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1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

1. It brings together Mr. Feng Qiyong's important achievements in all aspects of Red Studies research over decades, and is a comprehensive interpretation of Red Mansions. 2. Use "Zhiyanzhai's Commentary on Stones" (Gengchen edition) as the original version, use Jiaxu, Jimao, Liezang, Mengfu, Qixu and other editions as the revised edition, and refer to Shixian's new annotated edition. The content includes comments on sentences, paragraphs and each chapter, as well as explanations of the historical background of the writing of "Dream of Red Mansions", the author's family background and special sentences, etc. It is a model in terms of the depth of interpretation, the way of commenting, the practicality of evidence analysis, and the accuracy of collation. 3. Not only are Mr. Feng Qiyong's own comments, but also selected comments from the Jiaxu, Jimao and Gengchen editions are included for readers' reference and research.

This book is a Lu Xun research monograph compiled by the author based on the Lu Xun research lecture notes and academic papers published in recent years. It reflects the author's representative achievements on related topics in a concentrated way and is highly original and cutting-edge. Among them, there are close readings of classic works such as "Diary of a Madman", "Kong Yiji", "The True Story of Ah Q", "Blessings", "Sorrow" and "Forging Swords", research on "Wild Grass", "Morning Blossoms Plucked at Dusk", "the whole book" and difficult issues such as the ideological background, classic value, and subsequent impact of Lu Xun's literature, and discussions on the theories and methods of classroom teaching and text close reading, etc., All of which have the effect of reopening the text, activating the field, and leading the trend. The publication of this book will make the author's achievements in related fields more visible, and will also have a positive impact on leading the reading and popularization of Lu Xun literature in the new era.

"Red Rock" is a revolutionary novel that was popular in the 1960s and 1970s. It was written by Luo Guangbin and Yang Yiyan, survivors of the Kuomintang concentration camp, based on their own personal experiences. We are familiar with the heroes such as Xu Wenfeng and Jiang Jie in "Red Rock", but the novel has been artistically processed after all. Who are the prototypes of the heroes of "Red Rock"? What kind of life experiences and stories do you have? How can they use their lives to defend their beliefs? Li Hua, director of the Hongyan Revolutionary History Museum, gave his own answers to these questions after years of hard visits and painstaking research.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 106 classic ancient poems containing the word "" from more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments by famous experts, leading readers to embark on a beautiful and moving journey of poetry culture among the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 106 classic ancient poems containing the word "huan" by more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments by famous experts, leading readers to embark on a beautiful and moving journey of poetry culture in the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 106 classic ancient poems containing the word "lake" by more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments by famous experts, leading readers to embark on a beautiful and moving journey of poetry culture among the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 106 classic ancient poems containing the word "sadness" from more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments from famous experts, leading readers to embark on a beautiful and moving journey of poetry culture in the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Fei Hua Ling", this book carefully selects 106 classic ancient poems containing the word "Li" by more than 70 poets. Each poem is followed by corresponding notes, brief analysis, background and comments from famous experts, leading readers to embark on a beautiful and moving journey of poetry culture in the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 106 classic ancient poems containing the word "mountain" by more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments by famous experts, leading readers to embark on a beautiful and moving journey of poetry culture among the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

In accordance with the rules of the traditional Chinese poetry culture game "Feihua Ling", this book carefully selects 100 classic ancient poems containing the word "river" by more than 70 poets. Each poem is followed by corresponding annotations, brief analysis, background and comments from famous experts, leading readers to embark on a beautiful and moving journey of poetry culture among the sea of ​​books and ink. This book is reasonably organized, with pictures and texts. It is a popular cultural book that combines knowledge, aesthetics and culture.

Tang poetry and Song lyrics, the two twin pearls of Chinese classical literature, have been fragrant for thousands of years and remain fresh for a long time. Su Ying has studied ancient poetry since she was a child, and is good at using poetry to interpret the emotions of modern society. Her clear, sensual, gentle and sensational writing style has created a critical aesthetic that is unique to Su Ying, which is deeply loved by readers, and her works continue to sell well. The young angry horse likes Tang poetry, Song poetry, and Dream of Red Mansions. He loves telling stories and teasing, and can write complex and boring knowledge into jokes. Wei Qi used a beautiful and romantic writing style to intensively read the only fifty existing Yi An poems. This set of books is accompanied by a selection of Tang poems and Song lyrics: "A Boy in Fresh Clothes and Angry Horses: Poems and Wine of Poets of Tang and Song Dynasties", "Li Qingzhao: Life is Just a Splendid Flower Event", "Past Stories of the Tang Poet: Flying and Submerging in the Splendid Country", "Biography of Nalan Rongruo's Ci", "It's Useless to Miss Love on a Straight Road: A Biography of Li Shangyin's Poems", "The Most Beautiful Song Ci", "Just to Meet You on the Road", "Intensive Reading of Words in the World". Under the observation of contemporary aesthetic perspective, the author quotes from many sources, uses allusions flexibly, makes new discoveries, is meticulous and to the point, has clear words, full of wit and profound insights, and every article is a beautiful article. A blend of romantic poetry and prose, it is the pinnacle of appreciation. Walking along this river of poetry that is sometimes gentle and sometimes agitated, I reunite with the names in my heart: Li Bai, Du Fu, Meng Haoran, Wen Tingyun, Li Yu, Su Shi, Li Qingzhao, Xin Qiji, Nalan Rongruo, Wang Guowei... Listen to their elegance and affection, openness and sadness.

Based on the historical and academic logic of "geography - new geography", "cultural geography - new cultural geography" and "literary geography - new literary geography", this book clearly proposes a new proposition of "new literary geography" for the first time, with the academic purpose of creating a "new literary geography" system and "edition" The "Three Principles" theory of "Picture Restoration, Scene Restoration, and Spiritual Exploration of the Original" is the theoretical guide, with conceptual definition, subject positioning, theoretical construction and method integration as the four pillars, and is finally integrated into the five major sections of "Historical Review", "Discipline Theory", "Spatial Dynamics", "Research Pathways" and "Academic Relevance". The whole book focuses on a systematic discussion around the four major links of "restoration, reconstruction, transcendence and return", striving to achieve new breakthroughs and transcendences in the "ancient and modern, Chinese and Western" and academic dimensions. It embodies the organic unity of international vision, local feelings, the spirit of the times and theoretical innovation. It has important theoretical value and practical significance for promoting the discipline construction of literary geography and the cross-border integration and innovation of literary research.

Liu Shaoxiong, a master of poetry studies, has a novel interpretation of Tang and Song poetry, teaching you how to read Tang and Song poetry like watching a movie. It's so good that you can't help but scroll through the comments! 115 Que Ci, 40 poets, take you into the true painting scene of thousands of years. I believe that when reading Jin Yong's martial arts novel "The Legend of the Condor Heroes", many readers felt sad when they read Yang Guo reciting Su Shi's "Jiangchengzi", "Ten years of life and death. If you don't think about it, you will never forget it."; They also felt speechless when they heard Li Mochou, the evil demon who kills without blinking an eye, repeatedly reciting Yuan Haowen's "Moyu'er" - "Ask what love is in the world, and teach life and death." In our young years, when we read such plots, we can't help but feel some kind of inexplicable emotion. The reason why Song poetry can easily touch people's hearts is because the author is emotionally inspired and writes sincerely. Writers write lyrics mainly to sort out their feelings and thoughts by creating lyrics. When we read words and face our own emotions, we can not only identify with the poet's experience, but also get inspiration from them to relieve the sorrow and resentment in our hearts. What is achieved between reading and writing is the most beautiful spiritual communication between each other, as well as a world of affection that cannot bear to be left to waste. Professor Liu Shaoxiong, a famous poet in poetry, offers a general course on the appreciation of Tang and Song poetry at National Taiwan University. Every time the class starts, the seats are packed. His explanations are full of imagination and emotion. Listening to every word he speaks is like watching a movie full of pictures. Encountering a collection of good words is like walking into a real time travel.

This book gathers a large number of previous research results, decrypts the code of Shakespeare's creation through the perspectives of various schools and major Shakespeare critics, reveals the relationship between Shakespeare and the times, and reproduces the style of Shakespeare's drama masters. This book has an objective argument and rich and detailed historical materials, which is helpful to the research and development of Shakespeare in my country.

This book is a French volume. The explanation is mainly from four angles: the first is to explain the original classics, from the author, the background of the times, the storyline to the essence of the book, closely following the original work, telling readers what is good about each classic and how to read a good book; the second is to highlight the point of view, using the accumulation of reading history and lectures, starting from the perspective of literature, history and philosophy, comparing texts, themes, writers, and protagonists, and digging out Explore the various ways of reading classics; the third is to talk about aesthetics, and use the teachers' overseas study experience to lead readers to jump out of words, experience reality, and enter Notre Dame de Paris written by Hugo and the streets of Paris written by Balzac; the fourth is to explore values, return to the present, sort out reading methods at different stages of life, and explore youth growth and dream struggle.

"Master Class of World Masterpieces: Russian Volume" is an in-depth interpretation of the 11 most representative masterpieces of Russian literature by translators and authoritative scholars in the field of world literature, such as "Eugene Onegin", "The Captain's Daughter", "The Imperial Envoy", "Dead Souls", "Crime and Punishment", "The Brothers Karamazov", "War and Peace", "Anna Karenina", "Resurrection", "The Quiet Don", "Doctor Zhivago", etc. Famous writers analyzed the classic works from different angles such as the author's experience, historical background, storyline, characters, and creative techniques, and deeply discussed themes closely related to real life such as youth growth, dream struggle, relationships and wealth, love, hate, life and death, etc. For example, Wang Zhiliang discussed how Pushkin created the first "superfluous man" image in Russian literature, and the contradiction between romance and fragility in Onegin; Liu Wenfei analyzed the poetic language and the structure of the "lyrical epic" in "Doctor Zhivago" to explain the poetic beauty of this novel...

The content of this book is an in-depth and simple interpretation of 16 of the most representative masterpieces in the history of American literature by translators and authoritative scholars in the field of world literature from more than a dozen prestigious universities in China. From the author's experience, historical background, storyline to the essence of the book, they closely follow the original work and explain it step by step, telling readers what is good about the classic and how to read a good book, and the story is vivid, interesting and fascinating. World famous books such as "The Scarlet Letter", "The Old Man and the Sea", "Gone with the Wind", "The Catcher in the Rye" and "Walden Pond" basically cover the required readings for junior high school and high school courses. They are very suitable for middle school students to expand their extracurricular reading horizons and enrich their reading. Reading the best books in a limited time, this set of books is of great benefit to awakening interest in reading and improving humanistic literacy.

"World Famous Master Class: Japanese Volume" is an in-depth interpretation by translators and authoritative scholars in the field of world literature of 15 of the most representative famous works in the history of American literature, such as "Man'yoshu", "The Tale of Genji", "I am a Cat", "Heart", "In the Bamboo Forest", "Disqualification in the World", "Snow Country", "The Ancient Capital", etc. Famous writers analyzed the classic names from different angles such as the author's experience, historical background, storyline, characters, and creative skills, and deeply discussed themes closely related to real life such as youth growth, dream struggle, relationships and wealth, love, hate, life and death, etc. For example, Zhang Zhejun introduced why the ancient Japanese female writer Murasaki Shikibu was able to create the earliest novel "The Tale of Genji". Song Gang analyzed Natsume Soseki's "I Am a Cat" and discussed how the author panoramically presented Meiji society through the eyes of a cat...

"World Famous Master Class: Comprehensive Volume" is an in-depth interpretation of 16 most representative titles in the history of foreign literature by translators and authoritative scholars in the field of world literature, such as "Homer's Epic", "The Divine Comedy", "The Decameron", "Crazy Roland", "The Sorrows of Young Werther", "Gitanjali", "The Prophet", "The Castle", "One Hundred Years of Solitude", "The Unbearable Lightness of Being", etc. Famous writers analyzed the classic names from different angles such as the author's experience, historical background, storyline, characters, and creative skills, and deeply discussed themes closely related to real life such as youth growth, dream struggle, relationships and wealth, love, hate, life and death, etc. For example, Ye Tingfang used easy-to-understand language to give an in-depth explanation of the "alienation" world described by Kafka in "The Castle". Ding Junjun walked into the heart of Young Werther and re-examined "The Sorrows of Young Werther" with a modern perspective...

This book collects all versions of "Human Words": the manuscript, the final version, the unpublished version, the revised version, the selected version and the current version, as well as the appendices in the current version. This book has compiled the above books to make it easier for readers to read and think. The annotations include an introduction to the names of people and explanations of the original poems and their difficulties cited in the poems, providing readers with relatively comprehensive knowledge. The review section covers various commentaries in the 20th century and collects wonderful and unique comments for readers to refer to and make more in-depth thinking on this basis.

"World Picture Book Reading and Classics" is a reading guide that teaches readers how to read and appreciate picture books. The whole book is divided into two parts. The first part is an introduction to picture books as a book category. The next part selects more than 60 world classic picture books that have been introduced and published in China for a wonderful interpretation. The appendix not only includes an introduction to important picture book awards and authoritative recommended books, but also provides a subject index for readers' in-depth reading and research.

"Jiangxi Literary Situation Report 2018" is an annual theoretical reading of the province's primary school literature, poetry, prose, film and television drama literature, online novels, and literary criticism founded by the Institute of Literature of the Provincial Academy of Social Sciences in 2009. It describes the general situation of Jiangxi's literature and art in that year, displays the achievements of Jiangxi's literature and art in that year, and takes stock of Jiangxi's literary and artistic gains and losses in that year. Conduct special research on Jiangxi's annual novels, prose, poetry, children's literature, literary theories, activities, etc., And set up columns to reflect it.

"Inner Landscape" is one of the "Wending Central Plains" series of key works supported by the Henan Provincial Writers Association. The author uses the collection of essays "Sleeping Words" (Guangming Daily Press, 2017) as the starting point to interpret the "avant-garde literature" of Henan poet Zhang Xianming. As a text to be interpreted, the fragmented stories, scenes and details of "Sleeping Words" are full of extraordinary imagination and surrealism. As a literary review, "Inner Landscape" involves subjects such as philosophy, psychology and semiotics, with a color of deconstruction, modernity and high literary theory value.

Western literary trends and schools have many names, have risen and fallen, and theoretical works on literature and art emerge in endlessly. In almost every era, there have been far-reaching literary theorists. As a literary theorist, he usually has a complete set of theories, which guides and even dominates the literary world at that time. This book is neither an essay nor a novel, but a work of art. A piece of small madeleine cake brought out endless unconscious memories, and then the pen turned sharply. The author strongly criticizes the mechanical and erroneous criticism methods of the authoritative critic Saint-Beuve, and the resulting contempt and misunderstanding of all the literary geniuses in the French literary world at that time. The whole book contains both lyrical narrative and rational speculation. The two complement each other and reflect each other. The style of nearly half of the book is similar to or echoes that of "Reminiscence of Lost Time". It is a condensation of the essence of the author's thoughts and laid the first cornerstone for later textualist and structuralist criticism.

In recent years, there has been a lot of enthusiasm about the theme of "Journey to the West". Whether it is a TV series or a book, they are all different interpretations of the story of Journey to the West. For example, in the TV series "Journey to the West", Sun Wukong is super invincible, the generals in the Heavenly Palace are useless, Sha Monk is honest and kind, Tang Monk's emotional world is colorful, and all kinds of fairies are vulnerable. However, if you really take the original work and chew it slowly, and comment on and think about it chapter by chapter, there is really not much. This book is based on the original work of "Journey to the West". It uses a contemporary perspective and the most relaxed and vivid way of expression to analyze relevant characters, events and the clues hidden behind the story of Journey to the West. It also shares some of the author's gains and insights with interested friends. It is also a tribute to the classic masterpiece.

He Ping is not an academic critic in the usual sense. In the past five or six years, he has hosted the "Flower City Concern" column, convened the "Shanghai-Nanjing Twin Cities Literary Workshop", and edited the "On-site Literature Series" and the "Literary Community Book Series" to realistically influence the current literary production and ecology in order to fulfill his critical ideal of rebuilding the dialogue and publicity of literary criticism. "The Return of Criticism" is based on the long-term literary history and the integrity of the macro-literary view. It uses field surveys to explore and redraw the panoramic map of contemporary Chinese literature. It is a native archive of the literary scene. Not only that, in He Ping's view, it is an important tradition of modern Chinese literary criticism that critics take root in the literary scene and participate in literary production and the construction of literary history. Adhering to this tradition, "The Return of Criticism" presents a unique personal critical style in its concepts, postures, practices, paradigms and styles. The book is divided into three volumes: "Ideology", "Writers" and "Scene". "Trend of Thought" is He Ping's exploration and reflection on Chinese literature as a whole in the era of reform and opening up, especially the 20 years of the new century; "Writer" is a series of case studies of writers, in which he reflects on the aesthetic creation of contemporary Chinese writers using five writers, including Alai, Chi Zijian, Li Er, Ai Wei, and Qiu Huadong; "Site" is a private literary archive that contains the general comments of thirty issues of the "Flower City Concern" column hosted by the author from 2017 to 2021. He Ping uses a critic's aesthetic sensitivity and independent judgment to sort out and identify the rich literary scene, extract new literary trends and aesthetic experiences, and pay attention to the era of reform and opening up, especially important literary issues in the new century: local and world literature, media revolution, the impact of AI technology on literature, literary generations and youth writing, reform The historical logic of Chinese literature in the era of reform and opening up, multi-ethnic literature and literary communities, emerging literary styles, social changes, etc., Starting from the literary issues of the times, realize the return of literary criticism to contemporary Chinese literature and the reality of China it is related to, demonstrating the effectiveness and reality of literary criticism with attitude, temperature, and emotion.

This book takes the anthology of ancient poems from the Ming and Qing dynasties as the main line, and places the anthology in the context of the poetic thought and cultural development of the times. It begins with the debate between the "teacher's heart" and "retroversion" of the Ming people. After cultural selection and integration, it finally ends with the "return to tradition" of the Qing people. The book is divided into two parts, the upper and lower parts. The first part focuses on the detailed analysis of each selection, aiming to extract its main ideas and inner spirit through specific criticism, and outline the process and evolution of the selection's participation in the construction of poetic theory through comparison with other selections. The second part will vertically sort out the confrontation and integration of poetic concepts of various schools, and explore the process of gradual clarity of poetic concepts in the confrontation and integration.

This book is divided into two parts. The poetry criticism part mainly focuses on the criticism of contemporary Tibetan Chinese poetry, and conducts case and group research on Tibetan Chinese poetry since the 1980s from the two dimensions of ethnic attributes and local knowledge; the novel criticism part takes the works of Wanma Tseden, Yan Yingxiu, Lhasenjia, and Yun Cairang as the main research objects. Through close reading of the text, it analyzes the local, ethnic, and modern characteristics presented in contemporary Tibetan novels, and explores the literary concepts, writing experiences, and insights of contemporary Tibetan novel authors. In addition, the book includes novels and poetry criticism by authors from other ethnic groups such as Zhang Shuguang, Gao Chunlin, Qiao Dianyun, Cheng Ran, etc., Aiming to show the differences and richness of literary discourse influenced by different ethnic groups and regional cultures.

This book is the author's research monograph on Wei Yingwu's poetry and prose. It is divided into two parts: the main text and the appendix. The main text is the author's historical and cultural reinterpretation of Wei Yingwu's Chuancun works based on the research of Sun Wang, Tao Min, Wang Yousheng, Liao Zhongan and other scholars in the context of the transformation period of the prosperous Tang Dynasty. The appendix contains some of the author's published papers, including research on Wei Yingwu and research on the relationship between temperament and aesthetics in Chinese poetry involving Wei Yingwu. It is a development of the main text and has been the author's research interest for many years.

This book is an academic journal sponsored by the School of Liberal Arts of Beijing Normal University. It is published twice a year. Its research fields include ancient Chinese literature, modern and contemporary Chinese literature, literature and art, Chinese classical philology, comparative literature, folklore, etc. This book has been selected as a source journal in the Chinese Social Sciences Citation Index (CSSCI) (2017-2018). The book mainly publishes original literary research works at home and abroad, aiming to exchange academic information, display academic excellence, maintain academic norms, and promote healthy academic development.

Huang Ping, a professor at East China Normal University and a young critic, made wonderful comments about the works of contemporary Northeastern young writers Shuang Xuetao, Ban Yu, and Zheng Zhi. Regarding the gradually marginalized contemporary literature, Shuang Xuetao, Ban Yu, and Zheng Zhi once again remind us that literature is not a "professional" that can be separated, but has always been closely connected with life. The writings of Shuang Xuetao, Ban Yu, and Zheng Zhi have re-polished the dignity of losers. It's like a letter sent twenty years late, comforting my parents who are entering their twilight years. The writings of Shuang Xuetao, Ban Yu, and Zheng Zhi began in the Northeast, reconstructing the connection between literature and life, unfolding narratives in the continuity of history, and safeguarding true emotions and human nature. The writings of Shuang Xuetao, Ban Yu, and Zheng Zhi create a novel realism. Their novels are a call to action in terms of themes and aesthetic styles. Summons the continuity of history, summons the moral mission of fiction, summons true art.

In this accessible and entertaining book, Terry Eagleton asks a series of intriguing questions. In a brilliant analysis, Eagleton shows how to pay full attention to a literary work's tone, rhythm, texture, syntax, allusion, ambiguity, and other formal aspects when reading. He also examines broader issues of character, plot, narrative, creative imagination, the meaning of fictionality, and the tension between what literature says and what it represents. Authoritative and enjoyable, the author provides helpful commentary on classicism, romanticism, modernism, and postmodernism, and offers fascinating insights into writers ranging from Shakespeare and J. K. Rowling to Jane Austen and Samuel Beckett. This book is a first choice for beginning literature students and all other readers interested in deepening their understanding and enriching their reading experience.

"The Landscape of Literary Writing in the New Era" is a collection of literary criticism. The book is divided into upper and lower parts to outline the creative and diverse landscape of original literary writing in the new era: the first part focuses on discussing the new development trends and new literary issues emerging in the new era from a macro perspective, focusing on analyzing the coordinate system of youth writing, the possibilities and current symptoms of non-fiction writing, as well as the direction of new types of writing such as New Southern writing, science fiction literature, and AI writing; the second part focuses on microscopic aspects In this aspect, nine representatives of young writers who are active in the forefront of original literature, including Xu Zechen's "Going North", Li Xiuwen's "Poetry Come to Meet Me", Lu Min's "Flying to the Moon", Ge Liang's "Ade and Steve", Fu Xiuying's "Moshang", Zhang Yueran's "Cocoon", Sun Pin's "Glory Years", Hu Zhufeng's "Chinese Articles", and Wang William's "Wild Future" are used as text interpretation models, showing the vitality of youth writing in the new era. Xu Zechen's "Grand Canal", Li Xiuwen's "Poetry of Life and the Soul of the Earth", Lu Min's response to the changes of the times, Fu Xiuying's new rural narrative, and the spiritual dilemma of the post-80s generation represented by Zhang Yueran... These interesting literary phenomena were keenly perceived, captured, and amplified by the author, recording the richness and diversity of the microscopic literary landscape.

Taken from the name of Wei Xiaohe's earliest WeChat official account: More than Reading. "More Than Reading" includes readings of novels by Marquez, Hemingway, Janet Winterson, Jane Austen, Chekhov, Dickens, Balzac, Dostoevsky, Salinger, Shen Congwen, Zhang Ailing, Mu Xin, Zhang Beihai, Li Juan, Lu Nei, Shuang Xuetao, Ban Yu, Zheng Zhi, biographies of writers, literary criticism, and essays by Wei Xiaohe. This "confirmation" work that belongs to young people may help more young people to confirm themselves, renew themselves, and love themselves through reading: until the end of reading, I hope that we can all be more tolerant and understand the complexity of this world.

This book takes Chinese and foreign ancient and modern literary names as the object, and conducts an in-depth and simple exploration of dozens of selected poems and prose art from the perspective of readers. The book is divided into three chapters: "Comparison", "Differences" and "Research". It collects a total of 53 articles on literary appreciation that the author has completed over the past 30 years. Some of them have been published in newspapers and periodicals, and a large part were written in response to the invitations of Hunan People's Broadcasting Station's "Work Appreciation" and Central People's Broadcasting Station's "Reading and Appreciation" programs. They were once spiritual delicacies eagerly anticipated by the broad literary audience. It will be a loyal companion for literature lovers at home and abroad seeking tranquility and beauty in literary gardens.

Mr. Hua Shan has studied the Analects of Confucius for more than 30 years. He has synthesized the classic interpretations of Zhu Xi, Wang Yangming, Zhang Juzheng and other sages. He uses 429 easy-to-read interpretation articles to take you back to the teaching scene where Confucius preached truth and told stories 2,500 years ago. It is as plain as words, friendly and interesting, and it is effortless to read. This book not only focuses on explaining the original meaning of "The Analects", but also provides a detailed explanation and analysis of the common misunderstandings and misunderstandings caused by people's language and reading time lag for more than 2,500 years. On this basis, the author Hua Shan revised the entire book, and fully updated the citations, chapter titles, punctuation marks, etc.! Opening this book, you can easily understand the original text of "The Analects" word for word and sentence by sentence, and experience firsthand the wisdom and mottos that have enabled Chinese people to cultivate their moral character and settle down for more than 2,500 years.

This book is divided into three parts: "How to Appreciate Tang and Song Ci", "Appreciation of Tang and Song Ci" and "My Life of Ci Study". The first part is compiled orally by Mr. Yang Haiming, sharing with readers the methods and experiences of poetry appreciation in the Tang and Song Dynasties in popular and fluent language; the second part selects 43 works of 24 poets from the Tang and Song Dynasties for appreciation. The article is beautiful and fluent yet rigorous, allowing readers to appreciate the beautiful writing at the same time. At the same time, the creative background, central idea, layout, choice of words and sentences, and key points of Ci are clearly understood one by one; in the third part, Mr. Yang Haiming talks about his "ci study life" and the academic process from going to school at a young age to Zhuoran starting a family. It is lively and interesting, and it also reflects the changes of the times. What is extremely precious is that in the appendix at the back of the book, Mr. Yang Haiming has preserved the records of the lectures given by the master of ci poetry, Mr. Tang Guizhang, to graduate students, which can be studied and treasured by ci masters. Readers can follow Professor Yang Haiming to appreciate the heart of Ci and embark on a journey of Ci study.

"Characters in Lu Xun's Novels", like "Lu Xun's Hometown", focuses on exploring the various characters in Lu Xun's novels, such as character prototypes, background deeds, etc. On the surface, it is doing index research, but in fact it sheds light on customs, introduces interesting local dialects, and comments on the relationship between poetry and reality. The insights are very insightful and can often reveal the wonderful features of Lu Xun's novels that others cannot see.

This book takes the dialogue between characters in "A Dream of Red Mansions" as an entry point and guides readers to appreciate "A Dream of Red Mansions" from the perspective of verbal communication - the characters' self-identity awareness when speaking, the awareness of the listener, the purpose of speech, context, etc., So as to have a deeper understanding of the characters in "A Dream of Red Mansions" and appreciate the subtlety and delicacy of Cao Xueqin's writing.

This book selects 41 articles from more than 500 book reviews, interviews, and in-depth reports about Mr. Yan Chongnian in the past 20 years to demonstrate Mr. Yan Chongnian's contribution to academic research and popularization of history and culture. The authors of the article include well-known scholars such as Zheng Xinmiao, Feng Erkang, and Bu Xianqun, media professionals, and publishers who have collaborated with Mr. Yan Chongnian. The book also includes conversations between Mr. Yan Chongnian and cultural celebrities such as Tang Haoming and Yue Yuehe. The manuscript covers a variety of genres such as dialogues, works reviews, and interviews with figures, and provides a three-dimensional outline of the image of the great historian in the eyes of his mentors and friends.

Zhi'an is a well-known expert on Zhang Ailing in China and has edited the simplified Chinese version of "The Complete Works of Zhang Ailing". This book selects Zhi'an's research articles on Zhang Ailing in the past twenty years, and is the first collection of such works. The discussion is practical and in-depth, and there is much that others have not said; the author is also a master of prose, and his writing is exquisite and elegant. It is not an exaggeration to call him "gentle and elegant". The collection includes "The Differences of Zhang Ailing's Literature", "Zhang Ailing's Cruel Beauty", "Postscript", "Character Illustrations", "Floating Life Is Only for Little Reunion", "Revisiting", "The Skills of Female Writer Sheng Jiuli", "With", "Zhang Ailing and Visual Art", "About "Nan Ling Beimei"", "Review of the Manuscript of "Little Reunion"", "Review of the Manuscript of "Border Town Revisited"", etc., Totaling nearly 100,000 words.

The Tang Dynasty was an era of poetry, and the splendid "Tang Poetry" appeared. In addition to Li Bai and Du Fu, the great poets listed by period include Wang Wei, Han Yu, Bai Juyi, Du Mu, Li Shangyin, etc. This is the reason why the book "Five Poets of the Tang Dynasty" was written. The book is divided into five units, analyzing the five poets from the perspectives of history, human nature, philosophy, poetics, aesthetics, literary history and writing. For example, in "Wang Wei's Twenty-Five Lectures", Zhang Wei focused on the historical perspective of literature and put forward the poetic propositions of "large scale" and "small scale". For example, "Han Yu's Twenty-Three Lectures" can be regarded as admiration for the miracle of life. Han Yu was a sharp, straightforward, serious and passionate scholar, "a sunny boy with no sense of dignity". "I didn't know how interesting and cute he was, but Su Dongpo knew a little bit about it." From "Reading", "Notes", "The Legacy of Tao Yuanming", "Also Talking about Li Bai and Du Fu", "Beautiful Records", to "Five Poets of the Tang Dynasty", Zhang Wei completed his personal system of classical poetry and opened up a new landscape for readers. Every poet in the book has been resurrected in his writing and comes alive to the readers.

"A Dream of Red Mansions" is actually a novel written for the common people. The social life reflected in the book is not far from reality, and the characters created are still active in today's society. Based on the present, studying "Dream of Red Mansions" from a new perspective, and comprehensively and accurately understanding society and understanding life, this is my original intention in writing and publishing "Dream Back to Life".

This is a book that interprets the characters in "Water Margin". The book contains more than a dozen characters, including Lin Chong, Lu Zhishen, Song Jiang, Wu Yong, Chao Gai, Wu Song, Li Kui, Hu Sanniang, Shi Xiu, Yan Qing, Shi Jin, Lei Heng, Zhu Tong, Yang Zhi, etc. The author "strives to understand their psychology, scrutinize their behavior, analyze their character, and figure out why they behave like this", so that each character can show his complex side and the good and evil in the depth of their human nature.

It combines the poets of the early, middle and late Tang Dynasties and the lyricists of the two Song Dynasties, bold and graceful, in one letter. The lives and writings of famous writers are discussed in stages, with each chapter beginning with an introduction and then selecting representative works. Each chapter is accompanied by concise and accurate annotations and brilliant comments. The author lineup is luxurious, including Professor Wang Shuizhao of Fudan University, Professor Ge Xiaoyin of Peking University, Professor Liu Ning of the Chinese Academy of Social Sciences, etc. All authors present their essence in simple and vivid language based on sustained and in-depth research. It has been nearly 20 years since the first edition of this series was published. It has been deeply loved and has been revised and reprinted many times. In 2015, it was selected into the "First Recommendation of Excellent Chinese Traditional Culture Popularization Books to the Nation" and in 2016, it received the "Special Funding for the Compilation of Popular Ancient Books". Now we have specially launched a series of selections from the "Classic Readers of Ancient Chinese Literature and History", which can be used as a starting point for beginners of classical literature, for enthusiasts to gain a glimpse of its secrets, and for researchers to seek inspiration.