joined hands to change the concept of literature and create a new literary field for the emergence of new genres. On the one hand, online writing presents a completely different way of creation, dissemination, acceptance, and evaluation from traditional paper media literature, opening up a new path for literary development from a macro perspective; on the other hand, online writing provides new discourse resources and ways of speaking, which can be verified from a large number of writing practices in new online genres.

This book is a collection of academic papers by the author. The issues discussed are mainly focused on the inter-textuality of literary classics and cross-disciplinary or interdisciplinary research. The essays included in this book have novel and unique topics, unique and sharp perspectives, and the research objects involve the relationship between literature and religion, geography, folklore, history, nationality, ethics, imperial examination system, soundscape culture, media ecology, biographical research, Western Region culture and other fields. Relationships may be uncovered, or they may examine their origins, or they may illuminate subtle decisions, highlighting the deep cultural structure of textual intertextuality, understanding the inherent three-dimensionality, plurality, and self-consistency of literary classics, and resolving many confusions, doubts, and problems in the process of reading literary classics.

Based on Zhang Ailing's literary creation and literary behavior after she went to the United States in 1955, starting from the formation and expression of Zhang Ailing's outlook on life, world view, values and philosophy of life, this book systematically conducts research on Zhang Ailing's late literature and comprehensively discusses The connotations of despair, nihilism and decadence in Zhang Yanling's people and writings dynamically present the process of her deep despair towards the Republic of China. Especially in the narrative of the "Hong Kong War", her consciousness of compromise and surrender was unfortunate for the country and her family, which led to repeated declines in her personal and literary bottom line. These profoundly affect the expansion of Zhang Yanling's creative pattern and the improvement of her realm. This work can connect Eileen Chang's literary texts with her growth experience, adhere to the national, national and era standpoints of literature in the context of the current "Ailing Chang craze", and reveal the creative characteristics of Eileen Eileen Chang's lack of pioneering in late literature, major mistakes both as a person and as a writer, and the use of literary techniques to describe life.

The study of unreliable narrative is a cutting-edge academic proposition in current narrative theory research at home and abroad. This book takes unreliable narrative as the research object. The establishment of this research object is mainly based on the overall status of the development of literary practice and narrative theory in the 20th century. This book places unreliable narrative in the development of the entire narrative tradition, starting from examining the reasons for the transformation of reliable narrative into unreliable narrative, revealing the reasons for the generation of unreliable narrative, clarifying the occurrence and development of unreliable narrative theory, and clarifying the connotation of unreliable narrative. On this basis, this book further explores unreliable narratives in multiple dimensions from the perspective of type research, formation mechanisms, and artistic effects, and then expands the research horizons into narrative ethics. It proposes a "five-dimensional narrative ethics analysis method". Through the analysis of ironic and ambiguous unreliable narrative texts, it opens up a research path from within the text to outside the text, thereby advancing the study of unreliable narratives.

Ye Changchi, a native of the Qing Dynasty, set an example by creating "Book Collection Chronicle Poems", which was specially designed to be a biography of ancient bibliophiles and created the "Chronicle Poetry Biography" style of writing. The book has been popular for hundreds of years and has been continued continuously, including Lunming's "Poems Chronicle of the Collection of Books since 1911", Xu Xinfu's "Poems Chronicle of the Collection of Books in Guangdong", Wu Zeyu's "Poems Chronicle of the Continuing Collection of Books", Wang Jian's "Poems Chronicle of the Continuation of the Collection of Books", Zhou Taimi and Song Luxia's "Poems Chronicle of the Collection of Books in Modern Shanghai", and Cai Guihua's "Poems Chronicle of the Collection of Books in Modern Yangzhou", etc. This book takes the above-mentioned books as the research object, and the content is divided into two parts. The above part is divided into literature chapters, which respectively discuss the creation process and characteristics of each book. The next part is a research chapter, which mainly studies the poetic art of book collection chronicle poems, academic contributions of bibliophiles, book collection chronicle poems and ancient classics and historical materials, book collection chronicle poems and book collection culture, etc. The purpose of the book is to summarize the artistic characteristics of the chronicle poems in the collection and to highlight the cultural contributions made by bibliophiles in the protection and inheritance of classics.

Ballads are poetry that travels in the mouths of the people, and new poetry is a literary style that opened up a new world and combined new experiences during the modern transformation of the Chinese language. Due to special historical opportunities, Chinese new poetry in the 20th century made many efforts to use ballads as resources. This book traces the history of many practices of combining new poetry with ballads in the 20th century, and focuses on the rich practice of "new poetry balladization" in the 1940s under two different literary systems, the Kuomintang-controlled areas and the liberated areas. By carefully reading the representative poems of He Qifang, Ai Qing, Yuan Shuipai, Li Ji, Ruan Zhangjing and others, it shows the different stylistic boundaries of new poetry and ballads, as well as the complex historical progression of Geng ballads into new poetry.

"Pioneer" and "folk" are two important poles in Chinese literary discourse in the 20th century: the former pursues rebellion, avant-garde, soaring, and transcendence, while the latter presents nature, freshness, primitiveness, and authenticity; the former pursues innovation and change, while the latter pursues roots and roots. This book revolves around "avant-garde" and "folk" discourse. It starts from the discussion of discourse theory and the practice of literary criticism. It combines cutting-edge issues such as 20th-century Chinese literature research and Hubei regional literary criticism. From point to line and from line to surface, it combines case interpretations of classic writers, research on the transformation of modern poetry, analysis of special literary trends of thought, and overall social, historical and cultural observations. It provides certain academic references and methodological references for us to return to the literary scene of the 20th century.

The translated literature of associations in the rear areas of the Anti-Japanese War is an indispensable element on the map of Chinese Anti-Japanese War literature. This book aims to explore its literary nature, historical value and social influence, and to glimpse some of the obscured attributes of Anti-Japanese War literature and association literature through the mirror of translated literature. At the same time, it breaks through the interpretation system of "enlightenment\u002F and saves the nation" and shows the basic trajectory and true appearance of the translated literature of the communities in the rear areas of the Anti-Japanese War and the development of the Anti-Japanese War literature.

Science fiction novels are based on certain scientific and technological knowledge, making reasonable and logical imaginations about the possibilities of science, human potential and the future landscape of society, presenting readers with a feast of future myths that combines scientific and literary enjoyment. However, this kind of enjoyment is by no means pure entertainment, but also has important humanistic care functions. This humanistic care function is largely reflected in the scientific and technological ethics it presents. The research object of this book is "Research on Science and Technology Ethics in British and American Science Fiction Novels". In addition to the introduction and conclusion, it includes a total of seven chapters, which comprehensively analyzes life intervention and its ethical issues in British and American science fiction, ethical issues related to human cloning, ethical issues in cyberspace, robots and their ethical issues, ethical issues related to cyborgs, and environmental ethical issues. This study highlights the humanistic care function of science fiction novels by strengthening the ethical attention dimension of British and American science fiction novels on technological and social issues. At the same time, using the future perspective of science fiction novels, it reflects on the possible consequences and drawbacks of technological development, and explores the enlightenment significance of science fiction novels on modern society dominated by high technology.

Xu Jiarui, with his profound academic foundation and broad academic vision, has made high achievements in many fields such as literary creation, local ethnic culture research, and folk literature collection and compilation. The idea of ​​"civilian literature" runs through Xu Jiarui's creation and research. It is a movement produced by the collision of the old and new eras, and a product of the exchange between traditional Chinese literary thought and modern Western culture. In the atmosphere of the era when Western learning spread to the east, Xu Jiarui used advanced Western ideas and methods to study traditional Chinese literature, create literary works, collect and organize folk literature, and formed his unique idea of ​​"civilian literature". This book uses methods such as close reading of documents, historical analysis and comparative analysis to study Xu Jiarui's "civilian literature", thoughts and their reflection in literary history and literary practice, in order to enhance the academic community's understanding of the value and historical status of Xu Jiarui's literary thoughts.

As the first monograph on avant-garde poets in China, this book starts from the concept that the history of poetry is supported by a series of important poets and poems. It chooses to examine avant-garde poetry and even new Chinese poetry from the perspective of individual poets. It focuses on a full investigation and research of more than 20 iconic and representative poets who have had an important influence on the history of avant-garde poetry for a century. It also conducts in-depth and macro discussions on important theoretical issues such as the fate, tendency and value of Chinese avant-garde poetry. The historical clues of new poetry are hidden in the discussion, which is both internal and external. While objectively restoring the historical trajectory and overall style of Chinese avant-garde poets, it also pays attention to revealing and elucidating the internal laws behind their historical changes and connections. It achieves the integration of academic and readability, academic rationality and data. It provides a relatively reliable starting point or reference for further historical and aesthetic evaluation of avant-garde poetry in the future, and is of great help to the prosperity of current new poetry creation.

"Zhou Nan" and "Zhao Nan" (referred to as "Er Nan") in the "Book of Songs" are the most important content of "national style" in the "Book of Songs" and the most controversial part in the study of "The Book of Songs". Although the previous research has achieved some results, it is not macroscopic and systematic enough. Moreover, the data is relatively scattered and requires further in-depth research. This book uses literary geography and literary and historical textual research methods to analyze the name, region and era of "Er South" in the Book of Songs from a multidisciplinary perspective, combined with local literature and historical materials; sort out the content, characteristics and research value of "Er South" research from pre-Qin to modern times; explore the cultural evolution of "Er South" poetry, and analyze the intersection and influence of Chu culture and Zhou Wenhua in the Han River Basin. Combining the specific works of "Er Nan", this paper analyzes the relationship between "Er Nan" and the Han River Basin from the perspective of marriage and love culture, sacrificial culture, animal and plant culture, reveals the regional cultural characteristics of "Er Nan" in the Book of Songs, and analyzes the aesthetic characteristics of "Er Nan" and the poetry of the Han River Basin. This book also combines the content of "The Book of Songs", from folklore to historical relics, and selects Bao Si, Yin Jifu, Zhongshanfu, Zhao Bohu, etc. Who had an important influence in the Han River Basin for research. Explore the hometown of Bao Si, trace the traces of Yin Jifu and the Book of Songs, comment on the historical significance of Zhongshanfu and Zhao Bohu in opening up the southern frontier of the Zhou Dynasty, and analyze the inheritance of folk songs from the Han River Basin to the folk songs of the Book of Songs.

Based on the analysis of novel texts and historical materials, this book focuses on sorting out the basic status of novel creation in Henan from the 1950s to the 1990s, and conducts case analysis of representative works of each period. It discovers some relatively prominent creative phenomena and existing problems in Henan's novels, and summarizes certain "features" and "laws" related to the Central Plains region. In terms of research methods, this book tries its best to avoid the advance intervention of concepts and the selection of materials to demonstrate opinions. It tries its best to start from the "site" of the work, discover problems based on reading a large number of texts, and use "problems" as a breakthrough point to seek the basic appearance of Henan's novels.

This book embeds the investigation of the relationship between old and new literature into a three-dimensional social network. Starting from the Enlightenment trend of thought in the late Qing Dynasty and the early Republic of China, it examines the old and new literature, the newspaper and periodical market, and the publication and dissemination of old-style poetry, showing the complexity of the blending and interpenetration of the old and the new in social life. On this basis, the rather complex relationship between classical Chinese and vernacular, new literature and old literature, tradition and modernity is analyzed.

This collection includes the author's two monographs on Russian and Soviet literary critics. "Lenin's Literary Thoughts and Contemporary Times" is the research result of the "Eighth Five-Year Plan" National Social Science Fund project hosted by the author. It was published by Beijing Normal University Press in 1997. "Modern Interpretation of Lunacharsky's Literary Theory Criticism" is the research result of the "Ninth Five-Year Plan" National Social Science Fund project hosted by the author. It was published by Peking University Press in 2001. Here are selected the author's "Introduction: Lunacharsky the Person", "Part I: Lunacharsky's Literary Thoughts", "Middle Edition: Literary Critic Lunacharsky"

This book introduces speech act theory into narrative research, treats narrative as a speech act, brings into play Austin's view of language's construction of the world, examines the constructive function of textual discourse on stories and readers, and proposes a basic theoretical framework of narrative performativity. From the perspective of speech act theory, this paper analyzes the role of discourse in constructing stories, explores how discourse constructs the story world from both the elements of the story and the language form of the text, highlighting the difference between the story world within the text and the real world outside the text. Pay close attention to the internal correlation between speech act theory and narrative research, and use the narrative turn as the background to explore the embodiment of narrative performatives in classical narratology and post-classical narratology. The constructivist characteristics of speech act theory and its possible contribution to constructivist narrative research and literary theory are discussed.

The development of the imperial examination system in the Song Dynasty promoted the rise of the common people's landlord class, and the status of the common people quietly changed, entering the era of "civilian development". The folk life of ordinary people has received increasing attention, and folk poetry flourished in the Song Dynasty and became a prominent literary phenomenon. In the study of ancient literature, the intersection of literature and folklore is a research perspective with attractive development space. Folklore researchers often use the perspective of folklore to observe the folk phenomena and folk concepts presented in poetry. This book is different from this type of research method, but takes literature as the basis to study the characteristics of folk poetry in the Song Dynasty and how the poets in the Song Dynasty used the folk customs they saw and heard as the key response objects of poetry. It also analyzes the poet's own active observation of folk customs presented in the folk poetry in the Song Dynasty. Focusing on the Southern Song Dynasty, we observe how the poet's secular mentality and strong concern for folk customs affected the changes in poetry subject matter, aesthetics and poetic style during the important period of poetry evolution in the Southern Song Dynasty.

This book provides a relatively comprehensive and vivid outline of Lope de Vega's tortuous, romantic and desolate life experience, fully comments on his creative experience, and reviews and analyzes his dramas by category and point by point. He wrote more than 1,800 plays in his lifetime, which were not only huge in number but also of extremely high taste. It can be said that he has made outstanding achievements and is known as the "Father of Spanish Drama". His poetry creation is unique and his achievements are also extraordinary. His fame and status rival those of Cervantes.

"Modern Interpretation of Ancient Views on Reading" focuses on an in-depth analysis and study of the reading experiences of Chinese scholars of all ages from the perspective of academic rationality and from a modern perspective. China is a country that attaches great importance to reading. It has an excellent reading tradition and a long history of reading. In China's scientific examination era, there was a very popular saying: "Everything is inferior, but reading is high." For this reason, farming and studying has become a historical and cultural tradition in China. As long as we pay a little attention, we will find that in the vast sea of ​​ancient Chinese books, many readers' experiences about reading have been recorded. In the process of exchange of reading experiences between generations of readers who have influenced each other and inherited them, distinctive reading concepts have emerged as the readers' life experiences, cultural knowledge, and artistic accomplishments have grown. This book academically sorted out the seemingly random reading comments made by readers of all ages, and classified them into categories according to aspects such as "people and reading, reading purposes, reading methods, reading language, interrogating the author, reader choice, and asking for meaning". It then conducted in-depth academic analysis through systematic logical thinking, thus constructing a relatively complete cognitive and cultural system for ancient Chinese reading research.

Based on sorting out Liu Zhenyun's creative process, this book summarizes seven key words in Liu Zhenyun's novels: power, ethics, history, hometown, religion, human nature, and existence. The appearance of these seven keywords in his novels has a creative sequence and internal logic, which reflects Liu Zhenyun's in-depth thinking about Chinese reality. This book's overall study of Liu Zhenyun's novels will help readers deeply understand the evolution of the writer's thoughts.

In the poetry world of the late Ming and early Qing dynasties, competing schools of poetry emerged, but in the end they were inseparable from the debate over the Ming Dynasty retro-poetry school. The Gong'an School and Jingling School in the late Ming Dynasty and even the Shen Yun theory in the early Qing Dynasty appeared, either to attack its shortcomings or to form its own theory, and there is no doubt that it is inseparable from the poetic propositions of the Retro Poetry School. Shen Deqian of the Qing Dynasty was the summarizer of the debates in poetry circles in the late Ming and early Qing dynasties. Shen started from refuting Li Panlong's statement that "there were no five-character ancient poems in the Tang Dynasty but had its own ancient poems", advocated "poetic education" as a way to break through the gaps in Tang poetry, and proposed the poetic methodology of "transporting ideas with ideas", aiming to break through the shackles of the retro poetry school on poetic theory and lead the poetry world on the path of creation. On the other hand, Shen proposed a creative transformation of the "style theory", the core poetic concept of the retro poetry school. Shen advocated the mutual complementarity of "gentleness and honesty" and "style theory", and moved these two poetic concepts as the benchmark for his poetic criticism. Shen's more comprehensive response to the poetic debate can be found in his comprehensive anthology. From the analysis of poetic theory to the attitude, principles and orientation of poetry selection, it demonstrates the insight and persistence of a literati scholar with great character.

The birth, development and growth of Shaanxi female writers are closely related to the development of the times. The magnificent development, influence and creation of Shaanxi female writers in different eras. Some of them lead the literary world, some work quietly, some work steadily, and some have outstanding insights. From the content point of view, some of them attach great importance to urban development and elaborate on the historical turning point of Xi'an; some focus on rural areas and sing in a low voice for the transformation of modern rural areas... Their aesthetic characteristics are based on the development of the times and are elegant and upright. They are a strong note in the Chinese literary world.

This book mainly studies the image of the United States in American and Chinese literature, and is composed of two parts: the first is the geographical image of the United States from a spatial perspective, such as the images of ancient tombs and sieges, the small illusions of heaven and hell, the image of the American homeland, etc.; The second is the image of various ethnic groups in the United States from the perspective of ethnic sociology, such as the image of Chinese immigrants, the image of white "saviors", the image of Jews, and the image of black people. With the help of image research methods in comparative literature, this book conducts an in-depth discussion of the complex and ever-changing images of the United States in American-Chinese literature.

This book is a monograph that conducts a comprehensive and systematic study of Leo Tolstoy's masterpiece "Anna Karenina". For a long time, Chinese scholars have made numerous achievements in studying this famous work. However, these achievements are mostly presented in the form of single papers, which are scattered studies. However, the study of "Anna Karenina" in a holistic and systematic way appears weak. This book carries out a panoramic study from the creative process, ideological content, tragedy consciousness, death consciousness, character image system, scene description, eye description, psychological description, stream of consciousness, structure, character image comparison and other aspects of "Anna Karenina". This book can be used as a reference for professional researchers and is also inspiring for general readers who love "Anna Karenina" and Tolstoy's novels.

This book uses the ontology, evolution theory and media theory of modern Chinese prose art as the exposition framework, uses the theories and methods of historicism and modern media, and provides a reasonable and effective analysis and interpretation of the characteristics, formation and construction of modern Chinese prose art from the aspects of modern artistic style, style structure, aesthetic characteristics, etc. From the perspective of connecting ancient and modern times, integrating Chinese and Western things, and comparing and examining. Based on the restoration of the historical construction of modern prose with the help of original documents, this book focuses on the introduction of modern media theory into the study of prose art. It conducts a detailed exploration and examination of the deep and complex internal connections between modern media and modern prose art, as well as the different impacts of different eras and types of typical literary newspapers on the construction of prose art, and comprehensively explores the modernity, history, nationality and local character of modern Chinese prose art.

Academic circles generally believe that the literary aesthetics of the Frankfurt School is the continuation and development of the classic Marxist literary aesthetics. However, in the history of the development of the Frankfurt School, Simmel's name cannot be ignored. Simmel's influence enabled thinkers of the Frankfurt School to extend Marx's critique of capitalist political economy to the fields of sociology, aesthetics, culture and art. Based on the perspective of multi-disciplinary integration of literary theory, sociology, aesthetics, art theory, etc., This book conducts a systematic, comprehensive and in-depth study of the ideological connection between Simmel and the Frankfurt School from the perspective of cultural diagnosis, fragments of modernity, image of modern people, the aesthetic dimension of modern art and aesthetic redemption. This book focuses on exploring the connection between Simmel's literary theory and the Frankfurt School's literary theory from the perspective of multidisciplinary integration, and strives to establish the ideological connection between Simmel and the Frankfurt School in the fields of literary theory, aesthetics, art theory and other fields.

"New Space of Contemporary Literature" is a collection of literary theory and critical articles written by literary critic He Shaojun in recent years. He Shaojun emphasized the theorization and systematization of criticism. He believed that an important task of literary criticism is to discover new elements in literary practice with the keenest vision and to theoretically summarize these new elements, thereby providing theoretical support for expanding new spaces in literature. In this collection of essays, He Shaojun explains some of his literary discoveries through the textual interpretation of some literary works, such as the vision of world literature in new century literature, new political novels, new market novels, critical ethical issues in literary criticism, the revolutionary nature and postmodernity of online literature, etc. This is a collection of critical essays with a simple style and full of innovative ideas.

This work mainly studies the poets of the Tang Dynasty who accepted Taoist Taoist ideas and their poetic works. First, it briefly combs the reception history of poetry before the Tang Dynasty, and analyzes the core concepts of Taoism, Taoism, and Taoism. Secondly, it analyzes the social and cultural background and reasons why poets in the Tang Dynasty accepted Taoist thought. Thirdly, it deeply analyzes the form and core issues of the Tang Dynasty poets' acceptance of Taoist thought. Finally, it summarizes the rules by which poets in the Tang Dynasty accepted Taoist thought, and summarizes the new style of Tang poetry after accepting Taoist thought.

This book attempts to get rid of the "hundred-episode-based" thinking in the field of "Journey to the West", pulls the focus away from the hundred-episode novels, and further restores the research object from "novel" to "story". From a cross-textual perspective, using the evolution and dissemination process of "Journey to the West" as clues, the three text systems of novels, operas, and raps are placed on the same plane for investigation, and their general rules and individual characteristics in the process of retelling and reproducing the story are studied. The book is divided into two parts: the first part is a historical description. Through the macroscopic grasp and microscopic examination of the "initiation period", "convergence period", "finalization period", "continuation period" and other evolutionary stages, especially through the key analysis and interpretation of opera and rap texts in the "post-hundred chapters period", the coordinate matrix of the entire historical trajectory is improved to restore the true ecology of the formation and development of the story community as much as possible. The second part is case analysis, taking "The Story of Monk Jiangliu" and "The Story of Liu Quan Jingu" as cases, advancing the lens to specific unit stories, and conducting a more in-depth and detailed sorting and comparison of the novels, operas, and rap texts surrounding them. On the one hand, it explores the logical connections between texts of different eras and genres, describing the story's origin trajectory and evolution process; on the other hand, it uses it as a model to more prominently present the impact of "cross-text" interpretive behavior on the shape of the story.

There were a large number of ethnic minority writers in the Yuan Dynasty, mainly involving Mongolian, Khitan, Jurchen, Hui, Uighur and other ethnic minorities. Their Chinese poems were very large. However, so far, many of these writers and their works have not been further verified and sorted out. The data on these poems need to be systematized and improved. This book studies the rhyme used in Chinese poetry of ethnic minorities in the Yuan Dynasty. An important step is to collect and organize all relevant poets and poetry materials of this period. Therefore, collecting, organizing and researching rare books of poetry and prose of ethnic minorities in the Yuan Dynasty will help protect and inherit the traditional literature and culture of ethnic minorities in the Yuan Dynasty.

This book is a biography of a famous literary figure in the Wei and Jin Dynasties. The book brings together nearly seventy literary figures and draws on the model of "The Biography of Talented Scholars of the Tang Dynasty" written by Xin Wenfang of the Yuan Dynasty to provide evidence and research on each figure's life and works. This book is based on official historical records such as "Book of the Later Han", "Chronicles of the Three Kingdoms", "Book of Jin", and "Zi Zhi Tong Jian", and integrates the research results of modern scholars, plus the author's views, to form the main body of the notes. At the same time, it also adds information from literature and research for easy retrieval. Each important figure is followed by relevant references. On the basis of "The Biography of Talented Scholars of the Tang Dynasty", the late famous literary historian Mr. Fu Xuancong continued to add details and compiled "The Biography of the Talented Scholars of the Tang Dynasty" and "The Biographies of the Talented Scholars of the Song Dynasty", which gained recognition from the academic community. This book was written at the initiative of Mr. Fu. It is also the first work at home and abroad to use the Jian Zheng style to study the literature of the Wei and Jin Dynasties.

The main goal of this book is to examine the process of symbiosis and separation of poetry and music in the historical context of the parallel, intersection and mutual transformation of poetry and music communication and text communication in the Han, Wei and Six Dynasties, as well as the internal connection between the various communication methods of poetry and the evolution of poetry literature: Chapters 1 and 2 systematically sort out the major oral communication methods and their history of poetry in the Han, Wei and Six Dynasties, such as soundtrack singing, solo singing, and recitation, and clarify the early forms of several major methods of poetry text communication such as stone carvings, wall inscriptions, copying, and collections during this period. And communication characteristics; the third chapter discusses the creation mechanism of Han soul poetry and the cross-communication form of poetry, music, and text; the fourth and fifth chapters provide a communication interpretation of two important phenomena in the history of poetry in the Han, Wei and Six Dynasties: "Jian'an style" and "official poetry"; the sixth chapter discusses the relationship between the invention and use of paper in the Han, Wei and Six Dynasties and the dissemination of poetic texts, and the significance of the popularization of poetry text dissemination to the formation of the poetic outlook of disciples in the Han, Wei and Six Dynasties; the seventh chapter discusses the development and changes of the postal system in the Han, Wei and Six Dynasties and the relationship between the dissemination of poetry in other places.

It is generally believed that the real establishment of the Tongcheng School in the Qing Dynasty began with Yao Nai's intentional shaping of the "Tongcheng Cultural Tradition" during the Qianlong period. So what was the history of the "Tongcheng School" before Yao? The author believes that from the time when Dai Mingshi, Zhu Shu and others brought tribute to the Imperial Academy in the 25th year of Kangxi to the 50th year of Kangxi when the case of Dai Mingshi's "Nanshan Collection" occurred, there was a group of Jiangnan scholars in the literary world with Dai Mingshi and Fang Bao as the core. Similar origins, similar aspirations, overlapping experiences, and deep friendships make them an influential and inheriting group of writers. The whole book describes the literary activities of this group from three aspects: era background, stylistic theory, and author theory, fully demonstrating their motivation and practice of striving to "correct their voice" at a time when "the world is full of miscellaneous articles for pleasure".

The literature of the Qing Dynasty, which is in the period of academic summary and transformation, shows the distinctive characteristics of integrating the achievements of previous dynasties without lacking new innovations, and is the final glory of Chinese classical literature. This book is based on a general survey of Wenhua literature in the Qing Dynasty, combined with the unique academic atmosphere and ideological trends of the times in the Qing Dynasty, and studies the Wenhua in the Qing Dynasty from both macro and micro levels. Macroscopic theoretical research is based on the refining and summarization of specific literary documents, and strives to contain micro within the macro; micro special book research aims to examine the relationship between important literary individuals and relevant theories or styles, hoping to reveal macro within micro.

This collection contains two parts of the author's research on Bakhtin's poetics. The "Bakhtin's Cultural Poetics" section was published by Beijing Normal University Press in 2001. The "Bakhtin's Poetics" section is an expansion and in-depth study of cultural poetics, including the author's papers on Bakhtin's overall poetics, linguistic poetics, genre poetics, novel poetics, historical poetics, sociological poetics, etc.

"Chinese and Foreign Literary Theory (Issue 2017)" is divided into six columns. "Research on Famous Artists' Theories" focuses on the research on literary and artistic theories of famous modern and contemporary Chinese literary and artistic theorists. The articles in this issue mainly focus on the four theorists Chen Duxiu, Fang Dongmei, Liang Zongdai and Zhu Guangqian, covering issues such as their literary theory, poetic theory and cultural personality. The "Basic Theory of Literary and Art" column mainly focuses on the multi-perspective display of important issues in contemporary literary theory, mainly involving the generalization of typical theory, the discussion of the keyword "change" in literary theory, and the study of autobiographical narrative models. "Research on Ancient Literary Theory" continues its consistent focus: first, discussion centered on propositions, such as the modern reinterpretation of the proposition "Poetry Expresses Chi"; second, research centered on historical issues of criticism; third, analysis of theoretical forms based on characters; fourth, discussion at the methodological level. The "Research on Western Literary Theory" column focuses equally on: first, thematic research on characters; second, the review of issues in the history of literary theory. The third is a review of literary theory research. This issue publishes two reviews of the current status of Western decadent research and Abrams research. "Film Studies" focuses on current focus issues in film aesthetics, such as the intellectual significance of film, "technical" issues in film aesthetics, postmodern ideas in VR film and television narratives, etc. The "Literature Reading" column continues the mode of text reading and appreciation.

This book focuses on Latin American novels in the new century from the perspective of academic research, and relatively systematically introduces and reviews the achievements of representative writers in this period in novel creation, including the ideological content and artistic features of their important works. The book is divided into chapters: the new achievements of the writers of the literary "explosion" generation in the new century, the new contributions made by the post-literary "explosion" generation of writers, the creations of the Burst and McCondo writers, the literary achievements of the new generation that have suddenly emerged and cannot be underestimated, and the novel creations of other writers. In terms of style, this book is similar to a history of Latin American novels in the new century. The material it contains is rich, informative, and fresh. It is both academic and readable. It is a very useful read for both professional workers, teaching staff in colleges and universities, and general readers.

The formation of the poetry creation tendencies, poetry themes, and poetry creation styles of the "Ten Elders from Zhucheng" are closely related to the environment of the times, their different temperaments, different life experiences, and life experiences. In other words, the life circumstances of the "Ten Elders of Zhucheng" had a broad impact on their poetry creation. With the same social and regional environment, they have many common themes in their poetry creations, which mainly describe the natural scenery and humanistic customs of their hometowns; however, the differences in the themes of their poetry creations are related to whether they become officials. Those who became officials wrote more about the difficulties in their imperial examinations and official careers, and expressed their grievances, while those who did not become officials wrote more about pastoral scenery and expressed their leisure feelings. The different life situations of the "Ten Elders of Zhucheng" not only gave them different emphasis in creative tendencies, but also gave their own unique styles of poetry creation.

Along with the transformation of Chinese society, politics, and literature, narrative literary works that reproduce and express historical traumatic memories constitute the traumatic narrative landscape in literature in the new era. Based on trauma theory, this book selects trauma narrative works in the new era from 1976 to 1989 as the research object. It studies the expression of trauma themes, psychological descriptions of trauma, and trauma narrative forms from the perspective of trauma narrative, examines the construction process of literary trauma narratives in the new era, grasps the types and characteristics, continuations, and variations of literary trauma narratives in the new era, and deepens the understanding of literary trends and works in the new era.

Digest some reasonable core of Western reception aesthetics and reader response theory, sort out the dilemma and difficulty of the reception of modern poetry; grasp the specificity, openness, and boundedness of the reception of modern poetry, and develop your own response. On the basis of the convergence and parallelism of Chinese and Western reception, review the differences in reception of ancient and modern poetry; discuss the cracks and limitations of the recipients of modern poetry; question the characteristics, difficulties, bottlenecks, influencing factors, special paths, effectiveness and canonization in reception; analyze the acceptance premise of the "interpretive community", The acceptance psychological mechanism of "Xinyiyiyi" and the acceptance trend centered on fun; the "dumbbell model" of acceptance, the "four movements" schema dominated by the heartbeat, the establishment of coordinates for the interaction between formal structure and acceptance responsiveness, and the exploration of the acceptance scale of modern poetry and the "grade" series of good poetry. In the modern and contemporary part of poetry reception, we strive to have a theory of our own.

Transcendentalism was both a literary movement and an ideological emancipation movement from the beginning. It was a huge driving force and dominant force in the American Renaissance and represented the pinnacle of its development. The most outstanding literary achievement of transcendentalism is reflected in the creation of prose. This book places American Transcendentalist prose in the perspective of world literature, mainly using ancient Greek prose and Chinese Ming and Qing Dynasty prose as a reference for comparative research. It provides a new way of understanding for us to comprehensively examine the spiritual outlook, cultural and artistic character of Transcendentalist prose, and provides a platform for equal dialogue for cross-cultural comparative research on prose art.

This book outlines the entire development process of Chinese new poetry in the 20th century in the form of a history theory, and conducts a relatively comprehensive and detailed review of the major poetry groups, schools and representative poets since the birth of new poetry. This book not only attaches great importance to exploring the relationship between major transformations of social thoughts and the evolution of new poetry trends from a macro perspective, but also attaches great importance to the careful reading and interpretation of classic and heterogeneous texts. It rediscovers some neglected and obscured phenomena and poems in the history of poetry, and puts forward its own unique insights into some important poetic topics in the development of new poetry. It is a dedicated work to study the development process of Chinese new poetry and the evolution of the spirit of poetry.

This collection of essays collects 45 papers by the author, two-thirds of which were written after retirement: 1999-2014. This collection of essays has the following characteristics: 1. Prominent characteristics of the times: changes in literary concepts since the new era have greatly broadened and deepened the research space on ancient literature. Based on the focus on revealing people's emotional world and mental journey, multi-level, multi-angle and multi-method research is carried out, giving these papers a completely new look. 2. Prominent innovative features: Some papers put forward some new ideas with high academic value, some papers break the long-term thinking patterns and explore new paths for the research of related issues, and some papers do not adopt the long-term usual perspective, but change to a new perspective, thus making new discoveries. Some papers are not only new perspectives and new viewpoints, but also new topics that have not been studied or systematically studied before. 3. The academic coverage is wide, the content is rich, and it involves many issues. 4. Pay attention to the summary of methodology. 5. Relevant parties have a great response to the paper.

This book studies the basic psychological characteristics and laws of the poet's creative process. The psychology of poetry creation is an interdisciplinary subject of psychology and poetics, and it is a branch of psychology. The psychology of poetry creation belongs to the category of modern psychology and is a branch of modern applied psychology. Its research object is to use the research results of modern psychological science to reveal and explore the psychological development rules of poets in the process of poetry creation.

This book contains the author's papers published in publications such as "Foreign Literature Review", "Foreign Literature Research", "Russian Literature and Art", "Russian Language Teaching in China", "Russian Studies", "Foreign Social Sciences", and "Bёшенский Bестник". Its research objects include the major Russian literary centers from the 18th to the 21st century (from Lomonosov, Pushkin, Dostoyevsky, and Tolstoy to the 20th century red literature, Sholokhov, Solzhenitsyn, and Putin as a producer of literary images and cultural texts), and Sino-Russian literature and cultural exchanges. Taking care of literature through dialogue is the basic research method that the author strives to adhere to. When discussing Russian literature in the 18th and 19th centuries, the relationship between Russian culture and Western European culture is the focus; in 20th century literature, the dialogue between central literature and peripheral literature reflects a variety of literary phenomena; the image of Confucius and the Russian translation of the "Book of Songs" are interpreted as the carrier of Sino-Russian cultural dialogue.

This book is a collection of Mr. Yang Yi's essays, including "Redrawing the Historical Map of Chinese Literature" that Mr. Yang Yi told ministerial-level cadres and new manuscripts on "The Analects", Zhuzi, Li Du, and Su Shi. It is a deepening and development of the concept of redrawing the map of Chinese literature that Mr. Yang Yi has always advocated.

To understand Qu Zi's "Chu Ci", there are two key points that must be kept in mind: First, the first sentence of "Li Sao": "The Miao descendants of Emperor Gaoyang are here, and my emperor is called Boyong." The so-called "Bo Yong" is the eldest son of King Wu of Chu, who was granted the title of Kui Zi. The pronunciation (entering tone) of the character Kui is "Qu" or "Jia". Boyong's eldest son Qu Xia got his surname from this and became the ancestor of the Qu family. Second, Qu Zi's "Chu Ci" has been completely preserved through two channels, the north and the south. The northern route was when the Qu, Jing, and Zhao tribes who migrated to Chu State and the Tian family of Qi State enriched Guanzhong in the ninth year of Emperor Gaozu of the Han Dynasty. Qu Zi's "Chu Ci" was introduced to Guanzhong by the Qu family as an heirloom, and was seen by Jia Yi. The route to the south was Shouchun, the capital of King Qingxiang of Chu, and his literary attendants Song Yu and Tang Le accompanied him. Therefore, Qu Zi's "Chu Ci" was also passed down as a precious heritage. For this reason, this book is divided into four parts, the inner part, the outer part, the chronicle interludes, and the poetics part, which display the complete three-dimensional style of Qu Zi's "Chu Ci" at multiple levels. The internal editor is dedicated to the notes and evidence of "Historical Records: Biography of Qu Yuan Jia Sheng", "Historical Records: Chu Family (Xuanwei Huaixiang)", as well as the ancestry and branch lineage of the Qu family, and Qu Yuan's historical and cultural awareness. The external editor is devoted to the collection and discussion of "Li Sao", "Tian Wen", "Nine Songs", "Nine Chapters", "Yuan Yu", "Divination" and "The Fisherman". The Chronicle Interlude is dedicated to the chronology of all chapters of Qu Yuan's "Chu Ci". The poetics chapter is dedicated to interpreting Qu Song's poems and poems as real poems. Such restoration research can lead people to deepen the exquisite cultural life connotation of Qu Zi's "Chu Ci".