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This book tells the story of the last issue of a series of interviews between Jia Yue and Lu Zai. The guest in this issue is Lao Wang, a writer who became popular because of a TV show. The interview took place in Wu Hua's bar, a good man who started to believe in Buddhism after making enough money. There is also Xiao Huang, a photographer born in 1995. The topics they talked about were love and death. At the same time, Jia Yue kept thinking about her relationship with her husband, whether to continue the separation, and the changes in related characters two years later.

In fact, I have no idea what they are talking about. I have been sitting there for almost two hours and I don't even know what they are talking about. I pressed it lightly under the seat and the phone went off. "I'll call you later", this is the first text message Tan Yong sent me today. I sent the text message early in the morning. The biggest characteristic of him is that he doesn't like to reply to text messages or answer phone calls. His phone is like a bp machine from the last century. He always calls for a long time and then calls back again, if he is in a good mood. The prerequisite for contacting this person is that he is in a good mood. But there are too many conditions that affect his good mood. Tan Yong lives in Nanshi. He originally belongs to Nanshi. Here, you can guess that he will be like a fish in water. There is not even smog in Nanshi. Here, even if a person does not answer the phone all day long, the earth will still move.

Yu Yishuang's new novel collection. Nine stories, full of uncertainty: a group of living people talking about a dead person, a Ferris wheel and a letter from afar, facing the Yue King Goujian's imagination, a distant woman who has lost her identity and has nowhere to go, a funeral scene with mixed impurities... Everyone is on the boat, they don't believe in the other side, have no purpose, are weak on one side, and kind on the other. It's both romantic and shaky. The essence of romance is uncertainty.