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晚明小品选注
Zhu Jianxin
"Selected Annotations on Essays of the Late Ming Dynasty", selected annotations by Zhu Jianxin, an epigrapher of the Republic of China. This book contains 159 selected essays, covering 54 authors, divided into five categories: essays, prefaces and postscripts, biographies, letters, and diaries, with a total of nine volumes. The last volume is "Biographies of Writers" and "Bibliography of Collections and Collections". The style is precise and the annotations are prudent. It is the most widely circulated anthology of late Ming sketches during the Republic of China.
"Selected Annotations on Essays of the Late Ming Dynasty", selected annotations by Zhu Jianxin, an epigrapher of the Republic of China. This book contains 159 selected essays, covering 54 authors, divided into five categories: essays, prefaces and postscripts, biographies, letters, and diaries, with a total of nine volumes. The last volume is "Biographies of Writers" and "Bibliography of Collections and Collections". The style is precise and the annotations are prudent. It is the most widely circulated anthology of late Ming sketches during the Republic of China.

多维文化视域下的现当代作家研究
Zhu Jianxin
The deep connotation of culture is a key factor that affects writers' aesthetics and literary creation. To study modern and contemporary Chinese writers, we must not only proceed from the history of modern and contemporary Chinese literature, but also from the history of Chinese culture. This book explores the deep relationship between culture and the daily life, spiritual construction, and text creation of modern and contemporary Chinese writers from three levels: regional culture (Southern Song Dynasty culture, Wuyue culture, and Eastern Zhejiang culture), religious culture (Buddhist and Taoist culture), and underlying culture. The focus of the research is to examine the depth of thought and the uniqueness of creative techniques of modern and contemporary Jiangnan writers under the influence of multi-dimensional culture. This book aims to reveal the cultural and psychological mechanism of Chinese modern and contemporary writers' creations by sorting out the relationship between multi-dimensional culture and Chinese modern and contemporary writers, explore the nature of their creation, and provide a useful exploration and supplement for understanding and studying Chinese modern and contemporary writers from multiple perspectives.
The deep connotation of culture is a key factor that affects writers' aesthetics and literary creation. To study modern and contemporary Chinese writers, we must not only proceed from the history of modern and contemporary Chinese literature, but also from the history of Chinese culture. This book explores the deep relationship between culture and the daily life, spiritual construction, and text creation of modern and contemporary Chinese writers from three levels: regional culture (Southern Song Dynasty culture, Wuyue culture, and Eastern Zhejiang culture), religious culture (Buddhist and Taoist culture), and underlying culture. The focus of the research is to examine the depth of thought and the uniqueness of creative techniques of modern and contemporary Jiangnan writers under the influence of multi-dimensional culture. This book aims to reveal the cultural and psychological mechanism of Chinese modern and contemporary writers' creations by sorting out the relationship between multi-dimensional culture and Chinese modern and contemporary writers, explore the nature of their creation, and provide a useful exploration and supplement for understanding and studying Chinese modern and contemporary writers from multiple perspectives.