Library

For pure love, Lu Xinhua followed Lin Yuanyuan to the remote Huangyuan County to become a reporter. However, Lin Yuanyuan later abandoned Lu Xinhua in order to return to the city. After some struggle, Lu Xinhua rationally broke up with Lin Yuanyuan. Later, Lu Xinhua and journalist Ren Xiaoxia fell in love at first sight, but when they both discovered that their report turned out to be an inaccurate report... "The Age of Zhuo Xin" is set against the backdrop of the turmoil on the higher education front in the mid-1970s, and the Loess Plateau in northern China as a typical environment. It has created the artistic image of a generation of worker-peasant-soldier college students represented by Lu Xinhua, Tian Limin, Lin Yuanyuan, Wang Liping, Feng Xiaobai, etc., And displayed the inspirational, thoughtful, true love, and persistent life scenery of this special group of worker-peasant-soldier college students from multiple angles; described their colorful mental journeys on multiple levels; and multi-dimensionally provided a multi-dimensional perspective on the short-lived and special cultural phenomenon of worker-peasant-soldier college students in the history of Chinese education.

"Emperor Wu of the Han Dynasty" begins with Liu Che's childhood. He succeeded to the throne through risks and took control of the power; he used virtuous reforms to respect the king and resist the barbarians; he fought against the Xiongnu and sent envoys to the Western Regions; he used witchcraft to cause chaos and revealed his sins to the people.

"Han Gaozu" is based on the peasant uprising in the late Qin Dynasty and the "Chu-Han Conflict" as the main line. It artistically reproduces Liu Bang, the founder of the Western Han Dynasty, his all-powerful situation, the ups and downs of political and military history and the rich emotional world; it panoramically shows the huge historical transformation of economy, politics, society and culture from the late Qin to the early Western Han Dynasty, from chaos to rule, from turmoil to social gatherings. The complex ecology moving towards stability and from economic collapse to economic recovery; multi-level and multi-perspective displays of the political wisdom, military strategy and governance skills of the Western Han Dynasty political group headed by Liu Bang; vividly depicting nearly a hundred artistic group portraits of Liu Bang, Xiang Yu, Xiao He, Cao Shen, Zhang Liang, Han Xin, Fan Zeng, Fan Kuai, Lu Pheasant, Yu Ji, etc. With different personalities. The work uses an epic structure to reflect almost all major events and folk customs from the peasant wars at the end of Qin Dynasty to the early Western Han Dynasty, and also gives it a personalized artistic aesthetic. It is a long-volume masterpiece on the historical themes of the Western Han Dynasty.

Why would she cross the bottom line of human ethics and kill her own children? How did she transform from talent to queen? How could she become a queen in a world ruled by men for thousands of years? The Great Zhou Dynasty she founded was at its peak, so why wasn't it passed down to future generations? Why do Li Tang's descendants always respect her and regard her as their emperor? For more than a thousand years, she has been both history and legend. The book begins with Wu Zetian's entry into the palace and the death of Emperor Taizong of the Tang Dynasty. It vividly depicts the complex and rich emotional life of a generation of empresses, their wisdom and strategies for managing the country and the world, and their extraordinary life of rebellion and isolation. It reproduces the thrilling power situation of the Tang Dynasty and describes the counterattack life of the first empress in Chinese history.

"Emperor Wu of the Han Dynasty" begins with Liu Che's childhood. He succeeded to the throne through risks and took control of the power; he used virtuous reforms to respect the king and resist the barbarians; he fought against the Xiongnu and sent envoys to the Western Regions; he used witchcraft to cause chaos and revealed his sins to the people. During this period, there were overt and covert struggles in the palace, and the spectacular scene of the Han Empire fighting in all directions and fighting with iron horses. "The yellow sand will wear golden armor in a hundred battles, and Loulan will never be returned until it is broken!" The work resists foreign invasion, the majestic war scenes, the heroic and passionate feelings of the soldiers, and the grandeur of the prosperous age that dominates the world will all be vividly displayed in this work.