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This book takes rural-themed novels that have appeared since the new century, including some rural non-fiction works as the object of observation, and discusses the new qualitative elements and many changes that have appeared in rural narratives in the past twenty years. It has conducted detailed, in-depth and innovative interpretations of nearly twenty rural narrative works (especially novels), and analyzed the writers' creative motivations and expressive intentions. It combs the development of rural narratives in modern and contemporary Chinese literature and reveals the current rural reality, which is both academically rational and practical.

"Research on Chinese German Literature in the Past Sixty Years" is the 8th volume out of 12 volumes in the "Academic Process of Research on Foreign Literature in China". "German literature" is a relatively broad concept, including German literature in German-speaking countries, Austrian literature and part of Swiss literature. This volume is mainly based on sorting out historical facts and outlining clues. In addition to the "Introduction" and "Conclusion", it is divided into three parts and six chapters. It provides a more thorough reflection on the modern academic dual-track system, that is, the historical evolution of the university and the Academy of Social Sciences as the carrier of German literature research. It also provides a more thorough reflection on the academic history representatives such as Feng Zhi, Ye Tingfang, and Yang Wuneng as individual cases, on the research works of "classic" writers such as Goethe's "Faust", and on the academic history of German literature itself. The author takes a comprehensive look at the research on German literature in China and fully demonstrates the achievements of German literature research in China. At the same time, the author also points out the problems existing in the research from a methodological perspective.

Xiao Yu, the pride of the family, was beaten to death and sank into the sea When someone took him away and quietly entered a world of cultivating immortals, he brought him back. The earth trembles!

Lu Yin's collection of essays, "Old Friend on the Seaside" and "Ivory Ring" describe the life experience and mental journey of intellectual women during the May Fourth period. The prose series "Yunou Love Letters" and "Tokyo Essays" more fully and personalizedly show the writer's talent. A large number of essays expressing realistic concerns can also be used as lenses for us to understand that era.

The anthology includes the author's prose and novels with relatively sophisticated artistic forms, as well as dramatic works with unique exploratory significance. The writer's sentimentality and depressive temperament give the work a cold and sentimental color, but this does not prevent her from thinking about women's fate and life. The work reflects the awakening and depression of women in the May Fourth era.

Select Lin Huiyin's existing literary works of various genres in the world, select chapters that have withstood the scouring and testing of time, and strive to show the most literary Lin Huiyin. It includes famous poems such as "You Are April in the World" and novels such as "Ninety-nine Degrees of Middle", comprehensively presenting the literary achievements of a generation of talented women.

The concept of "the spread of Western learning to the East" often used by academic circles in the past is too broad, because the ideological and cultural resources of each country are different. In particular, German thought, which is different from the "British and American tradition" and "Soviet resources", has distinctive characteristics. Similarly, in the process of "the spread of Western learning to the East", the differences in the recipients often determine the major differences in the taste and value orientation of the recipients. When examining the entry of German ideological resources into modern China, the role of scholars studying in Germany plays a crucial role. It is based on the above thinking that this paper chooses modern scholars studying in Germany as the research object. In the specific writing, Ma Junwu, Zong Baihua, Chen Quan and Feng Zhi in the first half of the 20th century are taken as key cases; when appropriate, it will also examine the influential scholars studying in Germany in the same period.