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Before Mo Yan won the Nobel Prize for Literature, contemporary Chinese literature and writers had been working hard to reach the world. This book contains speeches given by Mo Yan, Yu Hua, Zhang Wei, Yan Lianke, Su Tong, Ge Fei, Li Er, Bi Feiyu, Alai, Xichuan, Ouyang Jianghe, Wang Jiaxin, Chen Sihe and others in Europe, America, Japan and other places. These speeches are not only an external display of Chinese contemporary literature, but also self-reflection in the face of others. They show another aspect of Chinese contemporary literature and have important reading value. This book contains five speeches given by Mo Yan overseas before he won the Nobel Prize for Literature.

"Six Lectures on Haizi" is a series of articles written by Zhang Qinghua to commemorate the 30th anniversary of Haizi's death. The author sorts out Haizi's poetry creation from six aspects: the background of Haizi's creation, the spiritual phenomenology characteristics of Haizi's poetry, the matrix and aesthetic foundation of Haizi's poetry, the sensibility and body in Haizi's poetry, and Haizi's cultural writing and meta-writing. In particular, he conducts an in-depth exploration of the deep relationship between the imagery in Haizi's poetry and Western philosophy, which helps readers to have a clear connection and understanding between Haizi's creation and the spiritual map of the Western world. "Six Lectures on Haizi" also has three appendices, one is a comparative article about Haizi and Luo Yihe, one is about the analysis of Haizi's lyric poems, and the third article gives a very practical and specific reading method of Haizi's poems. These three appendices, together with the six lecture notes, open a wider channel for readers to approach and understand Haizi's creative world.

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Xinxin, Wang Binbin, Bai Ye, and Zhang Hong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in that year.

"Six Interpretations of Spring Dreams" is a series of columns published by Zhang Qinghua in "Harvest". The author selects the dreams of classic figures in literary history, such as Jia Baoyu's dream and Jia Rui's dream in "A Dream of Red Mansions", Claudius's dream in "Hamlet", Faust's dream in "Faust", etc., And attempts to interpret literature and text through "dream interpretation" to further respond to the meta-proposition of "literary dream". In this series of dream interpretation writings, the author fully mobilized his own knowledge reserves and mixed professional knowledge from history, psychology, poetics and other disciplines to form a divergent and leaping text, which found a new way for pure literary interpretation. It is both lively and interesting, and has solid materials. It is a literary communication text that is more friendly to readers.

The main content of this book is to collect and compile research documents with an international perspective related to the overseas influence and spread of Chinese contemporary literature, in order to summarize and sort out the international and worldwide influence of Chinese contemporary literature in recent years. The contents of this book include: 1. The communication issues of Chinese literature in the context of globalization; 2. Discussions on the internationality and global significance of Chinese writing; 3. Research documents on contemporary Chinese literature by overseas scholars; 4. Important comparative literature research documents; 5. Discussions of relevant issues at important international academic conferences on this topic in recent years.

This book is a collection of poetry readings and criticisms made by the author in recent years. The content covers avant-garde poets such as Shizhi, Haizi, Zhang Shuguang, Chen Chao, Sanke, Anqi, Han Yan, and Duoyu, as well as powerful poets Jidi Maga, Da Jie, Feng Yan, Pan Xichen, Luo Ying, Chang Zheng, Chen Zhiyun, Zheng Xiaoqiong, Yu Xiuhua, etc. Who grew up from the bottom. It also involves reviews of contemporary poetry private journals and solutions to many poetry problems. With his philosophical vision, poetic brushwork, close reading method, and unique vision, the author opens up a world full of the magic of words and ideological enlightenment for us, and shows a different way of reading and understanding poetry. ------

The book is divided into four parts: "Mo Yan's Voice", "Reactions to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. In addition to the analysis and comments of contemporary literature researchers on Mo Yan's winning of the "Nobel Prize" and his creation, it also includes In addition to the papers of important critics such as Chen Sihe, Zhang Qinghua, Zhao Yong, and He Huaihong, in order to take care of the comprehensiveness of the issues discussed, it also collected some other representative critical articles. It can be said that it basically reflects the overall picture of Mo Yan research in 2014.

This book is an important academic work on the study of contemporary Chinese literature. It caused great repercussions in the 1990s and has been listed as a reference book for contemporary literature majors in many universities. After the book was published, many newspapers and periodicals published articles to review it, calling it a pioneering work in the study of contemporary Chinese avant-garde literature. This book is very personal and creatively combines historical data research, aesthetic analysis of works and theoretical speculation. It vividly, deeply and poetically demonstrates the origin, aesthetic characteristics and internal logical relationships of contemporary Chinese avant-garde literary trends, and puts forward many new insights of great academic value. Based on the original work, the revised version of this book incorporates the author's re-examination and thinking on related issues in recent years, which can be described as a new induction and summary.

"Mo Yan Research Yearbook (2013)" is divided into four parts: "Mo Yan's Voice", "Reaction to the Nobel Prize", "Mo Yan Research" and "Voice of the Media". It includes Mo Yan's own speeches. Contemporary literature researchers and others have expressed their opinions on Mo Yan's winning of the "Nobel Prize" and his creation. The analysis and comments made by this book not only include papers by important critics such as Chen Sihe, Cheng Guangwei, Xie Youshun, Yang Yang, but in order to take care of the comprehensiveness of the data, some general critical articles are also collected. It can be said that it basically reflects the overall picture of Mo Yan research this year.