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This book mainly studies the idiosyncratic connotation of Zhu Dunru and his poetry as well as his posthumous influence. As a poet who traveled south from the Song Dynasty and lived through the dynasties of Shenzong, Zhezong, Huizong, Qinzong and Juzong, his collection of poems handed down from generation to generation, "Qiao Song", has autobiographical characteristics, recording Zhu Dunru's journey from a celebrity in Yiluo to a refugee in the south, from an official to a hermit in Jiahe. The evolution of Zhu Dunru's poems is a typical example of the evolution of word quality between the two Song Dynasties. Zhu Dunru's life style reflected in "Woodcutter Song" reflects the scholarly style and contemporary style during the two Song Dynasties. In the process of spreading for nearly a thousand years, the selection and acceptance of Zhu Dunru and his poems by readers in the Song, Jin, Yuan, Ming, Qing, and modern times are a dialectical unity of change and change. Between inheritance and new changes, Zhu Dunru eventually became an influential poet during the two Song Dynasties.