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Qiong kiln is a folk kiln system with the largest number of kilns, the longest firing time, the widest distribution of products, and the greatest social influence among the ancient ceramic kiln systems in the Bashu region. Starting from the perspective of "aesthetic culture" that has not been covered in previous studies, this book comprehensively explores and studies Qiong Kiln from three levels: artifact design, aesthetic consciousness, and aesthetic behavior. This book has positive innovative value in academic fields such as Qiong kiln research, ancient Chinese ceramic culture research, ancient Bashu culture research, and Southern Silk Road art research. It can play a good guiding role in promoting traditional excellent culture, protecting and inheriting intangible cultural heritage skills, and promoting the development of local cultural industries.

On July 5, 2568 AD, the world officially announced that the last bit of resources had been exhausted. At the same time, the world's total population reached 10 billion. Humanity finally tasted the consequences of what it had sown. However, scientists who had been dedicated to studying how to regenerate resources all died for unknown reasons. At this time, the non-renewable resources in the world were regenerated again, and humans were unexpectedly saved. In 4000 AD, 22-year-old historian Ye Andong was dedicated to researching the end of the world. She accidentally came into contact with a man from the four-dimensional space. Since then, the two began to study. The fog dissipated little by little, and the truth emerged little by little, but the man disappeared. Ye Andong has been in love with him for a long time. During the research bit by bit, she discovered that the man came from the four-dimensional space. Can two people from different dimensions be together? "You are the person I met across time and space, how can I let you go?"