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And: Dimensions of Aesthetic Ideals
Literature和:审美理想之维
Yuan Jixi
"Harmony" is an important category of Chinese aesthetics and is the aesthetic gathering of the Chinese national spirit. "Harmony" in the category of Chinese aesthetics has the meaning and function of encompassing all things and being inclusive. Its spiritual essence is to pursue the unity of life and art, and to pursue the harmony of beauty and goodness, emotion and reason, individual and society. As a dimension of classical aesthetic ideals, "harmony" has experienced development and evolution, and has been continuously enriched. In modern times, it has faced challenges and incorporated new aesthetic concepts.
"Harmony" is an important category of Chinese aesthetics and is the aesthetic gathering of the Chinese national spirit. "Harmony" in the category of Chinese aesthetics has the meaning and function of encompassing all things and being inclusive. Its spiritual essence is to pursue the unity of life and art, and to pursue the harmony of beauty and goodness, emotion and reason, individual and society. As a dimension of classical aesthetic ideals, "harmony" has experienced development and evolution, and has been continuously enriched. In modern times, it has faced challenges and incorporated new aesthetic concepts.

Xing: Activation of Artistic Life
Literature兴:艺术生命的激活
Yuan Jixi
"Xing: The Activation of Artistic Life", as one of the "Chinese Aesthetic Category Series", comprehensively and systematically discusses the historical status, development process, core ideas and spiritual essence of "Xing", an important category of Chinese aesthetics, in traditional Chinese aesthetics. This book is comprehensive in content, rigorous in structure, clear in organization, and has high scientific, systematic, theoretical and academic value. It provides practical information for the study of traditional Chinese aesthetics and can be used as a reference for scholars.
"Xing: The Activation of Artistic Life", as one of the "Chinese Aesthetic Category Series", comprehensively and systematically discusses the historical status, development process, core ideas and spiritual essence of "Xing", an important category of Chinese aesthetics, in traditional Chinese aesthetics. This book is comprehensive in content, rigorous in structure, clear in organization, and has high scientific, systematic, theoretical and academic value. It provides practical information for the study of traditional Chinese aesthetics and can be used as a reference for scholars.