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This is a general tour of grassroots writing and local narratives in recent years, as well as a comprehensive review of them. Among the selected people, there are "experts" who have been engaged in writing about the grassroots and are famous for it, and famous writers who have been famous for a long time and have occasionally been involved in the grassroots. There are those who are eternally innocent at heart, and there are those who stand out from the bottom and are always obsessed with their hometown; there are those who imagine the bottom from their own perspective, and there are also those who take the perspective of the bottom and share the same breath with the characters. It is precisely because of this variety of colors that the diverse faces of the bottom are presented, including the tragic images of the bottom struggling in suffering and blood and tears, and the group portraits of the bottom who remain optimistic and tenacious without being forced by suffering.

In the history of Chinese literature, no one has ever written about cities with such concentration as contemporary writers. This group of writers is a generation that has experienced a huge process of urbanization. They have witnessed the vicissitudes of the sea, witnessed the dramatic changes in people's lives and hearts, and strive to tell their own stories in such a world. As a "symptom" of contemporary society, although new century urban literature has many shortcomings, it records this era in its own unique way and unexpectedly engraves the subtle emotions and secret life of the current city. Only by reading these words can we touch the city we live in and understand the history we have experienced together. This novel takes the city as its theme and includes more than 20 works including "Stories of Community People" by Qiu Huadong, "You Never Have to Wait for Some People" by Zhang Xin, "All the Trees Are Autumn Colors" by Fang Fang, "Running Through Zhongguancun" by Xu Zechen, and "You" by Yao Omei.

The young man's articles are astounding. Since the new century, young people's writing has become a dazzling sight in Chinese society, and the book market has also seen a boom in "Home Alone". Their works record the emotions, lifestyle and inner world of a generation, and are an accurate capture and delicate depiction of the times and society by the younger generation. They attracted the world's attention for their sharpness and freshness of thought, their wild and uninhibited ideas, and their ability to control words freely. These works are the growth experience of a generation and the youth memories of a generation. Reading these works is to understand today's young people, their lives and emotions, and to understand them is to understand China today and China's tomorrow.

In Greek mythology, it was the union of Mnemosyne, the goddess of memory, and Zeus that gave birth to nine goddesses of literature and art. From then on, memory and literature and art have always become intertwined lovers. In the first decade of the 21st century, writers from Harbin, Beijing, Shanghai, Hunan, Jiangsu, Fujian, Han, Manchu, and Tibetan dialects with different local dialects conducted dialogues between the new and the old, the past and the future, through words in different regions and time and space, capturing the traces touched by the hand of time in nostalgia and re-sculpting the passing time. The new century is like a new father, embracing the 1930s, 1940s,... 1980S, and infinite possibilities are opening up.