Library

Through various chapters, the two authors of "Shakespeare in the Visual Age" conducted detailed and unique interpretations and criticisms of more than ten representative Shakespearean comedies, historical dramas, tragedies and legendary drama films from the perspectives of content, ideas, themes, techniques, art, society, etc., And responded to the above issues. Shakespearean films originated and developed at the same time as film art. In the 1990s, the so-called "Shakespearean film revival" appeared. In the context of the "visual age", what is the interactive relationship between Shakespeare, a classic of human culture and literature, and film, a popular art media? What significance will such interaction have on the interpretation and dissemination of classic literature in a new context, and on the ideological and technical challenges that mass art media will encounter in the new era? Internationally, the study of Shakespeare's films has become an important part of Shakespeare studies, and the study of adaptations of literary works is also becoming a prominent subject. How do Chinese scholars and academic circles respond, participate, and make their voices heard?

The original novel of the movie "Super Me"! An imaginative "dream fable"! If reality was a dream, would you rather fall asleep or wake up alone? If time could break the dimensions and be arranged in disorder, which starting point would you like to return to?