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This book takes Yuanqing poetry, which was the mainstream in the late Han, Wei, and Jin Dynasties, as an independent research unit and object. It combines the background of the history of thought and literary theory to systematically study the emergence, development, formation, and decline of Yuanqing poetry. It analyzes its aesthetic experience model of sensing objects and Yuanqing, and identifies its significance and limitations in the history of poetics and aesthetics. It strives to conduct a comprehensive study and reasonable positioning of Yuanqing poetry and poetry Yuanqing theory, and delineate the scope of application and interpretation limits of Yuanqing in the history of Chinese poetics and Chinese aesthetics.