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在传统和现代之间:新笔记小说研究
Zhang Zhouzi
Since the new era, when most writers have devoted themselves to learning artistic experience from Western literature, a group of writers represented by Sun Li and Wang Zengqi have created a large number of novels that are deeply influenced by traditional literature and art, especially traditional notebook novels. These creations transformed the influence of traditional literature from an undercurrent into an obvious trend of literary creation in the 1980s, and had a certain impact. These novels are called notebook novels or new notebook novels by some critics and readers. New Notes novels formed a unique landscape in the literary world in the 1980s. They not only achieved outstanding achievements and produced some excellent works, but also made useful attempts on how to inherit the tradition of Chinese literature. The experiences and lessons learned are worthy of careful summary. The manuscript of this book conducts an in-depth study of the new notebook novels. The first part has a detailed discussion on the creation of four representative new notebook novel writers, Sun Li, Wang Zengqi, Lin Jinlan and Jia Pingwa. The second part comprehensively discusses the creative achievements and literary historical influence of New Note Novels in inheriting Chinese traditional literature and art from the aspects of aesthetic category, writer's subjective spirit and the literary historical significance of New Note Novels.
Since the new era, when most writers have devoted themselves to learning artistic experience from Western literature, a group of writers represented by Sun Li and Wang Zengqi have created a large number of novels that are deeply influenced by traditional literature and art, especially traditional notebook novels. These creations transformed the influence of traditional literature from an undercurrent into an obvious trend of literary creation in the 1980s, and had a certain impact. These novels are called notebook novels or new notebook novels by some critics and readers. New Notes novels formed a unique landscape in the literary world in the 1980s. They not only achieved outstanding achievements and produced some excellent works, but also made useful attempts on how to inherit the tradition of Chinese literature. The experiences and lessons learned are worthy of careful summary. The manuscript of this book conducts an in-depth study of the new notebook novels. The first part has a detailed discussion on the creation of four representative new notebook novel writers, Sun Li, Wang Zengqi, Lin Jinlan and Jia Pingwa. The second part comprehensively discusses the creative achievements and literary historical influence of New Note Novels in inheriting Chinese traditional literature and art from the aspects of aesthetic category, writer's subjective spirit and the literary historical significance of New Note Novels.

Research on Jin Yong's Creative Process
Literature金庸创作历程研究
Zhang Zhouzi
This book is an expansion of the author's doctoral thesis. The author believes that the study of Jin Yong has been at a low ebb for a long time. The reasons are, first, the lack of research on the writer, especially the lack of research that combines Jin Yong's identity as a journalist with his identity as a martial arts novel writer. Second, there is a lack of research on the development and changes in the creation process of Jin Yong's novels. This book will strive to combine Jin Yong's identity as a journalist with his identity as a martial arts novel writer, and conduct an in-depth study of the changes in character creation and ideological content during the creation of Jin Yong's novels, revealing his efforts from writing chivalrous stories to gradually integrating life experience, adding realistic feelings, and ultimately shaping cultural models. The manuscript has solid content and reasonable structure, and has certain reference value for readers in related fields.
This book is an expansion of the author's doctoral thesis. The author believes that the study of Jin Yong has been at a low ebb for a long time. The reasons are, first, the lack of research on the writer, especially the lack of research that combines Jin Yong's identity as a journalist with his identity as a martial arts novel writer. Second, there is a lack of research on the development and changes in the creation process of Jin Yong's novels. This book will strive to combine Jin Yong's identity as a journalist with his identity as a martial arts novel writer, and conduct an in-depth study of the changes in character creation and ideological content during the creation of Jin Yong's novels, revealing his efforts from writing chivalrous stories to gradually integrating life experience, adding realistic feelings, and ultimately shaping cultural models. The manuscript has solid content and reasonable structure, and has certain reference value for readers in related fields.