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This book is included in two works: "Collected Commentary on Wen Fu" and "Xixiu Collection". Among them, "Collected Commentary on Wen Fu" comprehensively integrates the opinions of ancient and modern scholars, and explains its literary meaning and theoretical connotation. "Xixiu Collection" discusses the relationship between ancient literary theory and contemporary literature and art, the consciousness of Chinese literary concepts, the artistic conception theory of "Wen Xin Diao Dragon", ancient poetry theory and painting theory, the Northern and Southern Schools of landscape painting, etc.

In this book, "A Study of Liu Xie and His Wen Xin Diao Long" studies Liu Xie's life, thoughts and literary theory of "Wen Xin Diao Long", and also elucidates the relationship between "Wen Xin Diao Long" and Chinese cultural tradition. "Research on Sikong Tu and His Poetry" studies Sikong Tu, a famous poet and poetic critic in the Tang Dynasty, from multiple aspects such as poetry creation and poetic thought, and focuses on the authenticity of "Twenty-Four Poems" and related academic controversies.

Introduction to the main content of "A Tutorial on the History of Chinese Literary Theoretical Criticism (Revised Edition)": The development of ancient Chinese literary theory criticism has a very long history. It is a summary of the historical experience of ancient Chinese literary creation. It expresses various literary criticism methods, aesthetic ideals and tastes with national traditions and oriental characteristics.

This book contains articles such as "Su Shi and the literary theory criticism in the early Northern Song Dynasty", "Huang Tingjian and the literary theory criticism in the late Northern Song Dynasty", "New developments in literary theory criticism in the Southern Song Dynasty", "Literary theory criticism in the Jin and Yuan Dynasties", "The emergence and development of the retro-ism literary trend in the Ming Dynasty", "Theoretical criticism of opera in the Ming Dynasty", "The poetry theory of Wang Fuzhi and Ye Xie", etc.

Based on the principle of combining modern interpretation with historical restoration, this book analyzes the connotations and modern values ​​of some important categories, propositions or theoretical forms in Chinese classical literary aesthetics, and sorts out some important research on Chinese classical literary aesthetics since the 20th century.

This book contains three works: "The Literary Views of Pre-Qin Scholars", "On Ancient Chinese Literary Creation" and "Zhong Rong's Poems". "The Literary and Artistic Views of Pre-Qin Scholars" sorts out the literary and artistic concepts of Confucianism, Mohism, Taoism, Legalism and other academic schools in the Pre-Qin Dynasty. "On Ancient Chinese Literary Creation" explores the ancient people's ideological and theoretical system on creation from the perspective of comparing China and the West from the aspects of artistic conception, artistic image, creative methods, dialectics of artistic expression, and artistic style. "Zhong Rong's Poems" introduces the theoretical features, critical methods and its status in the history of poetic criticism from the perspective of combining theory and creation.

This book contains two works: "Literary Mind and the Theory of Calligraphy, Painting and Music" and "Chaohua Collection". "The Literary Mind and the Theory of Calligraphy, Painting and Music" contains the author's research articles on "The Literary Mind and the Carving of the Dragon"; the "Chaohua Collection" includes academic papers that have not been included in other collections from the publication of the first academic paper in 1958 to 2020, with a small number of essays in the appendix.

This book is a revised annotation and modern translation of the classic literary theory "Wen Xin Diao Long", and provides a theoretical analysis of each article. The author examines various aspects of the original text, such as the version text, word interpretation, and correct understanding of the text. On the basis of absorbing the results of predecessors, he corrects the mistakes of various authors, puts forward his own new opinions, and adds new information to refine and explain the meaning of theoretical concepts.

This book is Mr. Zhang's teaching lectures at Hong Kong Shue Yan University, including "Introduction to Chinese Studies", "Comparison of Key Points of Chinese and Western Literary Theory", "Historical Development of Chinese Classical Novels", "On Cao Xueqin and "A Dream of Red Mansions"", and "A Summary of Yuan Opera".

This book is a revised annotation and modern translation of the classic literary theory "Wen Xin Diao Long", including the "Yuan Dao" chapter, "Zheng Sheng" chapter, "Zong Jing" chapter, "Zheng Wei" chapter, "Bian Sao" chapter, "Ming Shi" chapter, etc., And provides a theoretical analysis of each chapter. The author examines various aspects of the original text, such as the version text, word interpretation, and correct understanding of the text. On the basis of absorbing the results of predecessors, he corrects the mistakes of various authors, puts forward his own new opinions, and adds new information to refine and explain the meaning of theoretical concepts.

This book summarizes the general trend of the development of literary theory from pre-Qin to modern times, and explains and analyzes important theorists and theoretical masterpieces. It discusses the overall literary concept as well as the criticism and theory of various types of literature such as poetry, prose, lyrics, novels, and operas. The content includes: the germination and emergence of Chinese literary theoretical criticism - the pre-Qin period, the development and maturity of Chinese literary theoretical criticism - the Han, Wei and Six Dynasties periods, the deepening and expansion of Chinese literary theoretical criticism - the Tang, Song, Jin and Yuan dynasties.