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The "second dimension" specifically refers to the Internet culture represented by ACGN. There is a generation gap between it and the three dimensions representing traditional culture, industrial culture, and popular culture. With the development of media integration, more and more cultural practices tend to break this barrier, and adaptation practice is one of them. The current academic circles and industry use the word "breaking the wall" to express the mutual respect between the two cultural circles in terms of emotion and value. Based on a diachronic review of a large number of texts adapted from online novels, this book uses intertextuality to cut into the practice of adaptation, and through analysis at three levels: typology, folklore, and gender narrative, it deduce the cultural development direction of value integration. This book follows the idea of ​​discovering the spiritual qualities of the younger generation from subcultures and looking for ways to alleviate the generation gap among mainstream people in popular culture, in order to prove that the vitality of language is intersecting in multiple fields.

This book first explains the connotation of the theory of authorship anxiety, focusing on describing the gender dimension contained in the theory of authorship anxiety, trying to complete the secondary interpretation and development of the existing theory. Then it explores the spatiality of authorship anxiety based on gender identity, and analyzes the causes of this spatiality. This paper focuses on the spatial manifestations of authorship anxiety based on female gender identity, specifically including the manifestations of female anxiety in real cultural space, the manifestation of female anxiety in ideological space, and the manifestation of female anxiety in literary space.

This book starts from the perspective of national consciousness, takes the literature of the occupied period from 1931 to 1945 as the research object, and analyzes the manifestations and implications of national consciousness in the literature of occupied areas from the aspects of writers' works, literary journals, collective memory, literary trends, narrative symptoms, etc. This book makes extensive use of first-hand historical materials, conducts a relatively systematic and overall study of the literature in occupied areas from the perspective of national consciousness, reveals in depth the complexity, diversity and plasticity of national consciousness in a special context, and demonstrates the unique aesthetic value of literature in occupied areas. The research results fully prove that national consciousness is an important ideological resource with vitality for the literature in occupied areas, and improves the artistic quality of literature in occupied areas. These are all conducive to people's better understanding and grasp of the special development laws of literature in occupied areas.

In the Tang and Song dynasties, demotions occurred frequently, and many literati were demoted. The relegated poems of the Tang and Song Dynasties not only constituted the climax of the relegated literature together with the relegated poems and essays, but also contributed to the brilliance of the Tang and Song literature in the entire literary history to a large extent. They also successfully constructed the rise, development and transformation of the genre itself. Without the relegation of Ci in the Tang and Song Dynasties, not only would it be impossible to talk about the development of the history of Ci, but even this grand and magnificent symphonic chapter of the entire literary history would suddenly be eclipsed. This book will outline the development of relegated poetry in the Tang and Song Dynasties, trace the literary origins of relegated poetry in the Tang and Song Dynasties, and explore the profound impact of the relegation of literati on Tang and Song poetry.

Yoshikawa Kojiro's research career in Chinese studies can be divided into the era of Confucian classics, the Yuanqu era and the Du Fu or Du poetry era. His research on Yuanqu and Du Fu were carried out on the basis of his Confucian studies. This book focuses on Yoshikawa Kojiro's research on Yuan dramas and Du Fu's research, sorting out the characteristics of his research on Yuan dramas and Du Fu studies, aiming to study how he analyzed the influence of the ethos of the Yuan Dynasty and the transformation of humanistic ethics in the Yuan Dynasty on the rise and fall of Yuan Zajus and literary character. , And how he tried to use Du Fu as a model to explore the dignity of literature; at the same time, this book attempts to explore his research methods on China based on the teachings of his teacher Kano Naoki and the inspiration given by Huang Kan, as well as Yoshikawa Kojiro's own "The Study of Reading".

The "cultural poetics" represented by Greenblatt is mainly famous for distinguishing between historicism and formalism and utilizing the resources of the two schools. This book believes that its core lies in using Foucault's thought of power to illustrate literary activities, as a sign that far-fetched historicism has truly entered reality, and also as the key to formalism getting out of the language prison. In his specific comments on "Shakespeare's Opera and "Early British Romanticism", he affirmed the power game relationship between the three artistic generative dimensions of author, text and reader, and expressed his overall concept of literary criticism in the poetic "oscillation" space formed by these nodes.

The Crescent Poetry School is an important and complex poetry school in the history of Chinese New Poetry. The three poetic forms of romanticism, classicism, and modernism coexist with each other, making New Moon's poetic view present mutually inclusive poetic concepts and eclectic artistic forms. The complex relationship between the Crescent Poetry School and the Crescent Society, a famous free intellectual society in China, determines that the Crescent Poetry School cannot be just a simple poetry school. From the research perspective of the emergence and development of the Crescent Poetry School, this book projects the Crescent Poetry School into the cultural context of China in the 1920s and 1930s, and explores the intricate development trajectory of the Crescent Poetry School with the help of a large amount of historical data. Use the theory of modern media to re-examine the relationship between the formation of literary genres and modern newspapers and magazines; draw on some concepts of "anxiety of influence" in modern Western poetic theory to explain how the New Moon poets got rid of the "anxiety of influence" of "pioneer poets" and "powerful poets" and through intentional creative mistakes By reading, the system of Crescent Poetry is constructed; the theoretical strategy of "anti-priority" is used to study the inheritance and transcendence of poetic ideas among poets within the Crescent Poetry School; and many issues and phenomena of the Crescent School's personnel composition, poetic temperament, cultural choices and aesthetic value forms are explained by confirming the hybrid cultural identity of the poets.

This book is a monograph on African American studies and is the final result of the National Social Science Foundation Youth Project "Research on the Works of Richard Wright". The overall framework of this book consists of five chapters. The first chapter focuses on the two central themes of "Evolving Blues and Black Survival Ethics" and "Wright's Blues-Based Ethical Writing". The next four chapters treat Richard Wright's four novels "Native Son", "Black Child", "The Outsider" and "Laws of the Father" from different periods as a dynamic system of works, and study the protagonists of these novels as a continuously developing male subject group to analyze the ethical environment of black people's lives and the internal connection between the ethical relationships in which they live and the ethical choices they make. This book compares the similarities between Richard Wright's novel system and the theme of blues music, analyzes the ethical values ​​implicit in it, and clarifies that Richard Wright's novels outline the transformation of black men's ethical identity from boy to man to father over time. In fact, it is the inheritance of the blues tradition and the writing of black survival ethics.

This book replaces the traditional "native novel" with modern "nostalgia novels", examines emotion, form and modernity at a logical level, and elucidates the modern connotation of literature by analyzing the relationship between the writer's "nostalgia" writing style and literary form. This paper uses the time and space of "nostalgia" and the characteristics of nostalgia to gain a glimpse into the aesthetic characteristics of modern Chinese "nostalgia novels", and then examines the interaction between human emotions, history and politics, and the way they respond to the impact of modernity. The "difference" narrative method followed by modern Chinese "nostalgia novels" also includes respect for life itself, the awakening of self-consciousness, the appeal for enlightenment and national salvation consciousness, and the identification of the nation-state imagination. With its unique modern aesthetic form, it reflects the generation process of people's modern consciousness in the traditional rural Chinese context, and provides a vivid and valuable emotional portrait for the modern transformation of Chinese literature.

This book examines Xu Xu's novel creation from the unique perspective of "poeticity", and looks at how this liberal intellectual maintained a serious creative attitude during the war years and the commercial context of Hong Kong from the aspects of culture, psychology, philosophy, etc., Thus showing his thoughts on human destiny, existence and its meaning. At the same time, by examining the poetic character of Xu Xu's novels, we also rethink Xu Xu's status and significance in literary history.

This monograph traces and sorts out the literary tradition of African American black women by studying five influential African American black female writers in 20th century American literature: Zola Neale Hurston, Maya Angelou, Alice Walker, Toni Morrison and Gloria Naylor and their works. Through the study of five aspects: black English, black music, black oral tradition, black folk culture and black religion, the basic creative mode of African American black women's literature is presented to readers, and the connection between the creative mechanism and aesthetic mechanism of African American black women's literature is revealed, which provides certain reference and inspiration for the research of other ethnic literature.

This book takes the creative thoughts of Chekhov, the last great Russian classic literature writer from the late 19th century to the early 20th century, as an example, and combines a comparative study between him and Leo Tolstoy, another great representative writer of classical literature at the same time, to elaborate on the intrinsic relationship between Russian literature and Russian thought. It shows that the people's nature, ethics, criticality and strong humanitarianism inherent in the essence of Russian literature enable the Russians to still maintain cultural confidence even in the context of declining national power. Through repeated questioning of the meaning of life, Chekhov opened the way for mankind to lead from the narrow and narrow to the vast distance. Above the cold and boring horizon that Chekhov ruthlessly presented, the sparkle of thought shines in people's hearts like a ray of light, warming every life that longs to seek the truth.

This book takes ecological ethics as the starting point and is based on the "child-centered" view of children. It starts from the establishment, performance and role of ecological ethics awareness in children's literature since the new era, and makes a thematic summary of the development of my country's children's literature during this period based on specific texts. It conveys the exploration of the relationship between children and nature and the laws of life in children's literature in the new era, as well as the ecological thinking about the relationship between the living conditions, simple, environmentally friendly life concepts and the return of children's "natural sensibility" life presented in it. It also conducts in-depth thinking and exploration on how children's literature in the new era can better fulfill its mission.

Historical imagination is the poet's poetic imagination of history. The poets of the Tang Dynasty successfully used the skills of historical imagination to transform historical factors into poetic elements, forming the prosperity of historical poetry in the Tang Dynasty. This book outlines the artistic characteristics of historical poetry in the Tang Dynasty from two levels: receiving imagination and creative imagination. It explores the process by which poets in the Tang Dynasty, as the subject of receiving historical knowledge, imagined historical situations, understood historical significance, and formed historical consciousness to understand and interpret. It also explores the process by which poets in the Tang Dynasty, as the subject of poetry creation, integrated the received and understood historical knowledge and historical consciousness into their hearts, brewed and processed historical materials, and created historical images of poetry.

Based on the study of literary materials such as "Shaanxi Literature", "Yanhe" Literary Monthly, and "Novel Review", this book conducts a relatively comprehensive investigation of Shaanxi literary criticism since the new era. Focusing on the creation of Shaanxi novels, this article will discuss the historical evolution, pattern construction, spiritual connotation, cultural mentality and individual cases of critics of Shaanxi literary criticism since the new era, to achieve a macro grasp of Shaanxi literary criticism in the 30 years in the new era. And micro perspective, revealing the intertextual relationship between Shaanxi literary criticism and contemporary Chinese literary criticism, defining the value and significance of the Bi Geng Literature Research Group in the history of Shaanxi and contemporary Chinese literature, and sorting out the role of Shaanxi literary criticism in ancient and modern, Chinese and foreign cultures The practical exploration of realist theory and literary creation through the comparison of resources explores the spirit, connotation and cultural mentality of Shaanxi literary criticism. It is believed that there is a spiritual umbilical relationship between Shaanxi literary criticism and Chinese literary criticism and local culture. There are many non-literary factors in literary criticism. Literary research is conducted within the discourse scope of traditional realist literature, and a unique, genre-conscious and influential literary criticism concept and discourse system has not yet been formed.

This book takes novels of the Tang Dynasty and operas with related themes in the Ming and Qing Dynasties as the research object. Based on literature review, it uses stylistics and cultural theories to analyze the different characteristics of the novels in the Tang Dynasty and the operas with the same themes in the Ming and Qing Dynasties in terms of ideological and cultural connotation and artistic style through comparative research. The relationship between novels and operas is a two-way interaction. Novels about gods, monsters, love and marriage, and heroes in the Tang Dynasty were presented in new artistic forms through the creations of Ming and Qing operas. This kind of presentation is not only the inheritance and development of the original themes of the legends and dramas of the Ming and Qing Dynasties, but also the artistic creation of the Ming and Qing opera dramatists to express their talents and express their feelings based on their storytelling skills.

From multiple ecological perspectives and positions, this book examines the game between female literature and ecology since the 1980s, explores the survival and development status of female self, and is concerned about the relationship between women and nature, men, literature, society, culture, gender and other environments. From sorting out the background and resources of Chinese women's ecological writing, to analyzing the current situation and development trajectory of women's ecological writing, to identifying the essential differences with Western ecological women's writing, it reveals the aesthetic form and internal switching of Chinese women's writing. Examined the subject posture of female ecological writing. Furthermore, it is reiterated that the roadmap for women's ecological writing lies in the fact that female writers use ecological aesthetics to reflect on themselves, social reality and female reality, accept local context and ecological wisdom, abide by ecological laws and female principles that are harmonious with nature, men and society, and move towards the construction of female ecological aesthetics and order of survival, aiming to recast the spirit of new female realism.

This book introduces media as an element into literary activities and examines its impact on literary activities based on the overall media field. It advances in both directions from the two endpoints of media and literary activities, so that the overlapping point is settled on the "subject of literary activities". From this, the media field constructs the subject of literary activities. The traditional writer's subject, reader's subject, critic's subject, etc. Have all undergone new changes in the field. Then, the method of holistic research and sociological field investigation is used to demonstrate the possibility and reality of the main activities of literary subjects, namely literary creation, literary reading and literary criticism, reveal the long-standing relationship between literature and media, depict the "growth trajectory" of literary subjects in the long river of literary history, and help establish the position and situation of literary subjects in the contemporary media field.

The narrative poetry of the pre-Qin, Han, Wei and Six Dynasties is an important part of the history of Chinese poetry and has rich and colorful historical and cultural connotations. This book attempts to systematically sort out the narrative poetry of this period. The whole book determines the connotation of narrative poetry, analyzes the reasons for the emergence of narrative poetry, and the basic situation of narrative poetry in different stages such as Pre-Qin, Han Dynasty, Wei, Jin, Southern and Northern Dynasties. Focusing on the internal logic of the development of narrative poetry in different periods, we conduct research on hotspots and focus issues, and describe and grasp the evolutionary trajectory of narrative poetry at this stage. And draw lessons from Western narrative theory to summarize the narrative poetry of the pre-Qin, Han, Wei and Six Dynasties from the perspective of narrative mode.

This monograph uses social historical theory, combines theoretical discussion with text analysis, and conducts a comprehensive and in-depth study of the maritime literature of ancient Greece, modern and contemporary Britain and the United States and other maritime powers from the perspective of water culture. By systematically sorting out the evolution of the image of the ocean, we explore the process of human awareness of the ocean from awe to praise of the ocean, from ocean exploration to conquest, and finally to getting close to the ocean and living in harmony with the ocean. It reveals the historical evolution and connotation of ocean consciousness and ocean culture in the ocean powers such as the United Kingdom and the United States, reveals the relationship between people and the ocean, the ocean and society, and the ocean and human civilization, thereby pointing out the importance of the idea of ​​"human-ocean harmony" and "rational use of ocean resources."

Maonan Mountain Township is an area inhabited by the Maonan ethnic group. The literary and artistic achievements presented in Maonan Mountain Township embody the literary and artistic creation concepts and creativity of the Maonan ethnic group. In the long historical process, the Maonan people have nurtured and developed a strong ecological concept of living in harmony with nature and society. Their literature and art contain obvious and unique ecological characteristics. Focusing on the ecological perspective, a systematic and in-depth study of the literary phenomenon and its intrinsic nature of Maonan Mountain Township will reveal the inner laws of the Maonan people's creation of literary and artistic achievements, and elaborate on the attributes and development trends of the literary ecology of Maonan Mountain Township. This will help the Maonan people construct a new literary and artistic ecology, thereby exploring concepts, ways and methods to improve the overall cultural literacy of the Maonan people. It does not explore the literary and artistic ecology of other ethnic groups in the region to provide reference. Based on the overall ecology of Maonan Mountain Township as the background, this book has made a relatively comprehensive and in-depth investigation of the literary ecology of Maonan Mountain Township on the premise of possessing abundant materials and conducting a lot of field work. The topic selection is relatively novel and the insights are scientific. It has done more expansion work based on previous research results and made new contributions in theoretical research and practical research. It is expected to become an important material for studying the formation and evolution of the literary ecology of Maonan Mountain Township.

"Case Study on the History of Chinese Poetry in a Century" carefully captures 20 important cases in the history of Chinese poetry over the past century, including Lu Zhiwei, Bian Bian, Wen Yiduo, He Qifang, Lin Zhao, Jiang Gengyu, Li Xinyu, Yang Ke, Li Li, Chen Kehua, Haizi, Pan Wei, Ge Ge, Feiya, Lei Pingyang, Li Shaojun, Tan Wuchang, An Qi, Xu Junguo, and Zhang Xiaonan, and conducted research using literature reading and genetic methods. These historical cases include not only the builders of the new poetry era and the Chinese translators of foreign poetry, but also the inheritors and pioneers of traditional poetic paradigms and traditional culture; both the explorers of language ontology, and the sacrificers of national salvation sentiments and ideal beliefs; both the diggers of local living space and cultural geography, and the explorers of souls and body gender in the postmodern context; not only the poetic thoughts of scholars, but also the wonderful scenery of children's poetry. These historical cases can outline the basic flow of the long river of Chinese poetry over the past century.

This book studies the poetic thought of Liu Ruoyu, a Chinese-American sinologist, a famous contemporary cross-cultural theorist and critic. Liu Ruoyu used the theoretical skeleton of Western poetics to support the ideological flesh and blood of Chinese poetry, and constructed a theoretical system for the global transformation of traditional Chinese poetics. By sorting out the cultural foundation and context of Liu Ruoyu's thoughts, the manuscript explores the expansion and extension of Liu Ruoyu's cross-cultural poetics ideological system in the modern perspective in the context of cross-cultural dialogue and integration, re-examines his great attempt, and forms this book's academic perspective on the development of contemporary Chinese literary theory.

Sun Xingyan was a well-known scholar and philologist during the Qianjia and Qianjia periods of the Qing Dynasty. He made great achievements in document collection, document compilation, document collation, and document publishing. This book summarizes Sun Xingyan's achievements in philology, and makes a detailed analysis of his writing thoughts, compilation characteristics, collation theory, book engraving style, "rare book concept", etc., In the hope of enlightening and inspiring the world.

Marilyn Robinson is a famous contemporary American writer who has won the Pulitzer Prize, the National Book Critics Circle Award and other major American literary awards. Since 2000, with the introduction of Robinson's novels into China, Chinese scholars have begun to pay attention to the study of Robinson's works and published a number of related papers. This book is the first domestic monograph on Robinson's works written by the author on the basis of relevant research by domestic and foreign scholars. It mainly explores how Robinson actively participated in the construction of contemporary American culture through literary writing, and his profound reflection on the mainstream American culture based on the Anglo-Protestant spirit. This book places the study of Robinson's novels in the context of the relationship between contemporary American literature and national identity. It strives to conduct a comprehensive academic analysis of the faith elements in Robinson's works, deeply explore the value orientation of contemporary American culture and the importance of contemporary American novels in the process of national cultural construction, and then contribute to deepening the current research on American literature in my country.

This book refers to the Christian clues that run through the history of Western culture to examine the sacred and secular value intentions of "beauty" in aestheticism, as well as the corresponding practical consequences and cultural historical significance. The writing of prohibited pornography at the content level of aestheticism resists the external style of capitalist morality and reveals the "sacred" spiritual connotation of irrational forms that have been suppressed for a long time; its admiration for pure forms, on the one hand, subjectively "sacred" art in the form of "art for art's sake" and gives it sacred value. On the other hand, "art for art's sake" is fundamentally an integral part and link of the process of Western cultural modernity, and its eventual integration by the market just illustrates the secular rational character of form. This book analyzes the sacred and secular value intentions of aestheticism, trying to reveal the overall survival style of human beings and show the current value of aestheticism.

There is a phenomenon in the novels of the late Qing Dynasty: people like to mark the title of their works with the word "new" to indicate difference, such as "New Stone Story", "New Airship", "New Shanghai", "New People in the Twentieth Century", etc. There are quite a few. The author calls this phenomenon of "new" marks in novels, and his works are called "new" novels. This book takes this as the research object, and its main task is to describe this phenomenon, explore its causes, and classify and analyze its works based on collecting as comprehensive information as possible. The purpose of the study is to try to fill a gap in the study of late Qing novels, and to observe the late Qing novels from this perspective, in order to gain some valuable enlightenment.

In ancient times, Kyoto was not only the "residence of the emperor" and the political center, but also the center of academic and cultural affairs, occupying the most central position in the literary space and map. Chang'an and Luoyang were regarded as the "Eastern and Western Imperial Residences" in the Tang Dynasty, and were also commonly referred to as the "Two Capitals" or "Two Capitals" by the Tang people. As the most concentrated activity site for literati in the Tang Dynasty, with the special attributes of multiple cultures of the region, city and imperial capital, the two capitals had an immeasurable impact on the literary creation of the Tang Dynasty. At the same time, due to different historical and cultural accumulation and political status in the Tang Dynasty, Chang'an and Luoyang developed different regional cultures and capital cultures, and Tang Dynasty poetry also had different literary expressions and cultural presentations.

The city is a whole composed of various spaces and architectural fragments. Writers' writing about the city is mixed with individual spatial imagination and cultural memory. This book focuses on architectural writing, combines the dynamic mechanism of spatial narrative and the power relationship of spatial configuration to conduct a comprehensive investigation of urban narrative since the 1980s, explores the interactive relationship between architecture and urban landscape, space, symbols, and identity at the literary level, thereby outlining a set of "literary city" maps that are different from the past.

This book divides the history writing of China's new literature from 1920 to 1949 into three periods: the 1920s was the period of legality demonstration of the literary revolution and the historicization of "May Fourth" literature; the 1930s was the historicization period of re-evaluation of "May Fourth" literature and revolutionary literature; and the 1940s was the historicization period of re-evaluation of "May Fourth" literature and Anti-Japanese War literature. These three periods not only experienced the writing of China's new literary history, but also caused the sequential historicization of literature from different eras such as "May Fourth" literature, revolutionary literature, and Anti-Japanese War literature. While the writing of the history of new literature in China continues to add layers of layers, different knowledge paradigms have appeared one after another, forming intense collisions, dialogues and exchanges. It is these occurrences, layers and dialogues of writing the history of Chinese new literature that have laid a solid foundation for the disciplinaryization of the history of Chinese new literature after the founding of New China.

The Ming Dynasty philosopher Wang Ji (known as Longxi) advocated "nature", "true madness", "desirelessness" and "self-enlightenment" and founded the "Longxi Mind Theory". During the Jiajing and Wanli years, Longxi Psychology was widely spread in China and spread to Japan and other countries. This led the author of "Journey to the West" to accept Wang Ji's philosophical thoughts, and based on the previous "Journey to the West" stories, he used Longxi Psychology as the philosophical starting point to recreate the theme and characters. Thus, "Journey to the West" was born. This book starts from the perspective of communication studies and uses the relationship between philosophy and literature as the starting point to launch the study of the communication of Longxi's philosophy and "Journey to the West". On the basis of clarifying the academic personality of Long Xi's psychology, the author analyzes the philosophical implications of the main theme and characters of "Journey to the West", revealing that "Journey to the West" exalts the subject's personality, advocates true freedom, pursues madness and willfulness, and denies worldly aspirations. It also advocates that the subject should practice mindfulness through introspection, achieve sudden enlightenment, achieve natural desirelessness, and restore the original goodness.

This book traces the line of traditional humanist criticism "Neoclassicism-New Humanism-New Criticism", and uses "post-philosophical culture" as the background to analyze the post-humanist ideological characteristics of Richard Rorty's literary theory and cultural criticism. Posthumanism runs through a kind of pragmatism, finiteism and weak philosophy. It inherits and transcends traditional humanism in aspects such as literary interpretation, classics, criticism and values. Compared with Jameson, Bloom, Derrida and others, Rorty's cultural aesthetic taste lies between classical humanism, neo-romanticism and reader response criticism. He is a leftist who is not "left" enough, a rightist who is not "right" enough, and a postmodernist who is not "post" enough.

From the new perspective of the city and media revolution in the Song Dynasty, this book explores from many aspects the profound impact of the prosperity of urban culture and the media revolution in the Song Dynasty on the transformation and innovation of Song Dynasty literature and the formation of new literary characteristics. Based on the basic understanding that the printing media revolution that occurred in the Song Dynasty had a multifaceted impact on the entire literary ecological environment of the Song Dynasty, on the transformation and innovation of Song Dynasty literature, and even on the formation of new characteristics of Southern Song literature, the first part studied how the printing media culture of the Song Dynasty influenced and promoted the literary change and prosperity of the Song Dynasty, forming new literary production. Many literary phenomena and their production mechanisms, such as dissemination, deprecation, and reading, reflect on and explore the new historical development trend of Song Dynasty literature under the influence of the new print media culture and its significance in literary history. The second part explores the close relationship between the new literary production and the prosperity of urban culture in the Song Dynasty, revealing how the new urban literature constructed, enriched and specifically demonstrated the new urban culture and its belief world. It explores the new literary production and literary changes formed under the influence of the urban prosperity and the rise of citizen culture in the Song Dynasty across disciplines and at multiple levels, as well as the challenges that new literary concepts and aesthetic tastes posed to traditional elite literature. In addition, an important aspect of the Song Dynasty's impact on the transformation of literature and art was the transformation of visual culture. Relevant chapters in the book also preliminarily explore the multifaceted impact of increasingly rich visual images on literary concepts, literary creation, and literary reform and innovation in the Song Dynasty.

"Research on the Poets Group and Regional Cultural Image of Huxiang in the Song Dynasty" discusses it from the perspective of poet groups and regional literature. The study of poets focuses on the relationship between people and the poetry creation under this relationship, placing the poet in a specific time and space, and examining the connection between him and the people and environment around him, rather than statically describing the individual poet and his works in isolation. The book discusses the unique characteristics of Huxiang literature in the Song Dynasty from the perspective of regional literature. The first part discusses Hunan through the writings of poets with different identities such as hermits, monks, scholars, and immigrants. Showing Huxiang in the Song Dynasty, the second part examines the regional cultural image of Huxiang in Song poetry from three cultural aspects with unique local characteristics: "Eight Scenes of Xiaoxiang", "Image of Xiaoxiang" and "Xiaoxiang Stone Carvings". In addition, the work pays special attention to local stone inscriptions. Through field investigation and text compilation of stone carving groups in many places in central Hunan, this book has obtained a large amount of first-hand materials, including many precious documents that have not yet been disclosed to the world. In the specific research, the book selects Wuxi, Chaoyangyan and Danyan, which have the most carvings in the Song Dynasty, as the key research objects and discusses them one by one. The author does not treat stone carvings as cold cultural relics, but uses stone carvings to explore the experiences and stories of the people who carved them, presenting a civilization sequence that has been passed down for thousands of years.

This book is divided into two parts, with a total of six chapters. The first part deeply explores the ancient spiritual ecosystem of Guizhou minority literature from the aspects of academic foundation, mythology and folk poetry; the second part comprehensively analyzes the ecological spiritual system of Guizhou minority literature that has been inherited to this day and remains active from aspects such as bamboo culture, bronze drum culture, Wu Nuo taboo culture, and Lusheng marriage and love culture. With the help of the theoretical framework of ecocriticism, this book excavates and organizes the folk literature materials of the main ethnic minorities who have lived in Guizhou for a long time, and provides a new interpretation of the ecological value contained in them. At the same time, it breaks through the traditional one-dimensional research model, allowing theory and phenomenon, subject and object to penetrate, corroborate and interact with each other. This is exactly in line with the principles of integrity and interactivity advocated by ecocriticism, and also opens up a research perspective for ecocriticism to use folk wisdom to intervene in academic theory.

This book provides an in-depth analysis of Zhang Ailing's works, thereby revealing her ways and means of thinking about and grasping the world. Based on Greimas' narrative theory, the story of love and desire in Zhang Ailing's works is interpreted, and the characters and their functions in the works are explored. It outlines the image of the implicit author presented by Zhang Ailing in her works. The implicit author is the ideal, literary and second self illusion of the real author Zhang Ailing. It is the implicit image in different works. The analysis of Zhang Ailing's narrative time strategy and narrative time dimensions explains the story time and text time, time narrative and space narrative, the dimensions of narrative time; the relationship between world time, work time, author time and reader time. Analyze Zhang Ailing's narrative space and spatial dimensions, and propose several dimensions of Zhang Ailing's space research: story space and discourse space, story space and narrative perspective, story space and plot development, narrative space levels, etc. At the same time, the lasting charm, diverse themes, and rich artistry of Zhang Ailing's works are summarized and summarized, as well as the perspective of Zhang Ailing's research, classic evaluations of Zhang Ailing, the current status and research potential of Zhang Ailing's research, and the new direction of Zhang Ailing's research.

Leslie Marmon Silko is an outstanding representative of the contemporary American Native literary renaissance. Under the perspective of ecocriticism theory, this book uses three of her novels and a memoir as texts to explore the ecological thoughts reflected in her works. It mainly elucidates the postcolonial ecological thought, ecofeminist thought and ecological holism thought reflected in her works. At the same time, it summarizes the uniqueness and evolution process of Silko's ecological thought.

This book takes the contemporary American Jewish writer Philip Roth as the research object, and takes Roth's identity exploration and historical writing as the internal main line. Based on the principles of continuity and evolution, taking into account the chronological order and the theme of the creation of his works, it focuses on Roth's three main identities: Jewish ethnic identity, American national identity, and writer. Writing identity; combing the starting point of Roth's identity exploration, analyzing the identity anxiety in the works to the initial exploration of Jewish identity, American national identity and the writer's writing identity, arguing that these identities are not separated, but have logically opposing relationships, and are connected and intertwined in multiple ways. ; Explore the manifestations of Roth's identity exploration in different historical spaces, mainly tracking Roth's changing oppositional contexts in the United States, Israel, Europe, etc., Outlining the breakpoints and intersections of Roth's creation, reflecting the formation and self-correction of Roth's identity concept; showing a more specific Jewish nation history and the broader panorama of American history, pointing out that Roth has shifted from focusing on a single, concrete, and determined national identity, to acknowledging the openness and uncertainty of identity in public arenas, and finally returning to the wounded identity in history, emphasizing that identity is not only the construction of the narrator, but also a complex historical product. Finally, it summarizes the multiple cultural implications of Ross's historical writing and emphasizes the significance and value of Ross's historical writing.

This manuscript is part of Hunan Women's University's "Chinese and Foreign Women's Literature Research Series". The manuscript focuses on research on Eileen Chang in the English-speaking world. The study of Zhang Ailing in the English-speaking world has become a frontier topic of Zhang Ailing research since the end of the 20th century. It is a brand-new and quite meaningful topic. Although the research results on Zhang Ailing are very rich, no Chinese scholar has yet systematically collected and organized the research on Zhang Ailing in the English-speaking world. Starting from this point, the author extensively collected original English materials and translated them into Chinese by himself. The literature materials have a certain degree of originality and scarcity. By introducing the research results of Zhang Ailing that have not been widely introduced by some scholars in the English-speaking world, the author fills some gaps in the domestic research on Zhang Ailing.

This book mainly conducts a relatively systematic study and discussion on the basic forms and values ​​of deconstructive criticism. Specifically, it includes the analysis and research of the connotation of deconstruction, the grasp of the "history" and "theory" of deconstruction criticism, the exploration of the paradigm of deconstruction criticism, and a relatively concentrated discussion of the literary view, text view, critical view, contextual view, etc. Of deconstructive criticism. Moreover, in order to help everyone better understand this form, this book also combines some specific works to explain or explain it. Of course, the combing of forms is only one component of this book. Another important part is concentrated on the evaluation of this critical theory and the exploration of the theoretical value, practical significance and application possibilities of this critical form. It can be said that it still embodies a strong awareness of issues, has relatively prominent current significance, and can play a certain role in promoting the construction of the form of contemporary literary criticism in my country.

This book mainly conducts an in-depth and systematic discussion on the creative relationship between Zhang Ailing and British literature. The first part examines Eileen Chang's creative relationship with British literature from a holistic perspective, analyzing the objective background of Eileen Chang's reading and acceptance of British writers' works, the resonance and possible actual impact. The second part interprets individual cases of Zhang Ailing and British writers, specifies the implicit or explicit similarities between them, and traces the traces of Zhang Ailing's absorption, reference and transformation in the creative acceptance of British writers' works. From the perspective of expectations, this book not only focuses on exploring the creative relationship between Eileen Chang and British literature, as well as the integration and creative transformation of Eileen Chang in the process of accepting the works of British writers. It also attempts to make an in-depth analysis of the relationship between Eileen Chang and British literary creation through close reading of the text and theoretical interpretation. It can also achieve a new understanding of Eileen Chang from the study of this relationship, and reflect on the development of the relationship between contemporary Chinese literature and foreign literature.

This book is a study of overseas Zhuzhi Ci written by Chinese in the late Qing Dynasty (1840-1911), focusing on the European and American parts. The book traces the tradition of Zhuzhi Ci since the Tang Dynasty and the origin of overseas Zhuzhi Ci, examines the research status and existing problems of overseas Zhuzhi Ci in the late Qing Dynasty, and focuses on the works of ten authors including Wu Qiaoshan, Bin Chun, Chen Lanbin, Yuan Zuzhi, Zhang Zuyi, Pan Feisheng, Wang Zhichun, Pan Naiguang, Zhang Zhitian, and Zhang Yunan. The author made a summary of the lost documents, reviewed and annotated the main works, and sorted out some relevant historical facts. In terms of meaning, the author strives to transcend the modern research model and reinterpret the work in a realistic manner from the perspective of differences between China and the West and cross-cultural exchanges.

"Su Shi's self-understanding" is an investigation angle that has been relatively ignored in previous studies, but it may provide a new way of thinking for deepening the study of Su Shi that is different from pure etic judgment. Through careful reading of the text, this book sorts out and integrates the information about self in Su Shi's literary writings. It follows the discourse logic from text phenomena, life practice to thinking generation, and presents Su Shi's personal image and life status under self-examination from multiple aspects. First, we analyze the self-expression phenomena that exist in Su Shi's writings, such as self-profession, self-parody, self-mockery, and self-promotion. Then we use official experience, social relations, and natural observation as important objects of Su Shi's life practice to explore his self-recognition in specific situations. On this basis, focusing on some important ideological propositions of Su Shi, we will show how he maintains his inner peace with subjective thinking, and explore the enlightening significance of life practice for his thinking. Through the perspective of Su Shi's self-reflection, this book strives to piece together the traces of his life of "self-knowledge of warmth and coldness", revealing Su Shi's rich appearance and life experience in a relatively in-depth manner.

This book aims to study the creative characteristics of the four stages of Capote's novels: the early (1940s), the middle (1950s), the heyday (60s), and the late (70s to 80s). Based on text analysis, combined with ethics, psychology, new historicism criticism, consumerism and other theories, it interprets the overall creative characteristics of representative works and novels in the four stages, trying to present the development trajectory of Capote's novel creation from a unique perspective. This book is not only an academic research monograph on Capote's novels, but also an introductory book introducing Capote as a person and his works.

This book strives to pay overall attention to the novels in the liberated areas from the perspective of literary popularization, combines internal and external research on literature, and arranges chapters based on the unique characteristics of external and internal factors in the creation of novels in the liberated areas to discuss the overall characteristics of the creation of novels in the liberated areas. This book focuses on studying the impact of literary popularization trends on the creative concepts, aesthetic tastes, artistic techniques, and writing status of writers in liberated areas, and then studies the creative practices of writers in liberated areas in terms of popular pursuits, novel themes, structural forms, and regional styles.

Northern grassland culture, like Yangtze River culture and Yellow River culture, has supported and cultivated the vast and far-reaching Chinese civilization with its unique connotation and power, creating the unique style of ancient northern grassland literature. This book starts with the works that embody the spiritual characteristics of the northwest grassland regional culture in the Book of Songs, and ends with the grassland literature of the Qing Dynasty that takes the northern grassland as its theme and covers everything. It explores from top to bottom to comprehensively and systematically explore the types of grassland cultural spirit and grassland aesthetic emotions, pursuits, and characteristics in literary works. This kind of expression further clarifies that the persistent pursuit of the beauty of simplicity, nature, harmony, heroism, masculinity, secular beauty, and integration is the main component of ancient northern grassland literature and aesthetics, thus enriching the exploration of ancient Chinese literature and aesthetics.

The book "Modern Chinese Literature Debate and Cultural Politics" focuses on the far-reaching "national form" literary debate in the history of modern Chinese literature. It explores the relationship between the modern Chinese literary debate and writers' literary creation and cultural and political construction. It provides a new interpretation of the connotation and significance of modern Chinese literary criticism and greatly expands the understanding of modern Chinese literary debate and literary criticism. This book explains in detail the complex relationship between theoretical construction and cultural practice: literary debates and literary theory construction not only have cultural significance, but can also change cultural forms, transform social life, and influence the development process of Chinese society through literature and cultural practice. This book draws on relevant research methods from history, sociology and other disciplines. It not only promotes research in related fields of modern and contemporary Chinese literature, but also provides new research perspectives and references for cultural studies, Chinese Communist Party history research, social history research and other research fields.

This book is based on traditional literary appreciation and criticism, drawing on research methods such as structuralism, new criticism theory, hermeneutics and reception aesthetics. It combines the era, social background, writer's life and other related content to comprehensively interpret the representative works of major writers in each period from the aspects of word meaning, emotion, tone, intention, etc., Conducts a comprehensive analysis and discussion of Taoyuan poetry in the Song Dynasty, and strives to make breakthroughs in the field of Taoyuan poetry research.

This book is divided into two parts. The first part introduces the connection between narrative and discourse from four aspects: narrative theory, text, narrator, and perspective. The second part focuses on integrating theory with practice, using the "smart eye" of discourse analysis to explain the inner connection between Hollywood movies and the image of China, as well as the mockery of modern discourse in black humor novels. This book is suitable for beginners who are interested in narrative theory, and can also be used as a supporting book for studying literary theory.

This book puts forward a new concept of genre novels, namely "humanistic fantasy novels". Separate humanistic fantasy novels from science fiction novels to show their unique humanistic value and significance. The structure of the book is based on the development history of modern humanistic fantasy novels and the representative works of each period as the weft. It deeply discusses the concept, performance characteristics and historical evolution of humanistic fantasy novels. Analyzing the historical status of humanistic fantasy novels from the development of Chinese and Western fantasy literature proves that humanistic fantasy novels have a longer history than science fiction novels, and their independent existence should not be obscured by subsequent science fiction novels. Deeply explore the facts and significance of the existence of modern humanistic fantasy novels, as well as the difficulties in the development of humanistic fantasy novels under the cover of science fiction novels. The focus is on analyzing and interpreting works from Liang Qichao's "The Future of New China" to Lao She's "Cat City" to Liu Zhenyun's "Hometown Noodles and Flowers". It re-evaluates and positions this type of novel in the history of humanistic fantasy novels.