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悖立与整合：中西比较诗学
Yang Naiqiao
This is a postdoctoral outbound report completed by Professor Yang under the guidance of Mr. Le Daiyun. As a postdoctoral report on comparative literature since the founding of the People's Republic of China, the important contribution of "Contradiction and Integration: Chinese and Western Comparative Poetics" is that it conducts a criss-cross comparative study of Chinese poetics and Western poetics from the original meanings of ontology and linguistic theory, both ancient and modern, at home and abroad, and demonstrates Professor Yang's profound academic foundation and lofty academic ideals. In the book, the author collected a large amount of information, sorted, analyzed, and summarized it, and pointed out that Confucian poetics took refuge in the "Jing" (i. E., The Thirteen Classics). "Jing" is not only a text form solidified in language, but also an ontological category. In this way, we find a level that can be mutually referenced, examined and compared with the ontology "Tao" of Taoist poetics and the ontology "Logos" of Western classical poetry.
This is a postdoctoral outbound report completed by Professor Yang under the guidance of Mr. Le Daiyun. As a postdoctoral report on comparative literature since the founding of the People's Republic of China, the important contribution of "Contradiction and Integration: Chinese and Western Comparative Poetics" is that it conducts a criss-cross comparative study of Chinese poetics and Western poetics from the original meanings of ontology and linguistic theory, both ancient and modern, at home and abroad, and demonstrates Professor Yang's profound academic foundation and lofty academic ideals. In the book, the author collected a large amount of information, sorted, analyzed, and summarized it, and pointed out that Confucian poetics took refuge in the "Jing" (i. E., The Thirteen Classics). "Jing" is not only a text form solidified in language, but also an ontological category. In this way, we find a level that can be mutually referenced, examined and compared with the ontology "Tao" of Taoist poetics and the ontology "Logos" of Western classical poetry.