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英语世界的莎士比亚研究：新材料与新视域
Yang Qing
The English-speaking world is constantly introducing new literary trends and theoretical constructions, all of which cannot avoid Shakespeare, a giant of world literature. Shakespeare has not only become a practical place for theoretical construction and a touchstone for testing theories, but his works have also become a source of cultural and literary innovation in various countries. Especially since entering the 21st century, Shakespeare scholars in the English-speaking world have used the trend of postmodernism to deconstruct and construct traditional Shakespeare studies: they may use new perspectives such as interdisciplinarity to reinterpret old issues in Shakespeare studies; or they may combine new Shakespeare phenomena to explore new issues in Shakespeare studies and expand research paradigms, with fruitful results. This book is a further exploration and study of new materials and new perspectives for Shakespeare studies in the English-speaking world.
The English-speaking world is constantly introducing new literary trends and theoretical constructions, all of which cannot avoid Shakespeare, a giant of world literature. Shakespeare has not only become a practical place for theoretical construction and a touchstone for testing theories, but his works have also become a source of cultural and literary innovation in various countries. Especially since entering the 21st century, Shakespeare scholars in the English-speaking world have used the trend of postmodernism to deconstruct and construct traditional Shakespeare studies: they may use new perspectives such as interdisciplinarity to reinterpret old issues in Shakespeare studies; or they may combine new Shakespeare phenomena to explore new issues in Shakespeare studies and expand research paradigms, with fruitful results. This book is a further exploration and study of new materials and new perspectives for Shakespeare studies in the English-speaking world.