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This book provides a comprehensive and profound analysis of the development, current situation and overall characteristics of historical poetics theory on the basis of theory and practice across disciplines, eras, and national boundaries. It is helpful for us to systematically grasp the concept of historical poetics and its development status, and has high academic value. This book attempts to break through the boundaries of disciplines, eras and countries, and conducts a comparative, comprehensive and universal study of the ideological resources of "historical poetics" at home and abroad, both ancient and modern.

Su Shi was an outstanding representative of comprehensive talents in the Song Dynasty, integrating morality, articles, politics, and art. Shenzong of the Song Dynasty praised him as a "wonder in the world" and Xiaozong of the Song Dynasty as "the master of articles." However, Su Shi's person, his studies, his poems, his writings, and his lyrics were also sharply criticized by the people of the Song Dynasty. This book mainly focuses on the establishment of the aesthetic beauty of plain poetry in the literary theory of the Song and Jin Dynasties and the criticism and acceptance of Su Shi by Li Qingzhao, Zhu Xi, Yan Yu, Liu Kezhuang, Yuan Haowen and others. It involves the author theory, creation theory, stylistic theory, style theory, appreciation theory, acceptance theory in literary criticism, as well as some issues of concern and controversy in the literary thought of the Song Dynasty. It is not difficult to see the openness and activity of academic thought in the Song Dynasty, Su Shi's contribution and influence on Song Dynasty literature and Song Dynasty academics, and the spiritual admiration of scholars and academics in the Song Dynasty.

This book draws on the theories and research ideas of Western reception aesthetics to comprehensively sort out and discuss readers' acceptance, theoretical interpretation, and effects and influences of Wang Wei's poems and paintings in the Tang, Song, Jin, and Yuan dynasties. It reveals the outstanding characteristics of Wang Wei's poems and paintings, and establishes the influence and status of Wang Wei's poems and paintings in the history of the reception of Tang poetry and the development of literati paintings. It can be seen that the reception effect of Wang Wei's poems and paintings is closely related to factors such as social and political conditions, the aesthetic fashion of the times, readers' expectations and acceptance psychology, and the development and evolution of the poetry and painting art itself.

Based on the practical background of contemporary world literary theory and domestic literature and art, this book comprehensively and three-dimensionally examines the spiritual outlook, ideological pedigree, and literary concepts of this trend of thought through specific research on historical literature, historical turn, and new historicism and the complex relationships between them, as well as the comparison and mutual verification between historical philosophy, critical schools, and creative practice. , Creative practice, critical exploration and value effects, explore possible ways of in-depth dialogue and integration between historical rationality and humanistic spirit, poetic wisdom and historical logic, standardize and guide the theory and practice of historical literature, and promote the new historicist literary and artistic trend to exert greater positive energy in the process of Chinese cultural inheritance and innovation.