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This book is the ideological imprint left by a Chinese intellectual youth who is engaged in media work based on his investigation and further study on the other side of the ocean. It is a collection of essays.

Mr. Lu Xun is the best essayist since the vernacular. He disliked everything and always liked to stab people with a small dagger. Therefore, in the photos that remain today, he always looks very serious. Occasionally, he laughs heartily, but he always reveals a very confused melancholy. Essayists all over China regard Mr. Lu Xun as their idol. Therefore, when writing articles, I am very concerned about the country and the people. Eastern intellectuals seem to have this "melancholy complex." A young man once asked a great director in the Soviet era, whose name I forgot, but who seemed to have made a very famous movie, "How can we become a great director?" The old man said, "All you owe is a prison sentence." I am not an essayist, and I don't want to wait for a prison sentence, but I was born to only write articles to make a living. Therefore, I usually write some "serious" financial articles and books. Occasionally, when my hands feel itchy, I make up a character named "Mr. Wu" and let him flaunt around, hit walls, and cause trouble. The more stories this person makes up, the more it becomes a small virtual society. He has a wife, a daughter, neighbors, cousins, and colleagues. He keeps pace with the times every day, lives endlessly, and keeps getting weird. After years of crawling and climbing, his deeds have actually become spectacular. Hence, this book. It should be noted here that "Mr. Wu" has little to do with "Wu Xiaobo". The reason why they have the same surname is purely coincidental. However, in the final analysis, they are ordinary people who like to be smart. In this regard, many people in China are like this.

In the peripheral vision, homesickness is a small stamp, a narrow boat ticket, a short grave, a shallow strait... In Xi Murong's eyes, homesickness is a clear and distant flute that always sounds on moonlit nights; it is a kind of vague longing, like waving goodbye in the fog... No matter where the world is, or what night it is, homesickness is always a sincere and objective existence. Whether it is the hometown China that you and I have always missed, or these nostalgia notes written one after another during the journey, just so that in the years of non-stop running, we can often relive the beauty of the years deep in our hearts, and look back at the peace of our hometown...

Mr. Yang Zhishui is a researcher at the Institute of Literature of the Chinese Academy of Social Sciences and a famous expert on antiquities. His experience is quite legendary. In his youth, he worked, drove a truck, pedaled a three-wheeler, delivered cabbages, and sold watermelons. In 1977, he took part in the first college entrance examination and successfully passed the university. However, due to some strange circumstances, he failed to enter the school. He could only complete his studies through self-study, and eventually became a famous scholar of his generation. "Wen Xue Ji" is a collection of retrospective essays written by Mr. Yang Zhishui. In addition to several highly autobiographical chapters, the author also reminisces about his long-term interactions with mentors and friends such as Xu Fancheng, Sun Ji, Gu Lin, Zhao Luorui, Nan Xing, and Yang Chengkai. He uses exquisite and expressive writing to capture the erudition and elegance of those scholars, so that readers can appreciate the beauty of their thoughts, true feelings, and diction, and have a unique power to move them and inspire them.

"Chinese Modern and Contemporary Famous Prose Collection" is a collection of "famous writers and masterpieces" in the history of Chinese prose since the 20th century. It is a set of "authoritative editions" of modern and contemporary Chinese prose selected by the authoritative editorial board and edited by the Humanities Society. There are about 80 types in total. The editing and publication of this series of books reflects the authority and classicity of the Humanities Society in the field of prose genre publishing, and strives to guide the aesthetic trend of public prose reading, mainly young readers. Among them, the author of this topic, Zhao Lihong, is an influential poet and essayist in the contemporary literary world. His works have won many domestic and foreign literary awards and have been included in Chinese textbooks for primary and secondary schools across the country. Zhao Lihong's prose may record events or reflect on people, or sing about objects or describe scenes. The language is simple, the narrative is concise, the emotions are sincere, fresh and long, and it is suitable for readers of all ages. Based on the above reasons, "Zhao Lihong's Prose" was included in the "Prose Collection of Modern and Contemporary Chinese Famous Writers" series.

This book is a collection of essays by the famous writer Pan Xiangli. He writes about tea-related people and things, poetry and history, utensils and Tao. "The Way of Tea" involves tea and people, tea and water, tea and poetry, tea and history, tea and utensils. It integrates tea into traditional Chinese culture and into real life. From the temperament of tea, it naturally crosses over to the temperament of tea drinkers. "Tea" itself is inexhaustible. Tea can be explained but cannot be exhausted. This revision will include several new articles written by the author, and the content of the entire book will be richer. At the same time, we will focus on creating this book from the perspective of tea, Chinese classical culture, and the lives of ancient people, and strive to create an introductory book for understanding Chinese tea culture.

"Guanlan Collection" contains more than 60 essays, which are divided into two parts: "The Island is hooked" and "Yishi Yunyan". It is a folklore work that describes Qingdao's customs, customs and customs in literary language. The author is a native of Daocheng. He grew up locally and is naturally familiar with Qingdao's scenery and stories. He has been in charge of Qingdao's cultural frontier for many years. Whether it is a grand narrative based on urban construction or an artistic short story in the historical context, they are all observed and narrated with people as the core and around the people in history. With rich emotions and delicate brushstrokes, they may look back on their growing up experiences as teenagers, or dwell on the folk customs and history of the island city, or use their artistic talent to describe the anecdotes of famous people in Qingdao or their visits to Qingdao.

"Wild Chrysanthemum" is a collection of essays and a book that helps young people grow spiritually. The author is a father of two children. He once believed that men should focus on working hard in the outside world and should not focus too much on their children, just like many fathers think. One day, he discovered that he was wrong. As a result, he began to spend more time with his daughter. He used a pen to record every small fragment of his child's growth, and was surprised to find that he got more from companionship than he gave. After his son entered the society, the author talked about a series of his thoughts and insights as a person who has experienced it. People can pursue excellence or choose to be ordinary. The key is not what you get, but what you experience.

In this book, the author of "Firefly Light" focuses on herself and the women around her for the first time. They are tough and beautiful, but they encounter different life difficulties - when her birthday is adjacent to the anniversary of her late husband's death, how can she get out of the shackles of psychological time and regain a new life? As a working mother, how to balance work and family; how a sister who has been married for many years faces the dilemma of having a child but has been unable to do so many times; how friends around her deal with Xiaocao, a child who was born with a terminal illness... They are all ordinary people struggling with their destiny, but they are all trying to move towards the light. In this book, you will more or less see the shadows of yourself and the people around you. Each of us is ups and downs in destiny, and we are all trying to find our own light. May this book be a beam of light that illuminates your way forward.

Love has been a theme that has been advocated and praised since ancient times, both in literary works and in real life. This book selects 48 classic love articles by 28 famous modern and contemporary Chinese literary figures including Zhu Shenghao. It interprets touching love from four aspects: ignorant feelings, romantic love letters, sweet marriages, and affectionate memories. It may be subtle or passionate, allowing people to feel the true confessions and ultimate romance written by famous writers, draw nutrients from them, and gain a mature view of love. I hope this book can help readers regain the courage to love, possess the pure determination to persevere, and always believe that love will never die out.

The author of this book is a famous ethicist who has made great achievements in ethics for many years. The author was interested in literature when he was in college. He has published many essays, poems, essays, etc. In various magazines over the years, and has also done a lot of research on literary works. He has published nearly 100 essays, poems, essays, and miscellaneous talks on his public account "Sansizhai Moral Observation". This book is a collection of the author's literary works and thoughts on life. It is also the completion of the author's literary dream in his youth. The first part is about long-lasting memories, "Reflection makes the memories of life's joys and sorrows become distant." This part records the author's recollection and nostalgia for his hometown and old things, expressing his deep nostalgia. The second part is about the emptiness of things, which is the author's praise of life. Spring, summer, autumn, winter, flowers, plants and trees are all full of inspiration and praise. The third part is about moaning and groaning, which is the author's exploration of human nature and contemporary society. Why does a society with low sense of beauty arise? How to get rid of "involution" and "internal fatigue"? How to learn to live a good life? Dataism and free choice... The author's words, whether they are insights into life or judgments about human nature, are filled with deep humanistic care and emotional warmth.

The prose elements of calligraphy need to include a little fact, a little anecdote, a little opinion, and a little lyrical flavor; it gives people knowledge and artistic enjoyment. In addition to the original "Book Talk", this book also includes four parts: "Reading Miscellaneous Books", "A Spoonful of Poems", "Records of Translated Books" and "Eight Notes on the Book City". Tang Tao made pioneering contributions to the literature research of modern literature based on his rich and comprehensive collection of books and the study of traditional editions and catalogs. In 1945, Tang Tao began to write modern literary "calligraphy", "writing each paragraph of calligraphy into an independent prose." Later, many people attributed the "Shuhua" genre to Tang Tao's creation. "Hui'an Shuhua" reviews the works of Li Dazhao, Lu Xun, Liu Bannong, Liu Dabai, Wang Tongzhao, Zhu Ziqing, Xu Dishan, Wen Yiduo, Zhu Xiang, Mao Dun, Yu Dafu, Guo Moruo, Shen Congwen, etc. Although it does not have the shape of the current academic works, it clearly explains, examines and clarifies many works and facts of modern literature, and lays a solid foundation for understanding the historical topography of modern literature. They may narrate the history of their editions, facts and anecdotes, or express their own opinions and aesthetic emotions. They do not take it as their duty to compile boring information, but strive to integrate the agility of literature and art into substantial content.

When you are eighteen years old, your life is dreams and distance; when you are twenty-eight years old, your life is like a container in a big city. This book is Qin Hao, a member of the band "Good Sister", writing about his wandering life: his displaced childhood, his ignorant first love and hard-won friendship. Every word is sincere. Qin Hao said: "Your sadness is not only personal, but also belongs to the common sorrow of many people in this era." We have all experienced the hardship of leaving home to pursue dreams, and we have also seen the helplessness and understanding of parents after learning that their children are about to travel far away; when we first entered the workplace, we faced the gap and frustration between ideals and reality alone; after we resigned, we were at a loss and at a loss to worry about food, clothing and pursuits every day. I hope this book can give you the courage to face life head-on, and your confused days can turn into beautiful memories.

This is a collection of bedtime stories, containing 23 chapters, about love, family affection, frustration, and some scattered thoughts. I didn't write about chicken soup. I could, but I don't want to lie to you. Life will not get better slowly. Most lives follow the same rules and gradually become dull. At the moment when everything settles, it seems that I can say to others, I am living a good life. When you are bored and have nothing to do, you can kill some time by hiding in the toilet. I don't write well and speak very slowly. The slower something is, the more profound it is in my memory. Hope you like it.

American writer Mark Twain once said: "Sometimes truth is more absurd than fiction." More than a century later, the Internet has completely changed people's lifestyles and ways of thinking. The ways in which people record life and witness history have become more and more diversified. We have photos, videos, short videos, news features with delicate writing, and historical texts that are good at telling stories. Why do we need fiction and novels? Based on this question, writer Ren Xiaowen used classic foreign masterpieces such as "Doctor Zhivago", "Les Misérables", "Lyric Poets in the Age of Advanced Capitalism", "Love in the Time of Cholera", "The Master and Marguerite", as well as the works of literary giants Dostoyevsky and Tolstoy as text entry points. She conducted a retrospective reading appreciation and explored the historical connotation and contemporary significance of these classic works in the text analysis, thereby exploring the thought-provoking question "Why do we still need novels today?"

"Books Can Talk" contains thirty essays and comments written by Gu Zhen in recent years, focusing on the relationship between book collecting and reading, and books and people. It records the author's research experience on book binding, editions and illustrations after compiling, translating, and collecting books for many years. Why did Desmond McCarthy, who dreamed of being a literary writer, rely on writing articles for newspapers and magazines to make a living? What is the revenue of Virginia Woolf and Hogarth Books over the years? What is the difference between Disney's revamped "Winnie the Pooh" image and Shepard's original illustrations? How does Rosenbach, the great bookseller, make buyers involuntarily believe that the books in his hands are better than others on the market? Sean Besser, the author of "Bookstore Diary", actually calls himself docile and friendly. So what made him become a "venomous shopkeeper"? Stories about "book men" that have had an important impact on the history of publishing, interesting anecdotes about books, extraordinary ancient books, and heart-warming connections with book lovers... Gu Zhen has brought the old days of the book industry bit by bit into this book, "Books Can Talk," and arranged it with implicit internal connections. Different articles are like gardens connected by paths, providing different tour routes for interested readers.

This is a collection of non-fiction essays by Qiu Bing. In an affectionate and simple way, he tells the story of the growing pains and self-exploration he experienced in the collision between ideal and reality, life and distance. The 18-year-old Qiu Bing was admitted to university and came from a backwater town to the prosperous Shanghai. He stumbled all the way but always adhered to his original ideal; when he reached middle age, Xiao Xu lost his job, but deep in the mountains there was a "Chicken King" who led the villagers to start their own businesses; Lao Xiao still did not become a reporter, but in a certain fish pond on the Yangtze River, But it was filled with more of his life expectations; in the winter rain in Chongqing, Lao Zhao was laid off, but he was still trying to figure out how to open his own noodle shop... We have all sought knowledge and grown up in loneliness.

19-year-old Liu Chenjun is always on his way to the mountains. This young man calls travel a move and mountain climbing a mountain road. He explores the world with pure gestures and words. From India to Nepal, Liu Chenjun revealed the emotional tug on the journey; trapped in a cave, Liu Chenjun embraced fear but still looked to the future; and Liu Chenjun never stopped thinking about life, literature, and love. All these, the travel notes, poems, and notes preserved in the book, allow people to witness a sharp and deep soul, and also feel its perseverance and confusion, pursuit and sadness.

In "The Soul of Old Objects", young scholar Guo Ting embarks on a journey of searching for old objects across time and space. She encounters antique porcelain and vinyl records in a charity shop on the streets of Oxford, wanders around coats and accessories in Edinburgh vintage shops, wanders through a Welsh town famous for second-hand books, and visits the Strahov Library in Prague, which has experienced several wars. Visit Hong Kong's independent bookstores to feel the spirit of the city, and relive Old Uncle Koehler's Butterfly Dream at Sullivan's Café in Shanghai... This cherishing of "things" is not an attachment to material possessions per se, but rather gratitude to the maker, the cherishment of "possession", and the broader existence and time generated through the relationship between people and old things.

To them who are blooming in the wild, and to us who are walking together on the wrong road. This is a chronicle of female characters in the Republic of China, as well as an apocalypse for contemporary women. During the Republic of China, many outstanding women emerged. Among these shining women, there are female scientists, female architects, female singers, female writers, and female academicians; they were once known as Mrs. Qian Sanqiang, Mrs. Liang Sicheng, Mrs. Qian Xuesen, Mrs. Guo Yonghuai, and Mrs. Zhou Youguang; but at the same time, they are more They are China's Madame Curie He Zehui, female architect Lin Huiyin, artist and singer Jiang Ying, the mother of Chinese applied linguistics Li Pei, and the talented woman Zhang Yunhe of the Republic of China... They have outstanding talents and their own pride. They are a group of outstanding women who can bloom in the wind even on the cliff. Count down the awakening lives of twenty-three women in the Republic of China and tell them to the world. Write down the endless tenacity and beauty of Chinese women. I hope you can live a free and relaxed life.

A collection of essays by young writer Xu Qingshan is called "The Age of Nursery Rhymes". It is based on personal memories and uses the vicissitudes of the present to write about the innocence of the past. The work is divided into four parts, namely, Long Thoughts, Passing Time, Nostalgia and Polygonum Zheer. These four parts record the old stories of old friends in his childhood, his own experiences, the scenery of his hometown, and his reflections after getting married and raising a family. The author picked up these past life fragments and experiences, carefully wrote about the passing years in his memory, and personally described and recorded the time. The language of the article is vivid, the expression is calm, the emotion is delicate, the artistic conception is rich, and the writing is profound, allowing readers to resonate with the author while reading.

"Gossip" will reveal to you why stunning beauties don't seek out sugar daddies, but instead fall in love with down-and-out scholars? Why did the down-and-out scholar not just be a loser for the rest of his life, but instead suffered repeated defeats at first, and then easily won the gold medal? Why are wealthy young men not so blessed, but poor young men are particularly prone to bad luck and get beautiful treasures at every turn? Some people say that "Liao Zhai" was the result of Pu Songling's random thoughts while sleeping alone in a cold window. However, it is not just some erotic fantasy of "a female ghost appears under the scholar's cold window", it reflects more of the world situation at that time. Being a god is not necessarily a good thing. There are always bigger gods pressing down on you. Immortals also have a household registration system, and there are also fakes. To be an immortal, you need to be proficient in the unspoken rules of officialdom... Money and beauty are a weapon for solving problems, and background connections are the first step to enter. No matter whether you are a human, a ghost, a demon or an immortal, no matter which way you mix, the unspoken rules always prevail.

Lu Shuyuan has been engaged in research on spiritual ecological issues for a long time, and believes that there is a level of "spiritual ecology" on top of "natural ecology" and "social ecology". "Spiritual Watch" is a collection of essays and notes written by the author after an in-depth investigation of the issue of "spiritual ecology". Lu Shuyuan starts from his own rich life experience, using the "classic of the human spirit" and "Faust in the ideological world" as the banner, looking for spiritual resources from those real individual lives, using the conflict and reconciliation between man and nature, man and man, and man and himself as the cause of problems, using vivid brushwork to dissect specific people and events, deeply reflecting on the current spiritual dilemma of human existence, and looking forward to reviving the gradually distant humanistic spirit and cosmic spirit for contemporary people. Mr. Qian Gurong once recommended it to readers: this is not only an academic work with profound thoughts, but also a beautiful prose that expresses one's soul.

Zheng Yimei is a well-known literary and historical storyteller at home and abroad, and has written extensively. In 1934, a collection of his essays about flowers and fruits was published as "Flowers and Fruits Essays". Zhou Shoujuan said, "Each recitation is like appreciating famous flowers and eating precious fruits, with a lingering aftertaste." Zhu Tianmu praised his "meaningful writing and detailed textual research." At that time, he was highly praised by famous officials and sages and passed it down as a classic. In summary, "Flowers and Fruits Essays" includes flowers in the front, ranging from plum blossoms to pine trees, spring buds, autumn lilies, summer lilies and winter tea; fruits are in the back, ranging from sugar cane to gourds, plums, floating melons, and pear and jujube; at the end is attached "Xiang Guo Fu", a total of more than 100 pieces. The anecdotes of all flowers and fruits are described in many poems and articles written by the sages. They are rich in splendid fragrances and fruitful fruits. Since the first edition came out, it has been reprinted and spread widely. However, many articles on flowers and fruits failed to harvest, which Zheng Yimei later wrote many times as a regret. The updated edition now released is based on extensive research, intensive review and careful proofreading, comparison of various editions, correction of errors, more than 40 chapters added, and nearly 100 pictures of flowers and fruits.

"Rebirth" is Su Min's second collection of essays after "My Right Eye Has No Tears". The book has more than 200,000 words and is divided into four short volumes, describing the author's life experiences and stories after he suffered from leukemia and was reborn after a bone marrow transplant. There are sincere looks back at relatives in hometown, real-life representations of wandering and hard work, calm reflections on real life, and eager yearning for poetry and the distant future. Underneath the clean and elegant words, there surges the love for life and beauty, as well as the struggle against fate and reality.

Lin Yutang once said that Chen Yun is the cutest woman in the world. Yun Niang is undoubtedly the perfect wife image. Not only does he have a good personality, he is beautiful, and he is educated... In comparison, Shen Fu's image is hard to describe. Although most of the book "Six Chapters of a Floating Life" is about his life with Chen Yun, and Shen Fu also described the sweetness between the two in a particularly touching way, this is a story filled with poison. Everything is because of money, and poor and humble couples suffer from everything.

"Going Where There Are Flowers" is a new work by Chen Hui, a "market writer". It records the experience of the 45-year-old Chen Hui when she decided to leave the market and follow a beekeeper thousands of miles away to pursue flowers and keep bees. She lived in the countryside and started to make a living by setting up a stall in a small town market at the age of 28. She spent half her life focusing on her home and children, and she thought she didn't like going out. She never thought that one day she would be so impulsive that she would start a journey of more than 3,000 kilometers with a beekeeper. In Changgang, Jiangsu, she encountered a ten-level strong wind. First, lightning leaped out, and one after another, the wind came in an instant. In Culai Mountain, Shandong, she liked to go to the big market. The vendors and customers gathered together, and the people were like freshly dug new potatoes. They were everywhere; in Wafangdian, Liaoning, there was only a narrow ditch between the cornfield and the bee farm, and she stood in a tent. From time to time, I saw colorful male pheasants jumping up and down opposite; in Changhe Camp, Liaoning, the specialty was all kinds of insects. A gadfly came from the breeding farm in the southeast and bit her hard. Maybe she thought the southerners tasted good, so she came back to bite her a second time the next day... Four months later, she left the bee farm and returned to her original life. Ordinary people's lives will continue to be miserable. But at least she is no longer her original depressed self.

A piece of Du Fu penetrates the ups and downs of the eight aspects of the poet and tells you why Du Fu is the "people's poet". "The devastation in the world is reflected in the sages in the poems; the suffering of the people is reflected in the writings." Among the ancient and modern literati, our love for Du Fu may be unique, it is a love that is mixed with admiration and compassion. Because the pain is deeper, compassion often takes up the bulk of this love. This eternal genius became famous after his death. Fame and fortune all belonged to him, but they seemed to have nothing to do with him. His short 58 years of life were filled with sufferings such as losing his reputation, being homeless, having unrealized ambitions, and losing his son in middle age. Distress is the coat that the times have put on Du Fu. His mission is to experience it, poeticize it, and record it! But you may not know that the soul inside him is always full of righteousness. The book "Who is the Supreme Leader, Du Fu and Me" penetrates Du Fu's life from eight unique aspects, capturing his positive and determined aspects one after another. His madness, his humor, his strength and beauty, and his benevolence comforted the people in the war and generations of scholars, as well as himself. Du Fu himself has the power of self-healing.

Against the background of the rise of cities, the ancient Shangzhou deep in the Qinling Mountains is a forgotten land that "cannot keep up with the pace of the times." Jia Pingwa said, "What Shangzhou was like in the past, what it has been like over the years, and what it is like now has become an issue that needs to be disclosed to the outside world. Therefore, this is the purpose of writing this short book." "The First Record of Shangzhou" was written in 1983 and contains a total of 14 essays, describing people's events and describing scenes and scenes, each with its own emphasis, trying to depict a relatively complete "Shangzhou world" to readers. "Shangzhou Youlu" is the sequel to "Shangzhou Chulu". It uses eleven paragraphs of prose-like notes to connect Shangzhou's four seasons, customs and anecdotes in spring, summer, autumn and winter into a chapter, forming a school of Shangzhou local landscape painting. "Records of Shangzhou" is the final chapter of "Three Records of Shangzhou". The writing style is similar to "The First Records of Shangzhou", but it pays more attention to the historical and legendary nature of people and events. Although the number of articles included in it is smaller than that of "Shangzhou Chulu", the length and capacity of each article is greatly increased. As the spokesperson of his hometown, the author eulogizes the paradise-like beauty and simplicity of his hometown, Shangzhou, and expresses his praise and commemoration of the pastoral life in his hometown.

Opening the title page of the book, thoughts come from all directions like the wind. A good night, a letter, and a story describe the life insights of an ordinary young man. I always believe that the resonance of the soul is better than a thousand words. I hope words can be used as lamps to illuminate the rest of our lives thousands of miles apart. I hope someone will accompany you to say good night when you return from the windy and snowy night. The mountains are high and the water is wide, and the stars are sparse. On this journey, accept the sorrow, joy and temperature of fate, and dance with it.

Mr. Zhao Heng, a well-known scholar and cultural master, selected 34 recent works and compiled them into a collection of essays "Memories for Future Years". Mr. Zhao Heng adheres to his consistent simple and sincere style, and uses his profound cultural accumulation and years of life insights to present readers with a rich spiritual world full of historical and cultural heritage. The book is divided into four volumes. The first volume "Culture" reflects the author's unique thinking on culture and culture-related phenomena and things; the second volume "Old Friends" is the exclusive memory of several old friends such as Ma Lianliang, Zhang Boju, Liu Zonghan, etc.; The third volume "Beijing" contains articles related to Beijing. From this perspective, it writes about the author's lifelong bond with the city of Beijing; the fourth volume of "Hundred Operas" explores ancient and modern times, comparing many ancient and modern sports such as swimming, horse racing, fencing, archery, etc., Highlighting the interest in the collision, and also exploring the status of sports in ancient culture and their value to today. "I know that the past will be difficult to look back on, so I will keep it as a memory for future years." Listening to Mr. Zhao Heng talking about culture, recalling old friends, talking about Beijing, and chatting about various dramas, downplaying the years, quietly observing the time...

This book is a collection of essays, including three parts: Happy Childhood, Original Design and Legacy Customs. Lehe Childhood focuses on the games that the author was obsessed with in his childhood, and regards childhood games as a required course for understanding society, understanding life, and improving survival ability; Original Skills and Original Flavors describes the housework that the author directly participated in during his childhood or heard about it from his parents, with clear and detailed descriptions of some life scenes, handicrafts, and labor situations; Relics and Old Customs collects many disappeared folk customs in the rural areas of the Shandong Peninsula, and is the author's display of the folk customs of his hometown. The work is sincere and simple, humorous and highly readable. It is the epitome of the traditional culture of rural northern China in the 1950s and 1960s.

This book truly records the author's study and medical practice process from a student at a medical university to a thoracic surgeon. Different from traditional memoirs that are told directly in chronological order, this book is composed of dozens of articles, starting from aspects such as growth experience, career outlook, entrepreneurial experience and major achievements. It comprehensively describes the author's growth experience as a surgeon, his views on the career of surgeons and his outstanding achievements in the field of chest wall surgery. The author's writing is simple and real. When referring to the professional content of surgery, the description is concise and popular, making the relevant scenes real and imaginable for readers.

What your closest relatives and loved ones give you is your true love! Most of those deep feelings come from relatives such as grandparents and parents, as well as people around us such as lovers and partners. This is a collection of stories about family love, recording some real stories of the author's family and partners. In the article, there are elders who will always be remembered, brothers and sisters who grew up together, partners who have been with each other for a long time, an unforgettable first love, a hometown that cannot be returned, and a city that is trying to integrate... The style is cold but warm, and the text is thick but simple and natural. It expresses the living conditions, thinking about life, and interpretation of emotions of those born in the 80s and 90s. There is expectation in the confusion, which expresses the author's love for life and persistence in dreams. At the same time, this book can also be regarded as a memoir, recording some episodes of growth from rural to urban, from boyhood to middle age, and also recording the changes of our society in the times.

In an era of rapid advancement, how can we achieve "poetic dwelling"? The author Lu Su searches for answers in the native vegetation, creatures, taste bud imprints and yellowing time. Re-explore the texture of life and build a new aesthetics of life. The beautiful and elegant words are like soothing whispers: when most people are exhausted from running around for scraps of silver, there is still a place of spiritual freedom to exile themselves and pursue poetry. When we are truly connected with the real nature and restart the long-lost natural power, the tired soul will find the most authentic, sincere and beautiful appearance of life. Immerse yourself in the fragrance of natural air and the hot smoke of fireworks. Only when enjoying leisure can we preserve our free, bright and sincere self.

This book selects the author's hard work during the ten years since he joined the Writers Association, aiming to convey the profound attitude towards life that "life is a wilderness, not a track". Use words to help readers open their horizons, see the infinite possibilities of life, break through the fence of concepts, and jump out of the road that leads to the end at a glance. Life is defined by yourself. There is no need to be bound to a rigid and repetitive rhythm. Bravely pursue your own unique and open life. Read the stories in the book, absorb energy, become a firefly lighting up the wilderness of life, explore, and take back the autonomy of life. The ideal life is not far away. You don't need to envy others. If you combine knowledge and action, you can reach anywhere in the world you want to go.

Kang Na, a natural life writer and pure-hearted healing writer, uses 57 beautiful and poetic essays to talk about the fireworks of the world and quietly comprehend the joys and sorrows of life. There are thousands of ways to live, and none of them are as good as living an ordinary day. The author advocates that we should understand life, learn to enjoy life, and make our life interesting. Life is not long, don't push yourself too hard, leave some looseness, some gaps, some air, some air. In the seemingly ordinary life, we talk about some small loves and write some small joys. Between admiration and admiration, every bit of life accumulates the beauty of the years, which is profound and meaningful. In most ordinary days, there is the courage to move forward an inch and the calmness to step back a foot.

Shu Guozhi's hard-core travel literature classic "The Distant Highway". During the seven years from 1983 to 1990, Shu Guozhi was in the United States, driving everywhere on the highways. While others were commuting and worrying about work, he drove endlessly on American highways. He passed through wilderness and highways alone, sometimes sleeping in the car, sometimes driving thousands of miles just to see a small town. I recall when I was a kid, I saw locals looking for jobs insecurely and having to sleep in the wilderness overnight when their cars broke down. When he stopped, he looked back and saw that the world was empty, except for the thousands of miles accumulated on the odometer.

"The Waves of Tribulation Are Over, the Peach Blossoms Are Filled the Slope" mainly talks about some of the author Miao Fu's experiences and insights on her growth journey. It is an original work about the attitude towards life. How a timid, fat girl with low self-esteem gradually transformed into a bold, confident, beautiful, lively, and motivated woman through her hard work and perseverance. Through her own personal experience, the author Miaofu uses warm words to tell readers: A person travels long distances in time, experiences various difficulties and setbacks, and overcomes all tribulations. When he finally reaches the land in his heart that he is willing to pay tribute with his blood, what appears in front of him is the enchanting and splendid peach blossoms. The hardships and hardships of the past no longer exist at this moment, and there are only flowers in front of me.

"Like a Migratory Bird" is one of Zhou Xiaofeng's masterpieces of prose, and together with her "The Singing of the Giant Whale" and "Kiss of the Fantasy Beast" are called the "They" trilogy. Zhou Xiaofeng has an innocent heart and a cold pen. She uses the imagination of a child and the profundity of an adult to create a mysterious world of words with ripples and clouds, directly touching on the world and human feelings. The ten essays in "Like Migratory Birds" cover topics such as family relationships, Alzheimer's disease, thinking about good and evil, migration and hometown. It has won awards such as Sina's Top Ten Best Books, Huadi Literary Award for Prose of the Year, and Chinese Literature Media Award. Baroque complex rhetoric, unique observation of all phenomena in the world, and profound thinking as sharp as a knife jointly mark the uniqueness of Zhou Xiaofeng's prose. These works are sincere and sharp, and are self-conscious attempts to cross-border genres. She incorporates drama elements, novel plots, poetic language and philosophical thinking into the framework of prose, leading the possibility of prose writing to a more distant space.

The fantasy journey of a stray cat who meets a wealthy Queen Mary Sue. The heroine secretly returned home from Venice to Chongqing one early morning, originally to give her parents a surprise, but she didn't expect that the appearance of a down-and-out kitten would be the real surprise for the family. The heroine's family gave the kitten a warm and happy home. The kitten used its cleverness to heal the heroine and her parents. This book tells the story of the heroine's patience, love, and concern for the kitten. It also uses vivid language to describe the restraint and caution of the down-and-out kitten when it first enters the home, as well as its wit and arrogance after feeling the love. It also records the conflicts and conflicts arising from the communication and different ideas between the heroine and her parents, and finally reaches a relatively harmonious reconciliation.

"The Deepness of the World Is the Sea" is a collection of Shen Nian's new prose works in recent years. His works have been published or reprinted in journals such as "October", "Tianya", "Prose", "Xinhua Digest", "Prose Overseas Edition", "Selected Prose" and other journals, and have been included in China's annual prose selections for three consecutive years. The theme of the work focuses on the painful memory and life. With tense and full language, controlled and refined narrative, it observes "the thousands of ways people live in time" and strives to touch more of those "secrets that have never changed" in earthly life. Joys and sorrows, death, and pain are the themes of his writing. The author not only makes calm observations close to muddy water and wounds, but also places his trust in the flight of birds and transcends the carving of "flowers of time." In his freely retractable writing, it is the ubiquitous spiritual writing that talks to you.

This book mainly collects dozens of prose works written by the author in different periods, as well as a small number of novels and critical works. Judging from the subject matter and content, the prose mainly recalls the author's experience of living in the countryside during his childhood and adolescence. At the same time, it also makes in-depth observations and analyzes of many phenomena and problems in rural society from the perspective of adults and scholars. It includes not only the eulogy or aftertaste of the simple and true feelings of the world, but also the thinking and prospect of how the countryside can move toward modernization, as well as the description and experience of his own study life. The novels and reviews in the collection can be regarded as two other literary landscapes besides prose. Although the novels are fictional and the reviews must be realistic, if you look carefully, you will find that these novels and reviews are closely connected with the prose in spiritual connotation, and they mainly point to the central word of the book, "country". Countryside is the spiritual background of everyone born in the countryside, and its importance to a person is not limited to itself.

People who want to be beautiful, love life, and enjoy the fun of life should read "Nana's Life". Emotional expert Xin Tang Mina selects inspirational short stories and classics.

The author has served twice as a resident reporter in southern Africa since the early 1990s, traveling to all countries on the African continent south of Uganda. This book records the author's experience and knowledge on the African continent, and tells real-life examples including the establishment of the People's Daily reporter station in South Africa, promoting the establishment of diplomatic relations between China and South Africa, minefields in Angola, refugee camps in Zaire, and Chinese doctors in Zimbabwe. It is precious first-hand information. The book also records the historical process of peace and war in some countries, and includes exclusive full records of Mandela's announcement that South Africa will establish diplomatic relations with China, as well as an exclusive interview with Ambassador Liu Guijin, the winner of the "July 1st Medal".

"When Lovers Live in the Same Room" is a collection of prose essays. It is a brand new work by the popular author Hu Xinshu after the best-selling book "I Want Two Grapefruits". The book uses different rooms as clues, entering the entrance hall, passing through the living room, dining room, bedroom, bathroom, study, storage room, balcony, and finally coming to the car and outdoors, showing the process of getting along between a pair of partners and close friends in an intimate relationship. The author explores with great sincerity and detail the pains, emotional frustrations, and miraculous moments in getting along that almost every couple and every intimate relationship will encounter.

A new 2023 collection of essays by best-selling author, translator, and photographer Tao Lixia. Life, travel, and reading are eternal themes in Tao Lixia's works. The new work "Belated Confession" uses the three dimensions of life, travel and reading to write three chapters: "Life, so good", "Travel, the end of a long trip", "Reading, we have not become someone else". They are independent yet consistent with each other. They all express Tao Lixia's deeper experience and thinking about life. This is also the first time Tao Lixia's brand-new works have been compiled into a book in the past two years. Just like the title of the book "Belated Confession", this book is Tao Lixia's intimate confession of life. Even if we are not seen, we still have to shine. Our brilliance is a very quiet and private thing. There is tenderness, calmness, undercurrents, and sunshine in Tao Lixia's words. She tells us that some gains in life will come late, but they will always arrive.

"Liucheng Ji" is spiritual and interesting. It uses delicate and profound realistic observations and clear and affectionate literary strokes to describe childhood memories, local culture and personal observations and experiences of life, especially the observation and understanding of the people's habits carried by a region. Based on personal artistic presentation and expression, it is more gentle, unique, comfortable and colorful. "Liucheng Ji" is a collection of essays in which the author narrates childhood events and writes about the customs and customs of his hometown. The author describes the ecological environment, folk culture, anecdotes and real life of his hometown with pure love, sincerely expressing his love for his hometown and his beautiful vision for the future. At the same time, we can see the vicissitudes of Wenjiang in the Chengdu Plain and the beauty of humanity from the author's perspective.

Changshou Street, a thousand-year-old ancient town, is a border town at the junction of three provinces. This book is centered around this famous landmark. The customs and customs here are unique, the local features are simple, the people and things are deeply imprinted in my mind, superimposed on the scenes in my memory, driving me to express them in words. If I don't write, I always feel like there's something in my heart that I can't let go of. This book revolves around Changshou Street and is mainly divided into several parts: childhood memories, hometown memories, ancient town customs, special snacks, etc. I hope readers can understand the customs, history, culture and special snacks of this ancient town by reading my article.

There are many Erlangzi and Erlangzi in my hometown. They are pitiful, ridiculous, hateful, lovely, and respectable. They are real living beings, just like the hairy grass on the beach by the river east of the village, weak, tough, and endless. About 10 years ago, I wanted to write a biography for these fellow villagers. The goal was to use rough lines to outline the little people in my hometown and compile it into a book as a companion volume to "The Lost Sweet Roots - Early Impressions". In this book, some stories worth recording are selected. Among them, prose and essays are placed at the front, and biographies are placed at the end, thus forming this book.