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浙江史前美术(浙江考古与中华文明系列)
Zhu Xuefei
The purpose of research on prehistoric art is not only to explore the origin of aesthetics, but also to study the spiritual world of early humans through prehistoric material cultural remains. Prehistoric Zhejiang has contributed a wide variety of art themes such as ancient painted pottery, peak jade craftsmanship, and unique carving art. More importantly, it contains the spiritual thread that runs through the development of Zhejiang's prehistoric archaeological culture. This book is based on archaeological research methods and connects four different topics to form the structure of the whole book. By extracting repeated "patterns" in different types and forms of art themes, it constructs appropriate rules for interpreting symbolic meanings, hoping to break through the cognitive bottleneck caused by subjective analogies that is common in prehistoric art research.
The purpose of research on prehistoric art is not only to explore the origin of aesthetics, but also to study the spiritual world of early humans through prehistoric material cultural remains. Prehistoric Zhejiang has contributed a wide variety of art themes such as ancient painted pottery, peak jade craftsmanship, and unique carving art. More importantly, it contains the spiritual thread that runs through the development of Zhejiang's prehistoric archaeological culture. This book is based on archaeological research methods and connects four different topics to form the structure of the whole book. By extracting repeated "patterns" in different types and forms of art themes, it constructs appropriate rules for interpreting symbolic meanings, hoping to break through the cognitive bottleneck caused by subjective analogies that is common in prehistoric art research.