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一个人的风:《健民短语》增订版
Yang Jianmin
This book is a collection of academic notes and essays. It reviews some books and works in the form of "jianmin phrases" and also thinks about some life issues. This book is roughly divided into three parts, namely "Sinking into Words", "Viewing Images in Books" and "Glimpses of Poetry". The author strives to read books and observe the world from the perspective of philosophical presence, so as to guard the spiritual home and human heart. The text is rich in texture, the language is unique, and it is full of philosophical meaning. It is a book that is easy to make readers think again.
This book is a collection of academic notes and essays. It reviews some books and works in the form of "jianmin phrases" and also thinks about some life issues. This book is roughly divided into three parts, namely "Sinking into Words", "Viewing Images in Books" and "Glimpses of Poetry". The author strives to read books and observe the world from the perspective of philosophical presence, so as to guard the spiritual home and human heart. The text is rich in texture, the language is unique, and it is full of philosophical meaning. It is a book that is easy to make readers think again.

思想的边界:健民文论自选集
Yang Jianmin
This book contains 28 essays and comments by the author, providing in-depth theoretical explanations of contemporary literature, painting theory, and ideological culture. The book is divided into three volumes. "The Threshold of Sensation: A Theoretical Setting" outlines a theoretical setting established by the author in the 1980s - artistic sensory theory; "Image of Criticism: Perspective and Genealogy" discusses the genealogy of modern writer theory and the historical evolution of early Hong Kong literature from the perspective of the "May Fourth" literary criticism background; "Interpretation Puzzles: What is Open" discusses the stylistic function of essays from a humanistic sense, and also comments on the literary theories of Liu Zaifu and others as well as some writers, poets, and painters.
This book contains 28 essays and comments by the author, providing in-depth theoretical explanations of contemporary literature, painting theory, and ideological culture. The book is divided into three volumes. "The Threshold of Sensation: A Theoretical Setting" outlines a theoretical setting established by the author in the 1980s - artistic sensory theory; "Image of Criticism: Perspective and Genealogy" discusses the genealogy of modern writer theory and the historical evolution of early Hong Kong literature from the perspective of the "May Fourth" literary criticism background; "Interpretation Puzzles: What is Open" discusses the stylistic function of essays from a humanistic sense, and also comments on the literary theories of Liu Zaifu and others as well as some writers, poets, and painters.