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对话批评：诗·史·思之维
Zhou Xinmin
Today, literary criticism often loses the warmth of understanding others and observing oneself. Some critics only focus on self-admiration, with no works in their eyes and no readers in their hearts. The reason lies in the loss of dialogue in literary criticism. Good literary criticism should be like a deep dialogue with a close friend. Against this background, this book focuses on interviews with a number of well-known poets, novelists and literary critics from the 1960s to the 1980s. Through face-to-face conversations, it aims to build a bridge of communication, trigger a collision of ideas and generate spiritual resonance during dialogue and exchange, in order to rebuild the dialogue of literary criticism and reach the deep realm of literature.
Today, literary criticism often loses the warmth of understanding others and observing oneself. Some critics only focus on self-admiration, with no works in their eyes and no readers in their hearts. The reason lies in the loss of dialogue in literary criticism. Good literary criticism should be like a deep dialogue with a close friend. Against this background, this book focuses on interviews with a number of well-known poets, novelists and literary critics from the 1960s to the 1980s. Through face-to-face conversations, it aims to build a bridge of communication, trigger a collision of ideas and generate spiritual resonance during dialogue and exchange, in order to rebuild the dialogue of literary criticism and reach the deep realm of literature.