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The book "Shengde Description: Research on Praise Style and Style in Pre-Tang Dynasty" is the final result of the National Social Science Fund's later-funded project "Research on Praise Style and Style in Pre-Tang Dynasty" (19FZWB066). Professor Zhang Zhiyong of Hebei University relied on ancient literary theories and collections such as "The Literary Mind and the Carving of Dragons" and "Selected Works", combined with the latest research results in the current academic circle, and from a macro perspective that combines history, culture, and literature, he comprehensively and concretely sorted out and summarized the origins of the two genres of praise and praise from ancient times to the Wei, Jin, Southern and Northern Dynasties. , Development and evolution process and trajectory, and linked the revival of four-character poetry and the rise of four-character ode during the Han and Wei dynasties for textual research and analysis, clarifying the intrinsic connection between the two styles, which has important enlightenment significance for the further restoration and construction of the ecological pattern of literature and literary theory during the Han and Wei dynasties. At the same time, this book discusses the "wild song" genre while referring to ancient music and rap. In fact, it outlines a main line of the development and evolution of my country's rap and folk art music in the pre-Qin period. It also has a positive reference value for the study of ancient music.

The whole book takes time as its warp and poets as its latitude, giving a comprehensive look at the poetry of the Tang Dynasty from a literary and cultural perspective. The author sorts out the development of Tang poetry through specific works, and conducts a credible examination of the life experiences, poetic ideas, style and personality, and creative achievements of the poets in the Tang Dynasty. He also makes detailed and concise comments on the creative background of the works, the ideological content of the chapters, the artistic characteristics of the poems, and other related issues, thus deeply and three-dimensionally describing the main characteristics and evolution of the poetry genre, and analyzing the reasons for the gradual emergence of poetic styles and the development of poetic art.

This book takes the surviving poetic works of the Northern Song Dynasty poet Guo Xiangzheng as the research object. It first adopts the method of "knowing people and analyzing the world" to outline Guo Xiangzheng's career and life path wandering between the two ends of "official" and "hidden", in order to interpret the reasons for the formation of Guo Xiangzheng's unique personality and his open poetry style in the context of the evolution of scholarly style in the Song Dynasty. Then, this book describes the original style of Guo Xiangzheng's poems from many aspects such as content, genre, imagery, organization, style, etc., While interpreting the artistry of his poems, it also uses these poems as annotations to Guo Xiangzheng's mental journey, in order to show the poet's beautiful feelings of conveying his heart through poetry and loving poetry as life.

This book takes various epigraphic documents such as epitaphs, cliff carvings, and Buddhist statues from the Beijing-Tianjin-Hebei region as the research object. It mainly provides an in-depth interpretation of the creations of famous literary figures and dignitaries, elaborating on their creative characteristics and significance in literary history. It also explores the value contained in them at multiple levels from the perspectives of ethics, education, folklore, academics, religion, etc., And summarizes the regional cultural characteristics. In addition, from the perspective of philology, combined with historical biographies, general collections, separate collections, etc., The unique function of local chronicles and epigraphic documents in collation and compilation is discussed.