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The Fake Daughter Became a Monk
Short Fiction假千金出家了
Zhao Yu
Obviously I am the abandoned child. But they resented me for taking away the position of the fake daughter. She wanted to become a monk. My biological parents beat me and scolded me. My brother forced me to jump off a building. I really don't want to come back to this world.
Obviously I am the abandoned child. But they resented me for taking away the position of the fake daughter. She wanted to become a monk. My biological parents beat me and scolded me. My brother forced me to jump off a building. I really don't want to come back to this world.

Nostalgia in a Bowl of Noodles
Literature一碗面里的乡愁
Zhao Yu
The author salvaged his own memories of pasta, recorded the daily life of traditional craftsmen who made hollow noodles, gazed deeply at the life and spiritual world related to pasta, and restored a period of history and memory of the Central Plains people. It is not only rich in humanistic heritage, but also means seeking roots in traditional culture.
The author salvaged his own memories of pasta, recorded the daily life of traditional craftsmen who made hollow noodles, gazed deeply at the life and spiritual world related to pasta, and restored a period of history and memory of the Central Plains people. It is not only rich in humanistic heritage, but also means seeking roots in traditional culture.

Song Qian's Problem
General Fiction宋潜的问题
Zhao Yu
"Song Qian's Problem" is a novel about growth. The protagonist Song Qian has typical literary significance. He did not end everything without giving in like Werther in "The Sorrows of Young Werther", but in the end Song Qian still integrated with the real world that he did not fully understand. Under the same bright moon, he was originally a part of this world. In the end, he made peace with the world and got out of his troubled period.
"Song Qian's Problem" is a novel about growth. The protagonist Song Qian has typical literary significance. He did not end everything without giving in like Werther in "The Sorrows of Young Werther", but in the end Song Qian still integrated with the real world that he did not fully understand. Under the same bright moon, he was originally a part of this world. In the end, he made peace with the world and got out of his troubled period.

火车头震荡:宜万铁路始末
Zhao Yu
The road to Shu is as difficult as climbing to the sky! As the most difficult and dangerous southern passage on the ancient Shu Road, the Yi-Wan Railway Line has high mountains and steep walls and deep valleys. Unfavorable geological phenomena such as karst, bedding, landslides, fault fracture zones and collapses are widely distributed. It is currently the most difficult and complex railway in China. Writer Zhao Yu uses emotional words to show readers the wonder, sadness, touching and shock. The 377-kilometer Yiwan Railway is enough to shock the heavens and make ghosts and gods weep!
The road to Shu is as difficult as climbing to the sky! As the most difficult and dangerous southern passage on the ancient Shu Road, the Yi-Wan Railway Line has high mountains and steep walls and deep valleys. Unfavorable geological phenomena such as karst, bedding, landslides, fault fracture zones and collapses are widely distributed. It is currently the most difficult and complex railway in China. Writer Zhao Yu uses emotional words to show readers the wonder, sadness, touching and shock. The 377-kilometer Yiwan Railway is enough to shock the heavens and make ghosts and gods weep!

A Dynamic Study on the Literary Existence Mode Based on the Subject of Desire in the Media Field
Literature媒介场中基于欲望主体的文学存在方式动态研究
Zhao Yu
This book introduces media as an element into literary activities and examines its impact on literary activities based on the overall media field. It advances in both directions from the two endpoints of media and literary activities, so that the overlapping point is settled on the "subject of literary activities". From this, the media field constructs the subject of literary activities. The traditional writer's subject, reader's subject, critic's subject, etc. Have all undergone new changes in the field. Then, the method of holistic research and sociological field investigation is used to demonstrate the possibility and reality of the main activities of literary subjects, namely literary creation, literary reading and literary criticism, reveal the long-standing relationship between literature and media, depict the "growth trajectory" of literary subjects in the long river of literary history, and help establish the position and situation of literary subjects in the contemporary media field.
This book introduces media as an element into literary activities and examines its impact on literary activities based on the overall media field. It advances in both directions from the two endpoints of media and literary activities, so that the overlapping point is settled on the "subject of literary activities". From this, the media field constructs the subject of literary activities. The traditional writer's subject, reader's subject, critic's subject, etc. Have all undergone new changes in the field. Then, the method of holistic research and sociological field investigation is used to demonstrate the possibility and reality of the main activities of literary subjects, namely literary creation, literary reading and literary criticism, reveal the long-standing relationship between literature and media, depict the "growth trajectory" of literary subjects in the long river of literary history, and help establish the position and situation of literary subjects in the contemporary media field.

True Talk About Documentary Creation
Literature纪实创作真谈录
Zhao Yu
The "New Century Literary Observation" series is another set of literary criticism series published by our publisher after "Shanxi Criticism Series" and "Chi Lian She Wen Series". It is a comprehensive and authoritative review and summary of the development of various literary styles in our country since the new century. It is a testimony to the achievements of literary criticism and research in the new century. This book is based on the famous writer Zhao Yu's personal experience in reportage writing for many years. He sincerely tells readers who are committed to reportage writing and those who love reportage the true meaning and tips of writing good reportage from three aspects: dialogue and wandering, reading and scanning, questioning and thinking. It has practical guiding significance for readers to understand the uniqueness of reportage writing from a new perspective and master reportage writing.
The "New Century Literary Observation" series is another set of literary criticism series published by our publisher after "Shanxi Criticism Series" and "Chi Lian She Wen Series". It is a comprehensive and authoritative review and summary of the development of various literary styles in our country since the new century. It is a testimony to the achievements of literary criticism and research in the new century. This book is based on the famous writer Zhao Yu's personal experience in reportage writing for many years. He sincerely tells readers who are committed to reportage writing and those who love reportage the true meaning and tips of writing good reportage from three aspects: dialogue and wandering, reading and scanning, questioning and thinking. It has practical guiding significance for readers to understand the uniqueness of reportage writing from a new perspective and master reportage writing.

《聊斋志异》笺证初编
Zhao Yu
Regarding the origin of the stories in the novel "Strange Stories from a Chinese Studio", most scholars currently focus on the comparative analysis of Legends of the Six Dynasties, Legends of the Tang and Song Dynasties and "Strange Stories from a Chinese Studio". However, there is still a lack of sufficient attention and in-depth discussion of the influence of classical Chinese novels from the Ming Dynasty and the early Qing Dynasty on the creation of "Strange Stories from a Chinese Studio". Based on the research of previous scholars, "Jianzheng Chubian" extensively excavated information from the notebooks, novels and poetry collections of Ming and Qing literati, read the texts carefully, and conducted detailed research, further proving that a large number of works in "Strange Stories from a Chinese Studio" were adapted from classical Chinese novels from the mid-late Ming Dynasty to the early Qing Dynasty.
Regarding the origin of the stories in the novel "Strange Stories from a Chinese Studio", most scholars currently focus on the comparative analysis of Legends of the Six Dynasties, Legends of the Tang and Song Dynasties and "Strange Stories from a Chinese Studio". However, there is still a lack of sufficient attention and in-depth discussion of the influence of classical Chinese novels from the Ming Dynasty and the early Qing Dynasty on the creation of "Strange Stories from a Chinese Studio". Based on the research of previous scholars, "Jianzheng Chubian" extensively excavated information from the notebooks, novels and poetry collections of Ming and Qing literati, read the texts carefully, and conducted detailed research, further proving that a large number of works in "Strange Stories from a Chinese Studio" were adapted from classical Chinese novels from the mid-late Ming Dynasty to the early Qing Dynasty.

Zhao Yu's Prose
Literature赵瑜散文
Zhao Yu
The first collection of prose by Lu Xun Literature Prize winner Zhao Yu. Zhao Yuxiang shocked the literary world with his documentary masterpieces. In fact, his prose is equally profound, unique and interesting. Faced with the weakness and paleness of current prose, Zhao Yu's narrative has a modern atmosphere and an ancient northern style. It is written based on events and feelings. It is a piece of sunken brick made by compacting the soil and firing it. We can appreciate the spontaneity and sincerity of the writer's soul.
The first collection of prose by Lu Xun Literature Prize winner Zhao Yu. Zhao Yuxiang shocked the literary world with his documentary masterpieces. In fact, his prose is equally profound, unique and interesting. Faced with the weakness and paleness of current prose, Zhao Yu's narrative has a modern atmosphere and an ancient northern style. It is written based on events and feelings. It is a piece of sunken brick made by compacting the soil and firing it. We can appreciate the spontaneity and sincerity of the writer's soul.

So Lonely, so Hesitant
Literature那么孤单·那么彷徨
Zhao Yu
"So Lonely and So Wandering" is a collection of prose works created by the emerging writer Zhao Yu in recent years. It is also the "first real collection of prose" by Zhao Yu, who has written extensively in the fields of novels, themes, and special essays. The title of the book is taken from the chapter of the same name in the book that has a high reprint rate and great influence, and is planned to be adapted into a micro-film by Baihua Literature and Art Society.
"So Lonely and So Wandering" is a collection of prose works created by the emerging writer Zhao Yu in recent years. It is also the "first real collection of prose" by Zhao Yu, who has written extensively in the fields of novels, themes, and special essays. The title of the book is taken from the chapter of the same name in the book that has a high reprint rate and great influence, and is planned to be adapted into a micro-film by Baihua Literature and Art Society.

Heavenly Dragon Tribulation
Modern Romance天龙劫
Zhao Yu
Chivalrous tenderness, happy grudges, but where can I find them? Cold moon and clear breeze, tears streaming down my face, who can I tell? How does an ordinary waiter become a great hero? How does a peerless hero become a murderous beast? Telling how the deep love between brothers turned against each other? How can telling about the poignancy of love make people cry? Is it a human catastrophe or a personal dispute? Is it a choice of fate or an expression of emotion?
Chivalrous tenderness, happy grudges, but where can I find them? Cold moon and clear breeze, tears streaming down my face, who can I tell? How does an ordinary waiter become a great hero? How does a peerless hero become a murderous beast? Telling how the deep love between brothers turned against each other? How can telling about the poignancy of love make people cry? Is it a human catastrophe or a personal dispute? Is it a choice of fate or an expression of emotion?