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A song "Ode to Red Plum Blossoms" has aroused many people's deep memory for the heroine on Lavyan Rock who looked down upon death. Among the thousands of revolutionary martyrs who shed their lives and blood for the birth of New China. The name Sister Jiang is the most familiar to everyone. Novels, movies, and operas all eulogized her heroic deeds with passion and gave profound and moving descriptions of her glorious image. However, few people know what Sister Jiang is like in real life as a wife, mother, and friend.

The beauty of April in the world is over, and the peach blossoms are beginning to bloom here

"Clouds and Clear Waters" is a collection of modern poetry. The poems in the book are clear and simple, elegant and popular. The words are gentle, graceful, delicate and tender, expressing the poet's deep yearning and deep love for nature, land and love in a unique female lyrical way. During this period, there are indelible marks brought by the torrent of time, as well as a touch of sadness and transparent sentimentality mixed in the past of life, which makes readers follow the article and linger on.

As an important writer who is good at both drama and novel creation, Chen Yan's writing benefits not only from his extremely rich life experience, but also from the rich Chinese opera and literary traditions. The basic characteristics of Chen Yan's works are to observe and deal with the lives and life experiences of ordinary people in the broad perspective of the overall era, to create characters that are exemplary for the times, and to integrate Chinese classical tradition on the basis of adhering to the elegant and upright realist tradition to open up a new realm of literature. This is true for "Xijing Story", "Staging", "Protagonist" and the new work "Comedy". By reading the modern plays "The Late Blooming Rose", "The Big Tree Migrating Westward", "The Story of Xijing" and the collection of essays "Speaking of Qin Opera" with the novel text, we can understand the basic status of Chen Yan's overall creation and the significance of the expansion of his vision of concepts and aesthetic expressions. This book attempts to understand and elucidate the literary historical value of Chen Yan's works from a new, more inclusive and general vision that integrates "ancient", "modern", "Chinese" and "Western", and "literature" and "art", and explores its creative transformation and innovative development in Chinese classical tradition, as well as the continuous important experience of realism, and then explores the establishment and significance of the concept of "big literary history" as a new research paradigm.

When the end comes, everyone falls into panic. An Liang looked innocent: Oh, I knew it a long time ago